Chorale SATB [Vocal Score] Oxford University Press
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction
Composed by John Rutter
A Prayer Of St Richard Of
Chichester Composed by L.
J. White
Alleluia Composed by
William Boyce
Author Of Life Divine
Composed by Cecilia
Mcdowall
Be Still For The Presence
Of The Lord Composed by
David Evans; Arranged by
Richard Shephard
Bread Of The World
Composed by Scottish
Traditional; Arranged by
Alan Bullard
Brightest And Best
Composed by Malcolm
Archer
Christ Is The World's
True Light Composed by W.
K. Stanton
Christ The Lord Is Risen
Again Composed by Richard
Shephard
Christians Shout For Joy
And Gladness Composed by
Johann Sebastian Bach
Come Down, O Love Divine
Composed by Hilary
Tadman-robins
Plainsong: Creator Of The
Stars Arranged by John
Scott
Drop, Drop Slow Tears
Composed by Kerry Andrew
Evening Service In C
Composed by Frank Henry
Shera
Fairest Lord Jesus
Composed by Martin How
Gabriel To Mary Came
Composed by 14th Century
Irish; Arranged by Alan
Bullard
Give Thanks To God
Composed by Botswanan
Traditional; Arranged by
Alan Bullard
God Be In My Head
Composed by Armstrong
Gibbs
God In Mine Eternity
Composed by Alan Bullard
God So Loved The World
Composed by Alan Bullard
God That Madest Earth And
Heaven Composed by Welsh
Traditional; Arranged by
David Thorne
Hail, Virgin Mary (Ave
Maria) Composed by Franz
Liszt
Hark, The Glad Sound
Composed by David Thorne
Harvest Carol Composed by
Ian Ray
He Is Risen Composed by
Cecil Cope
Hide Not Thy Face
Composed by Richard
Farrant
see all...
Holy, Holy, Holy, Holy Is
The Lord Composed by
Franz Schubert; Arranged
by Alan Bullard
Holy, Holy, Holy! Lord
God Almighty Composed by
Alan Smith
Hosanna To The Son Of
David Composed by Georg
Philipp Telemann
Irish Blessing Composed
by Bob Chilcott
Jesu, Lamb Of God,
Redeemer (Ave Verum
Corpus) Composed by
Edward Elgar
Jesus Christ The Apple
Tree Composed by English
Traditional; Arranged by
Alan Bullard
Jubilate (Let Us Praise
You) Composed by Wolfgang
Amadeus Mozart
Lamb Of God (Agnus Dei)
Composed by Samuel Webbe
Let All Mortal Flesh Keep
Silence Composed by
Stephen Cleobury
Like The Murmur Of The
Dove's Song Composed by
Alan Smith
Lord, In Thy Mercy
Composed by Felix
Bartholdy Mendelssohn
Magnificat And Nunc
Dimittis In C Composed by
F. H. Shera
Never Weather-beaten Sail
Composed by Thomas
Campion; Arranged by Alan
Bullard
Now The Green Blade
Riseth Composed by French
Traditional; Arranged by
Alan Bullard
O Breath Of Life Composed
by English Traditional;
Arranged by Alan Bullard
O For A Closer Walk With
God Composed by Charles
Villiers Stanford
O God Of Mercy Composed
by Simon Lole
O God, Your Goodness
Composed by Ludwig Van
Beethoven
O Praise God In His
Holiness Composed by John
Weldon
Panis Angelicus Composed
by Cesar Auguste Franck
Peace Between Nations
Composed by Christopher
Wiggins
Pie Jesu Composed by
Gabriel Faure
Praise To The Trinity
Composed by Hildegard Of
Bingen
Psalm 150 Composed by Bob
Chilcott
Rejoice In The Lord
Always Composed by
Christopher Wiggins
Shout For Joy Composed by
African Traditional;
Arranged by Alan Bullard
Star Of Wonder Composed
by Alan Bullard
The Eternal Gifts Of
Christ The King Composed
by Guidetti/henry G. Ley
The Heavens Sing Praises
To God Composed by Ludwig
Van Beethoven
The Lord Ascendeth
Composed by Michael
Praetorius
The Lord Bless You And
Keep You Composed by John
Rutter
The Lord's My Shepherd
Composed by Bob Chilcott
The Peace Of God Composed
by Alan Bullard
The True And Living Bread
Composed by David
Blackwell
There Is No Rose Composed
by Andrew Smith
Thou Visitest The Earth
Composed by Maurice
Greene
To Be A Pilgrim Composed
by Nick Burt
Were You There? Composed
by American Spiritual;
Arranged by Peter Hunt
Where All Charity And
Love Are (Ubi Caritas)
Arranged by Alan Bullard
Wondrous Cross Composed
by Philip Wilby
The Oxford Book of
Flexible Anthems by Alan
Bullard (1947-). For
flexible instrumentation.
