ABC for piano, del 2' er en pianobok for litt viderekomne. Den er forst og fremst mente for barn, men kan ogsa brukes av voksne som vil friske opp pianokunnskapene sine, laere noter pa egen hand, eller hjelpe sine barn som laerer a spille. Boken inneholder et utbrettsark med oversikt over alle tangentene og notene + litt teori.

Boken inneholder mange morsomme oppgaver. Det er brukt mangefolketoner, bade fra Norge og andre europeiske land, samt populaerebarnesanger.

Innhold:
Lille bjork
Kjerringa med staven
En hostkveld
Na skal vi telle
Humoreske - L. Mozart
mary had a little lamb
Tamburin -J. Rameau
Vuggesang
Blinke, blinke stjerne lill
I min hage
Et stykke - J. Arman
Jeg gikk meg over sjo og land
Preludium
Do vne Trulte
Haren uti gresset
Kjaere gasen min er stjalet
Jeg gikk en tur pa stien
Min nye ball
Etyde - L. Shytte
Marching Pigs - Boris Berlin
Vesle Lise er sa liten - P.I. Tschaikovsky
Etyde
Potet-sang
Etyde - C. Czerny
Min hatt den har tre kanter
Alle fugler
Gratulerer med dagen
Hurra for deg!
Ola Diger
Musette - L. Mozart
I Dovregubbens hall E. Grieg
Etyde - C. Czerny
Menuet - W.A. Mozart
En spok
O sole mio!
Per Sjuspring
Oh, when the Saints go marching in
Pa var bryllupsdag
Etyde - N. Paganini
Gjok - Couperin
Jeg trenger deg for dansen
Morgenstemning - E. Grieg
Du er den eneste
Skalaer, arpeggio og akkorder
Schumanns regler for musikere
Olga Alexandra Holter er fodt i Russland. Etter a graduere fra Gnesyn's Musikkakademi i Moskva, en av de mest kjente hoyskolene i Russland, begynte hun a jobbe som pianolaerer. Senere tok hun mastergrad i lingvistikk og pedagogikk. Hun kom til Norge i 1993. For a fa en grundig forstaelse av det norske musikk-pedagogiske systemet gikk hun pa Musikkhogskolen i Oslo, hvor hun studerte hos den kjente pianisten Liv Glaser. I 1999 etablerte Olga Barnemusikkakademiet, hvor hun i dag jobber som pianolaerer og daglig leder

Piano - intermediate to advanced

SKU: HL.49018828

Composed by John Skiba. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Softcover. 12 pages. Schott Music #ED13455. Published by Schott Music (HL.49018828).

ISBN 9781847612656. UPC: 884088657598. 9.0x12.0x0.06 inches.

Inspired by the singing voice of a friend of the composer, this piece is a lyrical and soulful work for solo piano. Exploring a range of expressive colours and sensibilities Song for Iker would be a welcome addition to any player's repertoire. Suitable for professional or amateur pianists, this piece is perfect for a range of concert situations.

SSA Choir

SKU: BT.MUSM570366033

By James Whittle_Paul Slid. Hymns & Chorals. Book Only. 145 pages. University of York Music Press #MUSM570366033. Published by University of York Music Press (BT.MUSM570366033).

English.

A genre-defying collection of songs for female vocal trio, Songspin Songbook is a collaboration between Juice Vocal Ensemble and UYMP, funded by an Arts Council England grant. Described as “the 21st century’s answer to the Swingles or King’s Singers” (The Times), Juice have emerged as the face of a revitalised experimental scene for vocal music. Songspin Songbook publishes songs from their debut album, Songspin. The album was released on Nonclassical in 2011 to critical acclaim, winning an international Independent Music Award for Best Contemporary Classical Album in 2012. Featuring remixes by the likes of Camille producer MaJiker and Björkcollaborator Mikhail Karikis, the album was reviewed by The Observer as “eighteen immaculately achieved tracks, spanning Elisabeth Lutyens to Gabriel Prokofiev via folk song and avant garde, enchant and enthrall”. Songspin also featured the premiere recording of Elisabeth Lutyens' Of The Snow, which The Telegraph described of a performance by Juice as an amazing sustained piece of virtuosity.  Songspin Songbook was edited by James Whittle and Paul Sild.  Artwork designed by Christopher Leedham and Martin Scheuregger.

