| Major Works For Orchestra Orchestre [CD Sheet Music] Theodore Presser Co.
Orchestra - all SKU: PR.816600040 Composed by Wolfgang Amadeus Mozart. CD...(+)
Orchestra - all SKU:
PR.816600040 Composed
by Wolfgang Amadeus
Mozart. CD Sheet Music
(Version 1). Full Scores
to all of the major works
for orchestra by Mozart -
parts not included.
Classical Period. CD
Sheet Music. 2000
printable pages.
Published by Theodore
Presser Company
(PR.816600040). UPC:
680160600045. 5.5x5
inches. This disk
contains study scores of
all 41 of Mozart's
Symphonies, as well as
Concertos for Winds and
Strings (Piano Concertos
are on a companion
CD-ROM), Serenades, Opera
Overtures, Divertimentos,
and other works.
About CD Sheet
Music (Version
1) CD
Sheet Music (Version 1)
was the initial CD Sheet
Music series distributed
by Theodore Presser. The
CDs include thousands of
pages of music that are
viewable and printable on
Mac or PC. Version 1
titles are a great value
at 40% off, as we make
room in our warehouse for
the newly enhanced CD
Sheet Music (Version 2.0)
series. $18.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Serenade No. 1 in D Major, Op. 11 Orchestre [Conducteur d'étude / Miniature] G. Henle
(Study Score). Composed by Johannes Brahms (1833-1897). Edited by Michael Musgra...(+)
(Study Score). Composed
by Johannes Brahms
(1833-1897). Edited by
Michael Musgrave. For
Orchestra (Study Score).
Henle Study Scores.
Softcover. 256 pages. G.
Henle #HN9857. Published
by G. Henle
$24.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Serenade No. 2 in A Major, Op. 16 Orchestre G. Henle
(Study Score). By Johannes Brahms (1833-1897). Edited by Michael Musgrave. For O...(+)
(Study Score). By
Johannes Brahms
(1833-1897). Edited by
Michael Musgrave. For
Orchestra (Study Score).
Henle Study Scores.
Softcover. 100 pages. G.
Henle #HN9858. Published
by G. Henle
$15.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Orchestra Musician's CD-ROM Library: Mozart and Haydn - Volume 6 (Clarinet) Clarinette [CD Sheet Music] CD Sheet Music
CD-ROM (Windows and Mac) for clarinet. Series: The Orchestra Musician's CD-ROM L...(+)
CD-ROM (Windows and Mac)
for clarinet. Series: The
Orchestra Musician's
CD-ROM Library. 8 pages.
Published by CD Sheet
Music, LLC.
$19.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Pezzo in forma di Sonatina Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Belwin
(1st Movement from Serenade in C Major for String Orchestra, Op. 48). By Peter...(+)
(1st Movement from
Serenade in C Major for
String Orchestra, Op.
48). By Peter Ilyich
Tchaikovsky (1840-1893).
Arranged by Victor
LÌ_pez. Concert Band.
Concert Band;
Masterworks; Part(s);
Score. Belwin Concert
Band. Form: Sonatina.
Masterwork Arrangement;
Romantic. Grade 3. 260
pages. Published by
Belwin Publishing
$70.00 $66.5 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Serenade No. 1 in D major Op. 11 Orchestre Breitkopf & Härtel
Orchestra (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.PB-16105 Urtext b...(+)
Orchestra (2.2.2.2. -
4.2.0.0. - timp - str)
SKU: BR.PB-16105
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Musgrave. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). The
study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Serenade/divertimento;
Romantic. Full score. 168
pages. Duration 45'.
Breitkopf and Haertel #PB
16105. Published by
Breitkopf and Haertel
(BR.PB-16105). ISBN
9790004214329. 10 x 12.5
inches. Johannes
Brahms was long reluctant
to compete with Beethoven
in the field of symphonic
music. With his D-major
Serenade in six
movements, the young
composer deliberately
chose a genre that had
had its golden era in the
18th century, thus before
Beethoven. Initially, he
even conceived the
Serenade for a smaller
setting, but decided on a
full orchestra in 1860.
