(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
Piano Accompaniment; Violin (Violin/Piano) SKU: HL.51481271 Violin and...(+)
Piano Accompaniment;
Violin (Violin/Piano)
SKU: HL.51481271
Violin and Piano.
Composed by Maurice
Ravel. Edited by Ulrich
Krä and mer. Henle
Music Folios. Classical,
Jazz. Softcover. 61
pages. G. Henle #HN1271.
Published by G. Henle
(HL.51481271).
ISBN
9781705196021. UPC:
196288143000.
12.75x10.0x0.22
inches.
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the workÂ
Critical Commentary
in 1 â 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisionsÂ
most beautiful music
engravingÂ
page-turns, fold-out
pages, and cues where you
need themÂ
excellent print
quality and
bindingÂ
largest Urtext
catalogue
world-wideÂ
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Revised Edition with Fingering by 26 Pianists. Composed by Franz Joseph Ha...(+)
Revised Edition with
Fingering by 26 Pianists.
Composed by Franz Joseph
Haydn (1732-1809). Edited
by
Georg Feder. Henle Music
Folios. Classical.
Softcover.
G. Henle #HN1336.
Published
by G. Henle
Violin and Piano. Composed by Edvard Greig. Edited by Einar Steen-Nokleberg ...(+)
Violin and Piano.
Composed by
Edvard Greig. Edited by
Einar
Steen-Nokleberg and
Ernst-
Gunter Heinemann. Henle
Music
Folios. Classical.
Softcover.
G. Henle #HN1105.
Published
by G. Henle
Composed by Various. Arranged by Peter Lavender. Music Sales America. Baroque an...(+)
Composed by Various.
Arranged by Peter
Lavender. Music Sales
America. Baroque and
Classical Period. Fake
book (softcover). With
melody line (no
accompaniment included)
and chord names. 128
pages. Music Sales
#AM92350. Published by
Music Sales
Without Fingering. Composed by Franz Joseph Haydn (1732- 1809). Edited by Geo...(+)
Without Fingering.
Composed
by Franz Joseph Haydn
(1732-
1809). Edited by Georg
Feder.
Henle Music Folios.
Classical. Softcover. G.
Henle #HN1536. Published
by
G. Henle
For Cello and Double Bass. Composed by Jean-Baptiste Breval. Edited by Tabea ...(+)
For Cello and Double
Bass.
Composed by Jean-Baptiste
Breval. Edited by Tabea
Umbreit. Henle Music
Folios.
Softcover. 24 pages. G.
Henle
#HN1480. Published by G.
Henle
Sona
ta No. 6 Kharkiv for
guitar solo was composed
in 2021, in the end of
the COVID-19 lockdown. At
that time my family and I
were staying in our home
city of Kharkiv (also
known as Kharkov),
Ukraine for almost two
years. We considered that
pandemic period as a
disaster, but later have
realized that it actually
was a rather happy time,
because a war came to our
homeland just a few
months later. Since 2022
a considerable fraction
of the 1.5 millions of
Kharkiv citizens have
left their homes, those
who stayed have been
living under ceaseless
missile attacks, and many
have been killed. I would
like to dedicate this
Sonata to the frontier
city of Kharkiv and, most
of all, to its citizens
suffering from the
war. Yet, the music of
the Sonata does not have
any specific program.
Here I will give a brief
overview of its main
composition elements to
facilitate future
interpretations. The
first and fourth
movements of this Sonata
are based on the
interplay between the
twelve-tone principle and
the G-major tonal center,
natural for the guitar.
Namely, the first
movement is based on the
interaction of the
G-major triad Gâ??Bâ??D
of the open guitar
strings 2â??3â??4,
ascending motif 1
involving the notes
Eâ??F#â??Aâ??C#
(originally on the first
string), and descending
motif 2 using the notes
E-â??Câ??Bbâ??A-
(originally, on the bass
string 6). These elements
supplement each other to
almost make up twelve
tones (apart from the
missing F), and the
motifs alternate with
ostinato fragments where
each note in the G major
triad is step-by-step
moved by a semitone up or
down. The second
movement is a Scherzo
involving numerous
semitones in accented
chords and fast passages,
as well as chromatic
melodic motion in the
bass voice. It is almost
atonal in some fragments,
but has an overall tonal
center of A-minor. The
third movement is a
meditative Adagio based
on a theme composed
within hexatonic scale
Dâ??Eâ??Fâ??G#â??Aâ?
?B and ostinato chords
involving open bass
strings Eâ??Aâ??D and
semitone
Bâ??C. Finally, the
fourth movement is based
on the complete
twelve-tone theme
consisting of two phrases
including motifs 1 and 2
from the first movement:
Gâ??Fâ??Bbâ??Abâ??Câ
??Ebâ??D and
Eâ??Bâ??C#â??Aâ??F#.
This theme is presented
in its prime and
retrograde forms. There
are dialogues between the
first string, basses and
open middle strings,
similar to the first
movement. In the
culmination, the
twelve-tone theme is
performed using the
parallel motion of the
standard guitar G-major
chord with open middle
strings across twelve
positions. The Sonata
was premiered and
recorded (CD Naxos No.
8.574630) by the
prominent Ukrainian
guitarist Marko Topchii
who has also lived and
studied in Kharkiv. I am
extremely grateful to him
for the brilliant
performance of this
piece. I am greatly
indebted to Productions
dâ??Oz for keeping my
original notations in
places where these do not
conform to the
publisherâ??s style.
Violin and Piano. Composed by César Franck. Edited by Monica Steegmann. ...(+)
Violin and Piano.
