| ARKA - 3 Rituale (Full Score) Voix basse, Piano [Conducteur] Peters
Orchestra solo oboe, solo pipa, timpani 4 Pauken, 1 Spieler, percussion, (Crotal...(+)
Orchestra solo oboe, solo
pipa, timpani 4 Pauken, 1
Spieler, percussion,
(Crotali, Glockenspiel,
gr, Trommel,
vibraphonerafon - 1
Spieler), strings (7, 1)
SKU: PE.EP14445
Composed by Bernd Franke.
Full Scores. Edition
Peters. Score. 52 pages.
Duration 00:20:00.
Edition Peters
#98-EP14445. Published by
Edition Peters
(PE.EP14445). ISBN
9790014135041. 297 x 420
mm inches.
German. ARKA
stammt aus dem
Sanskrit und bedeutet so
viel wie Strahl, Blitz,
Sonne, Licht, aber auch
Lied, Feuer und Hymnus,
und entwickelt in meiner
Vorstellung sehr viele
unterschiedliche
Assoziationsfelder. In
ARKA stecken
auch die Worter arc
(beten) und ka (Wasser),
und es kann auch
ubersetzt werden mit:
,,Das Wasser stromt aus
dem heraus, der mehr
weiss. Mein neues
Werk fur Pipa, Oboe,
Pauke, Schlagzeug und
Orchester entstand im
Auftrag der
Kammerakademie Neuss und
auf Anregung des Oboisten
Christian Wetzel. Es
entstanden drei Rituale
mit zum Teil szenischen
Elementen fur die
Solisten und das
Orchester.
Inspirationsquelle in
der Vorbeschaftigung
waren zwei Quellen und
Bucher. Das Daodejing von
Laozi in der
hervorragenden
Neuubersetzung von Viktor
Kalinke, eine der
wichtigsten Quellen
chinesischen Denkens und
der Philosophie dieser
grossen Kulturtradition
und die chinesische
Tradition der
5-Elementelehre und der
Wandlungsphasen. Als
zweites Buch hat mich
,,Die Glut von Roberto
Calasso inspiriert, ein
Buch uber die indischen
Veden in Verbindung mit
den Ursprungen des
Buddhismus und den damit
verbunden Ritualen.
In den letzten 20
Jahren habe ich mich
intensiv mit
ostasiatischer Musik,
Kunst und Philosophie
beschaftigt und habe das
auch durch langere
Studienreisen und
kompositorische Projekte
vertiefen konnen. U.a.
wurde 2012 mein Chorwerk
PRAN in Kolkata in Indien
uraufgefuhrt
(Goethe-Institut),
ebenfalls 2012 ,,in
between VI fur Sho und
Sheng in Tokyo und 2013
,,Mirror and Circle fur
Pipa, Cello und
chinesisches Orchester in
Taipeh/Taiwan
(Auftragswerk der
taiwanesischen
Regierung). Mit der
chinesischen
Pipa-Virtuosin Ya Dong
arbeite ich seit 2000
zusammen und habe fur sie
mehrfach komponiert
(Urauffuhrungen u.a. in
Hannover/EXPO 2000,
Rottweil 2001, Taipeh
2013, Magdeburg 2016).
Auch mit Christian Wetzel
arbeite ich seit uber 20
Jahren zusammen und habe
ebenfalls haufig fur ihn
komponiert (UA u.a. in
Bonn 1999, Hannover/EXPO
2000, Rottweil 2001,
Darmstadt 2004 und
etliche weitere
Projekte). Jedes
dieser drei Rituale hat
eine Lange von ca. 6-7
Minuten und stellt
unterschiedliche
Qualitaten und
Besonderheiten der beiden
Soloinstrumente heraus,
immer in Verbindung mit
der Interaktion zwischen
Soli und Orchester. Die
Besetzung war fur mich
ausserst reizvoll, da
beide Instrumente in
dieser Kombination noch
nie so erklungen sind.
Die Pipa ist ein ungemein
modernes und
ungewohnliches
Instrument, reich an
Farben und vor allem an
perkussiven Effekten. Das
Tonmaterial wurde zum
grossten Teil aus den
Namen der beiden Solisten
gewonnen und ergibt
interessanter zwei
gespiegelte
Viertonmotive. In der
asiatischen Kultur
spielen der Spiegel und
der Kreis eine wichtige
Rolle, und so werden die
Tone, Rhythmen und Formen
eingewoben in diese drei
Rituale, welche am Ende
des dritten Satzes wieder
kreisformig an den Anfang
des ersten Rituals
anknupfen. Ein von den
Streichern und der Pauke
erzeugtes Gerausch,
verbunden mit dem
Rhythmus der grossen
Trommel, welcher einen
Herzschlag symbolisieren
soll. Die drei Untertitel
der Rituale Himmel, Erde
und (atmospharischer)
Raum spielen im vedischen
und chinesischen Denken
eine grosse Rolle und war
fur mich beim Komponieren
ebenfalls eine sehr
starke
Inspirationsquelle. In
vielen meiner
Kompositionen gibt es
Raumeffekte, Annaherungen
an das Publikum, das
Verschieben von
Perspektiven, die
Dekonstruktion und das
Hinterfragen der ublichen
Konzertsituation, so u.a
in meinem Beuys-Zyklus
oder in den Zyklen ,,CUT
und ,,in between.
