For Violoncello and Piano Viola version included. By Nikolai Miaskovsky. Arranged by Mstislav Rostropovich. String. Size 8.25x11.75 inches. 88 pages. Published by Sikorski.

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Bela Bartok. Masterworks; Piano Collection. Kalmus Edition. Form: Sonata. Classical; Masterwork. Book. 304 pages. Kalmus Classic Edition #00-K03693. Published by Kalmus Classic Edition

Composed by Ludwig van Beethoven (1770-1827), arranged by Brodsky. Set of performance parts (includes violin book and piano book) for violin and piano. Schirmer Library Vol.232. 256 pages. Published by G. Schirmer, Inc.

Sonata Pathetique * Complete Original * with Performance CD composed by Ludwig van Beethoven (1770-1827). For piano solo. This edition: Paperback. Solo. Classical. Book and CD. Text Language: English. 56 pages. Published by Santorella Publications

Appassionata Sonata * Complete Original * with Performance CD composed by Ludwig van Beethoven (1770-1827). For piano solo. This edition: Paperback. Solo. Classical. Book and CD. Text Language: English. 64 pages. Published by Santorella Publications

Composed by Johann Sebastian Bach (1685-1750). Arranged by Greg Yasinitsky. Published by Kendor Music Inc (KN.10916).

Composed by Yuri Povolotsky. Score and part. Published by Forton Music (FT.FM543).

Violin and Piano. By Ludwig van Beethoven. Arranged by Max Vogrich, Adolph Brodsky. (Violin). String Solo. Size 9x12 inches. 28 pages. Published by G. Schirmer, Inc.

Composed by Leopold Godowsky (1870-1938). Collection for piano. With fingerings, pedal markings and introductory text. 400 pages. Published by Carl Fischer.

(For Flute And Piano). Composed by Lauren Bernofsky (1967-). For flute, piano. Contemporary. Solo part with piano reduction. 12 pages. Duration 5 minute, 30 seconds. Published by Theodore Presser Company

Book/Online Audio and Video Piano The Best Step-by-Step Guide to Start Playing. Do It Yourself. Instruction, Method. Softcover Media Online. 128 pages. Published by Hal Leonard

Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score, Part(s) (2). Opus 24. Baerenreiter Verlag #BA10937. Published by Baerenreiter Verlag

Composed by Ludwig van Beethoven (1770-1827). Edited by Clive Brown. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score, Part(s) (2). Opus 47. Baerenreiter Verlag #BA10938. Published by Baerenreiter Verlag

Composed by Stephen Hartke. LKM Music. Softcover. Lauren Keiser Music Publishing #S410028. Published by Lauren Keiser Music Publishing (HL.156535).

Chamber Music Violin

SKU: PR.144407530

Composed by Lauren Bernofsky. 12 pages. Duration 10 minutes, 30 seconds. Merion Music #144-40753. Published by Merion Music (PR.144407530).

ISBN 9781491136614. UPC: 680160687992.

