Piano, Vocal and Guitar - Grade 4 SKU: HL.14010004 Composed by Juan Solan...(+)
Piano, Vocal and Guitar -
Grade 4
SKU:
HL.14010004
Composed
by Juan Solano and Valero
And Solano Ochaita. Music
Sales America. Pop &
Rock. Book [Softcover].
80 pages. Music Sales
#UME28105. Published by
Music Sales
(HL.14010004).
ISBN
9781844499878.
A
special two-volume set of
songs by the great Juan
Solano Pedrero, arranged
for Piano, Voice and
Guitar. Working as a
member of the hugely
successful Ochaita,
Valerio and Solano trio,
the Maestro Solano
developed his skills as a
composer, and the group
became responsible for
some of the most
celebrated songs of
Spain. His works have
been performed by many
star voices including
Concha Piquer, Manolo
Escobar and Rafael
Farina. His popular and
best-loved songs include
A Tu Vera, El
Porompompero and
Almoneda. This title is
the first of two volumes,
beautifully presented,
that will help you to
enjoy these wonderful
songs again and
again.
Consolations Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14505 Grand solo de concert (earl. vers.) and Other ...(+)
Piano
SKU:
BT.EMBZ14505
Grand
solo de concert (earl.
vers.) and Other Works
(Suppl. B 10). By
Adrienne
Kaczmarczyk_Ãgnes Sas.
By Franz Liszt. EMB Liszt
Works. Book Only.
Composed 2014. 208 pages.
Editio Musica Budapest
#EMBZ14505. Published by
Editio Musica Budapest
(BT.EMBZ14505).
English-German-Hungari
an.
Of the early
versions of works
included in this volume
the first versions of the
notably popular
Consolations cycle and
Grand solo de concert
(published in 1850) are
of particular interest.
In the first version of
Consolations the third
movement was a style
hongrois piece whose
thematic material was
later used by Liszt in
his Hungarian Rhapsody
No. 1 (published in
1851). The first version
of Grand solo de concert
shows that the work did
not originally include a
slow middle section to be
recapitulated towards the
end as seen in the final
version. This is a
characteristically
Lisztian feature that
would reappear a few
years later in his Sonata
in B minor. A detailed
preface inHungarian,
English, and German,
including new research
results, numerous
manuscript facsimiles,
and critical notes, makes
this volume of the New
Liszt Edition an
important publication of
immense scholarly value.
Along with the
cloth-bound Complete
Edition, a paperback
version for practical use
has also been published.
This edition's contents
are identical to those of
the hardcover edition
with the exception that
the critical notes are
not included.
Of
the early versions of
works included in
Supplementary Volume 10,
particular interest is
expected in the first
versions of the notably
popular Consolations
cycle and the monumental
Grand solo de concert of
1850. In the first
version of
Consolationsthe third
movement was a style
hongrois piece whose
thematic material Liszt
used again later in the
first piece of the
Hungarian Rhapsodies
published in 1851. The
first version of the
Grand solo de concert
shows that the original
concept did notinclude
the slow
“movementâ€
that would be placed in
the middle of the work
and recapitulated towards
the end in the final
version - a
characteristically
Lisztian feature that
would reappear a few
years later in the Sonata
in B flat minor.A
detailed preface in
Hungarian, English and
German, including new
research result and,
numerous manuscript
facsimiles make the
practical paperback
version of this volume of
the New Liszt Edition a
specially important
publication of scholarly
value.
Von den im
vorliegenden Band
veröffentlichten
Werkversionen dürften
der außerordentlich
populäre
Consolations-Zyklus sowie
die Erstfassung des 1850
entstandenen Grand solo
de concert (Großes
Konzertsolo) auf
besonderes Interesse
stoßen. In der ersten
Fassung der Consolations
stand an dritter Stelle
noch ein Stück im
ungarischen Stil, dessen
Thematik Liszt später
im 1851 herausgegebenen
1. Stück der
Ungarischen Rhapsodien
verwendete. Die erste
Version des Großen
Konzertsolos belegt, dass
der in der Mitte der
Komposition angelegte und
kurz vor Ende
rekapitulierte langsame
Teil, welcher zum typisch
Lisztschen Element der
endgültigen Fassung
des Konzertsolos - und
einige Jahre
späterauch der
H-Moll-Sonate - wird,
noch kein Bestandteil der
ursprünglichen
Konzeption war.