In ARKA geht
es mir besonders um die
Interaktion zwischen
westlichem und ostlichem
Denken, um das
gegenseitige Durchdringen
dieser auf den ersten
Blick so
unterschiedlichen Denk-
und Lebensweisen, um eine
Verschmelzung scheinbarer
Gegensatze - um
Annaherung! Bernd
Franke. Leipzig,
11.10.2019 W01476|C|Y
0.0000 Sheet Music
_x000D_ 9780193556799 Y
23.50 X556799 357665
9780193556799 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556799 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0 Low
voice & piano Low voice
book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556799
- Young: A babe is
born
- Rutter:
Angels' Carol
-
McDowall: Before the
paling of the stars
- Rutter:
Candlelight Carol
- Rutter: I sing
of a maiden
-
Chilcott: Mid-winter
- Todd: My Lord
has Come
-
Bullard: Scots Nativity
- Quartel: Snow
Angel
- Todd:
Softly
-
Chilcott: Sweet was the
song
- Chilcott:
The Shepherd's Carol
- Quartel: This
endris night
-
McGlade: What child is
this?
for
low voice and piano
This beautiful
collection of 14 songs
for low voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for high voice and
piano. - 14
songs for solo
voice
- Well-loved
composers, including John
Rutter and Bob
Chilcott
- Wide
selection of Christmas
texts
- Accessible
accompaniments
-
Includes backing tracks
downloadable from a
Companion
Website
-
Available in volumes for
high and low
voice
MISC|AU|Y
0.0000 Paperback _x000D_
EP73308R Y 0.00 73308R
P73308R 1 ORCHA 8000 0.00
Hover A (LARGE) BEAMISH
EP73308R GP:ORCHESTRAL
HOVER ONLY RENTAL SALLY
WORKS NONE ORCHA P 303000
EP73308R 0.0000 Sheet
Music _x000D_ EP14437A Y
22.95 14437A P14437A
FRANKE, BERND C
9790014137199 52A1 8000
0.00 AGNI A 9790014137199
AGNI BASS BERND CLARINET
EP14437A FRANKE
PHOTOPRINTS W01476
English / German 00:12:0
Instrumental Score 232 x
303 mm Bass clarinet 20
DETNT NEW PR43 23/04/2021
P 303006 AGNI is the
Hindu god of fire; the
elemental and
transformative force
inherent in
everything: Every
flame, every fire, every
light, every warmth is
AGNI. AGNI is
omnipresent, establishing
everything and ending
everything. AGNI is
often depicted with seven
tongues which represent
different aspects of his
being. These
include: creating,
sustaining, cleansing,
purifying, priestly,
martial, devastating,
destructive, and
consuming. Derived
from Franke's concerto of
the same name, this solo
work for bass clarinet
compositionally traces
the transformative
processes initiated by
the divine fire. The solo
takes seven pieces from
the concerto, presenting
vivid character pieces
exploring the creative
possibilities and wide
tonal range offered by
the bass
clarinet. This
version of AGNI
for bass clarinet solo
was premiered on 4
December 2020 in Leipzig
by Volker Hemken, the
principal bass
clarinetist of the
Gewandhausorchester
Leipzig. EP14437a
convinces with its
excellent and clear
notation, making the
piece a new standard for
bass clarinet.
W01476|C|Y 0.0000 Sheet
Music _x000D_ EP68686 Y
165.00 68686 P68686 LEWIS
C 9790300761299 97 8000
0.00 Ikons A
9790300761299
CONTEMPORARY ENSEMBLE
EP68686 GEORGE IKONS
LEWIS PHOTOPRINTS SMALL
W06652 English 00:14:0
Conductor Score & Parts
303 x 232 mm Fl (A-fl in
F).Cl.Bsn
(Cbsn).Tbn.Perc.Vln.Vlc.C
b 132 NEW PR43 USTNT
21/04/2021 P 303006
Ikons,
commissioned by the
Vancouver Cultural
Olympiad 2010, exists in
two forms. This 14-minute
acoustic version,
premiered by the Turning
Point Ensemble, calls for
an octet of live
musicians to execute
complex rhythms and
quarter-tone
harmonies. The
interactive, electronic
version, created with
visual artist Eric
Metcalfe and designed to
be presented separately,
incorporates samples from
this acoustic version
into a sculptural
environment of seven
pyramidal structures that
respond sonically to the
viewer. W06652|C|Y
0.0000 Sheet Music
_x000D_ EP73531 Y 31.95
73531 P73531 PANUFNIK,
ROXANNA C 9790577020976
61 8000 0.00 Sonnets
without Words A
9790577020976 EP73531
HORN PANUFNIK PHOTOPRINTS
PIANO ROXANNA SHAKESPEARE
SONNETS W03578 WILLIAM
WITHOUT WORDS English
Score & Instrumental
Parts 232 x 303 mm Horn
and piano 28 NEW PR43
UKTNT 21/04/2021 P 303006
Roxanna Panufnik's
Sonnets without
Words is a
contemporary piece for
Horn in F and piano.