Composed by César
Franck. Edited by Monica
Steegmann. Henle Music
Folios. Softcover. 66
pages. G. Henle #HN1351.
Published by G. Henle
(HL.51481351).
Flute - Intermediate SKU: KV.3611773 For Two Flutes. Composed by G...(+)
Flute - Intermediate
SKU: KV.3611773
For Two Flutes.
Composed by Georg Philipp
Telemann. Arranged by
Paul Edmund-Davies
(editor). Flute. Classic.
Book/CD Set. Published by
Kevin Mayhew Publishers
(KV.3611773).
Paul
Edmund-Davies, the editor
of this performing
edition of Telemann!s Six
Canonic Sonatas for two
flutes (or violins), Op.
5, is one of the world!s
leading flautists. He has
appeared as a soloist
with many of the greatest
orchestras under such
conductors as Bernstein,
Rostropovich, Boulez,
Michael Tilson Thomas,
Daniele Gatti, Kent
Nagano and Ion Marin and
has partnered Andre
Previn in chamber music.
The Six Canonic Sonatas
for two flutes (or
violins), Opus 5, were
composed in 1738. All
contain three movements,
the slow and often highly
moving middle movements
being sandwiched by two
brisk and lively outer
movements. Contains
Sonata in G major, Sonata
in G minor, Sonata in D
Major, Sonata in D minor,
Sonata in A major and
Sonata in A minor.
Intermediate in
difficulty.
Revised Edition for Piano Solo with Fingering by 18 Pianists. Composed by Fr...(+)
Revised Edition for Piano
Solo with Fingering by 18
Pianists. Composed by
Franz
Joseph Haydn (1732-1809).
Edited by Georg Feder.
Henle
Music Folios. Classical.
Softcover. G. Henle
#HN1338.
Published by G. Henle
Book/Online Audio and Video Piano The Best Step-by-Step Guide to Start Playing...(+)
Book/Online Audio and
Video
Piano
The Best Step-by-Step
Guide to
Start Playing. Do It
Yourself.
Instruction, Method.
Softcover
Media Online. 128 pages.
Published by Hal Leonard
Repertoire. CD. Trinity
College London #TCL
014931. Published by
Trinity College London
(TL.TCL014931).
ISBN
9780857364661.
This
audio CD contains exam
pieces on the Trinity
College London Violin
syllabus for 2016-2019,
featuring renowned
violinist Liz Partridge.
(alternative pieces are
not included). In
addition to full
recordings of each piece,
the CD also includes
'minus one' style backing
tracks, allowing students
to practise with the
piano accompaniment
played by Stephen
Wilder. These
recordings are not
definitive but may be
employed as an aid to
preparation for Trinity
College London
examinations.
For Violin and Piano. By Franz Joseph Haydn. Edited by I. Becker-Glauch. Violin....(+)
For Violin and Piano. By
Franz Joseph Haydn.
Edited by I.
Becker-Glauch. Violin.
Pages: Score = V and 18 *
Vl Part = 6. Urtext
edition-paper bound.
Published by G. Henle.
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F).
ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major.
IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series
Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown; Neal Peres Da Co...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown;
Neal Peres Da Costa. For
clarinet and piano. Score
with parts. Opus 120.
Published by Baerenreiter
Verlag
Composed by Johannes Brahms (1833-1897). Edited by Clive Brown / Neal Peres Da C...(+)
Composed by Johannes
Brahms (1833-1897).
Edited by Clive Brown /
Neal Peres Da Costa. For
viola and piano. This
edition: urtext edition.
Paperback. Level 3. Score
with parts. Opus 120.
Published by Baerenreiter
Verlag
Composed by George Frideric Handel, edited by Philipp Hinnenthal. For violin, ba...(+)
Composed by George
Frideric Handel, edited
by Philipp Hinnenthal.
For violin, basso
continuo and keyboard.
Urtext of the Halle
Handel Edition. Includes
full score and set of
performance parts. With
solo part, basso continuo
part, keyboard
realization, performance
notes and introductory
text. Baroque. 142 pages.
9x12 inches. Published by
Baerenreiter-Ausgaben.
Cello and Piano. Composed by Ludwig van Beethoven (1770- 1827). Edited by Jen...(+)
Cello and Piano. Composed
by
Ludwig van Beethoven
(1770-
1827). Edited by Jens
Dufner. Henle Music
Folios.
Classical. Softcover. 73
pages. G. Henle #HN1473.
Published by G. Henle
Violin - Grade 5 SKU: TL.TCL014672 Repertoire. Trinity College London #TC...(+)
Violin - Grade 5
SKU:
TL.TCL014672
Repertoire. Trinity
College London #TCL
014672. Published by
Trinity College London
(TL.TCL014672).
ISBN
9780857364401.
Sele
cted pieces for Trinity
College London violin
exams for 2016-2019,
expertly graded and
edited by leading music
educators. This item
contains both the full
score and violin
part.
For Violin. Contains a high-quality music score featuring the solo violin part, ...(+)
For Violin. Contains a
high-quality music score
featuring the solo violin
part, printed on ivory
paper; and a compact disc
containing digitally
remastered stereo
accompaniments to each
sonata. Published by
Music Minus One.
Violin, Piano SKU: HU.HN7 Composed by Ludwig van Beethoven. Edited by Sieghard ...(+)
Violin, Piano
SKU: HU.HN7
Composed by Ludwig van
Beethoven. Edited by
Sieghard Brandenburg.
Strings, Repertoire,
Collections. Sonatas for
Piano and Violin Volume
1. Classical. Softcover
Book. 204 pages. G. Henle
#HN7. Published by G.
Henle (HU.HN7).