A violinist herself, Lauren Bernofsky has described SONATA FOR SOLO VIOLIN as drawn from autobiographical inspiration, including gestures from Bachâ??s beloved Partita in E Major. Bernofsky opens with a Preludio movement whose references to Bach may be disguised, but they are surely lurking. The second movement is lusciously contrapuntal with the idiomatic finesse of a violinist composing for her own instrument, while musically journaling the emotional pain of living through 2020. The third and final movement is aptly marked â??white-hot,â? and the music certainly is.
My SONATA FOR SOLO VIOLIN was commissioned by violinist Megan Healy as part of The Maud Powell Project, which celebrated the 100th anniversary of the ratification of the 19th Amendment. The project included the creation of five new works for solo violin inspired by and dedicated to the memory of pioneering American violinist Maud Powell (1867-1920). Healy premiered the sonata on May 8, 2021 at PianoForte Studios in Chicago.Among the works Powell most frequently performed in her recitals was the â??Preludioâ? movement from Bachâ??s E major Partita, and I decided to refer to that music in my own first movement, also titled â??Preludio.â? The beginning subtly reflects Bachâ??s opening three-note motive, wherein the music dips down a semitone and then comes back up. This melodic material returns throughout the movement in various forms. I also refer to Bachâ??s sixteenth-note dominated texture, and the gesture in the third measure, which outlines a perfect fifth and then fills it in with notes that alternate between a scale and a pedal tone. The corresponding passage in my piece occurs in the same place, measure 3. Apart from these references to Bach, my sonata is much more modern sounding, especially in its chromatic character.I was still thinking of Bachâ??s solo violin writing while composing the second movement, particularly the polyphonic nature of the slow movements, where the melodic interest moves around between the voices. Emotionally, I wanted my movement to reflect the acute sadness I had been experiencing over the political and social situation in the United States as I wrote the piece. I realized that this is a historically noteworthy time in U.S. history, marked not only by political unrest, but also by a challenge to the very values that I consider essential to what makes a person fundamentally human. I wanted to create a record of that pain in my music.The final movement is marked â??White-hot.â? It is imbued with a relentless, passionate intensity. Wanting again to reflect aspects of our own time, I included glissandi that refer to rock music, specifically the â??fall-offsâ? I frequently hear played by electric guitarists. I borrowed from another (completely different) musical tradition as well, one that is near-and-dear to my heart: Klezmer. Klezmer (Eastern European Jewish folk music) is characterized in part by scales colored by augmented seconds, and is often performed by solo instrumentalists who improvise embellishments like quick grace notes. The second, more lyrical theme in this movement is my nod to Klezmer style.While this piece is an homage to Maud Powell, I also think of it as my own musical autobiography, as it combines some of my favorite aspects of music, and is played on my own instrument.

SKU: HL.49007038

Leben - Werke - Dokumente. Composed by Igor Stravinsky. This edition: Hardback/Hard Cover. Book. Edition Schott. Classical. 447 pages. Schott Music #ED 7192. Published by Schott Music (HL.49007038).

ISBN 9783795723026. 4.75x7.25x0.889 inches. German.

St. Petersburg - Paris - Swiss exile - France - USA, these places refer to stages during the long life of a composer who greatly enriched music history by a plethora of works of different styles. Igor Stravinsky's sophisticated oeuvre has enriched almost all genres: from sonata to solo concerto, from song to opera, from ballet music to symphony The list of different composition styles mastered by Stravinsky during his creative life is just as multi-faceted: from the style of the first years influenced by his teacher Rimsky-Korsakov to the 'cubist' composition of the scandal-ridden 'Sacre du printemps' for example, from the neoclassicism of 'Pulcinella' to the twelve-note 'Movements' - right up to excursions into jazz music. As a consequence, disorientation and lack of stylistic uniformity respectively were just two of the prejudices Stravinsky was faced with. Such prejudices are countered in this book by Wolfgang Burde who illustrates that the composer never wrote 'a la mode' or 'a la maniere de', but always incorporated newly discovered compositional techniques or even specific form models in his personal way of thinking. Here, it becomes apparent why Stravinsky, according to Wolfgang Burde, ranked 'among the most important composers of the European avant-garde next to Claude Debussy and Schoenberg'.

Piano Trio

SKU: BR.MR-2115A

Music at the Court of Kromeriz No. 49. Composed by Pavel Joseph Vejvanowsky. Edited by Charles W. Smith. Chamber music; Softcover. Musica Rara. Sonata; Renaissance/early Baroque; Baroque. Piano reduction. 12 pages. Breitkopf and Haertel #MR 2115a. Published by Breitkopf and Haertel (BR.MR-2115A).

ISBN 9790004486696. 9 x 12 inches.