But even then, it was
slow in becoming an
audience success.The new
Brahms Complete Edition
has chosen as its
principal source a copy
of the scores first
edition that Brahms used
as his personal work
copy. There, however,
errors remained
undiscovered, and
recurred in later print
runs as well. It was not
until the new Brahms
Edition that a music text
of the D-major Serenade
is finally being
published, a text that
clearly heeds all of the
composers emendations and
eliminates other
shortcomings. $77.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Facile Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
(8)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Serenade Carl Fischer
Full orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Crash C...(+)
Full orchestra Bassoon 1,
Bassoon 2, Clarinet 1,
Clarinet 2, Contrabass,
Crash Cymbals, Flute 1,
Flute 2, Glockenspiel,
Harp, Horn 1, Horn 2,
Horn 3, Oboe 2,
Percussion 1, Percussion
2, Piccolo, Suspended
Cymbal, Timpani, Trombone
1, Trombone 2, Trumpet 1
and more. SKU:
CF.SC88 Composed by
William Grant Still. Full
score. 32 pages. Duration
9 minutes, 20 seconds.
Carl Fischer Music #SC88.
Published by Carl Fischer
Music (CF.SC88). ISBN
9781491158845. UPC:
680160917563. Willi
am Grant Stillas catalog
of works comprises over
200 pieces, including
five symphonies, nine
operas, four ballets and
numerous works for
chamber ensembles. He
initially found
employment as an oboist
in pit orchestras in New
York City, later as an
arranger of popular music
for various ensembles,
including those by
William C. Handy, James
P. Johnson and Paul
Whiteman. His career as a
composer was launched
with a performance in
1931 of his Symphony No.
1 aAfro-Americana by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Stillas orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the aDean of
Afro-American Composers.a
Still composed his
Serenade for Orchestra in
1957 on a commission by
the Great Falls High
School in Great Falls,
Montana. He later
transcribed the work for
a chamber ensemble of
flute, clarinet, harp and
strings. The piece
reflects Stillas interest
in American folk idioms,
with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional
voice. William Grant
Still's catalog of works
comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
Afro-American by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Still's orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the Dean of Afro-American
Composers. Still composed
his Serenade for
Orchestra in 1957 on a
commission by the Great
Falls High School in
Great Falls, Montana. He
later transcribed the
work for a chamber
ensemble of flute,
clarinet, harp and
strings. The piece
reflects Still's interest
in American folk idioms,
with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional
voice. William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-Americanâ€
by the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of
Still’s orchestral
works. By the 1950s the
symphony had been
performed in New York,
Chicago, Los Angeles and
various European
capitals.This notoriety
earned Still a Guggenheim
Fellowship in 1934, after
which he moved to Los
Angeles. He is credited
as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.â€Still
composed his Serenade for
Orchestra in 1957 on a
commission by the Great
Falls High School in
Great Falls, Montana. He
later transcribed the
work for a chamber
ensemble of flute,
clarinet, harp and
strings. The piece
reflects Still’s
interest in American folk
idioms, with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional voice. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Serenade No. 2 in A major Op. 16 Orchestre Breitkopf & Härtel
Orchestra (picc.2.2.2.2. - 2.0.0.0. - str(without vl)) SKU: BR.PB-16106 <...(+)
Orchestra (picc.2.2.2.2.
- 2.0.0.0. - str(without
vl)) SKU:
BR.PB-16106 Urtext
from the new Brahms
Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Musgrave. Orchestra;
Softbound.
Partitur-Bibliothek
(Score Library). The
study score
(,,Studien-Edition) is
available at G. Henle
Verlag.
Serenade/divertimento;
Romantic. Full score. 92
pages. Duration 30'.
Breitkopf and Haertel #PB
16106. Published by
Breitkopf and Haertel
(BR.PB-16106). ISBN
9790004214336. 10 x 12.5
inches. Classical
ReminiscencesDuring his
time as conductor of the
Detmold court orchestra,
the young Brahms was
inspired by the local
wind ensemble to compose
two serenades. Serenade
No. 2, scored for five
pairs of winds, violas,
cellos, and string basses
(leaving out the violins)
is strongly reminiscent
in sound of Mozart's wind
serenades. The expressive
Adagio is the heart of
the five-movement work.
