Inventions and Sinfonias: Two- and Three-Part Inventions (Inventionen und Sinfonien: Zwei- und drestimmige Inventionen). By Johann Sebastian Bach (1685-1750). Edited by Ulrich Leisinger. For piano. Baroque. SMP Level 9 (Advanced). Full score. Standard notation. 112 pages. Published by Wiener Urtext/Vienna Urtext

(Two- and Three-Part Inventions) Played by Valery Lloyd-Watts, composed by Johann Sebastian Bach (1685-1750), edited by Willard A. Palmer. Performance CD. CD Only - no sheet music. Series: Alfred Masterworks Editions. Published by Alfred Publishing.

By Valery Lloyd-Watts. By Johann Sebastian Bach (1685-1750). Edited by Willard A. Palmer. Masterworks; Piano Collection. Alfred Masterwork CD Edition. Baroque; Masterwork. Book; CD. 116 pages. Alfred Music #00-22521. Published by Alfred Music

(Two- and Three-Part Inventions) Composed by Johann Sebastian Bach (1685-1750), edited by Willard A. Palmer. For piano solo. Format: piano solo book. With introductory text, instructional text, standard notation and fingerings. Baroque. Series: Alfred Masterworks Editions. 112 pages. 9x12 inches. Published by Alfred Publishing.
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Edited by Willard A. Palmer. Johann Sebastian Bach. For Piano. Piano Collection. Masterwork. Level: Late Intermediate / Early Advanced (grade 6/6 ). Book. 52 pages. Published by Alfred Publishing.

By Johann Sebastian Bach. Edited by Dr. Richard Jones. For Piano solo Harpsichord Keyboard. Level: 4, 5, 6, 7, 8. 80 pages. Published by ABRSM (Associated Board of the Royal Schools of Music).

Concert band - Grade 4

SKU: MH.1-59913-072-6

Composed by Timothy Broege. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 7:00. Published by Manhattan Beach Music (MH.1-59913-072-6).

ISBN 9781599130729.

Prog ram Notes: It was a happy coincidence that the commission for SINFONIA XVI: TRANSCENDENTAL VIENNA came from the Henry David Thoreau School located in Vienna, Virginia. Thoreau is one of the magic names in American culture: Henry David Thoreau, one of the leading figures of the Transcendentalist movement, centered in 19th-century New England, left us a body of unique philosophical and poetical writings. To utter the words, Walden Pond, is to invoke an America long past in physical actuality, but still present in the minds and hearts of many American citizens. The name, Vienna, of course, summons thoughts of the Old World: culture, fine food, wine, civilized cities. While contemplating the form that SINFONIA XVI should take, I found myself thinking of two pillars of Viennese culture: expressionism and the waltz. Musically speaking, expressionism reached a zenith in the works of Arnold Schoenberg and Alban Berg. It was Berg, in particular, that I wanted to invoke in the outer movements of my composition. I knew I would also have to include a waltz, and an invocation of the mysterious forces that are contained in both expressionism and transcendentalism. Thus was the structure of the work generated. The outer movements with their vision of the night sky and the stars, Aldebaran and Sirius, frame the central movements, which are essentially two versions of the same material, and are quieter and less dramatic. The outer movements are symmetrical, and share both pitch and rhythmic materials. Accordingly, I see the work as a ternary form, with the central movements forming a unit within the outer frame: A (Movement 1) B (Movements 2 & 3) A' (Movement 4). Harmonically, the work can be summarized by the two pitch-series which occur in the opening bars of Movement 1: the initial 12-note row, with a tonal center on F-sharp (measures 1-6), and the subsequent D-minor Dorian 7-note row (beginning in measure 14). Aspects of these materials occur in all four movements, but they are most strongly present in Movements 1 and 4. Note that the 12-note row is not subjected to the usual serial procedures, but instead is treated as a signifier and is left unchanged. Since the fourth movement takes up where the first movement leaves off, I can conceive of one interpretation of SINFONIA XVI as an evocation of Thoreau himself contemplating two of the brightest stars on a clear, cold night. Aldebaran is an orange, first-magnitude star, located in the constellation Taurus; Sirius, the Dog Star, is the brightest star in the sky, and is located in the constellation Canis Major. Thoreau interrupts his star-gazing to entertain some inward thoughts, waking dreams, as it were, then returns his gaze to the splendid night sky and all its treasures. Although many other interpretations of the material are possible, it is important to remember that the abstract materials of the piece -- pitch, rhythm, structure -- are what count the most. Ensemble instrumentation: 1 Piccolo, 4 Flute 1, 4 Flute 2, 3 Oboe, 1 Eb Clarinet (opt.), 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 3 Bass Clarinet, 3 Bassoon, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 2 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 Horn 1, 2 Horn 2, 3 Trombone 1, 3 Trombone 2, 3 Euphonium B.C., 2 Euphonium T.C., 5 Tuba, 2 Timpani, 3 Percussion 1, 3 Percussion 2, 3 Percussion 3, 3 Percussion 4.