Piano SKU: BT.EMBZ14505A Suppl. 10. By Adrienne Kaczmarczyk_Ãgn...(+)
Piano
SKU:
BT.EMBZ14505A
Suppl. 10. By
Adrienne
Kaczmarczyk_Ãgnes Sas.
By Franz Liszt. EMB New
Listz Edition. Book
Hardcover. Composed 2014.
224 pages. Editio Musica
Budapest #EMBZ14505A.
Published by Editio
Musica Budapest
(BT.EMBZ14505A).
English-German-Hungari
an.
Of the early
versions of works
included in this volume
the first versions of the
notably popular
Consolations cycle and
Grand solo de concert
(published in 1850) are
of particular interest.
In the first version of
Consolations the third
movement was a style
hongrois piece whose
thematic material was
later used by Liszt in
his Hungarian Rhapsody
No. 1 (published in
1851). The first version
of Grand solo de concert
shows that the work did
not originally include a
slow middle section to be
recapitulated towards the
end as seen in the final
version. This is a
characteristically
Lisztian feature that
would reappear a few
years later in his Sonata
in B minor. A detailed
preface inHungarian,
English, and German,
including new research
results, numerous
manuscript facsimiles,
and critical notes, makes
this volume of the New
Liszt Edition an
important publication of
immense scholarly value.
Along with the
cloth-bound Complete
Edition, a paperback
version for practical use
has also been published.
This edition's contents
are identical to those of
the hardcover edition
with the exception that
the critical notes are
not included.
Of
the early versions of
works included in
Supplementary Volume 10,
particular interest is
expected in the first
versions of the notably
popular Consolations
cycle and the monumental
Grand solo de concert of
1850. In the first
version of
Consolationsthe third
movement was a style
hongrois piece whose
thematic material Liszt
used again later in the
first piece of the
Hungarian Rhapsodies
published in 1851. The
first version of the
Grand solo de concert
shows that the original
concept did notinclude
the slow
“movementâ€
that would be placed in
the middle of the work
and recapitulated towards
the end in the final
version - a
characteristically
Lisztian feature that
would reappear a few
years later in the Sonata
in B flat minor.A
detailed preface in
Hungarian, English and
German, including new
research results,
numerous manuscript
facsimiles and critical
notes make this volume of
the New Liszt Edition a
specially important
publication of scholarly
value. Simultaneously
withthe Complete Edition
volume in colth-bound,
its paperback for
practical purposes is
also published, the
contents of which, except
for the critical notes,
is identical with the
Complete Edition
volume.
Von den im
vorliegenden Band
veröffentlichten
Werkversionen dürften
der außerordentlich
populäre
Consolations-Zyklus sowie
die Erstfassung des 1850
entstandenen Grand solo
de concert (Großes
Konzertsolo) auf
besonderes Interesse
stoßen. In der ersten
Fassung der Consolations
stand an dritter Stelle
noch ein Stück im
ungarischen Stil, dessen
Thematik Liszt später
im 1851 herausgegebenen
1. Stück der
Ungarischen Rhapsodien
verwendete. Die erste
Version des Großen
Konzertsolos belegt, dass
der in der Mitte der
Komposition angelegte und
kurz vor Ende
rekapitulierte langsame
Teil, welcher zum typisch
Lisztschen Element der
endgültigen Fassung
des Konzertsolos - und
einige Jahre
späterauch der
H-Moll-Sonate - wird,
noch kein Bestandteil der
ursprünglichen
Konzeption war.
Solace, Entertainer and Maple Leaf Rag * 3 in 1 * Original Piano Solo composed b...(+)
Solace, Entertainer and
Maple Leaf Rag * 3 in 1 *
Original Piano Solo
composed by Scott Joplin
(1868-1917). For piano
solo. This edition:
Paperback. Solo. Ragtime.
Sheet Music. Text
Language: English. 12
pages. Published by
Santorella Publications
Arranged by Alejandro Consolacion. For SATB choir divisi, 2 soprano voice solo...(+)
Arranged by Alejandro
Consolacion. For SATB
choir
divisi, 2 soprano voice
solos,
a cappella. Sacred,
Concert.
Medium-advanced. Octavo.
16
pages. Duration 5
minutes, 24
seconds. Published by
Hinshaw
Music Inc.