Mixed Voices. Sacred.
Paperback. 296 pages.
Published by Oxford
University Press
Choral TB chorus with Piano and optional Solos SKU: CF.CM9591 Composed by...(+)
Choral TB chorus with
Piano and optional Solos
SKU: CF.CM9591
Composed by Franz
Schubert. Arranged by
Susan Thrift. Fold.
Performance Score. 8
pages. Duration 1 minute,
37 seconds. Carl Fischer
Music #CM9591. Published
by Carl Fischer Music
(CF.CM9591).
ISBN
9781491154137. UPC:
680160912636. 6.875 x
10.5 inches. Key: Bb
major. Italian. Gedicht
Goldoni.
Original.
There is
not a lot written about
the history of La
Pastorella by
Austrias classical
composer, Franz Schubert
(17971828). An extremely
prolific writer, Schubert
died before his
thirty-second birthday.
With lyrics from the
libretto Il filosofo
di campagna by Carlo
Goldoni (17071793), this
simple, charming part
song about a little
shepherd girl, was
originally written for
four-part male chorus and
piano and is believed to
have been written
sometime between 1813 and
1817. Be careful not to
sing with too much weight
in the voice so that you
dont get bogged down in
the sixteenth note runs.
I would suggest speaking
the Italian words in
rhythm many times before
singing them in rhythm.
Once youve learned it,
youll find it very
rewarding to sing.
PHONETIC PRONUNCIATION La
pastorella al prato
contenta se ne va
lah
pah-stoh-REHL-lah ahl
PRAH-toh kohn-TEHN-tah
seh neh vah
Collagnellino a lato
Cantando in liberta
kohl-ah-neh-LEE-n
oh ah LAH-toh
kahn-TAHN-doh een
lee-behr-TAH Se
linnocente amore Gradisce
il se
lee-noh-CHEN-teh
ah-MOH-re
grah-DEE-sheh il
suo pastore eel
SOO-oh
pah-STOH-reh La
bella pastorella contenta
ognor sara lah
BEHL-lah
pah-stoh-REHL-lah
kohn-TEHN-tah oh-nor
sah-RAH NOTE:
All R's should be
flipped, not
rolled. There is not a
lot written about the
history of La
Pastorella by
Austriaas classical
composer, Franz Schubert
(1797a1828). An extremely
prolific writer, Schubert
died before his
thirty-second birthday.
With lyrics from the
libretto Il filosofo
di campagna by Carlo
Goldoni (1707a1793), this
simple, charming part
song about a little
shepherd girl, was
originally written for
four-part male chorus and
piano and is believed to
have been written
sometime between 1813 and
1817. Be careful not to
sing with too much weight
in the voice so that you
donat get bogged down in
the sixteenth note runs.
I would suggest speaking
the Italian words in
rhythm many times before
singing them in rhythm.
Once youave learned it,
youall find it very
rewarding to sing.