Written for horn player
Ben Goldscheider,
Panufnik has reimagined
the lyrical vocal lines
from three of her
previous settings of
Shakespeare's sonnets
(Mine eye, Music to
hear and Sweet
Love Remember'd for
voice and piano) into a
purely instrumental
work. Score and
horn
part. - Contempo
rary work for Horn in F
and
piano
- Settings of
Sheakespeare's Sonnets 8,
24 & 29 in instrumental
form
W03578|C|Y
W06737|LY|N 0.0000 Sheet
Music _x000D_ EP73571 Y
15.95 73571 P73571
MCNEFF, STEPHEN C
9790577021317 20 8000
0.00 Trig for Solo Cello
A 9790577021317 (SOLO)
CELLO EP73571 MCNEFF
PHOTOPRINTS SOLO STEPHEN
TRIG W03150 English
00:07:0 Instrumental
Score 232 x 303 mm Solo
Violoncello 8 NEW PR43
UKTNT 21/04/2021 P 303006
Stephen McNeff's
Trig is a short
7-minute contemporary
work for solo cello,
written to celebrate the
bicentennial of the Royal
Academy of Music in 2022
and in memorium cellist
Mike Edwards
1948-2010. Trig
was premiered by
Henry Hargreaves on 19
March 2021, livestreamed
from the Royal Academy of
Music. - Contemp
orary piece for solo
cello
- Written for
the Royal Academy of
Music's
bicentennial
W03150|C|Y 0.0000 Sheet
Music _x000D_ EP14528 Y
34.95 14528 P14528
SAUNDERS, REBECCA C
9790014136796 3 8000 0.00
to an utterance - study A
9790014136796 (SOLO) AN
EP14528 PHOTOPRINTS PIANO
REBECCA SAUNDERS STUDY TO
UTTERANCE W04191 English
Instrumental Score 420 x
297 mm Piano Solo 16
DETNT NEW PR43 21/04/2021
P 303006 to an
utterance - study
was commissioned by
Klangforum Wien for the
premiere commercial audio
recording on a portrait
CD in 2020 and first
performed by Joonas
Ahonen at the Berlin
Philharmonie on 4th
September 2020 at the
Musikfest Berlin.
W04191|C|Y 0.0000 Sheet
Music _x000D_ EP71880 Y
75.00 71880 P71880
PANUFNIK, ROXANNA C
9790577008332 82 8000
0.00 Spirit Moves for
Brass Quintet A
9790577008332 BRASS
ENSEMBLE EP71880 MOVES
PANUFNIK PHOTOPRINTS
QUINTET ROXANNA SPIRIT
W03578 English 00:15:0
Score & Instrumental
Parts 232 x 303 mm
Trumpet 1 in B flat
(doubling Piccolo
Trumpet), Trumpet 2 in B
flat (doubling Flugel
Horn), Horn in F,
Trombone, Tuba 84 NEW
PR43 UKTNT 21/04/2021 P
303006 Roxanna
Panufnik's Spirit
Moves, for brass
quintet, was commissioned
by the Fine Arts Brass
Ensemble. This 15-minute
piece is scored for two
trumpets in Bb (one
doubling piccolo trumpet
and the other doubling
flugel horn), horn in F,
trombone and tuba. This
brass quintet is so
called because the outer
movements are highly
spirited and the
central one is
spiritual. This product consists of
score and parts.
W03578|C|Y 0.0000 Sheet
Music _x000D_ EP73585 Y
4.00 73585 P73585 369282
WILLIAMS, RODERICK C
9790577021591 1 151 8000
0.00 Eriskay Love Lilt A
9790577021591 (SECULAR)
CHORAL EP73585 ERISKAY
HALSTAN-USA LILT LOVE
RODERICK TRADITIONAL
W05152 WILLIAMS WORKS
English 00:03:0 190 x 272
mm SATB (divisi) and
piano 16 NEW PR30 UKTNT
20/05/2021 P 377788 A
gently flowing 3-minute
arrangement by Roderick
Williams for SATB (with
divisi) with piano
accompaniment that
captures the beauty of
this famous traditional
Hebridean love song. The
song text uses both old
dialect and English, each
verse ending with the
words, 'Sad am I without
thee'. - Commiss
ioned by The Sixteen
choir and recorded on
their 2021 album
'Goodnight
Beloved'
- Roderick
Williams is a
composer/arranger and
also a world-renowned
baritone
- The
arrangement is described
by Williams as 'having a
little nod to Ravel and
Grieg'
W05152|C|Y W04819|LY|N
0.0000 Sheet Music
_x000D_ 9780193556782 Y
23.50 X556782 357665
9780193556782 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556782 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0
High voice & piano High
voice book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556782
- Young: A babe is
born
- Rutter:
Angels' Carol
-
McDowall: Before the
paling of the stars
- Rutter:
Candlelight Carol
- Rutter: I sing
of a maiden
-
Chilcott: Mid-winter
- Todd: My Lord
has Come
-
Bullard: Scots Nativity
- Quartel: Snow
Angel
- Todd:
Softly
-
Chilcott: Sweet was the
song
- Chilcott:
The Shepherd's Carol
- Quartel: This
endris night
-
McGlade: What child is
this?
for
high voice and piano
This beautiful
collection of 14 songs
for high voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for low voice and
piano. - 14
songs for solo high
voice
- Well-loved
composers, including John
Rutter and Bob
Chilcott
- Wide
selection of sacred and
secular Christmas
texts
- Accessible
accompaniments
-
Includes backing tracks
downloadable from a
Companion
Website
-
Available in volumes for
high and low solo
voice
MISC|AU|Y
0.0000 Paperback _x000D_
9780193559066 Y 4.25
X559066 357665
9780193559066 YOUNG C 1
444 8030 0.00 O splendour
of God's glory bright
PAPER 9780193559066
BRIGHT CHORAL GLORY GOD'S
MIXED OF OXFORD SACRED
SPLENDOUR TOBY VOICES
W06576 YOUNG C 00:03:30
SATB & organ Vocal score
254x178 SATB 20 NONE P
355580 9780193559066
for SATB and organ
This energetic
setting of words by St
Ambrose of Milan is a
real showstopper. With
pop-influences and a
sparkling organ part,
Young effortlessly fuses
modern and traditional
sound worlds, while
changes in key and metre
build up to an
invigorating finish.
