Composed by Joseph Bodin de Boismortier. Edited by Hugo Ruf. Stapled. Music for Flute. Performance score. Opus 34/1. Published by Baerenreiter Verlag (BA.BA3333).

3 Violins, Bass & Continuo

SKU: ST.MB103

Composed by Various. Edited by John Cunningham and Peter Holman. Library Volumes. Transcribed and edited by Peter Holman and John Cunningham. First published in 2018. Pages: 184. Format: Hardback. Dimensions (mm): 330 x 254 x 22. Score and parts. Stainer & Bell Ltd. #MB103. Published by Stainer & Bell Ltd. (ST.MB103).

ISBN 9790220225178.

Musi c for three violins and bass formed a small yet distinctive corpus of instrumental music at the Restoration court of Charles II and in the Catholic chapel of James II. Introduced to England by the German violinist Thomas Baltzar, the genre was adopted by John Jenkins, whose ten late fantasia-suites for three violins, bass viol and continuo, together with Gottfried Finger's five sonatas for the same group of instruments, constitute the bulk of this volume. Other representative works include Baltzar's own Suite in C major and Bartholomew Isaack's Ground in A minor, all fascinating progenitors of Purcell's crowning contributions to the repertoire, his Pavan in G minor and 'Three Parts upon a Ground'.

Arrangements of syllabus repertoire for lessons, practice and performance. Composed by Richard Mainwaring. Classical. Score and Parts. Trinity College London #TCL020345. Published by Trinity College London

2 Flutes and Piano

SKU: BT.EMBZ13334

By Istvan Homolya. By Giovanni Battista Bononcini. Book Only. Composed 1988. 60 pages. Editio Musica Budapest #EMBZ13334. Published by Editio Musica Budapest (BT.EMBZ13334).

Giovanni Maria Bononcini (1642-1678) published in Bologna in the last year of his life, i. e. in 1678 a collection of 24 movements for two violins and basso continuo entitled Arie e Correnti a tre (Op. 12). In agreement with the sonata da camera traditions of the early Baroque the collection is a series of 9 two-movement and 2 three-movement sonatas. It was published again in London in 1701 with the title Ayres in 3 parts. Four years later a revised edition of the work appeared, also in London, which bore the title Bononcini's Aires for two Flutes and a Bass. The edition published in Amsterdam without date, but presumably around 1725, with the title Preludes, Allemandes,Sarabandes, Courantes, Gavottes et Gigues á 2 Flutes ou Violons et une Basse, is essentially a reprint of the London edition. The present edition contains this posthumous revised variant. Territorial restrictions may apply. Please ask before ordering.