Sonata Sancti Mauritii was written in 1666 by Pavel Josef Vejvanovsky (1633?-1693) for the feast day of the patron saint of St. Mauritius Church, Kremsier, which is now Kromeriz, Czech. The date of the composition shows it to be an early work composed about two years after he joined Prince Bishop Karl Liechtenstein-Kastelkorn' s orchestra as trumpeter, composer and copyist.The source for this edition is a manuscript in the Castle Archives, Kromeriz, C.S.S.R., call number Breitenbucher IV 9.This sonata contains many features of interest to trumpeters and is an attractive piece in its own right. Two noteworthy points are 1) the use of mutes to raise the pitch of the trumpets from C to D and 2) the unusual key of g minor for the trumpets with a difficult move from the f-sharp to f-natural in the first trumpet part in measures 112-113. In the latter case, a fermata has been inserted editorially for musical as well as practical reasons.This piano reduction was prepared from a modern edition of the work with strings and continue available also from Musica Rara. The string parts are preserved here as much as possible in the sections marked Tutti. The sections marked B. C. (Basso Continuo) appear here as realised in the orchestral edition.(from the Preface: Charles W. Smith, Cape Girardeau, Missouri, U.S.A., 9th March 1985).

Marimba - intermediate

SKU: HL.44005498

24 Classical Masterpieces. Arranged by Ivo Weijmans. De Haske Play-Along Book. Classical. Book [Softcover]. Composed 2005. 46 pages. De Haske Publications #1053787. Published by De Haske Publications (HL.44005498).

ISBN 9789043122214. UPC: 073999370744. 9.0x12.0x0.221 inches. English-German-French-Dut ch.

This book contains a selection of famous classical pieces that have been carefully adapted for the marimba. Composers such as Bach, Mozart, Beethoven, Vivaldi, Rimsky Korsakov and Clementi are all included. The book enables marimba players with reasonable playing experience to perform these splendid masterpieces. The pieces are ordered by difficulty and, with the exception of a few pieces at the end of the book which require four mallets, are all playable with two mallets. Musical style and good technique are essential for a good performance. In addition to making wonderful concert pieces the exciting arrangements in this book will also make a most useful teaching tool.

Dit boek bevat een aantal meesterwerken uit de klassieke muziek die zorgvuldig zijn bewerkt voor marimba. Componisten als Bach, Mozart, Beethoven maar ook Vivaldi, Rimsky-Korsakov en Clementi komen aan bod. Enigszins geoefende marimbaspelerszullen prima met deze juweeltjes uit de voeten kunnen. Daarbij zijn stijl en een goede uitvoering belangrijk. De meeste werken zijn speelbaar met twee mallets, maar achter in het boek zijn ook enkele stukken bewerkt voorvier mallets. De werken zijn gerangschikt naar moeilijkheidsgraad. Een must voor de ambitieuze muzikant en een ideaal hulpmiddel voor de les- en uitvoeringspraktijk.
< br>Masters on Marimba enthalt eine Auswahl an beruhmten klassischen Stucken, die sorgfaltig fur das Marimbaphon bearbeitet wurden. Komponisten wie Bach, Mozart, Beethoven, Vivaldi, Rimski-Korsakow und Clementi sind hier vertreten. Mit diesem Buch bekommen Spieler mit etwas Erfahrung die Gelegenheit, diese Meisterwerke zu spielen. Die Stucke sind nach Schwierigkeitsgrad geordnet und konnen - bis auf einige Stucke am Ende des Buches, die vier Schlagel erfordern - mit zwei Schlageln gespielt werden. Stilistisch und technisch gutes Spiel ist entscheidend fur einen guten Vortrag.

Master s on Marimba une selection de celebres œuvres classiques de compositeurs tels que Marais, Senaille, Bach, Mozart, Beethoven, Vivaldi, Rimski-Korsakov et Clementi. La plupart des compositions se jouent avec deux baguettes, a l'exception de quelques oeuvres qui ont ete arrangees pour quatre baguettes.

