First Lessons Blues Harmonica is an exciting course for the beginning blues player. The ideas presented are solidly in the blues tradition with great sounding bluesy licks to play, even at the beginning level. Topics include phrasing concepts (how small pieces of music, called licks, are organised to create a pleasing solo), 12 bar blues theory, vibrato, shakes, and tongue blocking. The recording includes all of the Harmonica parts notated in the book with accompaniment. This book and its recording use a C major diatonic Harmonica. Ideas presented solidly in the blues tradition. Phrasing concepts, 12 bar blues theory, shakes, tongue blocking. Uses C major diatonic Harmonica. Companion audio and video download available online.

Media Type : Book/CD Set Level : Beginning Musical Genre : Blues Series : First Lessons Number of pages : 32 An exciting beginning blues harmonica course! The ideas presented are solidly in the blues tradition with great sounding bluesy licks to play, even at the beginning level! Topics include Phrasing Concepts (how small pieces of music, called licks, are organized to create a pleasing solo), 12 Bar Blues Theory, Vibrato, Shakes, and Tongue Blocking. The recording includes all of the harmonica parts notated in the book with accompaniment. This book and its recording use a C major diatonic harmonica. â?¢ Ideas presented solidly in the blues tradition. â?¢ Phrasing concepts, 12 Bar Blues Theory, Shakes, Tongue Blocking. â?¢ Uses C major diatonic harp. â?¢ Companion CD included.

Instrumentation: piano Edition: score Publisher: Eberhard Mayer OEuvres pour piano/Klaviermusik/Piano Music Edition en 10 recueils/Edition in 10 Bänden/Edition in 10 volumes Volume 1: Femmes de Légende Editor: Eberhard Mayer Item no.: fue 4180 Difficulty: medium ISMN: 979-0-50012-918-9 Contents: Mélisande, Desdémona, Ophelie, Viviane, Ph?bé, Omphale und Salomé The pieces for piano represent a great stylistic variety. One gets the impression that Mel Bonis may have intended to give a summary of musical development, not quoting historic styles but adapting the past through her personal tone and to translate it into contemporary musical language. The first volume includes an original series of musical portraits dedicated to legendary women, where Mel Bonis explores the enigmatic feminine universe. ?Femmes de légende? A collection we have called ?Femmes de légende? contains seven piano pieces by Mel Bonis named after women whose fates have become legendary. They have not always been arranged in this way. The first piece, ?Mélisande?, was published separately by Alphonse Leduc in 1898. In 1909, a collection called ?Trois pièces pour piano? (Three pieces for the piano), dedicated to the composer Paul Locard and which included ?Ph?bé?, ?Viviane? and ?Salomé?, was published by Leduc. In 1913, ?Mélisande? was added to the four last pieces for a final collection called ?Cinq pièces?. ?Omphale? appeared in a Berlin edition ?Signale für die musikalische Welt? in 1910. As to ?Ophélie?, it was never published in Mel Bonis? lifetime and we discovered a manu-script in 1997 without any indication at all of when it was writ-ten. ?Ophélie? was first published by the publishing house Ar-miane in Versailles in 1998. Mélisande (1898) Written before Debussy?s famous opera, Mel Bonis? piano piece ?Mélisande? was also inspired by the poet Maeterlinck (Mélisande, 1893). These short pages of magical harmonies, of radi-ant impressionist colours use music to describe Mélisande?s hair as described by Pelleas: ?your hair and its beautiful light... It escapes everywhere, it shivers, it shakes, it trembles in my hand like a golden bird.? This piece enjoyed quite a success in Mel Bonis? lifetime. She noted of it ?my favourite? in the margin of her hand-written catalogue. Desdémona (1913) The female heroine in Shakespeare?s ?Othello? inspired Mel Bonis to write a nostalgic piece with a fairly easy, rather classical beginning, a kind of romance without words, of great elegance and of a deep and melancholic beauty. Ophélie Ophelia, the lover of Shakespeare?s Hamlet, is a deeply melan-cholic character who goes mad and drowns in mysterious cir-cumstances. Ophelia inspired the poet Rimbaud and the painter Millais ? each of them created a masterpiece. Mel Bonis too evokes images of water, sadness and death in music for a third work of art. With its delicate and chilling beauty and also with its moments of passion, this impressionist piece - the work which owes most to Debussy - calls for great intelligence when performed. Viviane (1909) The figure of the fairy of the lake is musically described here in a well-structured, many-facetted piece; first of all, the initial dancing theme has an air of the ?salon? about it, typical of its time, evoking the fairy?s charm, her smile. Then follow succes-sions of majestic chords and fluent harmonies which represent the underwater castle and the fairy?s power. This piece is easily approachable. Ph?bé (1909) The sister of Phoebus, the sun, symbolises the moon, the night, chastity. The piece creates an impression of night. Steeped in twilight, languor and a sense of immense space, the atmosphere is one of unreality. This feeling of alienation is reinforced by the incoherence of rhythm between the two hands. Salomé (1909) Inspired by the Orient, Mel Bonis creates a very original musical illustration of the biblical character of Salome. She is characterised by shifting moods in which slow syncopes follow light glissandos, and urgent, mysterious psalmodies accompany sensual melopeias, where surprising tempo varia-tions lead to outbreaks of violence. With its relatively difficult beginning, this piece is especially interesting from the viewpoint of research into interpretation. Omphale (1910) The queen of Lydia is a female character from the violent depths of Greek mythology. This powerful female is described here with glittering sensuality and Oriental subtlety. The impressive work shows a complex structure both in harmony and rhythm, it is a lively and rich work which calls for much thought and great virtuosity on the performer?s part. ?Omphale? was awarded a prize for composition by the Berlin magazine ?Signale für die musikalische Welt? in 1910.