PHONETIC PRONUNCIATION
LaA A pastorellaA A A A A
A A A A A A A A alA A A A
pratoA A A A A contentaA
A A A A A A A seA A neA A
va lah
pah-stoh-REHL-lah ahlA
PRAH-toh kohn-TEHN-tah
seh neh vah
CollaagnellinoA A A A A A
A A A A A aA A A A latoA
A A A A A CantandoA A A A
A A A A inA A A A libertA
kohl-ah-A+-eh-LEE
-nohA ah LAH-tohA A
kahn-TAHN-doh een
lee-behr-TAH Se
lainnocente amore
Gradisce il se
lee-noh-CHEN-teh
ah-MOH-re
grah-DEE-sheh
ilA A A A suoA A A A A A
pastore eel
SOO-ohA
pah-STOH-reh LaA
bellaA A A A A A A A
pastorellaA A A A A A A A
A A A A A contentaA A A A
A A A A A ognorA A A sarA
lah BEHL-lahA
pah-stoh-REHL-lahA
kohn-TEHN-tahA A oh-A+-or
sah-RAH NOTE:
All R's should be
flipped, not
rolled. There is not a
lot written about the
history of La
Pastorella by
Austria's classical
composer, Franz Schubert
(1797-1828). An extremely
prolific writer, Schubert
died before his
thirty-second birthday.
With lyrics from the
libretto Il filosofo
di campagna by Carlo
Goldoni (1707-1793), this
simple, charming part
song about a little
shepherd girl, was
originally written for
four-part male chorus and
piano and is believed to
have been written
sometime between 1813 and
1817. Be careful not to
sing with too much weight
in the voice so that you
don't get bogged down in
the sixteenth note runs.
I would suggest speaking
the Italian words in
rhythm many times before
singing them in rhythm.
Once you've learned it,
you'll find it very
rewarding to sing.
PHONETIC PRONUNCIATION La
pastorella al prato
contenta se ne va
lah
pah-stoh-REHL-lah ahl
PRAH-toh kohn-TEHN-tah
seh neh vah
Coll'agnellino a lato
Cantando in liberta
kohl-ah-neh-LEE-n
oh ah LAH-toh
kahn-TAHN-doh een
lee-behr-TAH Se
l'innocente amore
Gradisce il se
lee-noh-CHEN-teh
ah-MOH-re
grah-DEE-sheh il
suo pastore eel
SOO-oh
pah-STOH-reh La
bella pastorella contenta
ognor sara lah
BEHL-lah
pah-stoh-REHL-lah
kohn-TEHN-tah oh-nor
sah-RAH NOTE:
All R's should be
flipped, not
rolled. There is not a
lot written about the
history of La Pastorella
by Austria's classical
composer, Franz Schubert
(1797-1828). An extremely
prolific writer, Schubert
died before his
thirty-second birthday.
With lyrics from the
libretto Il filosofo di
campagna by Carlo Goldoni
(1707-1793), this simple,
charming part song about
a little shepherd girl,
was originally written
for four-part male chorus
and piano and is believed
to have been written
sometime between 1813 and
1817. Be careful not to
sing with too much weight
in the voice so that you
don't get bogged down in
the sixteenth note runs.
I would suggest speaking
the Italian words in
rhythm many times before
singing them in rhythm.
Once you've learned it,
you'll find it very
rewarding to sing.
PHONETIC PRONUNCIATION La
pastorella al prato
contenta se ne va lah
pah-stoh-REHL-lah ahl
PRAH-toh kohn-TEHN-tah
seh neh vah
Coll'agnellino a lato
Cantando in liberta
kohl-ah-neh-LEE-noh ah
LAH-toh kahn-TAHN-doh een
lee-behr-TAH Se
l'innocente amore
Gradisce il se
lee-noh-CHEN-teh
ah-MOH-re grah-DEE-sheh
il suo pastore eel SOO-oh
pah-STOH-reh La bella
pastorella contenta ognor
sara lah BEHL-lah
pah-stoh-REHL-lah
kohn-TEHN-tah oh-nor
sah-RAH NOTE: All R's
should be flipped, not
rolled. There is not a
lot written about the
history of La Pastorella
by Austria’s
classical composer, Franz
Schubert
(1797–1828). An
extremely prolific