Masters on Marimba e una selezione di celebri opere classiche di compositori quali Marais, Senaille, Bach, Mozart, Beethoven, Vivaldi, Rimski-Korsakov e Clementi. La maggior parte delle composizioni e da suonare con due bacchette, ad eccezione di brani arrangiati per quattro bacchette. Con Masters of Marimba affronterete uno specifico repertorio che vi permettera di affinare la vostra musicalita, il vostro tocco e la precisione ritmica. Potrete poi esibirvi in pubblico dimostrando come anche la marimba possa suonare da solista al pari di altri strumenti, per intensita di suono e morbidezza d'espressione.

Schott Student Edition Repertoire. Composed by Jean Baptiste Breval. Edited by Beverley Ellis. This edition: Saddle stitching. Sheet music. Schott Student Edition. Repertoire. Softcover. Op. 40/1. 36 pages. Schott Music #SE1006. Published by Schott Music (HL.49045503).

(For Flute and Piano). By Martin Amlin. For Solo Flute and Piano. Solo part with piano reduction. Standard notation. 37 pages. Duration 15 minutes. Published by Theodore Presser Company

Oboe

SKU: UT.XXS-78

Composed by Salvatore Di Stefano. Saddle stitching. Classical. Score and Parts. Ut Orpheus #XXS 78. Published by Ut Orpheus (UT.XXS-78).

ISBN 9790215319714. 9 x 12 inches.

Racconto (Tale)/ Capri/ Cielo sereno (Clear sky)/ Tano/ Napolitango/ Luci della spiaggia (Beach lights)/ Fantasia mediterranea (Mediterranean fantasy)/ Una lacrima ridente (A smiling tear)/ Quartieri spagnoli/ Marcia dei pomodori (March of the tomatos)

Being interested in certain aspects of popular music, I became aware of several similarities between popular Neapolitan melodies and the Argentinean tango. Napolitango is based on an imaginary journey to Naples and Buenos Aires. In retaining certain characteristics of the original music, Napolitango embodies an inspiration and an almost theatrically passionate character which is common to these two genres.
The piece has been composed for the Parisian Festival Paris Banlieues Tango 2001.
(S. Di Stefano).

Quintet Flute, Oboe, Clarinet, Horn in F, and Bassoon opt. Bb Bass Clarinet - 4.5

SKU: KN.16981

(Themes From Movement III, No. 8, Op. 13). Composed by Ludwing Van Beethoven. Arranged by Greg Yasinitsky. Ensemble. Kendor Ensemble Series. Duration 3 minutes, 55 seconds. Kendor Music Inc #16981. Published by Kendor Music Inc (KN.16981).

UPC: 822795169812.

The Rondo movement from Ludwig van Beethoven's Pathetique Sonata (No. 8, Op. 13) is one of the most beautiful and exciting pieces of all time. This grade 4+ edition, expertly arranged by Gregory Yasinitsky, is ideal for concert and ensemble festival performance. Duration 3:55.

Composed by David Nowakowsky. Arranged by Gregory Cherninsky. For violin solo with piano accompaniment. David Nowakowsky Foundation Series. Medium. Published by MorningStar Music Publishers

Tpt. Pft - Advanced

SKU: FT.FM464

Composed by Yuri Povolotsky. Trumpet and Piano. Score and part. Forton Music #FM464. Published by Forton Music (FT.FM464).

ISBN 9790570483631.

The sonata was composed in 2012. Its subtitle A Midsummer Day's Dream, has no direct association with Shakespeare’s images, although its musical fabric distinctly expresses baroque, classical, and romantic elements, as well as typical English themes. Collectively, these features bring the sonata closer to the fantasy genre, without disturbing the sensation of the sound’s contemporaneity. The piece, consisting of four contrasting movements, does not have a specific program, but allows imagination of the performer to create the dramatic intent.

arranged by Simon Lasky. For Saxophone (All). solos. Kevin Mayhew Ltd. Classic. Level: Intermediate. Book. Size 9x12. 40 pages. Published by Kevin Mayhew Ltd.