Perfect for accomplished
choirs looking for
something different.
W06576|C|Y 0.0000
Paperback _x000D_
9780193554399 Y 2.60
X554399 357665
9780193554399 LASSUS,
ORLANDO DE C 1 445 8030
0.00 Oculus non vidit
PAPER 9780193554399
CHORAL DE KEANE LASSUS
MARK NON OCULUS ORLANDO
OXFORD SACRED UPPER VIDIT
VOICES W02750 B 00:01:30
SA unaccompanied Vocal
score 254x178 Upper
Voices - 3 parts or more
4 NONE 10/06/2021 P
355580 9780193554399
for SA unaccompanied
This simple, charming
two-part motet features
long melismatic phrases
that reflect the text (1
Corinthians 2: 9), such
as the rising melodic
line over three bars on
the word 'ascended'
(ascendit).
W02750|C|Y
W06960|E|N 0.0000
Paperback _x000D_
9780193954298 Y 3.35
X954298 357665
9780193954298 TALLIS,
THOMAS C 1 448 8030 0.00
Honor, virtus et potestas
PAPER 9780193954298
CANTICLES DUNKLEY ET
HONOR OXFORD POTESTAS
SALLY SERVICES TALLIS
THOMAS VIRTUS W04705 C
00:06:0 SAATB
unaccompanied Vocal score
MSER00020 SATB 12 NONE
28/05/2021 P 355580
9780193954298 for
SAATB unaccompanied.
This glorious musical
depiction of the honour,
strength, power and
authority of the Holy
Trinity by Thomas Tallis
is the third issue in the
CMS's series of great
English Responds from the
16th century, edited by
Sally Dunkley. Scored for
SAATB, it can be
performed either as a
motet or as a full
Responsory with plainsong
alternating with
polyphony. W04705|C|Y
W01184|E|N 0.0000
Paperback _x000D_ EP73527
Y 6.95 73527 P73527
BEAMISH, SALLY C
9790577020891 50 8000
0.00 The Parting Glass A
9790577020891 (SOLO)
BEAMISH CLARINET EP73527
GLASS PARTING PHOTOPRINTS
SALLY W00306 English
Score 232 x 303 mm
Clarinet 4 NEW PR43 UKTNT
12/12/2020 P 303006
Based on a traditional
Scottish/Irish 'farewell'
song, this short piece is
one of six works written
to express my love of
Scotland. After living
there for nearly half my
life, and raising a
family, I moved back to
England in 2018, and
remarried in 2019.
Of course, there were
many different emotions
attached to the move
south: especially the joy
and excitement of new
beginnings, and
reconnection with friends
from my youth.
But this piece
expresses the wrench I
experienced after a last
family meal in Glasgow,
and the realisation of
all I was about to leave
behind. I have
taken the melody of the
original song, and
expanded it, exploring
the detail of its
patterns, so that it
becomes a timeless
meditation. The
six pieces in the
'farewell' series are for
6 violas, string quintet,
string quartet, trio,
violin and clarinet duo,
and solo clarinet.
The Parting Glass
was composed in 2020
during the coronavirus
lockdown, which
intensified the feeling
of separation from my
Scottish family, as well
as from other musicians.
It was
commissioned by Vittorio
Ceccanti for the
ContempoArtEnsemble.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73516 Y
6.95 73516 P73516
BEAMISH, SALLY C
9790577020747 20 8000
0.00 Maple A
9790577020747 (SOLO)
BEAMISH CELLO EP73516
MAPLE PHOTOPRINTS SALLY
W00306 English 00:06:0
Score 232 x 303 mm
Contemporary cello solo 8
NEW PR43 UKTNT 12/12/2020
P 303006 Seed; Spinning
Seed; Roots, shoots;
Leaves ; Flowers; Tree ;
Autumn ; Cello
Maple arose
from a commission to
write a work for solo
cello, to be performed
alongside readings from
artist John Newling's
collection of letters
entitled 'Dear Nature'; a
poetic manifestation of
our relationship with the
natural world. The
piece is in eight short
sections, to be
interspersed with
readings of groups of the
poems. It may also be
performed as a single
movement. It begins with
a seed - the seed of a
maple tree, as it hangs
on the mature tree, ready
to drop. The seeds are
like propellers,
sometimes travelling more
than a mile before
landing on the ground.
Maple follows
the growth of the tree to
maturity - which in
reality would take at
least a hundred years.
'Roots, shoots' grows
downwards and upwards
from a pedal note, and
the dance-like 'Flowers'
is followed by the
stately 'Tree', and then
the warm, cascading
'Autumn'. Maple is very
often the wood of choice
for the back of a
stringed instrument, and
the last section uses
open strings to explore
the full resonance of the
cello. The piece
starts with a 'seed' of
only five notes, which
grows into different
configurations. It is
intended to be played in
an improvisatory
style.
Maple was
co-commissioned by
Brighton Festival, Ars et
Terra Festival with SACEM
and Ditchling Arts and
Crafts Museum, to be
performed by Margarita
Balanas as part of the
Brighton Festival's 'Dear
Nature' project.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73508 Y
39.95 73508 P73508
DILLON, JAMES C
9790577020648 3 8000 0.00
echo the angelus A
9790577020648 (SOLO)
ANGELUS DILLON ECHO
EP73508 JAMES PHOTOPRINTS
PIANO W01097 English
00:25:0 Score 232 x 303
mm Piano Solo 44 NEW PR43
UKTNT 12/01/2021 P 303006
First performed by
Noriko Kawai for
Huddersfield Contemporary
Music Festival, in a
broadcast from the Radio
Theatre, BBC Broadcasting
House, November
2020. Full of
beautifully crafted,
delicate
tintinnabulations -
Richard Morrison, The
Times This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer. $90.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Timpani Forces Timbales - Avancé Tapspace Publications
(for solo timpani). Composed by Mendel Lee. Percussion Solos. For 4 timpani (1 p...(+)
(for solo timpani).
