| Playalong 50/50: Alto Sax - 50 Pop Hits Saxophone Alto [Partition + Accès audio] Amsco Wise Publications
Alto Saxophone SKU: BT.MUSAM1006489 By Jenni Norey. Playalong 50-50. Pop ...(+)
Alto Saxophone SKU:
BT.MUSAM1006489 By
Jenni Norey. Playalong
50-50. Pop & Rock. Book
with Online Audio.
Composed 2013. 136 pages.
Wise Publications
#MUSAM1006489. Published
by Wise Publications
(BT.MUSAM1006489).
ISBN
9781783050987. <
strong>Playalong 50/50:
Alto Sax
includes 50 pop hits
arranged for Alto
Saxophone. Step into the
spotlight and play these
50 pop hits with
specially recorded
backing tracks (available
online). Includes
fullperformanceversions
of all the songs - the
instrumental part is then
omitted so you can play
along with the recorded
accompaniments. $29.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 101 Hit Songs (Alto sax) Saxophone Alto Hal Leonard
For Alto Sax. By Various. Instrumental Folio. Softcover. 160 pages. Published...(+)
For Alto Sax. By Various.
Instrumental Folio.
Softcover. 160 pages.
Published by Hal Leonard
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Chart Hits (Alto Sax) Saxophone Alto [Partition + Accès audio] Hal Leonard
Alto Sax. By Various. Instrumental Play-Along. Softcover Audio Online. 24 pag...(+)
Alto Sax. By Various.
Instrumental Play-Along.
Softcover Audio Online.
24
pages. Published by Hal
Leonard
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A New Tune a Day - Pop Performances for Alto Saxophone Saxophone Alto [Partition + CD] Music Sales
By Various. For Alto Saxophone. Music Sales America. Softcover with CD. 48 pages...(+)
By Various. For Alto
Saxophone. Music Sales
America. Softcover with
CD. 48 pages. Music Sales
#BM12661. Published by
Music Sales
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Adele Saxophone Alto [Partition + Accès audio] Hal Leonard
(Alto Sax). By Adele. For Alto Sax (Alto Sax). Instrumental Play-Along. Softcove...(+)
(Alto Sax). By Adele. For
Alto Sax (Alto Sax).
Instrumental Play-Along.
Softcover Audio Online.
24 pages. Published by
Hal Leonard
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 101 Jazz Songs for Alto Sax Saxophone Alto Hal Leonard
Composed by Various. Instrumental Solo. Softcover. 104 pages. Published by...(+)
Composed by Various.
Instrumental Solo.
Softcover. 104 pages.
Published by Hal Leonard
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Big Book of Disney Songs Saxophone Alto [Partition] Hal Leonard
(Alto Saxophone). By Various. Instrumental Folio. Softcover. 80 pages. Publi...(+)
(Alto Saxophone). By
Various.
Instrumental Folio.
Softcover.
80 pages. Published by
Hal
Leonard
$15.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| You Must Believe in Spring (Pro) Big band [Conducteur et Parties séparées] Handelsware
Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Flugel...(+)
Big band (Alto Sax 1,
Alto Sax 2, Tenor Sax 1,
Tenor Sax 2, Baritone
Sax, Flugelhorn/Trumpet
1, Trumpet 2-4,
Flugelhorn 5, Trombone
1-4, Bass Trombone 5,
Piano, Guitar, Bass,
Drums, Vibraphone) -
advanced SKU:
M7.SMP-1198
Swing. Composed by
Michel Legrand. Arranged
by Vern Sielert. Sheet
music. Score and parts.
Handelsware #SMP 1198.
Published by Handelsware
(M7.SMP-1198).
English. Vern
Sielert has created a
marvelous arrangement of
Michel LeGrand's
extremely popular melody.
As recorded by the North
Texas Two O'Clock Lab
Band, it is set in a
modern ECM swing feel.