Quite untypical of
Brahms, he acquired a
liking for the work from
the outset, still
undertaking a revision
scarcely 15 years after
the premiere of 1860;
this has now been made
available in a new
practical edition based
on the Johannes Brahms
Complete Edition
(JBG). $72.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| An Episode at a Masquerade: Symphonic Poem for Orchestra, Op. 14 Orchestre PWM (Polskie Wydawnictwo Muzyczne)
Orchestra SKU: HL.215244 The Works of Mieczyslaw Karlowicz Volume 11(+)
Orchestra SKU:
HL.215244 The
Works of Mieczyslaw
Karlowicz Volume 11.
Composed by Mieczystaw
Karlowicz. PWM.
Classical. Hardcover. 140
pages. Polskie
Wydawnictwo Muzyczne
#11592010. Published by
Polskie Wydawnictwo
Muzyczne (HL.215244).
12.0x17.0x0.63
inches. Hardcover
full score. Text in
Polish, German, and
English. This edition of
the works of Mieczyslaw
Karlowicz is based on
critically examined
sources. It includes all
his compositions. The aim
of the edition is to
present the composer's
original text as
authentically as
possible. This is not an
easy task. The source
materials of Karlowicz's
music are very diverse in
nature. Apart from most
of the songs, the
composer prepared for
printing and published in
his lifetime the
following: Serenade for
Strings Op. 2, Prelude
and Fugue Op. 5, Concerto
in A major for Violin and
Orchestra Op. 8,
Returning Waves Op. 9 and
Eternal Songs Op. 10.
Being highly experienced
in writing for a symphony
orchestra, and
knowledgeable in the
modern method of
instrumentation in the
neoromantic style, he
prepared his scores with
great care. The remaining
symphonic poems were not
published before the
composer's death; and the
'Rebirth' Symphony, the
manuscript of which
miraculously survived the
ravages of World War II,
was issued only in 1993,
as part of the present
Complete Works edition.
During this war the
autographs of the most
compositions by
Karlowicz, including all
his symphonic poems
(except for The Sorrowful
Tale), were lost. The
present publication,
therefore, is based as a
rule on the first
editions, compared with
extant autographs or
authorized copies of the
scores. The amendments of
misprints or self-evident
mistakes on the part of
the composer are not
indicated graphically in
the text but referred to
in the Editorial
Notes. $112.00 - Voir plus => Acheter | | |
| Serenade No. 5 in D, K. 204/213a LudwigMasters Publications
Orchestra 2.2.0.1: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Violin in set SKU: A...(+)
Orchestra 2.2.0.1:
2.2.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set SKU:
AP.36-A183202
Composed by Wolfgang
Amadeus Mozart. Full
Orchestra. Kalmus
Orchestra Library. Score
and Part(s).
LudwigMasters
Publications #36-A183202.
Published by
LudwigMasters
Publications
(AP.36-A183202). UPC:
659359530821.
English. Wolfgang
Amadeus Mozart
(1756-1791) wrote the
SERENADE No. 5 in D
Major, K. 204/213a on
August 5, 1775 for
ceremonies at the
University of Salzburg.
Concurrently writing his
five violin concertos,
the composer chose to
feature a solo violin in
three of the movements.
While it retains a
seven-part structure, an
impromptu violin concerto
is cleverly couched
within the work. As he
did with most of his
serenades for orchestra,
Mozart crafted a symphony
using the other four
movements.
Instrumentation: 2.2.0.1:
2.2.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set. Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $150.00 - Voir plus => Acheter | | |
| Serenade No. 5 in D, K. 204/213a LudwigMasters Publications
Orchestra 2.2.0.1: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Violin in set SKU: A...(+)
Orchestra 2.2.0.1:
2.2.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set SKU:
AP.36-A183248
Composed by Wolfgang
Amadeus Mozart. Full
Orchestra. Kalmus
Orchestra Library.
Part(s). LudwigMasters
Publications #36-A183248.
Published by
LudwigMasters
Publications
(AP.36-A183248). ISBN
9798892704335. UPC:
659359535086.
English. Wolfgang
Amadeus Mozart
(1756-1791) wrote the
SERENADE No. 5 in D
Major, K. 204/213a on
August 5, 1775 for
ceremonies at the
University of Salzburg.
