Bass Clef Edition. By Various. Fake Book (Includes melody line and chords). Softcover. 464 pages. Published by Hal Leonard.

(Bass Clef Instruments, Mini Edition). Composed by Various. For Bass Clef Instruments. Fake Book. Softcover. 464 pages. Published by Hal Leonard

(Sixth Edition) Fakebook (spiral bound) for bass clef instrument. With melody, standard notation and chord names. Series: Hal Leonard Instrumental Fake Books. 462 pages. Published by Hal Leonard.

C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

Cello, string orchestra

SKU: FG.55011-792-1

Composed by Žibuoklė Martinaitytė. Classical, contemporary, pedagogical. Score & solo part. Fennica Gehrman #55011-792-1. Published by Fennica Gehrman (FG.55011-792-1).

ISBN 9790550117921.

Ž ibuoklė Martinaitytė's Sielunmaisema (2019) for cello and string orchestra contemplates the cycle of the year in its movements, which are named Winter, Spring, Summer, and Autumn. Sielunmaisema translated from Finnish means a “soul-landscape, a particular place that a person carries deep in the heart and returns to often in memory. It can be described as a landscape that “hits you in the center of your chest, the one you that immediately feels like home. The composer tells: Soul-landscape is related to questions of identity and place which resonate with two parallel cultural identities that I carry within - my native Lithuanian and later acquired American. My physical home keeps changing and the only thing that remains is music. In this case, the piece itself becomes an ideal soul-landscape reflecting a native environment as seen through the prism of four seasons.

BBC Music Magazine (7/2022) praises the CD with Sielunmaisema: Her scores similarly appeal to something beyond the immeadately cerebral, creating a vast shimmering landscapes that lead the mind somewhere dream-like and seem to speak directly to the body’s senses in arresting and unexpected ways.

This product includes the solo cello part and the study score (A4 sized).

Duration: 32-34'
Orchestration (minimum):
6 Violins I
6 Violins II
4 Violas
4 Violoncellos
1 Double bass

The performance material is available for hire from the publisher.

Composed by Stuart Hine. Arranged by Mary Mcdonald. For Vocal Duet (High and Low Voice - Key of A-flat). Vocal Solo Sheet Music. Worshiping, Hymntune. Published by Hope Publishing Company

Kantate zum 3. Sonntag nach Trinitatis und fur alle Zeit. By Johann Sebastian Bach. Edited by Klaus Hofmann. For Soli STB (SB/TB/SATB), SATB Choir, 3 Trumpets, Timpani, Oboe, Bassoon, Strings, Organ. BWV 21. Full score available separately - see item CA.3102100. Cantatas; Stuttgart Urtext editions. Piano/Vocal score. Language: German/English. Composed 1713. 56 pages. Duration 45 min. Published by Carus Verlag (German import).

Low Voice. By Various. Fake Book (Includes melody line and chords). 368 pages. Published by Hal Leonard.

Compiled by Peter Wernick. For voice and guitar (or banjo). Format: fake book (simplified 3 string guitar tablature). With vocal melody (simplified 3 string guitar tablature), lyrics, chord names, performance notes, introductory text and black

(A Fun and Comprehensive Beginning Method Featuring Rock, Blues, and Jazz Styles). By Rich Hinman and Amanda Monaco. For Guitar. Book; CD; Guitar Method or Supplement; Method/Instruction. The Total Guitarist. Beginner. 128 pages. Published by Alfred Music Publishing

(Concerto No. 1 for Marimba, Strings and Percussion). Composed by Gillingham. Arranged by Nathan Daughtrey. For Soloist(s) with String Orchestra (Solo Marimba Percussion 1 (xylophone, bells, chimes) Percussion 2 (brake drum, cowbell, shaker, suspended cymbal, crash cymbals, temple blocks, triangle) Percussion 3 (4 toms, crash cymbals, bass drum, suspended cymbal, tam tam, hi hat) Violin I Violin II). Medium difficult. Orchestra score only. Duration 16:30. Published by C. Alan Publications

String Orchestra

SKU: ST.C146

Composed by William Lloyd Webber. String music. Clifton Edition #C146. Published by Clifton Edition (ST.C146).

ISBN 9790570811465.

Julian Lloyd Webber writes: My father composed his four part song The Moon in 1959 to words by W.H Davies.
The text — as in so many of his word settings — equates nature with humanity: Thy beauty haunts me, heart and soul. Although The Moon remained unperformed until his centenary year in 2014 he evidently felt strongly enough about it to create this miniature for string orchestra.
This work has been recorded in a performance conducted by Julian Lloyd Webber, available from Naxos: No. 8.573250.

A miniature for String Orchestra
Edited by Julian Lloyd Webber
This set includes a full score plus a set of 10 parts: 3 x violin 1, 2 x violin 2, 2 x viola, 2 x cello, 1 x double bass.
Additional parts are available from Clifton Edition.

Former Spartan Press Cat. No.: SP1251.