The melody is stated by
alto saxophone and
flugelhorn, and they are
featured throughout with
extensive room for
improvisation. Brass
ranges are moderate. This
is the original pro
version requiring 10
brass players. This chart
will surely join Vern's
arrangements of I Thought
About You and Like
Someone in Love as
best-sellers! 5-5-5-4
(opt. vibes). $116.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Dip In 50 Pop Tunes For Alto Sax Music Sales
| | |
| Eric Dolphy: The Eric Dolphy Collection Flûte traversière - Intermédiaire Hal Leonard
Performed by Eric Dolphy. Woodwind solo book for flute, alto saxophone and bass ...(+)
Performed by Eric Dolphy.
Woodwind solo book for
flute, alto saxophone and
bass clarinet. Series:
Hal Leonard Artist
Transcriptions. 149
pages. Published by Hal
Leonard.
(1)$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Chasing Mercury - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum and more. - Grade 3
SKU: CF.CPS234
Composed by Travis
Weller. Folio. Cps. Set
of Score and Parts.
8+8+4+8+8+8+4+4+8+4+4+8+8
+8+8+6+6+6+4+8+6+2+4+4+6+
32 pages. Duration 3
minutes, 10 seconds. Carl
Fischer Music #CPS234.
Published by Carl Fischer
Music (CF.CPS234).
ISBN 9781491156346.
UPC: 680160914883. 9 x 12
inches. Mercury -
the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst's major orchestral
suite The Planets that
Mercury utilizes such
light and swift themes.
There is some duality to
the title of the work.
Part of it involves my
impression of what a
playful chase of the
winged messenger sounds
like. The other part is
the opening motif chasing
two themes of Holst
around the rest of the
work. It was only after
developing the first few
ideas that I recognized
some of the commonalities
with some of those same
themes from Holst's
orchestral work. There
are several quotations
from that famous piece by
Holst (notably as both
are stated successively
at mm. 13-20). The idea
of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work. One of
my core beliefs about
music is that it can be
imbued with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling experience.
Rehearsal Notes and
Suggestions As stated
earlier, the opening
motif (a range of a
seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury!. Mercury
– the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst’s major
orchestral suite The
Planets that Mercury
utilizes such light and
swift themes.There is
some duality to the title
of the work. Part of it
involves my impression of
what a playful chase of
the winged messenger
sounds like. The other
part is the opening motif
chasing two themes of
Holst around the rest of
the work. It was only
after developing the
first few ideas that I
recognized some of the
commonalities with some
of those same themes from
Holst’s orchestral
work. There are several
quotations from that
famous piece by Holst
(notably as both are
stated successively at
mm. 13–20). The
idea of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work.One of my
core beliefs about music
is that it can be imbued
with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling
experience.Rehearsal
Notes and SuggestionsAs
stated earlier, the
opening motif (a range of
a seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury! $90.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Chasing Mercury [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Percussion 3, Snare
Drum and more. - Grade 3
SKU: CF.CPS234F
Composed by Travis
Weller. Sws. Cps. Full
score. 32 pages. Duration
3 minutes, 10 seconds.
Carl Fischer Music
#CPS234F. Published by
Carl Fischer Music
(CF.CPS234F). ISBN
9781491156353. UPC:
680160914890. 9 x 12
inches. Mercury -
the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst's major orchestral
suite The Planets that
Mercury utilizes such
light and swift themes.
There is some duality to
the title of the work.
Part of it involves my
impression of what a
playful chase of the
winged messenger sounds
like. The other part is
the opening motif chasing
two themes of Holst
around the rest of the
work. It was only after
developing the first few
ideas that I recognized
some of the commonalities
with some of those same
themes from Holst's
orchestral work. There
are several quotations
from that famous piece by
Holst (notably as both
are stated successively
at mm. 13-20). The idea
of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work. One of
my core beliefs about
music is that it can be
imbued with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling experience.