writer, Schubert died
before his thirty-second
birthday. With lyrics
from the libretto Il
filosofo di campagna by
Carlo Goldoni
(1707–1793), this
simple, charming part
song about a little
shepherd girl, was
originally written for
four-part male chorus and
piano and is believed to
have been written
sometime between 1813 and
1817.Be careful not to
sing with too much weight
in the voice so that you
don’t get bogged
down in the sixteenth
note runs. I would
suggest speaking the
Italian words in rhythm
many times before singing
them in rhythm. Once
you’ve learned it,
you’ll find it
very rewarding to
sing.PHONETIC
PRONUNCIATIONLa Â
pastorella  Â
    Â
   Â
 al  Â
 prato  Â
  contentaÂ
    Â
  se Â
ne  valah
pah-stoh-REHL-lah ahlÂ
PRAH-toh kohn-TEHN-tah
seh neh
vahColl’agnellino
   Â
    Â
 a  Â
 lato  Â
  Â
Cantando  Â
    Â
in  Â
 libertà kohl-ah-Ã
eh-LEE-noh ah
LAH-tohÂ
 kahn-TAHN-doh een
lee-behr-TAHSe
l’innocente amore
Gradisce ilse
lee-noh-CHEN-teh
ah-MOH-re
grah-DEE-shehil Â
  suo Â
  Â
 pastoreeel SOO-ohÂ
pah-STOH-rehLaÂ
bella   Â
  Â
 pastorella Â
    Â
    Â
 contenta Â
    Â
  ognor Â
 sarà lah
BEHL-lahÂ
pah-stoh-REHL-lahÂ
kohn-TEHN-tahÂ
 oh-ñor
sah-RAHNOTE: All R's
should be flipped, not
rolled.
By West Chester University of Pennsylvania Concert Choir; West Chester Universit...(+)
By West Chester
University of
Pennsylvania Concert
Choir; West Chester
University of
Pennsylvania
Mastersingers; West
Chester University of
Pennsylvania Chamber
Ensemble. Release date:
2015. Mark Records.
Listening CD. Published
by Mark Custom Music
(MK.51849-MCD).
Ligne De Mélodie, Paroles et Accords [Fake Book] - Intermédiaire Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics, chord n...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics, chord
names and guitar chord
chart. Gospel and
worship. Series: Hal
Leonard Fake Books. 295
pages. 9x12 inches.
Published by Hal Leonard.
SKU: HL.48009939 Boosey & Hawkes Voice. 122 pages. Hal Leonard #M06003446...(+)
SKU: HL.48009939
Boosey & Hawkes Voice.
122 pages. Hal Leonard
#M060034466. Published by
Hal Leonard
(HL.48009939).
UPC:
073999235623.
8.25x11.75x0.349
inches.
Contents: A
Shepherd in a Shade
(Dowland) • As
Flora Slept (Hilton)
• Come Again
(Dowland) • Come
Phillis (Ford) •
Deare if you Change
(Dowland) • Deare
Through Your Mind
(Corkine) •
Diaphenia (Pilkington)
• Fain Would I
Change That Note (Jones)
• Faire Sweet
Cruell (Ford) •
Fine Knacks for Ladies
(Dowland) • Flow
Not so Fast ye Fountains
(Dowland) • Go to
Bed Sweet Muse (Jones)
• Here She Her
Sacred Bower Adornes
(Campion) • If I
Urge my Kind Desires
(Rosseter) • If She
Forsake Me (Rosseter)
• On a Time (Attey)
• Phillis Was a
Faire Maid (Giles Earle's
MS) • Shaded with
Olive Trees (Greaves)
• Shall I Come
Sweet to Thee? (Campion)
• Sleepe Sleepe
(Giles Earle's MS)
• Sweet Cupid Ripen
Her Desire (Corkine)
• Sweet Kate
(Jones) • Sweet
Nymph Come to thy Lover
(Morley) • There is
a Garde in Her Face
(Campion) • Under a
Cypress Tree (Pilkington)
• What if I Seek
for Love (Jones) •
When Laura Smiles
(Rosseter) • When
Lo! by Breake of Morning
(Morley) • Why Dost
Thou Turn Away? (Giles
Earle's MS) •
Woeful Heart With Grief
Oppressed (Ford).
Boosey &
Hawkes Voice. 122 pages.
Hal Leonard #M060034473.
Published by Hal Leonard
(HL.48009940).
UPC:
073999552393.
8.5x11.75x0.39
inches.
