| The Best Fake Book Ever - C Edition - 3rd Edition
Fake Book [Fake Book] Hal Leonard
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and
C instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 856
pages. 9x12 inches.
Published by Hal Leonard.
(14)$59.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Best Fake Book Ever - 2nd Edition - Eb Edition
Instruments en Mib [Fake Book] Hal Leonard
Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: H...(+)
Fakebook for Eb
instrument. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 864
pages. Published by Hal
Leonard.
(2)$49.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Best Fake Book Ever - 5th Edition Instruments en Do [Fake Book] Hal Leonard
C Edition. Composed by Various. Fake Book. Broadway, Country, Jazz, Pop, Stand...(+)
C Edition. Composed by
Various. Fake Book.
Broadway,
Country, Jazz, Pop,
Standards.
Softcover. 802 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Best Easy Listening Songs Ever - 3rd Edition Piano, Voix et Guitare [Partition] Hal Leonard
By Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with g...(+)
By Various.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. Size 9x12
inches. 296 pages.
Published by Hal Leonard.
(1)$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| E-Z Play Today #204 - Best Easy Listening Songs Ever Piano, Voix et Guitare [Partition] - Facile Hal Leonard
For voice and keyboard (right hand only). Format: easy piano/vocal/chords songbo...(+)
For voice and keyboard
(right hand only).
Format: easy
piano/vocal/chords
songbook. With vocal
melody, lyrics, chord
names and big note
notation. Series: Hal
Leonard E-Z Play Today.
240 pages. 9x12 inches.
Published by Hal Leonard.
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lyrics Paroles Seulement [Partition] Hal Leonard
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
(1)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Time for Singing [Conducteur et Parties séparées] University Of York Music Press
Cello; Clarinet; Piano (Score & Parts) SKU: HL.14043372 For Clarinet, ...(+)
Cello; Clarinet; Piano
(Score & Parts) SKU:
HL.14043372 For
Clarinet, Cello and Piano
– Score and Parts.
Composed by Ed Hughes.
Music Sales America.
Classical, Contemporary.
Softcover. 72 pages.
University of York Music
Press #M570365517.
Published by University
of York Music Press
(HL.14043372).
8.0x11.75
inches. Ed Hughes '
A Time For Singing for
Clarinet, Cello and
Piano. Score and parts. '
My sister, the
clarinettist Alison
Hughes, is a member of
the Camilleri Trio who
gave the first
performance. The work was
conceived in memory of
our aunt, Gillian
Nicholls. The four
movements are: 1. Walk
with rainstorm 2. Song 3.
Scherzo 4. Until the day
break It is a kind of
narrative - in one sense
an imagined walk through
a changing landscape. A
very English one, in
other words one in which
it rains! But sometimes
lit up by sunshine. It
remembers Gillie
Nicholls, who loved
walking and loved life.
She died from cancer in
2010. I wanted to write a
piece that would remember
her and her
wonderfulenthusiasm and
sense of humour, as well
as forming a more
traditional lament. So
there are elements of
each in this piece.
Gillie was also a
profoundly spiritual
person. When she and John
Muddiman married in 2010
they asked me to write a
short song for the
wedding, 'Rise Up, My
Love', using words from
'Song of Solomon'. The
new work for the
Camilleri Trio,
commissioned by Jennifer
Hughes in memory of her
sister Gillian Nicholls,
also refers in the main
title, and in the last
movement title, to lines
from 'Song of Solomon':
the time of the singing
of birds is come - Song
of Solomon 2:12 Until the
day break, and the
shadows flee away - Song
of Solomon 2:17 A Time
for Singing was written
for the Camilleri Trio -
Alison Hughes
(clarinet/bass clarinet),
Anja Inge (cello), Joanne
Camilleri (piano). It was
first performed by them
at Mansfield Chapel,
Mansfield College,
Oxford, on 30 October
2011. ' - Ed Hughes
Ed Hughes'
A Time For
Singing for
Clarinet, Cello and
Piano. Score and
parts. 'My
sister, the clarinettist
Alison Hughes, is a
member of the Camilleri
Trio who gave the first
performance. The work was
conceived in memory of
our aunt, Gillian
Nicholls. The four
movements are: 1.
Walk with rainstorm 2.