Composed by Mendel Lee.
Percussion Solos. For 4
timpani (1 player).
Timpani Forces requires 4
timpani with tunings
between low C (below
staff in bass clef) and
high C# (just above
middle C). Difficulty:
Advanced. Folio. 20
pages. Duration 17:00.
Published by Tapspace
Publications
$22.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 3e Symphonie en ut mineur, op. 78 - Avancé Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1,
Fl2 , Fl3(Fl-picc), 2 Ob,
EnglHn, 2 clarinet,
clarinet-B, 2 bassoon,
bassoon-Co, Hn1, Hn2 ,
Hn3(chrom.), Hn4(chrom.),
3Trp, 3trombone, timpani,
Tr-Gr, Tri, Be, Org,
piano-4ms, 2 Violin,
Viola, Cello, Double
Bass) - Level 5 SKU:
BA.BA10303-01
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann. The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$566.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Concerto for Crash Cymbals Orchestre d'harmonie [Conducteur et Parties séparées] Curnow Music
By Mike Hannickel. Score and Parts. Curnow Concert Band Full Set. .5. Softcover ...(+)
By Mike Hannickel. Score
and Parts. Curnow Concert
Band Full Set. .5.
Softcover with CD
$50.00 $47.5 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Twelve Days of Christmas Chorale SATB SATB, Piano [Partie séparée] Oxford University Press
By Bob Chilcott. For SATB choir and piano(s) and percussion/orchestra ([2(1picco...(+)
By Bob Chilcott. For SATB
choir and piano(s) and
percussion/orchestra
([2(1piccolo, 2
flutes).2.2.2 -2.2.3.0],
timpani, 2 percussionists
(1=bongos, woodblock,
drumkit, glockenspiel,
tambourine, triangle;
2=hi hat, glockenspiel,
triangle, suspended
cymbal, side drum), harp,
strings). Untuned
Percussion. Pieces and
Studies. Percussion part
(version for one player).
8 pages. Duration 10'.
Published by Oxford
University Press
$22.25 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let's Go Solo! Book 1 Piano seul [Partition] - Intermédiaire FJH
By David Karp. For Piano. Composers In Focus. From the chugging along of Mysteri...(+)
By David Karp. For Piano.
Composers In Focus. From
the chugging along of
Mysterious Train Ride and
the energetic pulse of El
Burro to the expressive
and gentle melodies of
Butterflies, Lupines and
Dusk, teachers will find
a wide range of moods and
sounds to keep students
motivated and challenged.
Contents include:
Mysterious Train Ride; El
Burro; Butterflies;
Horns, Timpani, and
Strings; Harp Etude;
Dusk; Juggling; Lupines;
The Chase. Level: Early
Intermediate. Book.
Published by The FJH
Music Company Inc.
$8.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lowell Liebermann : Concerto No. 1 Piano et Orchestre [Reduction] Theodore Presser Co.
For Piano and Orchestra. By Lowell Liebermann. For Piccolo, Flute, Oboe, Clarine...(+)
For Piano and Orchestra.
By Lowell Liebermann. For
Piccolo, Flute, Oboe,
Clarinet (in Bb), Bass
Clarinet, Bassoon, Contra
Bassoon, English Horn,
Horn, Trumpet, Tenor,
Tuba, Timpani,
Percussion, Piano,
Violin, Viola, Cello,
Contrabass. Classical.
Solo Part with Piano
Reduction. Composed 1983.
Opus 12. 61 pages.
Duration 22:00. Published
by Theodore Presser
Company.
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Piano Concerto No. 3, Op. 30 Piano et Orchestre [Conducteur d'étude / Miniature] Serenissima
By Sergei Rachmaninoff (1873-1943). For Piano, Orchestra - [2, 2, 2, 2 - 4, 2, 3...(+)
By Sergei Rachmaninoff
(1873-1943). For Piano,
Orchestra - [2, 2, 2, 2 -
4, 2, 3, 1], timpani,
percussion, strings. This
edition: Paperback.
Original Works,
Concerto/Instrumental
Solo. Romantic Period;
Russian. Study Score. 146
pages. Published by
Serenissima
$11.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Suite No. 1 Ensemble de Percussions [Partition + CD-ROM] - Intermédiaire Tapspace Publications
(for percussion ensemble). By Fred Emory Smith. Percussion Quintet. For snare dr...(+)
(for percussion
ensemble). By Fred Emory
Smith. Percussion
Quintet. For snare drum,
4 concert toms, 4
timpani, concert bass
drum, marimba (low A),
glockenspiel, xylophone,
chimes, tam tam,
tambourine, temple
blocks, triangle, ride
cymbal, suspended cymbal
$38.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| On with the Snow! Orchestre d'harmonie [Conducteur et Parties séparées] Alfred Publishing
(Featuring "Sleigh Ride," "Winter Wonderland," and "Let It Snow! Let It Snow! Le...(+)
(Featuring "Sleigh Ride,"
"Winter Wonderland," and
"Let It Snow! Let It
Snow! Let It Snow!")
Arranged by Douglas E.