SKU: M7.VOGG-359

Composed by Bruno Kassel and Christof May. Book. 184 pages. Voggenreiter #VOGG 359. Published by Voggenreiter (M7.VOGG-359).

ISBN 9783802403590. German.

Der Musiker als 'Spezies' an sich kämpft als 'brotloser Künstler' mit all seiner Schaffenskraft vor allem um eines: Er möchte anerkannt und ernst genommen werden! Bruno Kassel und Carlo May gelingt es, diese Absicht mit ihrer wissenschaftlichen Studie, der jahrelange Verhaltensforschung in einschlägig bekannten Kommunikations- und Begegnungszentren (kurz: Kneipen), und aufopferungsvolle Selbstversuche vorausgingen, eindrucksvoll zu untergraben! Dabei schrecken die beiden Autoren vor keiner Instrumentengattung zurück und sorgen dafür, dass unter Bandmusikern auf gar keinen Fall Harmonie aufkommt. Jeder wird jeden seiner 'Mitstreiter' durchschauen und ihn ab sofort bei jeder Gelegenheit auslachen. Auch für Nichtmusiker ist die Lektüre als Warnung und Abschreckung sehr empfehlenswert! Viel Spaß dabei!

For piano 6-hendig.
10 komposisjoner for litt ovede.
CD med innspilling av stykkene medfolger.
... for a gi elever gleden og erfaringen i a spille i et ensemble!
3 av stykkene er pensum ved Trinity Guildhall - London.
Piquant Pieces eller 'Pikante Stykker' er skrevet for sekshendig piano, og er oppfolgeren til Playful Pieces. Begge heftene legger til rette for samspill ved pianoet.

Samspill er morsomt og stimulerende og gir elevene mulighet til musikalsk vekst. Hver av stemmene i stykkene i Piquant Pieces er like viktige, og elevene vil ha glede av a se hvordan deres bidrag er nodvendig for helheten i stykket. Disse komposisjonene gir verdifull erfaring innenfor flere musikalske ferdigheter slik som a lede an, telle inn, balanse og a finne sin plass blant de andre musikerne. Piquant Pieces lar elevene utvikle bade det musikalske oret og deres tekniske evner. Dermed vil mestring av disse stykkene gi et avgjorende bidrag til deres musikalske utvikling.

Den sosiale undervisningssituasjonen som Piquant Pieces skaper, oker elevenes motivasjon. A spille sammen med venner og andre pianister gir en spesiell mulighet for gjensidig tilbakemelding og et vennlig, avslappet laeringsmiljo. Stykkene fungerer ogsa utmerket som konsertstykker.

Kaja Bjorntvedt

Innhold:
Cafe Sol
Folktune
Fast Forward
Blue Roller
Marathon
F luff Collector
One For Luck
Fiddle Road
Fjord Surfer
Fade To Black

24 Traditional Folk Songs for Intermediate Piano Solo. Arranged by James Wilding and Nkululeko Zungu. Educational Piano Solo. Folk, Solos. Softcover. Published by Hal Leonard

By Grete Bryn & Oystein Arva. For piano/vocal/chords. Published by Musikk-Husets Forlag

Band

SKU: PR.16500104F

Three Places in the East. Composed by Dan Welcher. Full score. Theodore Presser Company #165-00104F. Published by Theodore Presser Company (PR.16500104F).

ISBN 9781491132159. UPC: 680160681082.