Keyboard and Orchestra - Grade 4 SKU: HL.14043634 Composed by Kaija Saari...(+)
Keyboard and Orchestra -
Grade 4
SKU:
HL.14043634
Composed
by Kaija Saariaho. Music
Sales America. Classical.
Softcover. 112 pages.
Chester Music #CH60954.
Published by Chester
Music (HL.14043634).
8.5x11.75x0.52
inches.
The Finnish
composer Saariaho
compositions are said to
be confronted with the
darkest and most dazzling
dimensions of your
subconscious, and
glimpses of the
existential journeys she
has made. The Guardian .
Solar was composed by
Kaija Saariaho . This
incredibly modern piece
uses electronic
instrument and classic
Orchestral instruments
together creating a
fusion of sound. The
electronic material can
be downloaded via a link
provided with the score
The electronics for this
piece can be run with a
Max patch including a
simulation of the sampler
used in the original
version and a general
reverberation. In both
rehearsal and performance
the sound
engineer/musician should
read thescore and adjust
the relative levels of
the ensemble and
electronics on the mixing
desk, according to the
given context(musical
interpretation,
equipment, acoustics of
the performance
space).
From The Five Solas. Composed by Edwin M. Willmington. Fred Bock Publicat...(+)
From The Five
Solas. Composed by
Edwin M. Willmington.
Fred Bock Publications.
Octavo. 8 pages. Jubal
House Publications
#JH-1306. Published by
Jubal House Publications
(HL.200797).
Choral (Listening CD) SKU: HL.200801 Composed by Edwin M. Willmington. Fr...(+)
Choral (Listening CD)
SKU: HL.200801
Composed by Edwin M.
Willmington. Fred Bock
Publications. Children,
General Worship, Sacred.
CD. Jubal House
Publications #JH-1311.
Published by Jubal House
Publications (HL.200801).
UPC: 888680651817.
5.25x5.0x0.069
inches.
The Five
Solas are principles of
Christian faith that
originated in the 16th
century. There are five
songs in this series,
each expressing an aspect
of the sola themes.
Choral (Accompaniment CD) SKU: HL.200802 Composed by Edwin M. Willmington...(+)
Choral (Accompaniment CD)
SKU: HL.200802
Composed by Edwin M.
Willmington. Fred Bock
Publications. Children,
General Worship, Sacred.
CD. Jubal House
Publications #JH-1312.
Published by Jubal House
Publications (HL.200802).
UPC: 888680651824.
5.5x5.0x0.21
inches.
The Five
Solas are principles of
Christian faith that
originated in the 16th
century. There are five
songs in this series,
each expressing an aspect
of the sola themes.
The Five Solas Voix d'Enfants [Octavo] Jubal House Publications
(Bundle of All Kid's Resources). Composed by Edwin M. Willmington. Fred B...(+)
(Bundle of All Kid's
Resources). Composed
by Edwin M. Willmington.
Fred Bock Publications.
Octavo. 32 pages. Jubal
House Publications
#JH-1314. Published by
Jubal House Publications
(HL.201205).
Growing God's Way Voix d'Enfants [Partition + CD] Jubal House Publications
From The Five Solas. Composed by Grace Chung. Fred Bock Publications. Sof...(+)
From The Five
Solas. Composed by
Grace Chung. Fred Bock
Publications. Softcover
with CD. 40 pages. Jubal
House Publications
#JH-1313. Published by
Jubal House Publications
(HL.200803).
Five Solas, Five Piano Arrangements. Arranged by Jenny Jee-El Park. Fred Boc...(+)
Five Solas, Five Piano
Arrangements. Arranged by
Jenny Jee-El Park. Fred
Bock
Publications. Softcover.
32
pages. Jubal House
Publications #JH-1380.
Published by Jubal House
Publications
Piano with voice and Chords SKU: M7.HDW-2139 Composed by Various. This edition:...(+)
Piano with voice and
Chords
SKU: M7.HDW-2139
Composed by Various. This
edition:
Paperback/Softcover.
Sheet music. Musica de
Cuba. 62 pages.
Handelsware #HDW 2139.
Published by Handelsware
(M7.HDW-2139).