By Various. Edited by Helen Marlais. Arranged by Various. For Piano. Succeeding with the Masters. Classical. Level: Early Advanced. Collection and 2 Listening CDs. Published by The FJH Music Company Inc.

By Various. Arranged by A Abel. Marching Band Percussion. Size 9x12 inches. 84 pages. Published by G Schirmer, Inc.

By Giuseppe Torelli (1658-1709). Edited by Hans Bergmann. For 2 violin and basso continuo. Chamber music. Score and parts. Op. 5/7. Published by Doblinger Music Publishers

Orchestra - all

SKU: PR.816600040

Composed by Wolfgang Amadeus Mozart. CD Sheet Music (Version 1). Full Scores to all of the major works for orchestra by Mozart - parts not included. Classical Period. CD Sheet Music. 2000 printable pages. Published by Theodore Presser Company (PR.816600040).

UPC: 680160600045. 5.5x5 inches.

This disk contains study scores of all 41 of Mozart's Symphonies, as well as Concertos for Winds and Strings (Piano Concertos are on a companion CD-ROM), Serenades, Opera Overtures, Divertimentos, and other works.

About CD Sheet Music (Version 1)

CD Sheet Music (Version 1) was the initial CD Sheet Music series distributed by Theodore Presser. The CDs include thousands of pages of music that are viewable and printable on Mac or PC. Version 1 titles are a great value at 40% off, as we make room in our warehouse for the newly enhanced CD Sheet Music (Version 2.0) series.

Composed by Johann Sebastian Bach (1685-1750). For Piano. Piano Collection. 648 pages. G. Schirmer #LB2102. Published by G. Schirmer

By Paul Harris. For Clarinet and piano. Clarinet. Music Through Time. ABRSM Exam: Grade 5-6. Music Through Time. 72 pages

Edited by I. Denley. For Flute, Piano. Flute & Piano Albums. Music through the Ages. Grades 4-5. Collection. Published by ABRSM (Associated Board of the Royal Schools of Music)

(study score). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Ralf Wehner. For orchestra. Breitkopf Full Scores. Parts, Urtext. 92 pages

(Original Piano Music Of Three Centuries) For piano. Music For Millions: Volume 47. Format: piano solo book. With fingerings. Baroque, classical period, romantic period, impressionistic and 20th century. 160 pages. 9x12 inches. Published by Music Sales.

Piano Solo. By Johann Sebastian Bach. Arranged by Carl Czerny. Piano Method. Size 9x12 inches. 64 pages. Published by G. Schirmer, Inc.

Piano Solo. By Johann Sebastian Bach. Arranged by W. Mason. Piano Collection. Size 9x12 inches. 64 pages. Published by Schirmer.

Piano Solo. By Johann Sebastian Bach. Piano Method. 40 pages. Published by G. Schirmer, Inc.

(Complete) Composed by Johann Sebastian Bach (1685-1750), edited by Ferruccio Busoni (1866-1924). Collection for solo piano. 71 pages. Published by G. Schirmer, Inc.

