Composed by Robert Scandrett. Stuttgart Urtext Edition: Mozart. German title: Shaker Hymnes. Choral part. 4 pages. Carus Verlag #CV 40.239/10. Published by Carus Verlag (CA.4023910).

SSAA, a cappella

SKU: SU.80300162

For SSAA, a cappella. Arranged by Nina Gilbert. Vocal/Choral, Secular Choral. A cappella. Choral Octavo. Treble Clef Music Press #80300162. Published by Treble Clef Music Press (SU.80300162).

1. Oh, the Beautiful Treasure; 2. We Will Walk with Mother and Mourn; 3. Hop Up and Jump Up. Explore the American heritage of Shaker hymnody with these three settings of lesser-known, very appealing Shaker spirituals. Each brief setting grows from its underlying melody to make an exceptionally unified arrangement. With a different technique as the focus for each arrangement, these minute-long pieces make fine vocalises for your choir. Oh the beautiful treasure, with its square rhythms, horn calls, and harmonic texture opening out and closing, is excellent for teaching chord tuning. We will walk with Mother and mourn, with its smooth, stepwise, rising and falling melody, is a fine exercise for legato singing. Hop up and jump up, with its crisp rhythms and phrase fragments tossed from part to part, calls for rhythmic clarity and clean entrances and cutoffs. SSAA a cappella; 13 pages, plus editorial notes; duration: 3:15 min.; range: g to f; difficulty: easy-medium; from the Nina Gilbert Choral Series. SSAA, a cappella Published by: Treble Clef Music Minimum order quantity: 8 copies.

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor score and set of parts. Duration 9:00. Published by Manhattan Beach Music.

By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Grade 3. Conductor Full Score. Duration 9:00

Choral SATB chorus - late intermediate

SKU: XC.SATB2109

Composed by Shaker Hymn Hymn. Arranged by John Maclane Schirard. Festival. Festival. Octavo. Excelcia Music Publishing #SATB2109. Published by Excelcia Music Publishing (XC.SATB2109).

UPC: 812598038316. 6.75 x 10.5 inches.

A fresh and delightful new take on an old Shaker Hymn. Arranger John Maclane Schirard has given us an a cappella arrangement that is extremely fun to sing and keeps the audience on the edge of their seat all the way until the rousing ending.

By Elaine Hagenberg. For SATB choir and piano. Capital University Choral Series. Traditional Shaker Hymn. Sacred. Octavo. 8 pages. Published by Beckenhorst Press

Mixed Instrument Collection Tuba - 2-3

SKU: KN.19557

Composed by Various. Arranged by Frank Halferty. Duets. Mixed Instrument Collection. Kendor Music Inc #19557. Published by Kendor Music Inc (KN.19557).

UPC: 822795195576.

This collection is a terrific resource for student groups, church musicians, family musicians and more. These grade 2-3 arrangements are fully interchangeable. The piano accompaniment book is optional and the tuba book includes two versions of the duets; one that is to be played by 2 tubas, and one that can be played with another instrument.

Conten ts:
Hail The Conquering Hero Comes (Handel); OUr Director (Bigelow); St. Anthony's Chorale (Haydn); Simple Gifts (Shaker hymn); Ecossaise (Beethoven); Can Can Polka (Offenbach); The Pilgrims' Chorus (Wagner); Allegro (Mozart).

Mixed Instrument Collection Piano Accompaniment - 2-3

SKU: KN.19558

Composed by Various. Arranged by Frank Halferty. Duets. Mixed Instrument Collection. Kendor Music Inc #19558. Published by Kendor Music Inc (KN.19558).

UPC: 822795195583.

This collection is a terrific resource for student groups, church musicians, family musicians and more. These grade 2-3 arrangements are fully interchangeable. The piano accompaniment book is optional and the tuba book includes two versions of the duets; one that is to be played by 2 tubas, and one that can be played with another instrument.

Conten ts:
Hail The Conquering Hero Comes (Handel); OUr Director (Bigelow); St. Anthony's Chorale (Haydn); Simple Gifts (Shaker hymn); Ecossaise (Beethoven); Can Can Polka (Offenbach); The Pilgrims' Chorus (Wagner); Allegro (Mozart).

