| Brass Quartet Volume 2 Quatuor de Cuivres - Facile Editions Marc Reift (Swiss import)
By John G. Mortimer. For Brass Quartet. Swiss import. Level: Grade 2+. Published...(+)
By John G. Mortimer. For
Brass Quartet. Swiss
import. Level: Grade 2+.
Published by Editions
Marc Reift. (EMR 5581)
$41.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Brass Quartet Volume 2 Quatuor de Cuivres - Facile Editions Marc Reift (Swiss import)
By John G. Mortimer. For Brass Quartet. Swiss import. Level: Grade 2+. Published...(+)
By John G. Mortimer. For
Brass Quartet. Swiss
import. Level: Grade 2+.
Published by Editions
Marc Reift. (EMR 5581)
$41.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Brass Quartets Vol. 7 Quatuor de Cuivres [Conducteur et Parties séparées] - Intermédiaire Editions Marc Reift (Swiss import)
Arranged by Jerome Naulais. For brass quartet. Swiss import. Grade 3. Score and ...(+)
Arranged by Jerome
Naulais. For brass
quartet. Swiss import.
Grade 3. Score and parts.
Published by Editions
Marc Reift
$31.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| String Quartet No. 6 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur d'étude / Miniature] Praha
By Bohuslav Martinu (1890-1959). Miniature score for string quartet (2 violins, ...(+)
By Bohuslav Martinu
(1890-1959). Miniature
score for string quartet
(2 violins, viola,
cello). 67 pages.
Published by Praha (Czech
import).
$34.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Folksong Medley Quatuor à cordes: 2 violons, alto, violoncelle Cimarron Music Press
By Daniel D. Emmett (1815-1904) and Stephen Foster and Daniel Emmett. Arranged b...(+)
By Daniel D. Emmett
(1815-1904) and Stephen
Foster and Daniel Emmett.
Arranged by Peter Rauch.
Quartet. For string
quartet
$17.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Shenandoah Quatuor à cordes: 2 violons, alto, violoncelle - Intermédiaire Editions Marc Reift (Swiss import)
Arranged by Jerome Naulais. For String Quartet. Swiss import. Grade 3. Published...(+)
Arranged by Jerome
Naulais. For String
Quartet. Swiss import.
Grade 3. Published by
Editions Marc Reift
$25.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Quartets Volume 2 Quatuor de cuivres: 4 trombones [Conducteur et Parties séparées] - Facile Editions Marc Reift (Swiss import)
By John G. Mortimer. For 4 Trombones. Swiss import. Level: Grade 2+. Published b...(+)
By John G. Mortimer. For
4 Trombones. Swiss
import. Level: Grade 2+.
Published by Editions
Marc Reift. (EMR 4086)
$35.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| String Quartet No. 2 Quatuor à cordes: 2 violons, alto, violoncelle Merion Music
Chamber Music String Quartet SKU: PR.14440265S Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet SKU:
PR.14440265S Composed
by Sydney F. Hodkinson.
Large Score. With
Standard notation.
Duration 25 minutes.
Merion Music #144-40265S.
Published by Merion Music
(PR.14440265S). UPC:
680160027910. The
Second and Third Quartets
were conceived at the
same time; indeed, their
composition intermingled,
over half of No. 3 being
sketched before No. 2 was
completed. Accordingly,
they share similar
material but, like the
intertwining blood of
cousins, their natures
differ: No. 2 being
somewhat acerbic and
declamatory, No. 3 more
lyric and gentler. An
annunicatory 'leaping
motive' (derived from a
motto generated by my
name) opens Quartet No. 2
and inhabits the course
of the piece as a
cyclical binding-force. A
five-note motive, usually
very deliberate, also
keeps recurring like an
insistent caller. All
three movements are based
on tonal centers (I on B
and E, II on D, III on C)
and the harmonic
'grammar' spoken tends to
recall the jazz world of
my youth. To hopefully
achieve a certain
classical ambience was
one of the goals of this
piece, and all three
movements have
traditional forms. The
first movement is a
modified Sonata-Allegro
design, with a
severely-truncated
recapitulation balanced
by a lengthy, and
decaying Coda. The second
movement is a set of
strophic variants and an
epilogue interspersed
with both solo ritornelli
and first-movement
material (the motto and
the five-note motive) in
the nature of a
fantasia-like
'call-and-response.' It
is dedicated to the
memory of the American
mezzo-soprano Jan
DeGaetani. The third
movement is a modified
Rondo (ABACBA) which