Concurrently writing his
five violin concertos,
the composer chose to
feature a solo violin in
three of the movements.
While it retains a
seven-part structure, an
impromptu violin concerto
is cleverly couched
within the work. As he
did with most of his
serenades for orchestra,
Mozart crafted a symphony
using the other four
movements.
Instrumentation: 2.2.0.1:
2.2.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set. Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $5.50 - Voir plus => Acheter | | |
| Serenade No. 5 in D, K. 204/213a LudwigMasters Publications
Orchestra 2.2.0.1: 2.2.0.0: Str (4-4-3-3-3 in set): Solo Violin in set SKU: A...(+)
Orchestra 2.2.0.1:
2.2.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set SKU:
AP.36-A183201
Composed by Wolfgang
Amadeus Mozart. Full
Orchestra. Kalmus
Orchestra Library. Score.
LudwigMasters
Publications #36-A183201.
Published by
LudwigMasters
Publications
(AP.36-A183201). ISBN
9798892704328. UPC:
659359524264.
English. Wolfgang
Amadeus Mozart
(1756-1791) wrote the
SERENADE No. 5 in D
Major, K. 204/213a on
August 5, 1775 for
ceremonies at the
University of Salzburg.
Concurrently writing his
five violin concertos,
the composer chose to
feature a solo violin in
three of the movements.
While it retains a
seven-part structure, an
impromptu violin concerto
is cleverly couched
within the work. As he
did with most of his
serenades for orchestra,
Mozart crafted a symphony
using the other four
movements.
Instrumentation: 2.2.0.1:
2.2.0.0: Str (4-4-3-3-3
in set): Solo Violin in
set. Reprint edition.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months. $25.00 - Voir plus => Acheter | | |
| Serenade for Strings, Op. 22, 1st Movement - Score Orchestre à Cordes - Intermédiaire/avancé Kjos Music Company
Orchestra string orchestra - Grade 4 SKU: KJ.SO389F Composed by Jeremy Wo...(+)
Orchestra string
orchestra - Grade 4
SKU: KJ.SO389F
Composed by Jeremy
Woolstenhulme. String
Tracks XVIII. Score. Neil
A. Kjos Music Company
#SO389F. Published by
Neil A. Kjos Music
Company (KJ.SO389F).
UPC:
8402704821. Serenade for
Strings, Op. 22,
First Movement is
presented in its entirety
in G Major, making it
wonderfully accessible to
less advanced ensembles.
A staple in classical
string orchestra
literature, this is not
to be missed! This
Woolstenhulme arrangement
belongs in all school
libraries. $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Italian Serenade in G Major Orchestre [Conducteur d'étude / Miniature] Eulenburg
Chamber Orchestra (Study Score) SKU: HL.49009544 For Small Orchestra(+)
Chamber Orchestra (Study
Score) SKU:
HL.49009544 For
Small Orchestra.
Composed by Hugo Wolf.
This edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Study Score.
40 pages. Duration 8'.
Eulenburg Edition
#ETP1322. Published by
Eulenburg Edition
(HL.49009544). ISBN
9783795771485. UPC:
800522001543.
5.25x7.5x0.127
inches. With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition. $12.99 - Voir plus => Acheter | | |
| Peter Ilyich Tchaikovsky: Serenade for String Orchestra in C Major, Op. 48 and Marche Slav, Op. 31 1 Piano, 4 mains [Partition] Kalmus
Composed by Peter Ilyich Tchaikovsky (1840-1893). Duet or Duo; Masterworks; Pian...(+)
Composed by Peter Ilyich
Tchaikovsky (1840-1893).
Duet or Duo; Masterworks;
Piano Duet (1 Piano, 4
Hands); Solo Small
Ensembles. Kalmus
Edition. Form: March.
Masterwork; Romantic.
Book. 104 pages. Kalmus
Classic Edition
#00-K04058. Published by
Kalmus Classic Edition
$17.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Serenade for Strings in E Major Op. 22 Orchestre [Partition + CD] Eulenburg
(Eulenburg Audio Score 73). By Antonin Dvorák and Antonin Dvor. Eulenberg Aud...(+)
(Eulenburg Audio Score
73). By Antonin Dvorák
and Antonin Dvor.