Song 3. Scherzo 4.
Until the day
break
It is a
kind of narrative - in
one sense an imagined
walk through a changing
landscape. A very English
one, in other words one
in which it rains! But
sometimes lit up by
sunshine. It
remembers Gillie
Nicholls, who loved
walking and loved life.
She died from cancer
in2010. I wanted to write
a piece that would
remember her and her
wonderful enthusiasm and
sense of humour, as well
as forming a more
traditional lament. So
there are elements of
each in this
piece. Gillie was
also a profoundly
spiritual person. When
she and John Muddiman
married in 2010 they
asked me to write a short
song for the wedding,
'Rise Up, My Love', using
words from 'Song of
Solomon'. The new
work for the Camilleri
Trio, commissioned by
Jennifer Hughes in memory
of her sister Gillian
Nicholls, also refers in
the main title, and in
the last movement title,
to lines from 'Song of
Solomon': the time of
the singing of birds is
come - Song of Solomon
2:12 Until the day
break, and the shadows
flee away - Song of
Solomon 2:17 A Time
for Singing was written
for the Camilleri Trio -
Alison Hughes
(clarinet/bass clarinet),
Anja Inge (cello), Joanne
Camilleri (piano). It was
first performed by them
at Mansfield Chapel,
Mansfield College,
Oxford, on 30 October
2011.' - Ed
Hughes $39.00 - Voir plus => Acheter | | |
| The Real Book - Volume VI Instruments en Sib Hal Leonard
Bb Instruments. Composed by Various. Fake Book. Jazz. Softcover. 488 page...(+)
Bb Instruments.
Composed by Various. Fake
Book. Jazz. Softcover.
488 pages. Published by
Hal Leonard (HL.223637).
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Book - Volume VI Instruments en Do [Fake Book] Hal Leonard
C Instruments. Composed by Various. Fake Book. Softcover. Published by Hal Le...(+)
C Instruments. Composed
by
Various. Fake Book.
Softcover. Published by
Hal
Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Best Easy Listening Songs Ever Piano, Voix [Partition] - Facile Hal Leonard
Mini E-Z Play Today Volume 4. Composed by Various. Mini E-Z Play Today. S...(+)
Mini E-Z Play Today
Volume 4. Composed by
Various. Mini E-Z Play
Today. Softcover. 248
pages. Published by Hal
Leonard (HL.199322).
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Best of Contemporary Christian
Fake Book [Fake Book] - Intermédiaire Hal Leonard
Over 400 Songs. Fake Book (Includes melody line and chords). Size 9x12 inches. 5...(+)
Over 400 Songs. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 583 pages.
Published by Hal Leonard.
(4)$49.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Stream Theodore Presser Co.
Chamber Music Clarinet, Viola, Violin 1, Violin 2, Violoncello SKU: PR.114417...(+)
Chamber Music Clarinet,
Viola, Violin 1, Violin
2, Violoncello SKU:
PR.114417500 For
Clarinet And String
Quartet. Composed by
Shulamit Ran. Premiered
by Anthony McGill,
clarinet, and Brentano
String Quartet; Kimmel
Center, Philadelphia, PA.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2016.
32+12+12+12+12+12 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41750. Published by
Theodore Presser Company
(PR.114417500). UPC:
680160634910. 9.5 x 13
inches. Stream for
Clarinet and String
Quartet (2015) was
commissioned by the
Philadelphia Chamber
Music Society in
celebration of its 30th
Anniversary Season,
through support of The
William Penn Foundation.
The first performance was
in April 2016 at the
Kimmel Center in
Philadelphia. Notes from
the composer: The 'line'
in Stream is often
threaded together into a
chain made up of separate
'points' played by the
strings, and sometimes by
the string and the
clarinet. An analogy
might be that each
instrument, at times,
produces a single 'ray of
light' from within the
larger light source.