Ever since the success of my series of wind ensemble works Places in the West, I've been wanting to write a companion piece for national parks on the other side of the north American continent. The earlier work, consisting of GLACIER, THE YELLOWSTONE FIRES, ARCHES, and ZION, spanned some twenty years of my composing life, and since the pieces called for differing groups of instruments, and were in slightly different styles from each other, I never considered them to be connected except in their subject matter. In their depiction of both the scenery and the human history within these wondrous places, they had a common goal: awaking the listener to the fragile beauty that is in them; and calling attention to the ever more crucial need for preservation and protection of these wild places, unique in all the world. With this new work, commissioned by a consortium of college and conservatory wind ensembles led by the University of Georgia, I decided to build upon that same model---but to solidify the process. The result, consisting of three movements (each named for a different national park in the eastern US), is a bona-fide symphony. While the three pieces could be performed separately, they share a musical theme---and also a common style and instrumentation. It is a true symphony, in that the first movement is long and expository, the second is a rather tightly structured scherzo-with-trio, and the finale is a true culmination of the whole. The first movement, Everglades, was the original inspiration for the entire symphony. Conceived over the course of two trips to that astonishing place (which the native Americans called River of Grass, the subtitle of this movement), this movement not only conveys a sense of the humid, lush, and even frightening scenery there---but also an overview of the entire settling-of- Florida experience. It contains not one, but two native American chants, and also presents a view of the staggering influence of modern man on this fragile part of the world. Beginning with a slow unfolding marked Heavy, humid, the music soon presents a gentle, lyrical theme in the solo alto saxophone. This theme, which goes through three expansive phrases with breaks in between, will appear in all three movements of the symphony. After the mood has been established, the music opens up to a rich, warm setting of a Cherokee morning song, with the simple happiness that this part of Florida must have had prior to the nineteenth century. This music, enveloping and comforting, gradually gives way to a more frenetic, driven section representative of the intrusion of the white man. Since Florida was populated and developed largely due to the introduction of a train system, there's a suggestion of the mechanized iron horse driving straight into the heartland. At that point, the native Americans become considerably less gentle, and a second chant seems to stand in the way of the intruder; a kind of warning song. The second part of this movement shows us the great swampy center of the peninsula, with its wildlife both in and out of the water. A new theme appears, sad but noble, suggesting that this land is precious and must be protected by all the people who inhabit it. At length, the morning song reappears in all its splendor, until the sunset---with one last iteration of the warning song in the solo piccolo. Functioning as a scherzo, the second movement, Great Smoky Mountains, describes not just that huge park itself, but one brave soul's attempt to climb a mountain there. It begins with three iterations of the UR-theme (which began the first movement as well), but this time as up-tempo brass fanfares in octaves. Each time it begins again, the theme is a little slower and less confident than the previous time---almost as though the hiker were becoming aware of the daunting mountain before him. But then, a steady, quick-pulsed ostinato appears, in a constantly shifting meter system of 2/4- 3/4 in alteration, and the hike has begun. Over this, a slower new melody appears, as the trek up the mountain progresses. It's a big mountain, and the ascent seems to take quite awhile, with little breaks in the hiker's stride, until at length he simply must stop and rest. An oboe solo, over several free cadenza-like measures, allows us (and our friend the hiker) to catch our breath, and also to view in the distance the rocky peak before us. The goal is somehow even more daunting than at first, being closer and thus more frighteningly steep. When we do push off again, it's at a slower pace, and with more careful attention to our footholds as we trek over broken rocks. Tantalizing little views of the valley at every switchback make our determination even stronger. Finally, we burst through a stand of pines and----we're at the summit! The immensity of the view is overwhelming, and ultimately humbling. A brief coda, while we sit dazed on the rocks, ends the movement in a feeling of triumph. The final movement, Acadia, is also about a trip. In the summer of 2014, I took a sailing trip with a dear friend from North Haven, Maine, to the southern coast of Mt. Desert Island in Acadia National Park. The experience left me both exuberant and exhausted, with an appreciation for the ocean that I hadn't had previously. The approach to Acadia National Park by water, too, was thrilling: like the difference between climbing a mountain on foot with riding up on a ski-lift, I felt I'd earned the right to be there. The music for this movement is entirely based on the opening UR-theme. There's a sense of the water and the mysterious, quiet deep from the very beginning, with seagulls and bell buoys setting the scene. As we leave the harbor, the theme (in a canon between solo euphonium and tuba) almost seems as if large subaquatic animals are observing our departure. There are three themes (call them A, B and C) in this seafaring journey---but they are all based on the UR theme, in its original form with octaves displaced, in an upside-down form, and in a backwards version as well. (The ocean, while appearing to be unchanging, is always changing.) We move out into the main channel (A), passing several islands (B), until we reach the long draw that parallels the coastline called Eggemoggin Reach, and a sudden burst of new speed (C). Things suddenly stop, as if the wind had died, and we have a vision: is that really Mt. Desert Island we can see off the port bow, vaguely in the distance? A chorale of saxophones seems to suggest that. We push off anew as the chorale ends, and go through all three themes again---but in different instrumentations, and different keys. At the final tack-turn, there it is, for real: Mt. Desert Island, big as life. We've made it. As we pull into the harbor, where we'll secure the boat for the night, there's a feeling of achievement. Our whale and dolphin friends return, and we end our journey with gratitude and celebration. I am profoundly grateful to Jaclyn Hartenberger, Professor of Conducting at the University of Georgia, for leading the consortium which provided the commissioning of this work.