Eulenberg Audio plus
Score. Softcover with CD.
80 pages. Eulenburg
(Schott Music) #EAS173.
Published by Eulenburg
(Schott Music)
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Serenade in E Major, Op. 22 Orchestre à Cordes [Conducteur d'étude / Miniature] Eulenburg
For String Orchestra. By Antonin Dvorak. (Study Score). Schott. Size 5.25x7.5 i...(+)
For String Orchestra. By
Antonin Dvorak. (Study
Score). Schott. Size
5.25x7.5 inches. 110
pages. Published by
Eulenburg.
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Serenade in C Major, Op. 48 Orchestre à Cordes [Conducteur d'étude / Miniature] Eulenburg
For Strings. By Peter Ilyich Tchaikovsky. (Study Score). Schott. Size 5.25x7.5 ...(+)
For Strings. By Peter
Ilyich Tchaikovsky.
(Study Score). Schott.
Size 5.25x7.5 inches. 62
pages. Published by
Eulenburg.
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Serenade No. 1 in D major Op. 11 Breitkopf & Härtel
Violin 1 (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-16105-15 Urtext...(+)
Violin 1 (2.2.2.2. -
4.2.0.0. - timp - str)
SKU:
BR.OB-16105-15
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Musgrave. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Serenade/divertimento;
Romantic. Part. 20 pages.
Duration 45'. Breitkopf
and Haertel #OB 16105-15.
Published by Breitkopf
and Haertel
(BR.OB-16105-15). ISBN
9790004341650. 10 x 12.5
inches. Johannes
Brahms was long reluctant
to compete with Beethoven
in the field of symphonic
music. With his D-major
Serenade in six
movements, the young
composer deliberately
chose a genre that had
had its golden era in the
18th century, thus before
Beethoven. Initially, he
even conceived the
Serenade for a smaller
setting, but decided on a
full orchestra in 1860.
But even then, it was
slow in becoming an
audience success.The new
Brahms Complete Edition
has chosen as its
principal source a copy
of the scores first
edition that Brahms used
as his personal work
copy. There, however,
errors remained
undiscovered, and
recurred in later print
runs as well. It was not
until the new Brahms
Edition that a music text
of the D-major Serenade
is finally being
published, a text that
clearly heeds all of the
composers emendations and
eliminates other
shortcomings. $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Serenade No. 1 in D major Op. 11 Breitkopf & Härtel
Double bass (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-16105-27 Urt...(+)
Double bass (2.2.2.2. -
4.2.0.0. - timp - str)
SKU:
BR.OB-16105-27
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Musgrave. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Serenade/divertimento;
Romantic. Part. 20 pages.
Duration 45'. Breitkopf
and Haertel #OB 16105-27.
Published by Breitkopf
and Haertel
(BR.OB-16105-27). ISBN
9790004341698. 10 x 12.5
inches. Johannes
Brahms was long reluctant
to compete with Beethoven
in the field of symphonic
music. With his D-major
Serenade in six
movements, the young
composer deliberately
chose a genre that had
had its golden era in the
18th century, thus before
Beethoven. Initially, he
even conceived the
Serenade for a smaller
setting, but decided on a
full orchestra in 1860.
But even then, it was
slow in becoming an
audience success.The new
Brahms Complete Edition
has chosen as its
principal source a copy
of the scores first
edition that Brahms used
as his personal work
copy. There, however,
errors remained
undiscovered, and
recurred in later print
runs as well. It was not
until the new Brahms
Edition that a music text
of the D-major Serenade
is finally being
published, a text that
clearly heeds all of the
composers emendations and
eliminates other
shortcomings. $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Serenade No. 1 in D major Op. 11 Breitkopf & Härtel
Woodwinds (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-16105-30 Urtex...(+)
Woodwinds (2.2.2.2. -
4.2.0.0. - timp - str)
SKU:
BR.OB-16105-30
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Musgrave. Orchestra;
Folder.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Serenade/divertimento;
Romantic. Set of parts.
204 pages. Duration 45'.