Bassoon, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.16400261S

Composed by Dan Welcher. With Standard notation. Duration 15 minutes. Theodore Presser Company #164-00261S. Published by Theodore Presser Company (PR.16400261S).

UPC: 680160038411.

Since the bassoon is my own instrument, many people have asked me why I've written so little for the instrument. Beyond my early Concerto Da Camera for bassoon and small orchestra, written for Leonard Sharrow in 1975, I've not written a single piece that features the bassoon as a solo vehicle (though I have written three woodwind quintets). When I first began composing seriously, critics were quick to point out that my orchestral writing revealed nothing of my roots as a woodwind player--and bassoonists asked why my pieces didn't have more bassoon solos. Perhaps I was so aware that people were looking at me as a bassoonist/composer that I was determined to remove that stigma. Now that my transformation from performer to composer is complete, however, it's time to re-address my instrument. I wanted this new piece to be serious rather than whimsical. The Wind Won't Listen represents my return to the bassoon as the highly expressive, poetic soul that it is.   As such, it shouldn't come as a surprise that the piece is based on a poem, and that the title of the piece as well as both its movement titles come from lines in that poem. I first read Beth Gylys' poem Split at the MacDowell Colony in the summer of 2001, and it made a big impression on me. My personal life had been ruptured by divorce in the preceding year. This poem, with its dry insistence on observation rather than feeling, expressed the wrung-out state of my emotions at the time better than any I had seen. I set it to music, as a song, immediately. In this format, for voice and piano, I was able to put a musical note to every word of the poem. The first lines of the poem, Everyone I know is crying, or should be crying, became a melody that haunted me even without the words.   The work for bassoon and string quartet is an outgrowth of the song. The first movement is labeled Romanza, and has a loose formal arch structure of A-B-C-B-A, with B and C being fast sections framed by the lamenting A music. In addition to hearing the bassoon's first notes attached to the lines Everyone I know is crying, there's a sense of agitation, of loss, of longing, and at times of desperation in the music. At one point, the opening theme from Tristan even appears in the strings.   The second movement follows, without a real pause--the pizzicato final chords of the first movement becoming the increasingly aggressive opening chords of the second. The recitative is actually a foreshadowing of the basic theme that will be varied, again to the words of the song: Life makes itself without us. Don't let me tell you how it is. Go out. Look. The recitative begins in an anguished state, but subsides into more gentle singing by the end, when it simply falls into an ostinato 5/8-3/4 pattern to begin the variations. Marked Very steady tempo; Dancing, this set of variations consists of three dances, each faster than the previous. The first, in the aforementioned 5/8-3/4 meter, gives way to a 3/8 scherzo, which in turn takes on a furious 2/4 scurrying motion. The music becomes breathless, almost pulse-less, and an ethereal theme appears in the violins while the rushing music continues, sotto voce in the bassoon. This new theme is also from the song: Why do I do this? The wind won't listen. The bassoon re-states its Everyone I know is crying melody from the first movement, and at length the 5/8-3/4 music returns, more subdued this time. The piece ends on a major-minor chord, suspended.   The Wind Won't Listen is dedicated to the man who commissioned it, bassoonist Steven Dibner--who shares my passion for poetry and language. --Dan Welcher.

(Cantata for the 3rd Sanday after Trinity/all occasions). Composed by Johann Sebastian Bach (1685-1750). Edited by Klaus Hofmann. For STB vocal soli (SB/TB/SATB), SATB choir, oboe, bassoon, 3 trumpets, 4 trombones, timpani, 2 violins, viola, basso continuo. Stuttgart Urtext Edition. German title: Ich hatte viel Bekummernis 10. Cantatas. Level 3. Set of instrumental parts (except strings). Language: German/English. Composed 1713. BWV 21. 32 pages. Duration 45 minutes. Published by Carus Verlag

Arranged by Hal H. Hopson. Church-Worship, Funeral, Funeral & Memorial, Wedding and Sacred. Print Music Collection (Book). 407 pages. Published by Hope Publishing Company.
Level: (Moderate).

(Cantata for the 20th Sunday after Trinity). Composed by Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For SATB vocal soli, SATB choir, 2 recorders f1, flute, oboe, taille (english horn), 2 violins, viola, cello piccolo, basso continuo. F-Dur (F major). German title: Schmucke dich, o liebe Seele 5. Cantatas. Set of instrumental parts (except strings). Language: German/English. Composed 1724. BWV 180. 36 pages. Duration 28 minutes. Published by Carus Verlag

By Andreas Hammerschmidt. For Soprano (or Tenor) Solo or Choir, 2 Trumpets, 4 Trombones, Basso continuo, [Timpani]. Full score available separately - see item CA.517600. Genres: Sacred Concertos; Use / Occasion: Praise and thanks. Set of instrumental parts (except strings). Language: German. 22 pages. Published by Carus Verlag

Favorite Piano Solos. Edited by Carole Flatau. For Piano. Piano Collection. Blue Ribbon Encyclopedia. Level: Elementary. Book. 72 pages. Published by Alfred Publishing.