For piano.
8 enkle stykker med inspirasjon fra impresjonisme, neoklassisisme, film - og popmusikk.

Dette heftet passer for litt viderekomne elever i kulturskolen eller for piano biinstrument i videregaende skole. Komponisten har lagt vekt pa a skrive god pianomusikk som samtidig ikke er vanskelig a spille.

Innhold:Dagdrom
En bat pa sjoen
Fantasi
Fra en skrekkfilm
Pop song
Syngende landskap
Toccata
FugeKarstein Djupdal (1974) er utdannet pianist og komponist, og har erfaring som musiker og som laerer pa musikklinja ved Bodo vgs

Accordion, lyrics

SKU: M7.VHR-1863

Edited by Hans-Gunther Kolz. This edition: Ring/Spiral binding. Sheet music. Performance book. 148 pages. Holzschuh Musikverlag #VHR 1863. Published by Holzschuh Musikverlag (M7.VHR-1863).

ISBN 9783864340949.

30 Klassiker, bearbeitet für Akkordeon.

Piano, lyrics

SKU: M7.DUX-637

Arranged by Susi Weiss. This edition: Ring/Spiral binding. Sheet music. Performance book. 132 pages. Edition Dux Verlag #DUX 637. Published by Edition Dux Verlag (M7.DUX-637).

ISBN 9783868492828.

30 'Klassiker', arrangiert für Piano.

SKU: HL.49007161

Seine Arbeit und seine Belastung. Composed by Heinz Schmidtke and Hugo Schmale. This edition: Paperback/Soft Cover. Book. Edition Schott. Classical. 88 pages. Schott Music #ED 7345. Published by Schott Music (HL.49007161).

ISBN 9783795727314. German.

Kulturorche ster haben vielfaltige Aufgaben: Musiktheater, Konzerte, Produktionen fur Horfunk, Fernsehen oder CD, Sonderveranstalltungen in Schulen, Betrieben usw., mit Reisen verbundene auswartige Veranstaltungen. Hinzu komen Probearbeit und die dienstliche Vorbereitung. Die Aufgabenvielfalt bringt extreme tages- und wochenzeitliche Unregelmassigkeiten in den Dienstplan.Neben den direkten dienstlichen Verpflichtungen kommt aber auf den Orchestermusiker auch noch eine Reihe weiterer Aufgaben zu, die der allgemeinen musikalischen Bildung und den kulturellen Bedurfnissen unserer Gesellschaft dienen: die Mitwirkung in Kammermusik-Ensembles oder als Instrumentalsolist, die Zusammenarbeit mit Laiengruppen, die padagogische Arbeit, die Aushilfe in anderen Kulturorchestern.Um ein objektives Bild von Art und Ausmass der zeitlichen Belastungen und den damit verbundenen seelischen und korperlichen Beanspruchungen des Orchestermusikers bei Erfullung dieser vielfaltigen musischen und padagogischen aufgaben zu gewinnen, wurden im Auftrag der Deutschen Orchestervereinigung umfangreiche Untersuchungen durchgefuhrt, deren Ergebnisse in diesem Forschungsbericht dargestellt werden.Als hauptsachliche Erschwernisse erwiesen sich:> die psychologische Daueranspannung wahrend der Tatigkeitszeit,> die starre Taktbindung,> die Furcht vor Fehlleistungen in der Offentlichkeit,> der Zwang zur einordnung in ein Arbeitsteam,> die Unregelmassigkeit der Dienstzeit und> die Arbeit unter ungunstigen Umgebungsbedingungen.

by Stacy Phillips. For fiddle and violin. Jewish. Level: Intermediate. Book. Solos. Size 8.75x11.75. 192 pages. Published by Mel Bay Pub., Inc.