Mixed Instrument Collection Bb Instruments - 2-3

SKU: KN.19553

Composed by Various. Arranged by Frank Halferty. Duets. Mixed Instrument Collection. Kendor Music Inc #19553. Published by Kendor Music Inc (KN.19553).

UPC: 822795195538.

This collection is a terrific resource for student groups, church musicians, family musicians and more. These grade 2-3 arrangements are fully interchangeable. The piano accompaniment book is optional and the tuba book includes two versions of the duets; one that is to be played by 2 tubas, and one that can be played with another instrument.

Conten ts:
Hail The Conquering Hero Comes (Handel); OUr Director (Bigelow); St. Anthony's Chorale (Haydn); Simple Gifts (Shaker hymn); Ecossaise (Beethoven); Can Can Polka (Offenbach); The Pilgrims' Chorus (Wagner); Allegro (Mozart).

Mixed Instrument Collection Bass Clef Instruments - 2-3

SKU: KN.19556

Composed by Various. Arranged by Frank Halferty. Duets. Mixed Instrument Collection. Kendor Music Inc #19556. Published by Kendor Music Inc (KN.19556).

UPC: 822795195569.

This collection is a terrific resource for student groups, church musicians, family musicians and more. These grade 2-3 arrangements are fully interchangeable. The piano accompaniment book is optional and the tuba book includes two versions of the duets; one that is to be played by 2 tubas, and one that can be played with another instrument.

Conten ts:
Hail The Conquering Hero Comes (Handel); OUr Director (Bigelow); St. Anthony's Chorale (Haydn); Simple Gifts (Shaker hymn); Ecossaise (Beethoven); Can Can Polka (Offenbach); The Pilgrims' Chorus (Wagner); Allegro (Mozart).

Mixed Instrument Collection F Instruments - 2-3

SKU: KN.19555

Composed by Various. Arranged by Frank Halferty. Duets. Mixed Instrument Collection. Kendor Music Inc #19555. Published by Kendor Music Inc (KN.19555).

UPC: 822795195552.

This collection is a terrific resource for student groups, church musicians, family musicians and more. These grade 2-3 arrangements are fully interchangeable. The piano accompaniment book is optional and the tuba book includes two versions of the duets; one that is to be played by 2 tubas, and one that can be played with another instrument.

Conten ts:
Hail The Conquering Hero Comes (Handel); OUr Director (Bigelow); St. Anthony's Chorale (Haydn); Simple Gifts (Shaker hymn); Ecossaise (Beethoven); Can Can Polka (Offenbach); The Pilgrims' Chorus (Wagner); Allegro (Mozart).

Mixed Instrument Collection String Bass - 2-3

SKU: KN.19564

Composed by Various. Arranged by Frank Halferty. Duets. Mixed Instrument Collection. Kendor Music Inc #19564. Published by Kendor Music Inc (KN.19564).

UPC: 822795195644.

This collection is a terrific resource for student groups, church musicians, family musicians and more. These grade 2-3 arrangements are fully interchangeable. The piano accompaniment book is optional and the tuba book includes two versions of the duets; one that is to be played by 2 tubas, and one that can be played with another instrument.

Conten ts:
Hail The Conquering Hero Comes (Handel); Our Director (Bigelow); St. Anthony's Chorale (Haydn); Simple Gifts (Shaker hymn); Ecossaise (Beethoven); Can Can Polka (Offenbach); The Pilgrims' Chorus (Wagner); Allegro (Mozart).

Mixed Instrument Collection Eb Instruments - 2-3

SKU: KN.19554

Composed by Various. Arranged by Frank Halferty. Duets. Mixed Instrument Collection. Kendor Music Inc #19554. Published by Kendor Music Inc (KN.19554).

UPC: 822795195545.

This collection is a terrific resource for student groups, church musicians, family musicians and more. These grade 2-3 arrangements are fully interchangeable. The piano accompaniment book is optional and the tuba book includes two versions of the duets; one that is to be played by 2 tubas, and one that can be played with another instrument.

Conten ts:
Hail The Conquering Hero Comes (Handel); OUr Director (Bigelow); St. Anthony's Chorale (Haydn); Simple Gifts (Shaker hymn); Ecossaise (Beethoven); Can Can Polka (Offenbach); The Pilgrims' Chorus (Wagner); Allegro (Mozart).