Contents: A
Shepherd in a Shade
(Dowland) * As Flora
Slept (Hilton) * Come
Again (Dowland) * Come
Phillis (Ford) * Deare if
you Change (Dowland) *
Deare Through Your Mind
(Corkine) * Diaphenia
(Pilkington) * Fain Would
I Change That Note
(Jones) * Faire Sweet
Cruell (Ford) * Fine
Knacks for Ladies
(Dowland) * Flow not so
Fast ye Fountains
(Dowland) * Go to Bed
Sweet Muse (Jones) * Here
She Her Sacred Bower
Adornes (Campion) * If I
Urge my Kind Desires
(Rosseter) * If She
Forsake Me (Rosseter) *
On a Time (Attey) *
Phillis Was a Faire Maid
(Giles Earle's MS) *
Shaded with Olive Trees
(Greaves) * Shall I Come
Sweet Love to Thee?
(Campion) * Sleepe Sleepe
(Giles Earle's MS) *
Sweet Cupid Ripen Her
Desire (Corkine) * Sweet
Kate (Jones) * Sweet
Nymph Come to thy Lover
(Morley) * There is a
Garden in Her Face
(Campion) * Under a
Cypress Tree (Pilkington)
* What if I Seek for Love
(Jones) * When Laura
Smiles (Rosseter) * When
Lo! by Breake of Morning
(Morley) * Why Dost Thou
Turn Away? (Giles Earle's
MS) * Woeful Heart With
Grief Oppressed
(Ford).
Methods and Music for Children SKU: UT.DM-50 Composed by Alessandra Ances...(+)
Methods and Music for
Children
SKU:
UT.DM-50
Composed by
Alessandra Anceschi,
Gabrielangela Spaggiari,
and Irene Bonfrisco.
Saddle stitching. Fare
Musica. Classical. Ut
Orpheus #DM 50. Published
by Ut Orpheus (UT.DM-50).
ISBN 9790215315266. 9
x 12 inches.
Il
teatro d’opera,
all’interno
dell’intero
patrimonio musicale del
repertorio cólto, ma
per dir meglio,
all’interno del
portato culturale che ha
investito –
tramite la sua nascita
– dapprima
l’Italia e poi
l’Europa tutta,
mantiene inalterato nel
tempo un riconoscimento
di grande valore. In
virtù di questo
primato,
un’attenzione
particolare gli è
conferita anche in questa
sede, nella quale si è
voluto condurre lo
studente alla scoperta di
tre importanti
capolavori. Diversamen
te da quanto si sia
portati a credere,
l’opera non è
unicamente repertorio per
vecchi e canuti
parrucconi, ma è
spettacolo in grado di
catturare anche un
pubblico d’etÃ
scolare. Attraverso le
molteplici espressioni
con le quali
l’opera si
manifesta (musica e
parola su tutte, ma anche
gesto e danza, insieme a
gestione dello spazio
scenico e della luce,
elementi che definiscono
tutti la complessa
dimensione
drammaturgica), il teatro
d’opera si pone
come spettacolo
multimediale ante
litteram capace come
pochi di riassumere
esemplarmente in un solo
concetto rappresentazioni
di pienezza e
complessità culturale
assai variegate. Nel
tratteggiare la ricchezza
di un viaggio alla
scoperta
dell’opera, si
potrebbe affermare che
addentrarsi nelle
narrazioni di un Figaro,
di un Don Giovanni, di un
Rigoletto sia un
po’ come se da un
solo assaggio si
degustassero più
sapori, come se si
riuscisse a cogliere
l’intero panorama
solamente sbirciando da
un foro. In questa
operazione si possono
identificare gli estremi
di una visione
ologrammatica della
realtà , quella che ci
consente di mettere in
evidenza come una parte
sia inscritta nel tutto,
ma quanto il tutto stesso
costituisca una parte.
Questo apparente
paradosso, che ci sembra
possa essere
rappresentato anche dal
teatro musicale, è
alla base di
quell’atteggiament
o che ci consente di
evitare operazioni di
riduzionismo e di
semplificazione, e di
aumentare invece i
livelli di relazione e di
complessità con le
esperienze che ci
accadono.
