The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particularly beautiful example of the transformation of the traditional and the modern style into a unified whole. Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Strings, Basso continuo Full score, choral score and parts (BA2901) available for sale/ Répertoire / SATB, 4 Parties Mixtes et Instruments à Cordes

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particularly beautiful example of the transformation of the traditional and the modern style into a unified whole. Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Strings, Basso continuo Full score, choral score and parts (BA2901) available for sale/ Répertoire / SATB, 4 Parties Mixtes et Instruments à Cordes

Anthem. Par PURCELL HENRY. The Anthem, in the post-Reformation church music of England was initially the term given to a choral work with an English biblical text. By the end of the 17th century it begins to take on Italian stylistic elements and becomes a cantata for solo voices, choir and orchestra. The anthem 'O sing unto the Lord' presented here, based on words of the 96th Psalm, is a particularly beautiful example of the transformation of the traditional and the modern style into a unified whole. Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Strings, Basso continuo Full score, choral score and parts (BA2901) available for sale/ Répertoire / SATB, 4 Parties Mixtes et Instruments à Cordes

Ed. Maitland-Squire, Rev. Dover Edition. Famous early 17th century collection of keyboard music. 300 works by Morley, Byrd, Bull, Gibbons, etc. Modern notation. 469 pages. 'The most remarkable, and in many respects the most valuable collection of Elizabethan keyboard music' (Grove's Dictionary of Music and Musicians). The close to 300 airs, variations, fantasies, toccatas, pavanes, galliards, allemandes and courantes in these two volumes include some of the finest examples of Elizabethan and Jacobean Music: Morley, Gibbons, Farnaby, Warrock, Ferdinando Richardson, Peter Phillips, Tomkins and practically every other composer of the virginalistic school. John Bull and William Byrd, two of England's greatest composers are represented by over 100 works. The pieces herein, while composed for the virginal, can be played without difficulty on thepiano or any other keyboard instrument. Maitland and Squire set the music into modern notation, preserving faithfully the intent of the composers./ Recueil / Piano

Vol. 3: Dramatic. OperAria is the ideal 'vocal coach' for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria offers in every book - a well-founded repertoire collection of common audition arias and rarities, which also include pieces from the 20th century - reliable aria texts in performable versions with revised or newly elaborated piano-vocal scores - meticulous comments on every aria (with contents and an evaluation from the singer's viewpoint) - a CD as 'Text and Phonetics Assistant' with the aria texts as audio file in their original language as well as the aria texts in German and English translation The three books for baritone '1:lyrical,' '2: lyrical-dramatic' and '3: dramatic' are placed at the beginning of the project. Altogether 16 volumes are planned- the first books for soprano are currently being prepared for 2016. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.' (Peter Anton Ling)/ Recueil / Baryton

Melody line, chord symbols, guitar chord boxes and lyrics for 35 turn-of-the-century rock hits. Specially arranged from the actual recordings in the original keys. / Chant Et Guitare

Cowe, Matt (Arranger) - Hopkins, Adrian (Editor). A Pocket sized collection of 21st century hits presented in chord songbook format, with Guitar chord boxes and complete lyrics... The little book with all the big songs! / Niveau : Assez Facile / Pop & rock / Recueil / Piano, Chant et Guitare