Wagner. Conductor's score
and set of performance
parts for concert band (1
- solo vocal, 1 -
optional solo alto
saxophone, 1 - optional
solo trumpet, 3 - 1st
flute, 3 - 2nd flute, 2 -
oboe, 3 - 1st clarinet, 3
- 2nd clarinet, 3 - 3rd
clarinet, 1 - alto
clarinet, 2 - bass
clarinet, 2 - bassoon, 2
- 1st alto saxophone, 2 -
2nd alto saxophone, 1 -
tenor saxophone, 1 -
baritone saxophone, 3 -
1st trumpet, 3 - 2nd
trumpet, 3 - 3rd trumpet,
1 - 1st horn in F, 1 -
2nd horn in F, 1 - 3rd
horn in F, 1 - 4th horn
in F, 2 - 1st trombone, 2
- 2nd trombone, 2 - 3rd
trombone, 2 - euphonium,
1 - baritone treble clef,
4 - tuba, 1 - string
bass, 1 - mallet
percussion, 1 - timpani,
2 - percussion I, 5 -
percussion II). Series:
Belwin Symphonic Band.
Published by Alfred
Publishing.
$87.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| St John Passion Chorale SATB [Vocal Score] Oxford University Press
By Bob Chilcott. For SATB choir and soloists (soprano, tenor, 2 baritones), with...(+)
By Bob Chilcott. For SATB
choir and soloists
(soprano, tenor, 2
baritones), with
organ/small ensemble
(organ or 2 trumpets
(Bb), horn (F), trombone,
tuba, timpani, strings).
Mixed Voices.
Contemporary, Choral
Works. Vocal score. 96
pages. Duration 60'. Publ
$20.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Song Of Thanksgiving Chorale SATB SATB, Orchestre [Vocal Score] Oxford University Press
A Song of Thanksgiving by Ralph Vaughan Williams (1872-1958). For Soprano voice,...(+)
A Song of Thanksgiving by
Ralph Vaughan Williams
(1872-1958). For Soprano
voice, speaker, SATB
choir and orchestra (2
different versions) ([2,
2, 2, bass clarinet
(optional), 2,
contrabassoon
(optional)-4(2 optional),
3(1 optional), 3,
1(optional)], timpani,
percussion, harp/piano,
organ (optional),
strings). Mixed Voices.
Contemporary, Choral
Works. Vocal score. 28
pages. Duration 15'.
Published by Oxford
University Press
$13.99 - Voir plus => Acheter | | |
| Requiem (1893 version) Soli, choeur mixte et accompagnement [Vocal Score] Oxford University Press
By Gabriel Faure (1845-1924). Arranged by John Rutter. For Soprano soloist, SATB...(+)
By Gabriel Faure
(1845-1924). Arranged by
John Rutter. For Soprano
soloist, SATB choir,
orchestra/chamber
ensemble (2 bassoon, 4
horn, 2 trumpet, timpani,
harp, organ, violin solo,
viola 1 and 2, cello 1
and 2, double bass. [Only
2 horn, harp, organ, and
stri
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Clarinet Concerto - Solo part & piano reduction Clarinette et Piano Fennica Gehrman
Clarinet, piano SKU: FG.55011-832-4 Composed by Lars Karlsson. Classical,...(+)
Clarinet, piano SKU:
FG.55011-832-4
Composed by Lars
Karlsson. Classical,
contemporary. Piano score
& solo part. Fennica
Gehrman #55011-832-4.
Published by Fennica
Gehrman (FG.55011-832-4).
ISBN
9790550118324. Roma
ntic modernist - or
modern romanticist - Lars
Karlsson (b. 1953)
composed his Clarinet
concerto (2013-2015) for
Christoffer Sundqvist.
Connections with Nordic
mythology and
clarinettist as a shaman
turned to a more
traditional concerto
concept in three
movements. Harmonic and
melodic use of fourths
and fifths forms an
important basis for the
musical
material.
This
product includes a solo
part and a piano
reduction (B4
sized).
Orchestral
material available on
hire from the
publisher.
Instrum
entation: 1(+picc).1.1
(+cl
picc).1−1.2.1.0âˆ
’1.2−str Percu
ssion: Timpani, gong,
piatto sospeso, tamburo
piccolo, silofono,
campanelli. $36.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cuico Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C. Alan Publications
(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Conce...(+)
(Percussion Trio
Feature). Composed by
Gregory Danner. For
Soloist(s) with Concert
Band (Piccolo, Flute 1,
Flute 2, Oboe 1, Bb
Clarinet 1, Bb Clarinet
2, Bb Clarinet 3, Bb Bass
Clarinet, Bassoon, Eb
Alto Saxophone 1, Eb Alto
Saxophone 2, Bb Tenor
Saxophone, Eb Baritone
Saxophone, Bb Trumpet 1,
Bb Trumpet 2, Bb Trumpet
3, F Horn 1/2, F Horn
3/). Band Music. Grade 4.
Score and parts. Duration
14:50. Published by C.
Alan Publications
$150.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Sonata No 1 Timbales - Intermédiaire Southern Music Ltd
(Percussion Music/Timpani And Piano). By Solomon, Edward. For Timpani (Timpani)....(+)
(Percussion Music/Timpani
And Piano). By Solomon,
Edward. For Timpani
(Timpani). Percussion
Music - Timpani And
Piano. Southern Music.
Grade 4. 24 pages.
Southern Music Company
#ST205. Published by
Southern Music Company
$24.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Concerto Piano seul [Conducteur] Noten Roehr
SKU: NR.103209 Per due pianoforti e orchestra, opus 80, 1998/2004....(+)
SKU: NR.103209
Per due pianoforti e
orchestra, opus 80,
1998/2004. Composed
by Hendrik Pienaar
Hofmeyr. Orchestra (10
and more instruments).