Il
quaderno si rivolge ad
allievi non digiuni dei
primi rudimenti di
alfabetizzazione sonora
ed esplora – data
la specificità della
collana –
soprattutto la dimensione
musicale, anche se non
tralascia di guidare
all’indagine delle
relazioni che la musica
ha con gli altri
linguaggi che
costruiscono lo
spettacolo. Non è
un caso, per di più,
che ancora una volta e
come costante
metodologica che
accompagna tutti i
quaderni, ci si avvalga
anche qui del segno, del
gesto, della parola come
strategie per la
conoscenza dei mezzi
espressivi e per
l’esplorazione dei
significati, tutti
meccanismi necessari ad
innescare un ascolto
attivo. La scelta di
opere e autori si è
imposta quasi
naturalmente: Mozart,
Rossini, Verdi sono
ovunque riconoscibili
come figure emblematiche
del genere operistico.
Nessuno potrebbe
affermare di aver
assaggiato la Sacher
Torte senza essere stato
a Vienna, così come
nessuno potrebbe
sostenere di aver
assaporato l’opera
senza aver avuto
occasione di avvicinarsi
a questi tre
autori. L’inten
to del quaderno è
dunque quello di fornire
supporti
all’allievo e
all’insegnante per
favorire scoperte, per
far nascere
curiosità . Gli
obiettivi del lavoro si
perdono però a metÃ
strada nel momento in cui
non si ponga a
conclusione del percorso
la visione
dell’opera. Lâ
€™auspicio e
l’invito è
dunque quello di uscire
dalle aule e di recarsi,
senza esitazioni, a
teatro. Il valore
estetico e il potere
seduttivo di un
capolavoro sono in grado
di disvelarsi talvolta
senza che si operi nessun
tipo di facilitazione
(seppur la preparazione
del campo, come questo
testo vuole dimostrare,
non sia certo operazione
inutile); ma, quasi
certamente, nessun
magnetico incanto
potrà fuoriuscire se
ci si arresterÃ
unicamente alle
esperienze di queste
pagine.
(Op. 100, 105, 109 Schirmer's Library of Musical Classics, Vol. 2088). By Johann...(+)
(Op. 100, 105, 109
Schirmer's Library of
Musical Classics, Vol.
2088). By Johann
Friedrich BurgmÌ_ller.
Edited by Louis Oesterle.
Piano Collection.
Softcover. 108 pages. G.
Schirmer #2088. Published
by G. Schirmer
Oboe SKU: BT.9781408105283 Composed by Helen McKean. Abracadabra. Method....(+)
Oboe
SKU:
BT.9781408105283
Composed by Helen McKean.
Abracadabra. Method. Book
with CD. Collins Music
Publishing
#9781408105283. Published
by Collins Music
Publishing
(BT.9781408105283).
Book 4. By Christian Heinrich Hohmann. Arranged by Louis Bostelmann. (Violin). ...(+)
Book 4. By Christian
Heinrich Hohmann.
Arranged by Louis
Bostelmann. (Violin).
String Method. Size 9x12
inches. 60 pages.
Published by G. Schirmer,
Inc.
By Jane Smisor Bastien. Edited by Lisa Bastien, Lori Bastien. Bastien Piano. Vac...(+)
By Jane Smisor Bastien.
Edited by Lisa Bastien,
Lori Bastien. Bastien
Piano. Vacation Magic.
Level: Level 2. Music
Book. Published by Neil
A. Kjos Music Company.
Schirmer's Library of Musical Classics, Vol. 2139. Composed by Various. Piano....(+)
Schirmer's Library of
Musical
Classics, Vol. 2139.
Composed
by Various. Piano.
Classical.
Softcover. 386 pages. G.
Schirmer #LIB 2139.
Published
by G. Schirmer
By Glenn Weiser. For Guitar (Fingerpicking). Solos. Encyclopedia. Celtic/Irish. ...(+)
By Glenn Weiser. For
Guitar (Fingerpicking).
Solos. Encyclopedia.
Celtic/Irish. Level:
Intermediate. Book. Size
8.75x11.75. 192 pages.
Published by Mel Bay
Publications, Inc.