Piano

SKU: BT.EMBZ14506

EMB Liszt Works. March. Book Only. Composed 2008. 208 pages. Editio Musica Budapest #EMBZ14506. Published by Editio Musica Budapest (BT.EMBZ14506).

English-German-Hungari an.

Volume11 of in the series of Supplements represents an important step towards completion of the series for solo piano included in the NLE, as a complete critical edition. By publishing all the early versions it makes the piano versions of these symphonies by Beethoven available for study by performers and those engaged in music research.Similarly to the other NLE volumes already published, this volume comes cloth-bound (Z. 14506a) or hard-paper-bound (Z. 14506), the former as part of the Complete Edition, the latter as part of the series containing solo piano works. The preface to the series, the prefaces to the works contained in this volume (in German, English and Hungarian)and the facsimiles with which it is illustrated are to be found in both versions, the critical notes in English are included only in the cloth-bound version.

Mit dem 11. Band der Supplementbände der NLA (Neuen Liszt Ausgabe) wird wieder ein großer Schritt zur Vervollständigung der Soloklavier-Serien in der Gesamtausgabe unternommen: Durch ihn wird das Studium der Klavierversionen der Symphonien Beethovens (inkl. alle früheren Versionen) für die Musiker und deren Forschung für Musikwissenschaftler ermöglicht.Die Ausgabe ist ähnlich den bisherigen Bänden der Neuen Liszt Ausgabe, sie ist sowohl in einem Leineneinband (Z. 14506A) wie auch kartoniert (Z. 14506) erhältlich, erstere als Teil der Gesamtausgabe, letztere als Teil der Soloklavierwerke-Serie. Das Serien-Vorwort, die Vorworte der Stücke im Band (auf Deutsch, Englisch undUngarisch) und die den Band illustrierenden Facsimile-Seiten sind in beiden Ausgaben anzutreffen, die kritischen Bemerkungen in Englisch werden nur in der Leineneinband-Ausgabe veröffentlicht.

Piano

SKU: BT.EMBZ14506A

Suppl. 11 - First versions. EMB New Listz Edition. March. Book Hardcover. Composed 2008. 228 pages. Editio Musica Budapest #EMBZ14506A. Published by Editio Musica Budapest (BT.EMBZ14506A).

English-German-Hungari an.

Volume 11 of in the series of Supplements represents an important step towards completion of the series for solo piano included in the NLE, as a complete critical edition. By publishing all the early versions it makes the piano versions of these symphonies by Beethoven available for study by performers and those engaged in music research.Similarly to the other NLE volumes already published, this volume comes cloth-bound (Z. 14506a) or hard-paper-bound (Z. 14506), the former as part of the Complete Edition, the latter as part of the series containing solo piano works. The preface to the series, the prefaces to the works contained in this volume (in German, English and Hungarian)and the facsimiles with which it is illustrated are to be found in both versions, the critical notes in English are included only in the cloth-bound version.

Mit dem 11. Band der Supplementbände der Neuen Liszt Ausgabe (NLE) wird wieder ein grosser Schritt zur Vervollständigung der Soloklavier-Serien in der Gesamtausgabe unternommen: Durch ihn wird das Studium der Klavierversionen der Symphonien Beethovens (inkl. alle früheren Versionen) für die Musiker und deren Forschung für Musikwissenschaftler ermöglicht. Die Ausgabe ist ähnlich den bisherigen Bänden der Neuen Liszt Ausgabe, sie ist sowohl in einem Leineneinband (Z. 14506A) wie auch kartoniert (Z. 14506) erhältlich, erstere als Teil der Gesamtausgabe, letztere als Teil der Soloklawierwerke-Serie. Das Serien-Vorwort, die Vorworte der Stücke im Band (auf Deutsch, Englisch undUngarisch) und die den Band illustrierenden Facsimile-Seiten sind in beiden Ausgaben anzutreffen, die kritischen Bemerkungen in Englisch werden nur in der Leineneinband-Ausgabe veröffentlicht.

Composed by Various. Collection - Full. Universal Edition #UE038080. Published by Universal Edition