Per due pianoforti e
orchestra, opus 80,
1998/2004. Score. Noten
Roehr #103209. Published
by Noten Roehr
(NR.103209).
Instrumentation
: 2-2-2-2, 2-2-1-1,
timpani,, 2 percussion,
strings 5-5-4-4-3. $79.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Concerto Piano seul [Conducteur] Noten Roehr
SKU: NR.103210 Per due pianoforti e orchestra, opus 80, 1998/2004....(+)
SKU: NR.103210
Per due pianoforti e
orchestra, opus 80,
1998/2004. Composed
by Hendrik Pienaar
Hofmeyr. Orchestra (10
and more instruments).
Per due pianoforti e
orchestra, opus 80,
1998/2004. Score. Noten
Roehr #103210. Published
by Noten Roehr
(NR.103210).
Instrumentation
: 2-2-2-2, 2-2-1-1,
timpani,, 2 percussion,
strings 5-5-4-4-3. $466.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Psalm 150 Chorale SATB [Vocal Score] Oxford University Press
Composed by John Rutter (1945-). This edition: paperback. Mixed Voices. Sacred. ...(+)
Composed by John Rutter
(1945-). This edition:
paperback. Mixed Voices.
Sacred. Vocal score. 16
pages. Duration 6'.
Published by Oxford
University Press
(OU.9780193505131).
$4.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Almira, Konigin von Kastilien HWV 1 Chorale SATB Barenreiter
Solo voices, choir, orchestra (3 Soprano Voice Solo, 3 Tenor Voice Solo, 2 Bass ...(+)
Solo voices, choir,
orchestra (3 Soprano
Voice Solo, 3 Tenor Voice
Solo, 2 Bass Voice Solo,
SATB Choir, 2
recorder-Alto, 2 Oboe,
bassoon, 3 Trumpets,
timpani, 3 Violins,
Viola, Cello, Bassi(Vc,
double bass, bassoon,
harpisc.)) SKU:
BA.BA04050 Opera
in three acts.
Composed by George
Frideric Handel. Edited
by Dorothea Schröder.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series II,
Volume 1. Oper, Barock
(Opera, Baroque).
Complete edition, Score.
HWV 1. Duration 3 hours,
30 minutes. Baerenreiter
Verlag #BA04050_00.
Published by Baerenreiter
Verlag (BA.BA04050).
ISBN 9790006443598. 33
x 26 cm inches. Language:
German. Text: Feustking,
Friedrich
Christian. “A
lmiraâ€,
Handel’s first
opera, was well received
when premiered in 1705 at
the Theater am
Gänsemarkt in Hamburg.
The director was Reinhard
Keiser, who, remarkably,
had himself already set
Friedrich Christian
Feustking’s text
to music. The role of
Fernando was sung by
Johann Mattheson. The
translation used by
Handel leaves several
Italian arias in their
original language,
resulting in a delightful
mixture of German and
Italian.
The opera
which, after sundry
entangled romances, ends
in the wedding of three
couples, is characterised
by exuberant scenes: the
procession at
Almira’s crowning
ceremony, a duel, a
prison scene and a
masked-ball involving the
three continents Europe,
Africa and Asia.
The vocal score
to “Almiraâ€
by George Frideric Handel
brings about a small
sensation: Whilst
conducting a reenactment
of this work in 1732,
Georg Philipp Telemann
removed the Aria no. 28
“Ingrato,
spietato†from his
conducting score. Since
then this aria has been
deemed lost. Due to
necessity only the edited
vocal text devoid of any
music was presented in
the 1994 volume of the
“Halle Handel
Editionâ€.
Thanks to a recently
discovered contemporary
manuscript copy from the
beginning of the 18th
century which was found
in the music library of
the Mariengymnasium in
Jever, this aria has now
been made available to
performers for the first
time in this new vocal
score edition. Previous
to this the corresponding
pages could only be seen
as a facsimile in an
article of the
“Göttinger
Händel-Beiträgeâ
. Now the aria can
be performed again.
Furthermore, with the
help of this new source,
missing measures in the
basso continuo which had
initially been completed
by the editor of the
“Halle Handel
Edition†volume,
could be reconstructed
from the basso continuo
part of the Bellante aria
“Ich brenne
zwar†(no. 71).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$380.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Missa in C minor K. 427 "Great Mass in C minor" Barenreiter
Flute-solo,first oboe,second oboe,Bfirst assoon,Bsecond assoon,first horn (in C)...(+)
Flute-solo,first
oboe,second oboe,Bfirst
assoon,Bsecond
assoon,first horn (in
C),second horn (in
C),first horn (in
F),second horn (in
F),Clno 1,Clno
2,tromb.-A,tromb.-T,tromb
.-B,Timp. (Flute solo, 1.
Oboe, 2. Oboe, 1.
Bassoon, 2. Bassoon, 1.
Horn (in C), 2. Horn (in
C), 1. Horn (in F), 2.
Horn (in F), 1. Clarino,
2. Clarino, Alto
trombone, Tenor trombone,
Bass trombone, Timpani)
SKU: BA.BA09188-65
Composed by Wolfgang
Amadeus Mozart. Edited by
Ulrich Leisinger.
Arranged by Ulrich
Leisinger. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Classical. Set of wind
parts. KV 427.
3/12/12/16/14/7/7/7/7/4/4
/8/8/7/5 pages.