evolves out of the
opening motto. All three
movements make much use
of canonic stretti,
similar gestures, and
repetition. For example,
the climax of movement
III's Rondo throws the
first movement back at us
again, as if the players
were reluctant to let it
go, so that the entire
piece could perhaps be
viewed as a single large,
extended, Sonata
movement, with
introduction and
Coda. The Second and
Third Quartets were
conceived at the same
time; indeed, their
composition intermingled,
over half of No. 3 being
sketched before No. 2 was
completed.ÂÂ
Accordingly, they share
similar material but,
like the intertwining
blood of cousins, their
natures differ: No. 2
being somewhat acerbic
and declamatory, No. 3
more lyric and gentler.An
annunicatory
‘leaping
motive’ (derived
from a motto generated by
my name) opens Quartet
No. 2 and inhabits the
course of the piece as a
cyclical
binding-force. A
five-note motive, usually
very deliberate, also
keeps recurring like an
insistent caller. All
three movements are based
on tonal centers (I on B
and E, II on D, III on C)
and the harmonic
‘grammar’
spoken tends to recall
the jazz world of my
youth.To hopefully
achieve a certain
classical ambience was
one of the goals of this
piece, and all three
movements have
traditional forms.ÂÂ
The first movement is a
modified Sonata-Allegro
design, with a
severely-truncated
recapitulation balanced
by a lengthy, and
decaying Coda. The
second movement is a set
of strophic variants and
an epilogue interspersed
with both solo ritornelli
and first-movement
material (the motto and
the five-note motive) in
the nature of a
fantasia-like
‘call-and-response.
’ It is
dedicated to the memory
of the American
mezzo-soprano Jan
DeGaetani. The third
movement is a modified
Rondo (ABACBA) which
evolves out of the
opening motto.All three
movements make much use
of canonic stretti,
similar gestures, and
repetition. For
example, the climax of
movement III’s
Rondo throws the first
movement back at us
again, as if the players
were reluctant to let it
go, so that the entire
piece could perhaps be
viewed as a single large,
extended, Sonata
movement, with
introduction and
Coda. $85.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 3 Quatuor à cordes: 2 violons, alto, violoncelle Merion Music
Chamber Music String Quartet SKU: PR.14440273S Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet SKU:
PR.14440273S Composed
by Sydney F. Hodkinson.
Large Score. With
Standard notation.
Duration 23 minutes.
Merion Music #144-40273S.
Published by Merion Music
(PR.14440273S). UPC:
680160028054. The
Second and Third Quartets
were conceived at the
same time; indeed, their
composition intermingled,
over half of No. 3 being
sketched before No. 2 was
completed. Accordingly,
they share similar
material but, like the
intertwining blood of
cousins, their natures
differ: No. 2 being
somewhat acerbic and
declamatory, No. 3 more
lyric and gentler. The
Second and Third Quartets
were conceived at the
same time; indeed, their
composition intermingled,
over half of No. 3 being
sketched before No. 2 was
completed.ÂÂ
Accordingly, they share
similar material but,
like the intertwining
blood of cousins, their
natures differ: No. 2
being somewhat acerbic
and declamatory, No. 3
more lyric and
gentler. $75.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 8 Quatuor à cordes: 2 violons, alto, violoncelle Merion Music
Chamber Music String Quartet SKU: PR.144407270 Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet SKU:
PR.144407270 Composed
by Sydney F. Hodkinson.
Sws. Set of Score and
Parts. 44+16+16+16+16
pages. Duration 22
minutes. Merion Music
#144-40727. Published by
Merion Music
(PR.144407270). UPC:
680160681891. 9 x 12
inches. My Eighth
and Ninth String
Quartets, begun in late
2017, are sonic cousins.
Akin to real cousins,
each piece exhibits
differing natures. They
were requested by two
ensembles that have
become asecond familiesa
to me: The Jupiter
Quartet of Urbana,
Illinois and the Amernet
Quartet based in Miami,
Florida. Their collective
dedication to, and care
for, our art remains a
personal and constant
are-fuelinga for me. The
quartets were
commissioned by, and
dedicated to, Margaret
and Philip Verleger of
Denver, Colorado.
Additional financial
support was provided by
the School of Music at
Stetson University,
Timothy Peter, Dean.