Song List (12)
L. Hierrezuelo: Con un
temporal
A. Castillo; Cuando estes
muy sola
M. Perdomo: Cuanto te
quiero
N. Mili: El yerbero
moderno
A.T. Scull Arsenio
Rodriguez: Fuego en el
veintitres
M.T. Ver: No puedo amarte
ya
I.J. Villa Bola de Nieve:
No quiero que me odies
C. Delgado: Paloma
mensajera
J. Pineiro: Sobre una
tumba una rumba
G. Garay Sindo Garay:
Tardes grises
R. Ortiz: Todo en
conjunto
M. Corona: Un ano de amor
Viola SKU: HL.50603728 For Viola and Electronics. Composed by Anna...(+)
Viola
SKU:
HL.50603728
For
Viola and
Electronics. Composed
by Anna Thorvaldsdottir.
String. Softcover. 12
pages. Chester Music
#CH88054. Published by
Chester Music
(HL.50603728).
ISBN
9781705133248. UPC:
840126957341.
10.5x14.0x0.043
inches.
Anna
Thorvaldsdottir's Sola
for solo viola and
pre-recorded electronics
was composed for Anne
Leilehua Lanzilotti. The
music, which features
extended techniques, was
inspired by the search
for calm amidst chaos and
turmoil. To obtain the
pre-recorded electronics,
please contact
promotion@wisemusic.com.<
/p>
Choral SATB Choir and Piano SKU: CF.CM9510 Composed by Michael John Trott...(+)
Choral SATB Choir and
Piano
SKU:
CF.CM9510
Composed by
Michael John Trotta. SWS.
Mjts. Performance Score.
With Standard notation.
16 pages. Carl Fischer
Music #CM9510. Published
by Carl Fischer Music
(CF.CM9510).
ISBN
9781491146149. UPC:
680160903641. 6.875 x
10.5 inches. Key: F#
minor. Jorge Manrique
(1440-1479).
Trotta
's fiery setting of
Manrique's passionate,
poignant Spanish poem is
uniquely coupled with an
exciting, undulating
accompaniment. In
addition to exploring
multiple tonal colors, Tu
Sola Remedio allows for
development of a
full-bodied, robust
choral tone. Written for
the choir to enjoy
success early in the
learning process and
perfect for those looking
for a magical
concert/festival
experience.
IV: Viottolo di campagna - Gelsomina vaga sola SKU: HL.50603659 For Fl...(+)
IV: Viottolo di campagna
- Gelsomina vaga sola
SKU: HL.50603659
For Flute and
Piano. Composed by
Nino Rota. Arranged by C.
Tabarelli. Woodwind Solo.
Softcover. Ricordi
#NR142175. Published by
Ricordi (HL.50603659).
ISBN 9781705127803.
UPC:
840126952261.
This
work is a reworking of
the music written by Nino
Rota for the film of the
same name by Federico
Fellini, Oscar winner in
1957. In 1967 Rota
composed the music for
the ballet La strada for
the Teatro alla Scala, in
collaboration with the
choreographer Mario
Pistoni, where Carla
Fracci was expected to
play the role of
Gelsomina. This show has
always remained alive in
my memory since in those
years I began the
profession of flutist at
La Scala, where I also
had the opportunity to
perform ballet. The
transcription traces the
salient moments of the
plot, highlighted by the
captions taken from the
original score. Free of
virtuosity, so
appreciated by the
flutists, it is conceived
with the intention of
restoring the
dramaturgical tension of
the Fellini-Rota
masterpiece. (C.
Tabarelli).
Composed by
Tyler Arcari. Concert
Band (CPS). Set of Score
and Parts. With Standard
notation.
16+4+8+16+4+4+8+4+4+8+8+8
+4+4+4+4+6+6+2+6+8+2+3+2+
4+10+28+4 pages. Duration
4 minutes, 6 seconds.
Carl Fischer Music
#CPS219. Published by
Carl Fischer Music
(CF.CPS219).
ISBN
9781491152454. UPC:
680160909957.
Solar
Flare, by Tyler Arcari,
depicts the huge
explosion on the Sun that
appears as a sudden
bright flash. The piece
incorporates a whirlwind
of mixed meters to?depict
this phenomenon. Arcari
showcases his fresh,
exciting, and well-scored
compositional style in
this piece. Solar Flare
makes for? an excellent
concert opener. A
solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 6972 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99115 to the end
of the piece feature a
style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the Work:
Solar Flare began as a
piece with two goals: to
write a space piece in
7/8 and to write a
teaching 7/8 space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work.About the Work:Solar
Flare began as a piece
with two goals: to write
a space piece in 7/8 and
to write a
“teaching
7/8†space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69–72
should be treated as a
transitional fanfare to
the new material at m.