Mixed Instrument Collection Oboe - 2-3

SKU: KN.19552

Composed by Various. Arranged by Frank Halferty. Duets. Mixed Instrument Collection. Kendor Music Inc #19552. Published by Kendor Music Inc (KN.19552).

UPC: 822795195521.

This collection is a terrific resource for student groups, church musicians, family musicians and more. These grade 2-3 arrangements are fully interchangeable. The piano accompaniment book is optional and the tuba book includes two versions of the duets; one that is to be played by 2 tubas, and one that can be played with another instrument.

Conten ts:
Hail The Conquering Hero Comes (Handel); OUr Director (Bigelow); St. Anthony's Chorale (Haydn); Simple Gifts (Shaker hymn); Ecossaise (Beethoven); Can Can Polka (Offenbach); The Pilgrims' Chorus (Wagner); Allegro (Mozart).

Mixed Instrument Collection Flute - 2-3

SKU: KN.19551

Composed by Various. Arranged by Frank Halferty. Duets. Mixed Instrument Collection. Kendor Music Inc #19551. Published by Kendor Music Inc (KN.19551).

UPC: 822795195514.

This collection is a terrific resource for student groups, church musicians, family musicians and more. These grade 2-3 arrangements are fully interchangeable. The piano accompaniment book is optional and the tuba book includes two versions of the duets; one that is to be played by 2 tubas, and one that can be played with another instrument.

Conten ts:
Hail The Conquering Hero Comes (Handel); Our Director (Bigelow); St. Anthony's Chorale (Haydn); Simple Gifts (Shaker hymn); Ecossaise (Beethoven); Can Can Polka (Offenbach); The Pilgrims' Chorus (Wagner); Allegro (Mozart).

Mixed Instrument Collection Violin - 2-3

SKU: KN.19561

Composed by Various. Arranged by Frank Halferty. Duets. Mixed Instrument Collection. Kendor Music Inc #19561. Published by Kendor Music Inc (KN.19561).

UPC: 822795195613.

This collection is a terrific resource for student groups, church musicians, family musicians and more. These grade 2-3 arrangements are fully interchangeable. The piano accompaniment book is optional and the tuba book includes two versions of the duets; one that is to be played by 2 tubas, and one that can be played with another instrument.

Conten ts:
Hail The Conquering Hero Comes (Handel); Our Director (Bigelow); St. Anthony's Chorale (Haydn); Simple Gifts (Shaker hymn); Ecossaise (Beethoven); Can Can Polka (Offenbach); The Pilgrims' Chorus (Wagner); Allegro (Mozart).

By Frank Ticheli. Concert band. Suitable for middle school and high school bands. Grade 2. Conductor score and set of parts. Duration 2:15. Published by Manhattan Beach Music

By Gilbert M. Martin. Organ. Level: 3-staff. Sacred Organ. Published by Lorenz Publishing Company.

Mixed choir

SKU: FG.55011-590-3

Composed by Matthew Whittall. Fennica Gehrman #55011-590-3. Published by Fennica Gehrman (FG.55011-590-3).

ISBN 9790550115903.

Matt hew Whittall's (b. 1975) Love is Little (2009) is a modern motet taking a Shaker hymn tune as its cantus firmus. The original melody is gradually slowed down, looped and fragmented, forming a quiet, ambient soundscape in which each singer performs their own partly freely. It is suitable for larger choirs, but also performable by as few as 20 singers.

String orchestra - Grade 2.5

SKU: KN.9462

Composed by Traditional. Solo or Ensemble. Voyager String Orchestra. Score and Set of Parts. Kendor Music Inc #9462. Published by Kendor Music Inc (KN.9462).

UPC: 822795094626.

The Shaker hymn, Simple Gifts, is an arranger's delight because the tune lends itself so well to a wide variety of musical presentations. In this new version for student strings, an expressive middle section contrasts wonderfully with the more dramatic opening and closing sections. All parts are equally important, and the key of G puts young players in familiar territory.

Arranged by John O'reilly. Arr. John O'Reilly. For String Orchestra. String Orchestra. Strictly Strings Series. Level: 1 (grade 1). Conductor Score and Parts. 1 pages. Published by Alfred Publishing.

Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Flute 1, Flute 2, Oboe 1, Oboe 2, Piccolo, alto Saxophone, soprano Saxophone, tenor Saxophone

SKU: PR.165001000

Hymns for Wind Ensemble. Composed by Dan Welcher. Folio. Set of Score and Parts. 4+24+24+16+8+4+4+24+12+12 +8+4+4+4+4+8+8+8+8+4+4+4+ 4+8+8+8+8+8+8+8+8+4+16+4+ 8+4+8+8+4+4+4+48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100. Published by Theodore Presser Company (PR.165001000).

ISBN 9781491129241. UPC: 680160669776. 9 x 12 inches.

Commissione d for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,”giving rise to the work’s title.
This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,” butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty” than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?” takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.”Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,”cons tantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.” This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key” of the hymn seems to shift — until the “Lord of all, toThee we praise” melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tune”heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty” with long spaces between them, but it soonchanges to a series of “Amen” cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth” contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sight”and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected.

Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3 and more.

SKU: PR.16500100F

Hymns for Wind Ensemble. Composed by Dan Welcher. Sws. Full score. 48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100F. Published by Theodore Presser Company (PR.16500100F).

ISBN 9781491114421. UPC: 680160669783. 9 x 12 inches.

Commissione d for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,”giving rise to the work’s title.
This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,” butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty” than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?” takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.”Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,”cons tantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.” This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key” of the hymn seems to shift — until the “Lord of all, toThee we praise” melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tune”heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty” with long spaces between them, but it soonchanges to a series of “Amen” cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth” contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sight”and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected.

Choral (digital production kit)

SKU: HL.35028867

Composed by Joseph M. Martin. Harold Flammer Christmas. Advent, Cantata, Christmas. Published by Shawnee Press (HL.35028867).

UPC: 884088888633. 5.25x7.5 inches.

From the composer of Festival of Carols and The Winter Rose comes a cantata that celebrates the legacy of early American carols and hymnody. Composed in the spirit of folk music, the cantata combines traditional sounds with more rustic elements creating a blend that is fresh and pleasing. Popular American carols like Away In a Manger and O Little Town of Bethlehem dance with traditional spirituals such as Children, Go Where I Send Thee and Go, Tell It on the Mountain. Sacred Harp tunes are re-tooled for Advent and stand alongside new versions of Shaker hymns and Appalachian melodies. Thoughtful narration weaves the movements together in a meaningful tapestry of song and Scripture. Two orchestral options are available allowing maximum flexibility in performance. A full line of support products is also available. Available separately: SATB, CD-ROM Full Orchestration (Score & Parts for Flute 1 & 2, alto recorder, Oboe/English Horn, Clarinet 1 & 2, Bassoon, Horn 1 & 2, Trumpet 1-3, Trombone 1 & 2, Bass Trombone/Tuba, Timpani, Percussion, Acoustic Guitar, Banjo, Harp, Piano, Synth, Solo fiddle, Violin 1 & 2, Viola, Cello, Double Bass), Printed Full Orchestration, Appalachian Consort Orchestration (Score & parts for Flute, Violin, Cello, Mandolin, Guitar, Percussion and Piano), StudioTrax CD (accompaniment only), SplitTrax CD, Listening CD, 10-Pack Listening CDs, Preview Pack (Book/CD combo), RehearsalTrax CDs (part predominant, reproducible), Digital Resource Kit (PowerPoint, Choir Devotionals, Poster, Program, Flyers, Children's Program PDFs). Duration: approx. 40 min.

Composed by John Ferguson. For SATB or SAB choir and organ. General. Octavo. 12 pages. Published by Galaxy Music Corporation

Shaker Hymn. By Shaker Hymn. Arranged by Daniel Roihl. For Baritone, SATB. Duration 3:45. Published by Thorpe.

Composed by Sondra K. Tucker. MorningStar Music Publishers #25-851. Published by MorningStar Music Publishers

Composed by Robert A. Hobby (1962-). Festive Hymn Setting, Brass Festive Hymn Setting, Congregational Hymn Setting. Hymn Festival. Published by MorningStar Music Publishers (MN.20-851).

By William B. Bradbury. Arranged by Tammy Waldrop. For claves, maracas/shaker, guiro, bongos/conga. Hymntune, General, Sacred. Percussion parts. Published by Hope Publishing Company

Shaker Song. By Shaker Hymn. Arranged by Marleen Montgomery. For Double Bass, SATB Chorus, Guitar. Duration 2:30. Published by Thorpe.