Quartet No.8 is laid out
in a classical
four-movement design. The
work does break somewhat
from conventional
tradition by often
placing quartet members
into soloistic roles as
the movement titles note.
individual The opening
piece presents at the
outset a three-note motto
which is turned over,
tumbled, and
energetically discussed,
primarily by a violin
duet. It is a duel. The
two players part company
only infrequently during
the movement's progress,
pausing briefly for other
commentary by their
alower cohortsa, the
Viola and Cello do not
argue, but abet their
friends' aeffortsa. The
piece's overall character
is fairly bright and
dancelike, closing in an
unresolvedastandoffa. not
Two principal
asound-objectsa stitch
the second movement
scherzo together: sliding
hands (glissandos) and a
plucked ashufflea
(pizzicato) - both
instigated by the (solo)
cellist. The others are
influenced - or are not -
by their aleadera, and
follow - or interrupt -
the cello throughout
their four-voiced
conversation. The third
movement (longest of the
set) is an elegy
dedicated to the memory
of a close personal
friend, the American
composer David Maslanka
(1943 - 2017). Its'
genesis is a simple
5-note melody derived
from my own name
(SaC/DaC/EaC/H). This
line commences in the
(solo) viola and is
obsessively uttered
without relief during the
movement's lamentations.
The closing movement
revisits much of that
opening three-note
material, but now dressed
up for the full quartet
to view. It is a slowly
accelerating romp which -
twice - cannot avoid a
nod to the Amernet and
Jupiter performers by
offering a humble bow to
the 4th movement of
Gustav Holst's PLANETS -
Jupiter: The Bringer of
Jollity. My quartet
serves as an honouring
salute of thanks for the
talent, respect, and
friendship of these two
young quartets. STRING
QUARTET No. 8 is roughly
22 minutes in duration.
It was written as an
homage to Franz Joseph
Haydn, my
adesert-island-composera,
and completed in Holly
Hill, Florida in early
April of 2019. S.H. $70.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 8 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Merion Music
Chamber Music String Quartet SKU: PR.14440727S Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet SKU:
PR.14440727S Composed
by Sydney F. Hodkinson.
Sws. Full score. 44
pages. Duration 22
minutes. Merion Music
#144-40727S. Published by
Merion Music
(PR.14440727S). UPC:
680160681907. 9 x 12
inches. My Eighth
and Ninth String
Quartets, begun in late
2017, are sonic cousins.
Akin to real cousins,
each piece exhibits
differing natures. They
were requested by two
ensembles that have
become asecond familiesa
to me: The Jupiter
Quartet of Urbana,
Illinois and the Amernet
Quartet based in Miami,
Florida. Their collective
dedication to, and care
for, our art remains a
personal and constant
are-fuelinga for me. The
quartets were
commissioned by, and
dedicated to, Margaret
and Philip Verleger of
Denver, Colorado.
Additional financial
support was provided by
the School of Music at
Stetson University,
Timothy Peter, Dean.
Quartet No.8 is laid out
in a classical
four-movement design. The
work does break somewhat
from conventional
tradition by often
placing quartet members
into soloistic roles as
the movement titles note.
individual The opening
piece presents at the
outset a three-note motto
which is turned over,
tumbled, and
energetically discussed,
primarily by a violin
duet. It is a duel. The
two players part company
only infrequently during
the movement's progress,
pausing briefly for other
commentary by their
alower cohortsa, the
Viola and Cello do not
argue, but abet their
friends' aeffortsa. The
piece's overall character
is fairly bright and
dancelike, closing in an
unresolvedastandoffa. not
Two principal
asound-objectsa stitch
the second movement
scherzo together: sliding
hands (glissandos) and a
plucked ashufflea
(pizzicato) - both
instigated by the (solo)
cellist. The others are
influenced - or are not -
by their aleadera, and
follow - or interrupt -
the cello throughout
their four-voiced
conversation. The third
movement (longest of the
set) is an elegy
dedicated to the memory
of a close personal
friend, the American
composer David Maslanka
(1943 - 2017). Its'
genesis is a simple
5-note melody derived
from my own name
(SaC/DaC/EaC/H). This
line commences in the
(solo) viola and is
obsessively uttered
without relief during the
movement's lamentations.
The closing movement
revisits much of that
opening three-note
material, but now dressed
up for the full quartet
to view. It is a slowly
accelerating romp which -
twice - cannot avoid a
nod to the Amernet and
Jupiter performers by
offering a humble bow to
the 4th movement of
Gustav Holst's PLANETS -
Jupiter: The Bringer of
Jollity. My quartet
serves as an honouring
salute of thanks for the
talent, respect, and
friendship of these two
young quartets. STRING
QUARTET No. 8 is roughly
22 minutes in duration.