Breitkopf and Haertel #OB
16105-30. Published by
Breitkopf and Haertel
(BR.OB-16105-30). ISBN
9790004341704. 10 x 12.5
inches. Johannes
Brahms was long reluctant
to compete with Beethoven
in the field of symphonic
music. With his D-major
Serenade in six
movements, the young
composer deliberately
chose a genre that had
had its golden era in the
18th century, thus before
Beethoven. Initially, he
even conceived the
Serenade for a smaller
setting, but decided on a
full orchestra in 1860.
But even then, it was
slow in becoming an
audience success.The new
Brahms Complete Edition
has chosen as its
principal source a copy
of the scores first
edition that Brahms used
as his personal work
copy. There, however,
errors remained
undiscovered, and
recurred in later print
runs as well. It was not
until the new Brahms
Edition that a music text
of the D-major Serenade
is finally being
published, a text that
clearly heeds all of the
composers emendations and
eliminates other
shortcomings. $165.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Serenade No. 1 in D major Op. 11 Breitkopf & Härtel
Viola (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-16105-19 Urtext ba...(+)
Viola (2.2.2.2. -
4.2.0.0. - timp - str)
SKU:
BR.OB-16105-19
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Musgrave. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Serenade/divertimento;
Romantic. Part. 24 pages.
Duration 45'. Breitkopf
and Haertel #OB 16105-19.
Published by Breitkopf
and Haertel
(BR.OB-16105-19). ISBN
9790004341674. 10 x 12.5
inches. Johannes
Brahms was long reluctant
to compete with Beethoven
in the field of symphonic
music. With his D-major
Serenade in six
movements, the young
composer deliberately
chose a genre that had
had its golden era in the
18th century, thus before
Beethoven. Initially, he
even conceived the
Serenade for a smaller
setting, but decided on a
full orchestra in 1860.
But even then, it was
slow in becoming an
audience success.The new
Brahms Complete Edition
has chosen as its
principal source a copy
of the scores first
edition that Brahms used
as his personal work
copy. There, however,
errors remained
undiscovered, and
recurred in later print
runs as well. It was not
until the new Brahms
Edition that a music text
of the D-major Serenade
is finally being
published, a text that
clearly heeds all of the
composers emendations and
eliminates other
shortcomings. $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Serenade No. 1 in D major Op. 11 Breitkopf & Härtel
Violin 2 (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-16105-16 Urtext...(+)
Violin 2 (2.2.2.2. -
4.2.0.0. - timp - str)
SKU:
BR.OB-16105-16
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Musgrave. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Serenade/divertimento;
Romantic. Part. 24 pages.
Duration 45'. Breitkopf
and Haertel #OB 16105-16.
Published by Breitkopf
and Haertel
(BR.OB-16105-16). ISBN
9790004341667. 10 x 12.5
inches. Johannes
Brahms was long reluctant
to compete with Beethoven
in the field of symphonic
music. With his D-major
Serenade in six
movements, the young
composer deliberately
chose a genre that had
had its golden era in the
18th century, thus before
Beethoven. Initially, he
even conceived the
Serenade for a smaller
setting, but decided on a
full orchestra in 1860.
But even then, it was
slow in becoming an
audience success.The new
Brahms Complete Edition
has chosen as its
principal source a copy
of the scores first
edition that Brahms used
as his personal work
copy. There, however,
errors remained
undiscovered, and
recurred in later print
runs as well. It was not
until the new Brahms
Edition that a music text
of the D-major Serenade
is finally being
published, a text that
clearly heeds all of the
composers emendations and
eliminates other
shortcomings. $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Serenade No. 1 in D major Op. 11 Breitkopf & Härtel
Violoncello (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-16105-23 Urt...(+)
Violoncello (2.2.2.2. -
4.2.0.0. - timp - str)
SKU:
BR.OB-16105-23
Urtext based on the
new Complete Edition (G.
Henle Verlag).
Composed by Johannes
Brahms. Edited by Michael
Musgrave. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
The study score
(,,Studien-Edition) is
available at G.
Henle Verlag.
Serenade/divertimento;
Romantic. Part. 24 pages.
Duration 45'. Breitkopf
and Haertel #OB 16105-23.