Baerenreiter Verlag
#BA09188_65. Published by
Baerenreiter Verlag
(BA.BA09188-65). ISBN
9790006565115. 32.5 x
25.5 cm inches. Key: C
minor. Reconstructe
d and completed by Ulrich
Leisinger.
About
Barenreiter Urtext
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| Concerto No. 1 for Violin and Orchestra (Full Score) Orchestre d'harmonie [Conducteur] Peters
Orchestra violin solo, [3.2.2.2-4...], timpani, percussion, harp, strings (2.2.2...(+)
Orchestra violin solo,
[3.2.2.2-4...], timpani,
percussion, harp, strings
(2.2.2.2 - 4.2.3.1 - Timp
- Perc - Hp - Str)
SKU: PE.EP6668
Composed by Ross Lee
Finney. Full Orchestra;
Single Titles. Edition
Peters. 20th Century.
Score. 124 pages. Edition
Peters #98-EP6668.
Published by Edition
Peters (PE.EP6668).
ISBN
9790300728506. Conc
erto No.1 for Violin and
Orchestra - Solo Violin,
Orchestra (full score) -
performance material is
available on a rental
basis. $150.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Variations on a Souvenir Piano seul Subito Music
Pno; 2,1 2,1 22; 4331; timp, perc; stgs (solo piano; piccolo,22,english horn,22;...(+)
Pno; 2,1 2,1 22; 4331;
timp, perc; stgs (solo
piano; piccolo,22,english
horn,22; 4331; timpani; 3
percussion; strings)
SKU: SU.92070380
Concerto for piano &
orchestra. Composed
by Roberto Sierra. Study
Score. Composed 2007.
Duration 27'. Subito
Music Corporation
#92070380. Published by
Subito Music Corporation
(SU.92070380).
Instrumentation
: solo piano;
picc,22,eh,22; 4331;
timp; 3 perc; stgs
Duration: 27' Full Score
& Parts: available on
rental Reflections on a
Souvenir (for solo
piano): available for
sale (#92070230)
Composed: 2007 Published
by Subito Music
Corporation Based on
Souvenir de Porto Rico by
Louis Moreau
Gottschalk. $75.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Piano concerto in A flat major (Klavierkonzert in As) Piano seul Carus Verlag
Orchestra 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Tro...(+)
Orchestra 2 Flutes, 2
Oboes, 2 Clarinets, 2
Bassoons, 2 Horns, 2
Trumpets, 3 Trombones,
Timpani, 2 Violins,
Viola, Cello, Contrabass,
Piano SKU:
CA.5009409
Klavierkonzert in
As. Composed by Josef
Gabriel Rheinberger.
Edited by Han Theill.
This edition: Complete
edition. 1x 50.094/21
flute 1, 1x 50.094/22
flute 2, 1x 50.094/23
oboe 1, 1x 50.094/24 oboe
2, 1x 50.094/25 clarinet
1, 1x 50.094/26 clarinet
2, 1x 50.094/27 bassoon
1, 1x 50.094/28 bassoon
2, 1x 50.094/31 horn 1,
1x 50.094/32 horn 2, 1x
50.094/33 trumpet 1, 1x
50. Josef Gabriel
Rheinberger - Complete
Works. Harmony parts. Set
of Orchestra Parts.
Composed 1876. Op. 94. 70
pages. Duration 30
minutes. Carus Verlag #CV
50.094/09. Published by
Carus Verlag
(CA.5009409). ISBN
9790007223229. Key: A
flat major. Language: all
languages. We
consider Rheinberger's
new Piano Concerto to be
one of his most
significant and inspired
works, wrote a critic
following the premiere in
1876 of this virtuoso
Concerto op. 94, which
enjoyed a spontaneous
success in German centers
of musical life. vocal
score (version for two
pianos) available:
50.094/03. $52.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Rinaldo HWV 7a Barenreiter
Solo voices, orchestra (5 Soprano Voice Solo, Mezzo-Soprano Voice Solo, 2 Alto V...(+)
Solo voices, orchestra (5
Soprano Voice Solo,
Mezzo-Soprano Voice Solo,
2 Alto Voice Solo, Tenor
Voice Solo, Bass Voice
Solo, Fl-Picc, 2 Fl, 2
Ob, 4Trp, timpani,
harpisc., Str, Continuo)
SKU: BA.BA04033
Opera in three
acts. Composed by
George Frideric Handel.
Edited by David R. B.
Kimbell. This edition:
complete edition, urtext
edition. Linen. Halle
Handel Edition (HHA)
Series II, Volume 4, No.
1. Version of 1711. Oper,
Barock (Opera, Baroque).
Complete edition, Score.
HWV 7A. Duration 1 hour,
39 minutes, 59 seconds.
Baerenreiter Verlag
#BA04033_00. Published by
Baerenreiter Verlag
(BA.BA04033). ISBN
9790006443406. 33.1 x 26
cm inches. Text Language:
Italian. Giacomo
Rossi. This was
Handel’s first
opera for London, first
performed at the theatre
in the Haymarket in
February 1711. It was
strong in both music
(including recomposed
versions of some
movements that Handel had
previously written for
his operas in Italy) and
staging: a contemporary
described the opera as
‘filled with
Thunder and Lightening,
Illuminations and
Fireworks’.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$409.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Nexus Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
(for Solo Trumpet, Winds and Percussion). Composed by James Curnow. For Concert ...(+)
(for Solo Trumpet, Winds
and Percussion). Composed
by James Curnow. For
Concert Band (Score and
Parts). MusicWorks Grade
4. Grade 4. Published by
Hal Leonard
$85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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