73.Measures 99–115
to the end of the piece
feature a style similar
to the beginning that
helps to transition to m.
115, which is the climax
of the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the “^â€
accent on the final note
is one meant to be played
heavy, and not short.
Composed
by Tyler Arcari. Concert
Band (CPS). Full score.
With Standard notation.
28 pages. Carl Fischer
Music #CPS219F. Published
by Carl Fischer Music
(CF.CPS219F).
ISBN
9781491153130. UPC:
680160910632.
Solar
Flare, by Tyler Arcari,
depicts the huge
explosion on the Sun that
appears as a sudden
bright flash. The piece
incorporates a whirlwind
of mixed meters to?depict
this phenomenon. Arcari
showcases his fresh,
exciting, and well-scored
compositional style in
this piece. Solar Flare
makes for? an excellent
concert opener. A
solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 6972 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99115 to the end
of the piece feature a
style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a ateaching 7/8a space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69a72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99a115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the a^a accent on the
final note is one meant
to be played heavy, and
not short. A solar
flare is a huge
explosion on the sun that
appears as a sudden
increase in brightness or
flash. Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the
Work:Solar
Flare began
as a piece with two
goals: to write a space
piece in 7/8 and to write
a teaching 7/8 space
piece. The piece uses a
2-2-3 pattern, so using
this in pre-performance
warm-ups might be
beneficial. The piece is
loosely based on a minor
second descending to a
minor third. This motif
is used at the onset of
the piece in the mallet
percussion and then again
in the woodwinds. The
melody presents itself at
m. 19 in the clarinets.
This melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work. About the Work:
Solar Flare began as a
piece with two goals: to
write a space piece in
7/8 and to write a
teaching 7/8 space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69-72 should be
treated as a transitional
fanfare to the new
material at m. 73.
Measures 99-115 to the
end of the piece feature
a style similar to the
beginning that helps to
transition to m. 115,
which is the climax of
the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the ^ accent on the final
note is one meant to be
played heavy, and not
short. A solar flare
is a huge explosion on
the sun that appears as a
sudden increase in
brightness or flash.
Sometimes these
explosions push large
amounts of energy and
even parts of the sun
flying out into space.
These events can be so
powerful that they cause
events on Earth such as
auroras, as well as more
serious issues like
disrupting radio and
electronic instruments.
To our naked eye, these
dangerous explosions are
beautiful and quiet. The
celestial is a
fascinating place,
hopefully captured in
some small part by this
work.About the Work:Solar
Flare began as a piece
with two goals: to write
a space piece in 7/8 and
to write a
“teaching
7/8†space piece.
The piece uses a 2-2-3
pattern, so using this in
pre-performance warm-ups
might be beneficial. The
piece is loosely based on
a minor second descending
to a minor third. This
motif is used at the
onset of the piece in the
mallet percussion and
then again in the
woodwinds. The melody
presents itself at m. 19
in the clarinets. This
melodic material is
varied and traded
throughout the instrument
groups until m.67.
Measures 69–72
should be treated as a
transitional fanfare to
the new material at m.
73.Measures 99–115
to the end of the piece
feature a style similar
to the beginning that
helps to transition to m.
115, which is the climax
of the work. An ostinato
pattern (2-2-3) is
presented with fragments
of the melody appearing
in the alto voices. This
momentum culminates in a
large, abrasive area at
m. 125 where the
suspension-resolution in
the brass and horn
melodic fragment need to
be the focus. This
momentum continuously
grows until the last note
where we resolve finally.
Care should be taken that
the “^â€
accent on the final note
is one meant to be played
heavy, and not short.
Piano, Vocal and Guitar - Grade 4 SKU: HL.14010005 Composed by Juan Solan...(+)
Piano, Vocal and Guitar -
Grade 4
SKU:
HL.14010005
Composed
by Juan Solano and Valero
And Solano Ochaita. Music
Sales America. Pop &
Rock. Book [Softcover].
72 pages. Music Sales
#UME28116. Published by
Music Sales
(HL.14010005).
ISBN
9781844499885.