It was written as an
homage to Franz Joseph
Haydn, my
adesert-island-composera,
and completed in Holly
Hill, Florida in early
April of 2019. S.H. $34.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 10 'hosttidlos' Parts Quatuor à cordes: 2 violons, alto, violoncelle Wilhelm Hansen
String Quartet SKU: HL.14041525 Composed by Per Norgard. Music Sales Amer...(+)
String Quartet SKU:
HL.14041525 Composed
by Per Norgard. Music
Sales America.
Contemporary Music. Set
of Parts. Edition Wilhelm
Hansen #KP01585A.
Published by Edition
Wilhelm Hansen
(HL.14041525). ISBN
9788759871829. UPC:
196288071020.
9.5x14.25x0.167 inches.
Danish-English. Pro
gramme Note During the
composition of my tenth
string quartet a
flower-name, host-tidlos,
came to my mind - and it
would not me leave again.
[hosttidlos is actually
autumn crocus in English,
but the composer prefers
harvest-timeless, to
maintain some of the
associations of the
Danish flower-name, red.]
The paradoxical union of
a seasonal time (harvest)
and no-time-at-all was a
good fit to the sections
of the work that I had
composed at that time,
and I decided to
tentatively stick to that
title for the
work-in-progress, and
now, having finished the
piece, I can say that is
is still a fitting title
- and it stands. Enough
about the title, I will
go on to describe
themusic, a somewhat more
precarious project. My
tenth string quartet is
probably the most basic
string quartet that I
have composed:
melodically - and in
sound - it employs the
naturally based overtones
and undertones (perceived
at major and minor,
respectively), and
rhythmically it is based
on growth, on the
principles of the Golden
Section, and the
structure itself
contrasts abundance and
exuberance with sections
of immobility and
contemplation. However,
Melos, melody, is
definitely the dominating
aspect of my STRING
QUARTET NO. 10: behind
even the most
rhythmically complex or
pure sonoric sections
lies a firm - if hidden -
basis of melodic or
polyphonic ideas. The
work was composed in
2004-2005 for the Kroger
Quartet. $40.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Pige for string quartet - Score & parts Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Fennica Gehrman
2 violins, viola, violoncello SKU: FG.55011-875-1 Composed by Lotta WennÃ...(+)
2 violins, viola,
violoncello SKU:
FG.55011-875-1
Composed by Lotta
Wennäkoski. Classical,
contemporary. Score &
parts. Fennica Gehrman
#55011-875-1. Published
by Fennica Gehrman
(FG.55011-875-1).
Lotta
Wennäkoski's Pige
(2021-2022) for string
quartet was commissioned
to be paired with the
Death and the Maiden
quartet by Franz Schubert
(pige is Danish for
girl). The composer
tells:
The first
movement Vorüber, ach,
vorüber! is based on
the first half of
Schubert’s lied
lying behind his The
Death and the Maiden
quartet. The
maiden’s song in
the beginning of the lied
has not found its way to
his string quartet, so I
wanted to use this
material in mine. The
second move-ment Daktylus
borrows its idea from the
haunting pulse of
Schubert’s chant
of Death. Something
fierce and something
soundless can be heard
here - along with other
variants on the dactyl
rhythm. For example,
I’ve written a
lyrically flowing melody
based on the same
rhythmic pattern
(long-short-short). Schubert’s
quartet is wonderful
music and of course a
cornerstone of the
repertoire, and the death
and the maiden is a
strong, tempting and
gloomy motif in art
history. On the other
hand, I just
couldn’t help
seeing the motif also as
a - somewhat passé -
image of an old male
desiring the ulti-mately
young female body. The
third movement thus turns
its gaze to the girl
herself. Pigen og
scrapbogen, The Girl and
the Scrapbook, is joyful
textural music - compiled
of fragments and freely
handled quotations that
might spring to mind when
thinking of a vital
girl’s
life.
This
product includes the full
score and the set of
parts.
Movements:<
br>1. Vorüber, ach,
vorüber! 2.
Daktylus 3. Pigen og
scrapbogen (das
Mädchen und das
Scrapbuch)
The
first movement can also
be performed separately
as a prologue to The
Death and the Maiden
string quartet by Franz
Schubert. $48.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
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