Rehearsal Notes and
Suggestions As stated
earlier, the opening
motif (a range of a
seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury!. Mercury
– the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst’s major
orchestral suite The
Planets that Mercury
utilizes such light and
swift themes.There is
some duality to the title
of the work. Part of it
involves my impression of
what a playful chase of
the winged messenger
sounds like. The other
part is the opening motif
chasing two themes of
Holst around the rest of
the work. It was only
after developing the
first few ideas that I
recognized some of the
commonalities with some
of those same themes from
Holst’s orchestral
work. There are several
quotations from that
famous piece by Holst
(notably as both are
stated successively at
mm. 13–20). The
idea of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work.One of my
core beliefs about music
is that it can be imbued
with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling
experience.Rehearsal
Notes and SuggestionsAs
stated earlier, the
opening motif (a range of
a seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury! $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| You Must Believe in Spring (Edited) Big band [Conducteur et Parties séparées] Handelsware
Big band - advanced SKU: M7.SMP-1197 Swing. Composed by Michel Leg...(+)
Big band - advanced
SKU: M7.SMP-1197
Swing. Composed by
Michel Legrand. Arranged
by Vern Sielert. Sheet
music. Score and parts.
Handelsware #SMP 1197.
Published by Handelsware
(M7.SMP-1197).
English. Vern
Sielert has created a
marvelous arrangement of
Michel LeGrand's
extremely popular melody.
As recorded by the North
Texas Two O'Clock Lab
Band, it is set in a
modern ECM swing feel.
The melody is stated by
alto saxophone and
flugelhorn, and they are
featured throughout with
extensive room for
improvisation. Brass
ranges are moderate. This
edited version only
requires 8 brass players.
This chart will surely
join Vern's arrangements
of I Thought About You
and Like Someone in Love
as best-sellers! 5-4-4-4
(opt. vibes). $107.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| It was a Sound Clifton Edition
Alto Saxophone & Piano SKU: ST.C498 Composed by Tom Harrison. Wind & bras...(+)
Alto Saxophone & Piano
SKU: ST.C498
Composed by Tom Harrison.
Wind & brass music.
Clifton Edition #C498.
Published by Clifton
Edition (ST.C498).
ISBN
9790570814985.
What if you found out
that someone had left you
a precious gift? Someone
you had never met yet
somehow felt like you had
known forever. Wouldn’t
you want the chance to
thank them for it? It
Was a Sound is a
collection of music and
stories inspired by the
life and playing style of
the great Johnny Hodges.
Twelve original
compositions for Alto
Saxophone & Piano are
paired with twelve short
stories about Hodges, his
life in jazz and his
quirky way of
being.
Through
playing the music and
reading the stories,
music lovers will gain a
deeper understanding of
the roots of Jazz Music
and its cultural legacy.
You already owe something
to Johnny Hodges, even if
you do not yet realise
it. This book is suitable
for Alto Saxophone
players of Grades 1-5
standard, with
illustrations by Kareen
Cox and a foreword by
Julian Joseph
OBE.
‘Tom has
thoroughly researched the
genius of Johnny Hodges
and has opened a gateway
that lets the reader
explore and experience
the artistry of the
master saxophonist.
Excellent
work!’ –Jean
Toussaint
‘Fabul
ous quotes and
thought-provoking
questions. So
informative, I love
it.’ –Tony
Kofi
‘A
brilliant book which
thoroughly captures the
excellence of Hodges.
With fitting musical
examples aimed to inspire
young musicians today,
perhaps there will be
another little Johnny
Hodges in the
making!’ –Camilla
George.
$21.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Volume 123 - Now's the Time - Standards with the Joey DeFrancesco Trio Instruments Sib, Mib, Do et Bass clef [Partition + CD] Jamey Aebersold Jazz
Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Alo...(+)
Edited by Jamey
Aebersold. For any C, Eb,
Bb, bass instrument or
voice. Play-Along series
with accompaniment CD.
Jazz Play-A-Long For All
Musicians. Book with CD.
Published by Jamey
Aebersold Jazz.
$17.90 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
1 |