Par BARRETT DAVID. Un cours de harmonica blues début passionnant ! Les idées présentées sont solidement dans la tradition du blues avec licks bluesy grand sondage à jouer, même au niveau du début ! Les sujets comprennent les Concepts phrasé (comment petits morceaux de musique, appelé licks, est organisés pour créer un solo agréable), 12 Bar Blues Theory, Vibrato, Shakes et blocage de la langue maternelle. L'enregistrement comprend toutes les pièces d'harmonica codés dans le livre avec accompagnement. Ce livre et son enregistrement utilisent un harmonica diatonique majeur C. -Idées présentées solidement dans la tradition du blues. -Phrasé concepts, 12 Bar Blues Theory, bardeaux, blocage de langue maternelle. -Utilise C harpe diatonique majeur. -Compagnon CD inclus. / Niveau : Débutant / Blues - Methods / Méthode / Harmonica

Par VURCHIO MICHELE. Méthode d'enseignement pour batterie et multipercussione. J'ai essayé de réunir les publications existantes myriades et disparates d'accord d'environ cinquante ans, par le biais de mes expériences et des idées dans le domaine batteristico-percussion. Je ne voulait être une revendication d'imposer une solution à toute étude a rencontré les problèmes techniques et musicales, mais un préexistants, mais a ordonné, conduisant à l'étudiant pour réaliser une étude appropriée à leurs directives musicales... (dans ma méthode de visage qu'itinéraire musical de Jazz au Rock de Funk au classique à latine et brésiliens). Le but est de conduire les élèves à atteindre studio pure qui touchera tous les coins de la musique. Avec cette méthode d'étude nous développerons votre raisonnement et le professionnalisme, la capcon parce que l'idée que si un shakes mettra à utiliser ses talents./ Recueil / Batterie et Percussions

An Essential Study Of Blues For The Beginning Player In The Tongue. Par BARRETT DAVID. Blues Harmonica niveau 1, au sein de l'école de la série de leçon Blues ®, est un cours de harmonica blues début passionnant. Les idées présentées sont solides dans la tradition du blues avec licks bluesy grand sondage à jouer, même au niveau du début ! Formulation de Concepts (comment petits morceaux de musique, appelé licks, est organisés pour créer un solo agréable), 12 Bar Blues Theory, Vibrato, Shakes et blocage de langue sont couverts. Enregistrement comprend toutes les pièces d'harmonica codés dans le livre avec musique d'accompagnement. Ce livre et son enregistrement utiliser un ' C 'et' A 'harmonica diatonique majeur. / Niveau : Débutant / Blues - Methods / Méthode / Harmonica Diatonique