A
special two-volume set of
songs by the great Juan
Solano Pedrero, arranged
for Piano, Voice and
Guitar. Working as a
member of the hugely
successful Ochaita,
Valerio and Solano trio,
the Maestro Solano
developed his skills as a
composer, and the group
became responsible for
some of the most
celebrated songs of
Spain. His works have
been performed by many
star voices including
Concha Piquer, Manolo
Escobar and Rafael
Farina. His popular and
best-loved songs include
A Tu Vera, El
Porompompero and
Almoneda. This title is
the second of two
volumes, beautifully
presented, that will help
you to enjoy these
wonderful songs again and
again.
Piano SKU: SP.ME1033 Composed by Scott Joplin. Solo; Ragtime. Score. Sant...(+)
Piano
SKU:
SP.ME1033
Composed by
Scott Joplin. Solo;
Ragtime. Score.
Santorella Publications
#ME1033. Published by
Santorella Publications
(SP.ME1033).
ISBN
9781585607457.
The
Masterpiece Edition
series, published
exclusively by Santorella
Publications, is a
collection of original
piano works, as well as
challenging arrangements
and transcriptions
designed for the
experienced to advanced
pianist. The series is
meticulously engraved and
printed on heavy cover
stock and quality paper
to last for generations.
With original works from
the great masters, Bach,
Beethoven, Mozart, and
alike, as well as
arrangements and
transcriptions from some
of the greatest works of
all time, these
Masterpiece Editions are
sure to be popular
favorites while enhancing
the repertoire of most
any serious pianist. In
this case, we are
extremely proud to
release the original,
unedited, Masterpiece
Edition of Joplin's
Solace, Entertainer and
Maple Leaf Rag as a 3 in
1 sheet in its purest
form. Our ultimate goal
is to emphasize the
necessity of exceptional
quality in printed sheet
music. Time has heard the
strains of a myriad of
musical styles. Some
styles liven with age
while others fade. The
same is true of the
composers themselves;
some are regarded as
brilliant masters from
the beginning of their
lives while others are
praised only
posthumously. Endurance
is the ultimate test.
Scott Joplin endured
great injustices and
criticism, yet he remains
the King of Ragtime. We
remember the genius of
Scott Joplin by
publishing Solace, The
Entertainer, and Maple
Leaf Rag in a remarkable
3 in 1 original edition.
Joplin's most popular
rag, The Entertainer
reached high acclaim in
1973 as a recognizable
theme from the film
classic, The Sting. This
Academy Award-Winning
film was solely
responsible for the
resurgence of ragtime in
general, but more
specifically brought
renewed interest in the
works of Scott Joplin.
Solace was frequently
heard in the background
of many scenes in which
the character was deep in
thought. Subtitled, A
Mexican Serenade, Solace
has a serene Latin feel,
unlike no other samba
written and is the
favorite of many Joplin
enthusiasts. While the
Maple Leaf Rag, actually
became quite popular
during Joplin's lifetime,
so much so that it was
the first printed sheet
of music to sell over one
million copies. We are
pleased to combine these
three original rags in
one sheet as a special
part of our Masterpiece
Ragtime Selections. These
newly engraved editions
are clean, sharp,
distinct, and accurate.
An absolute pleasure to
read as each crisp note
seems to pop off the
page.
SKU: GI.G-CD-511 Composed by Solas. Sacred. CD. GIA Publications #511. Pu...(+)
SKU: GI.G-CD-511
Composed by Solas.
Sacred. CD. GIA
Publications #511.
Published by GIA
Publications
(GI.G-CD-511).
Perfect for
quiet winter nights by
the fire, the latest
effort by the Irish vocal
ensemble Solas offers a
soothing, meditative
listening experience with
light voices and
traditional Celtic
instruments and styles.
Sounds of the season
abound from the
prayerfulness of Advent
to the joy of Christmas
and the fulfillment of
the Song of Simeon.
Winter Solas is a perfect
addition to your seasonal
music collection!
 .
Clarinet solo SKU: P2.30066 Composed by Ryan Woodhouse. Solo music, 20th ...(+)
Clarinet solo
SKU:
P2.30066
Composed by
Ryan Woodhouse. Solo
music, 20th century.
Published by Potenza
Music (P2.30066).
Solar wind is
made of the plasma of
charged particles
shooting out from the sun
at speeds close to a
million miles per hour.