Moreover, there are many
passages where the
intended effect is that
of the strings providing
a 'halo' surrounding the
solo clarinet. Similarly,
the clarinet often
dovetails with, as well
as emerges or submerges
in and out of, a strand
in the string
music.. What's in a
name? Â Â In my
titles, I generally aim
to capture something that
I believe to be essential
about the particular
work. Â At some level
this is to offer an
entry-point for the
listener, a glimpse of
the composition in its
totality. Â STREAM as a
title came to be when
much of the music was
already fully composed,
and it encapsulates much
of what I wish to say in
words about this work: it
suggests flow - whether
gentle or forceful; it
implies a journey, one
that could take us onto
unexpected terrains yet
is always moving forward;
embedded into this word
is also the idea of
stream of consciousness,
and with it, free
association and
unexpected twists of
fancy. Approximately
16 minutes in duration,
STREAM is to be played
without a break, yet
there are strong elements
of a three-movement
structure here. An
expository
quasi-first-movement lays
out important materials
of varying character; the
middle part, suggesting
contrast and repose, is
initially slow and
reflective, but then
embarks on new
explorations of the
notion of stasis, while
the final movement is
dominated by fast-moving
music of high energy that
consolidates the previous
materials. Important
throughout is the way in
which seemingly
transitional stretches of
music emerge and propel
the music onward in ways
that are at once
unexpected and
fantastical. A
composer's statement
about this work would not
be complete without
acknowledging the degree
to which the work was
inspired by the awareness
that it was being created
for a quintet of
extraordinary performers
of the most beautiful and
flowing musicianship -
clarinet virtuoso Anthony
McGill and the intrepid
Brentano
Quartet. Shulamit
Ran . $63.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Stream [Conducteur] Theodore Presser Co.
Chamber Music Clarinet, Viola, Violin 1, Violin 2, Violoncello SKU: PR.114417...(+)
Chamber Music Clarinet,
Viola, Violin 1, Violin
2, Violoncello SKU:
PR.11441750S For
Clarinet And String
Quartet. Composed by
Shulamit Ran. Premiered
by Anthony McGill,
clarinet, and Brentano
String Quartet; Kimmel
Center, Philadelphia, PA.
Contemporary. Full score.
With Standard notation.
Composed 2016. 32 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41750S. Published by
Theodore Presser Company
(PR.11441750S). UPC:
680160634934. 9.5 x 13
inches. Stream for
Clarinet and String
Quartet (2015) was
commissioned by the
Philadelphia Chamber
Music Society in
celebration of its 30th
Anniversary Season,
through support of The
William Penn Foundation.
The first performance was
in April 2016 at the
Kimmel Center in
Philadelphia. Notes from
the composer: The 'line'
in Stream is often
threaded together into a
chain made up of separate
'points' played by the
strings, and sometimes by
the string and the
clarinet. An analogy
might be that each
instrument, at times,
produces a single 'ray of
light' from within the
larger light source.
Moreover, there are many
passages where the
intended effect is that
of the strings providing
a 'halo' surrounding the
solo clarinet. Similarly,
the clarinet often
dovetails with, as well
as emerges or submerges
in and out of, a strand
in the string
music.. What's in a
name? Â Â In my
titles, I generally aim
to capture something that
I believe to be essential
about the particular
work. Â At some level
this is to offer an
entry-point for the
listener, a glimpse of
the composition in its
totality. Â STREAM as a
title came to be when
much of the music was
already fully composed,
and it encapsulates much
of what I wish to say in
words about this work: it
suggests flow - whether
gentle or forceful; it
implies a journey, one
that could take us onto
unexpected terrains yet
is always moving forward;
embedded into this word
is also the idea of
stream of consciousness,
and with it, free
association and
unexpected twists of
fancy. Approximately
16 minutes in duration,
STREAM is to be played
without a break, yet
there are strong elements
of a three-movement
structure here. An
expository
quasi-first-movement lays
out important materials
of varying character; the
middle part, suggesting
contrast and repose, is
initially slow and
reflective, but then
embarks on new
explorations of the
notion of stasis, while
the final movement is
dominated by fast-moving
music of high energy that
consolidates the previous
materials. Important
throughout is the way in
which seemingly
transitional stretches of
music emerge and propel
the music onward in ways
that are at once
unexpected and
fantastical. A
composer's statement
about this work would not
be complete without
acknowledging the degree
to which the work was
inspired by the awareness
that it was being created
for a quintet of
extraordinary performers
of the most beautiful and
flowing musicianship -
clarinet virtuoso Anthony
McGill and the intrepid
Brentano
Quartet. Shulamit
Ran . $28.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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