La collection The Little Black Book s'agrandit avec ce volume contenant uniquement des chansons du 21ème siècle.
Au format de poche, vous retrouverez dans ce livre les partitions pour chant (paroles complètes) et guitare (grilles d'accords) de plus de 60 tubes de ce dernier siècle. Inclus des artistes comme Oasis, U2, Rihanna, Gossip, Eminem, Muse, Lady Gaga ou encore Mika.
Titres :
1973 [Blunt, James]
A-Punk [Vampire Weekend]
Are You Gonna Be My Girl [Jet]
Beautiful Day [U2]
Best Of You [Foo Fighters]
Bleeding Love [Lewis, Leona]
Broken Strings [Morrison, James] [Furtado, Nelly]
Can?t Get You Out Of My Head [Minogue, Kylie]
Chasing Cars [Snow Patrol]
Chasing Pavements [Adele]
Complicated [Lavigne, Avril]
Crazy [Barkley, Gnarls]
Dakota [Stereophonics]
Danger! High Voltage [Electric Six]
Death [White Lies]
Dog Days Are Over [Florence The Machine]
Dry Your Eyes [Streets, The]
Feel [Williams, Robbie]
Feel Good Inc. [Gorillaz]
Feeling Good [Muse]
Golden Skans [Klaxons]
Golden Touch [Razorlight]
Gotta Get Thru This [Bedingfield, Daniel]
Grace Kelly [Mika]
Great DJ [Ting Tings, The]
Here With Me [Dido]
Hey Ya! [OutKast]
Hoppípolla [Sigur Rós]
I Believe In A Thing Called Love [Darkness, The]
I Don?t Feel Like Dancin? [Scissor Sisters]
I Just Don?t Know What To Do With Myself [White Stripes, The]
I Kissed A Girl [Perry, Katy]
I Predict A Riot [Kaiser Chiefs]
In The End [Linkin Park]
It?s My Life [Bon Jovi]
Jenny Don?t Be Hasty [Nutini, Paolo]
La Ritournelle [Tellier, Sébastien]
Leave Right Now [Young, Will]
Like I Love You [Timberlake, Justin]
Little Lion Man [Mumford and Sons]
Little Sister [Queens Of The Stone Age]
Lose Yourself [Eminem]
Maps [Yeah Yeah Yeahs]
Mr. Brightside [Killers, The]
Naïve [Kooks, The]
Paper Planes [M.I.A.]
Patience [Take That]
Poker Face [Lady Gaga]
Roscoe [Midlake]
Sex On Fire [Kings Of Leon]
Smile [Allen, Lily]
Somewhere Only We Know [Keane]
Standing In The Way Of Control [Gossip]
Suddenly I See [Tunstall, KT]
Sweet Disposition [Temper Trap, The]
Take Me Out [Ferdinand, Franz]
The Importance Of Being Idle [Oasis]
The One I Love [Gray, David]
The Seed (2.0) [Roots, The] [ChesnuTT, Cody]
This Love [Maroon 5]
Time To Pretend [MGMT]
Toxic [Spears, Britney]
Trouble [LaMontagne, Ray]
Umbrella [Rihanna] [Jay-Z]
Viva La Vida [Coldplay]
Warwick Avenue [Duffy]
White Winter Hymnal [Fleet Foxes]
Your Love Alone Is Not Enough [Manic Street Preachers]

Compositori Italiani del XX secolo Vol. 1. New volume of the Ricordi Instrumental Library series dedicated to the instrumental repertoire of the Twentieth Century. The series includes publications for piano, violin/piano, guitar and, now, cello/piano. - This anthology fills an editorial void by re-proposing a series of pieces that would otherwise be difficult, if not downright impossible, to find and yet have played a special role in the evolution of music for cello and piano in Italy. - The criteria adopted in choosing these pieces are: their musical value, their interest from a piano teacher’s point of view and their ability to represent a given period in the history of Italian music and culture. / Musique contemporaine / Date parution : 1905-07-05/ Recueil / Violoncelle et Piano

Italian composer Nicola Vaccai (1790-1848) was known for his operas in his day, but today is remembered as a master voice teacher. Vaccai composed these exercises for training the classical voice, extending range and increasing agility, breath support, and all other technical issues of singing. The art of singing reached a zenith in Italy in 1800-1840. Vaccai's 'Practical Method? has been used by millions of singers since its first publication in Europe in the 19th century. Schirmer released the first American edition in the early 20th century, and it remains a classic for voice study. The method comes in various editions for different voice types, including this one for mezzo-soprano, alto or baritone. / Soprano

Béla Bartók's series of piano pieces For Children, based on folk melodies, was written around the end of the first decade of the 20th century. The pieces were published shortly afterwards by the Hungarian publisher Károly Rozsnyai. That first publication was in four volumes, the first two containing a total of 42 pieces based on Hungarian folk tunes, the third and fourth containing 43 pieces based on Slovakian folk tunes.In 1943, whilst in the United States, Bartók prepared a revised version of the collection for the publishers Boosey and Hawkes. The revisions were minimal: two Hungarian and four Slovakian songs were eliminated, there were a few minor alterations incorporating new ideas, some of the pieces previously written with accidentals had key signatures added, a few pieces were rewritten with changed meters - some fingerings were added or changed.The composer prepared the revised 1943 edition by using copies of the first edition on which he marked minor changes - where the changes were more extensive, fresh manuscript was written and a new version engraved. However, much of the engraving of the first edition was preserved in the 1943 edition. Publication took place in 1946, after the composer's death - it is not known if he saw final proofs prior to printing.The revised edition was published in two volumes, which now have been published together as one volume for the first time. / Piano