It interacts with our
atmosphere in many
interesting ways,
including the creation of
the Northern and Southern
Lights. This composition
is an interpretation of
the journey that solar
wind follows throughout
the galaxy. Solar Wind
was composed for the
performance at the 2011
Cortona Sessions for New
Music in Cortona,
Italy.
Trumpet and Piano (Trumpet) SKU: HL.14032603 Composed by Joby Talbot. Mus...(+)
Trumpet and Piano
(Trumpet)
SKU:
HL.14032603
Composed
by Joby Talbot. Music
Sales America. Book
[Softcover]. Composed
2009. 84 pages. Chester
Music #CH72226. Published
by Chester Music
(HL.14032603).
ISBN
9781847720061.
9.0x12.0x0.25
inches.
Joby
Talbot's Trumpet
Concerto, Desolation
Wilderness was
commissioned by the Turku
Philharmonic Orchestra
and the Royal Liverpool
Philharmonic Orchestra.
First performed on 28th
October 2006 by the Royal
Liverpool Philharmonic
Orchestra at The
Philharmonic Hall,
Liverpool with Alison
Balsom (to whom the work
is dedicated) as soloist,
and JoAnn Falletta,
conductor. The Turku
Philharmonic Orchestra
gave the Finnish premiere
performances on 23rd and
24th November 2006. The
Piano reduction of
Desolation Wilderness
includes Trumpet parts in
B flat and C. (Suitable
for advanced players). In
Early November 2005 my
family and some friends
visited the high Sierra
Nevada in Northern
California. As on former
trips to the area I was
struck by the strange and
disarming contrast
between the bright
sunshine, perfect blue
sky, and warm mountain
air of the Sierran
autumn; and the
occasional icy chill -
sudden drops of
temperature when the sun
vanished behind the
mountains, momentary
glimpses through the
trees of distant snow
clouds over the highest
peaks. Nowhere was this
dichotomy more apparent
than in the vast area of
forests, lakes and
mountains known as
Desolation Wilderness.
Here the twisted shapes
of the aspens are
testament to the
destructive power of
winter. Sure enough, that
night the first snows
fell, and the high
mountain passes we'd just
crossed were closed till
spring.
Vocal solo, low voice, piano - Early Intermediate SKU: MN.40-401 Composed...(+)
Vocal solo, low voice,
piano - Early
Intermediate
SKU:
MN.40-401
Composed by
Terre Johnson. Vocal
Anthology, Vocal Solo.
Ash Wednesday. Vocal
score. MorningStar Music
Publishers #40-401.
Published by MorningStar
Music Publishers
(MN.40-401).
UPC:
688670404016.
Three
lyrical solos with
well-known texts set to
original tunes with
artful piano
accompaniments. The vocal
line is notated in bass
clef.
Includes: Jesus,
Lover of My
Soul ABERYSTWYTH Come, Ye
Disconsolate CONSOLATO
R/CONSOLATION
Piano - Level 5 SKU: LM.P1811 Composed by Franz Liszt. Les Classiques fav...(+)
Piano - Level 5
SKU:
LM.P1811
Composed by
Franz Liszt. Les
Classiques favoris.
Classical. Score.
Editions Henry Lemoine
#P1811. Published by
Editions Henry Lemoine
(LM.P1811).
ISBN
9790230926782.
Pays
age (3e etude
transcendante, livre I) -
Mazeppa (4e etude
transcendante, livre I) -
Eroica (7e etude
transcendante, livre I) -
Melodie hongroise en Re b
(L'Album du voyageur) -
Impromptu en fa# majeur -
Lamento (n. 2 des Trois
Caprices poetiques) -
Ballade en Si mineur - Le
Lac de Wallenstadt (Annee
de pelerinage en Suisse)
- Vallee d'Obermann
(Annee de pelerinage en
Suisse) - Canzonetta del
Salvator Rosa (Annee de
pelerinage en Italie) -
Sposalizio (Annee de
pelerinage en Italie) -
10e etude transcendante
en Fa mineur (livre II) -
5e etude, Il Flauto
(d'apres Paganini) -
Evocation (n. 1 des
Consolations) - Chant
elegiaque (n. 4 des
Consolations) -
Funerailles (des
Harmonies poetiques et
religieuses) - Pensees
des Morts (des Harmonies
poetiques et religieuses)
- Fantaisie et Fugue sur
B.A.C.H. - La Mort
d'Iseult (Wagner) - 10e
Rhapsodie.