(The Grown-Up Approach to Playing Blues Guitar). By Wayne Riker. For Guitar. Book; CD; Guitar Method or Supplement; Method/Instruction. Blues. 96 pages. Published by Alfred Music Publishing

String Quartet - intermediate

SKU: BT.DHP-1175785-070

Composed by John Lennon and Paul McCartney. Arranged by Anthony Gröger. De Haske Pops for String Quartet. Set (Score and Parts). Composed 2017. 12 pages. De Haske Publications #DHP 1175785-070. Published by De Haske Publications (BT.DHP-1175785-070).

ISBN 9789043152877. International.

In the entire history of pop and rock, no band has so dominated the music scene as original brit-poppers the Beatles did in the 1960s. For this medley for string quartet, four songs were selected that show the musical range of the Fab Four: from the powerful Help! through the romantic evergreen Yesterday and the rock classic A Hard Dayâ??s Night to the passionate anthem All You Need Is Love.

In de Pop and Rock geschiedenis heeft geen enkele ander band de muziekscene zo gedomineerd als The Beatles tijdens de jaren zestig. In deze medley voor strijkkwartet zijn vier songs geselecteerd die de muzikale verscheidenheid van de Fab Four goed weerspiegelen: van het krachtige Help! via de romantische evergreen Yesterday en de rockklassieker A Hard Dayâ??s Night tot het hartstochtelijke All You Need Is Love.

In der gesamten Geschichte der Pop- und Rockmusik gab es keine andere Band, die die Musikszene so beherrscht hat, wie es bei der britischen Popband The Beatlesâ?? in den 1960er Jahren der Fall war. Für dieses Medley für Streichquartett wurden vier Stücke ausgewählt, welche die musikalische Bandbreite der Fab Fourâ?? (berühmten Vierâ??) zeigen: vom mitreiÃ?enden Help! über den klassischen Evergreen Yesterday und den Rock-Klassiker A Hard Dayâ??s Night bis hin zu der leidenschaftlichen Hymne All You Need Is Love.

Dans lâ??histoire du pop et du rock, aucun groupe nâ??a autant marqué les esprits que le groupe de Britpop The Beatles dans les années 1960. Ce medley pour quatuor cordes regroupe quatre chansons représentant lâ??individualité de ces quatre musiciens : du puissant Help ! en passant par le romantique Yesterday et le classique du rock A Hard Dayâ??s Night jusquâ?? lâ??hymne All You Need Is Love.

Voice and piano (Voice and Piano) - intermediate

SKU: HL.49044570

Composed by Georg Kreisler. Edited by Barbara Kreisler-Peters and Thomas A. Schneider. This edition: Paperback/Soft Cover. Sheet music. Vocal Collection. Softcover. 190 pages. Schott Music #ED21832. Published by Schott Music (HL.49044570).

ISBN 9783795748494. UPC: 841886021686. 9.0x12.0x0.535 inches. German.

Georg Kreisler equals scathing, dark black humour on the piano. This second volume of the three-volume edition of his songs and chansons is presented with the songs organised by topic.

Orchestra (Score)

SKU: HL.280272

Score. Composed by Hans Abrahamsen. Music Sales America. Classical. Softcover. 34 pages. Duration 420 seconds. Edition Wilhelm Hansen #WH33060. Published by Edition Wilhelm Hansen (HL.280272).

10.5x14.5 inches.

Three Pieces For Orchestra (2014-17) by Hans Abrahamsen. Dedicated to Simon Rattle. Commissioned by Stiftung Berliner Philharmoniker. Pemiered by the Berliner Philharmoniker and Simon Rattle (conductor), 26 May 2018, Berlin, Philharmonie.

(80 Classics, From Miles to Monk and More). By Various. Arranged by Various. For Piano/Keyboard. Piano Solo Songbook. Intermediate to Advanced. Softcover. 320 pages. Published by Hal Leonard