Published by Breitkopf
and Haertel
(BR.OB-16105-23). ISBN
9790004341681. 10 x 12.5
inches. Johannes
Brahms was long reluctant
to compete with Beethoven
in the field of symphonic
music. With his D-major
Serenade in six
movements, the young
composer deliberately
chose a genre that had
had its golden era in the
18th century, thus before
Beethoven. Initially, he
even conceived the
Serenade for a smaller
setting, but decided on a
full orchestra in 1860.
But even then, it was
slow in becoming an
audience success.The new
Brahms Complete Edition
has chosen as its
principal source a copy
of the scores first
edition that Brahms used
as his personal work
copy. There, however,
errors remained
undiscovered, and
recurred in later print
runs as well. It was not
until the new Brahms
Edition that a music text
of the D-major Serenade
is finally being
published, a text that
clearly heeds all of the
composers emendations and
eliminates other
shortcomings. $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.416415760 For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760). UPC:
680160636532. 9 x 12
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $39.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.41641576L For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L). UPC:
680160636549. 11 x 17
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphony D major Orchestre Barenreiter
Orchestra SKU: BA.BA09174 Based on Serenade K. 250 (248b). Compose...(+)
Orchestra SKU:
BA.BA09174 Based
on Serenade K. 250
(248b). Composed by
Wolfgang Amadeus Mozart.
Edited by Günter
Haußwald. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Based on Serenade
K. 250 (248b). Score. KV
250 (248b). 58 pages.
Baerenreiter Verlag
#BA09174_00. Published by
Baerenreiter Verlag
(BA.BA09174). ISBN
9790006528615. 30 x 23 cm
inches. Key: D
major.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$63.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony D major Orchestre Barenreiter
Orchestra SKU: BA.BA09175 Based on Serenade K. 320. Composed by Wo...(+)
Orchestra SKU:
BA.BA09175 Based
on Serenade K. 320.
Composed by Wolfgang
Amadeus Mozart. Edited by
Günter Haußwald.
This edition: urtext
edition. Stapled.
Barenreiter Urtext. Based
on Serenade K. 320.
Score. KV 320. 43 pages.
Baerenreiter Verlag
#BA09175_00. Published by
Baerenreiter Verlag
(BA.BA09175). ISBN
9790006528677. 30 x 23 cm
inches. Key: D
major.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$53.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony [No. 35] in D major K. 385 Orchestre Breitkopf & Härtel
Orchestra (2.2.2.2 - 2.2.0.0 - timp - str) SKU: BR.PB-5552-07 Hafner M...(+)
Orchestra (2.2.2.2 -
2.2.0.0 - timp - str)
SKU: BR.PB-5552-07
Hafner Music: Hafner
Symphony with March in D
major K. 408/2 (385a) -
Urtext. Composed by
Wolfgang Amadeus Mozart.
Edited by Henrik Wiese.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Symphony; Dances/marches;
Classical. Study Score.
56 pages. Duration 20'.
Breitkopf and Haertel #PB
5552-07. Published by
Breitkopf and Haertel
(BR.PB-5552-07). ISBN
9790004213629. 6.5 x 9
inches. Wolfgang
Amadeus Mozart wrote his
Hafner Symphony K. 385 in
the summer of 1782 on the
occasion of the elevation
into the nobility of his
friend and patron Sigmund
Hafner. Next to the
well-known movements,
this version (A) also
contained the March K.
408/2 (385a) and possibly
a second, no longer
extant minuet. Called
Hafner=Musique by Mozart,
the work was
unquestionably a serenade
at first. In early 1783
Mozart then reduced the
Hafner Music for his
subscription concert at
the Vienna Burgtheater on
23 March 1783 to a
four-movement symphony.
This is the form in which
the work was first
printed in 1785 (Version
B). For a further
performance, Mozart added
flute and clarinet parts
to the symphony. In 1805,
this version (C) was
published by Andre in
Offenbach, who thus began
making it known.The
primary sources of the
present Breitkopf Urtext
edition are the
autographs to K. 385 and
K. 408/2 (385a). It thus
becomes possible for the
first time to play all
three versions of the
Hafner Music, since the
variants of Versions A
and B can be easily
discerned through
indications in footnotes
and notes in small
print. $17.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
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