Par BARRETT DAVID. Offering a comprehensive study of harmonica techniques and blues soloing concepts, this book contains studies and etudes on bending notes (draw and blow), throat vibrato, two-hole shakes, tongue blocking, acoustic and amplified playing, music theory, blues scales, octave substitutions, playing positions, and position substitutes. Intended for the intermediate to advanced diatonic harmonica player, this book provides extensive instruction on lead and accompaniment playing styles. The companion CD includes musical example and play-along songs. Each exercise is played and every full length song is fully accompanied by a blues band. Each large example is played once with harmonica and again with accompaniment only. This book can be used with both diatonic and chromatic harmonica, but us more recommended for the diatonic player. / Niveau : Tous Niveaux / All Styles - Technic / Etude / Harmonica Diatonique

With his sonatas op. 31 composed in 1802 Beethoven for the last time grouped together piano sonatas under one opus number. The centrepiece of the collection is undoubtedly the dramatic Sonata in D minor nicknamed 'Tempest' which already fascinated his contemporaries. According to Anton Schindler, who asked the composer about the 'key' to this work as well as to the sonata op. 57 ('Appassionata'), Beethoven advised him: 'Just read Shakespeares Tempest'. Jonathan Del Mar, currently one of the most renowned Beethoven scholars, stands for a meticulously edited Urtext edition on the basis of an intensive study of all sources. Performers are presented with a musical text offering new readings and based on the latest research findings. The detailed Critical Commentary accounts for sources, readings and editorial emendations. In this edition great care has been given to a user-friendly layout which on the one hand reflects the flow and tempo of the music and on the other hand facilitates the study of this complex music by means of a transparent and clear appearance on the page as well as good page turns. Particularly enlightening is the chapter on period performance practice which sheds light on certain issues of Beethovens instruments and their range, the usage of the pedals, tempo, dynamics, articulation and ornaments. / Piano

Par L'ESTRANGE ALEXANDER. This enchanting work for mixed choir sets three Shakespearean texts that delight in the wonders of music and its connection to the natural world. Scenes from Henry VIII, The Merchant of Venice and Cymberline are combined in this dreamy setting, perfect for choral societies, church or school choir concerts. Arranged for soprano, alto and combined men's voices with piano accompaniment. Part of Faber Music's Choral Signature Series./ Feuillet / Choeur SA

Fünf Symphonische Stücke Nach Shakespeares 'Der Sturm' F. Gr. Orch.. Par WELLESZ EGON. grOrch/ Répertoire / Orchestre

from the Paramount Picture ROMEO AND JULIET. Par ROTA NINO. Nino Rota, connu pour la musique de la saga Le Parrain et pour laquelle il a été récompensé par un Oscar, a également composé en 1968 la bande originale de la version cinématographique du film Roméo et Juliette de Franco Zeffirelli. Le thème lyrique arrangé par Toshio Mashima, extrêmement poignant, reflète tout le romantisme et l’intrigue de ce bouleversant drame shakespearien. / Niveau : 3 / Musique légère originale / Date parution : 1905-07-03/ Répertoire / Concert Band ou Harmonie

Traditional fiddle music from around the world. Par . Le répertoire complet de musique traditionnelle pour violon est maintenant à votre portée ! Avec ce grand choix de recueils vous pourrez recréer l'ambiance de votre propre 'ceilidh', des danses folkloriques, du club de jazz, des cafés concerts comme à Sarajevo. Certains de ces morceaux de musiques sont connus, d'autres sont plus exotiques, mais tous sont absolument authentiques et leurs arrangements sont faits sans compromis, mais ce qu?il y a de plus important, c'est qu'ils vous donneront énormément de plaisir. Chaque titre de la série est disponible en deux versions : la Violin Edition (avec en option une partie violon simplifiée et des accords de guitare), ou la Complete Edition qui comprend des accompagnements pour clavier et pour violon. Chaque version permet de jouer la musique en solo, en duo ou en trio aussi bien que dans des ensembles plus importants. Edward Huws Jones a beaucoup voyagé lors de sa recherche de styles traditionnels pour violon. Dans chaque livre il explique l'histoire d'un style particulier, offrant ses propres suggestions pour obtenir une exécution vivante. / Date parution : 2022-06-21/ Recueil / Violon