| Impulse Power Orchestre d'harmonie [Conducteur et Parties séparées] C.L. Barnhouse
Pre 1 SKU: CL.023-4620-00 Composed by Wada. Young Concert Band. Sound Fou...(+)
Pre 1 SKU:
CL.023-4620-00
Composed by Wada. Young
Concert Band. Sound
Foundations Series. Audio
recording available
separately (item
CL.WFR396). Score and set
of parts. Composed 2018.
Duration 1 minute, 34
seconds. C.L. Barnhouse
#023-4620-00. Published
by C.L. Barnhouse
(CL.023-4620-00).
Your beginning
band students will sound
mature beyond their years
with this marvelous work
from the pen of Japanese
composer Naoya Wada. Bold
and powerful, Impulse
Power is the perfect
overture for beginning
musicians, using just the
first six notes learned
in band instruction.
While the ranges, rhythms
and performance demands
are limited,
there’s no musical
compromise with this
masterfully scored work.
Impulse Power is sure to
captivate your students
and audiences alike. $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Impulse Power Orchestre d'harmonie [Conducteur] C.L. Barnhouse
Pre 1 SKU: CL.023-4620-01 Composed by Wada. Young Concert Band. Sound Fou...(+)
Pre 1 SKU:
CL.023-4620-01
Composed by Wada. Young
Concert Band. Sound
Foundations Series. Audio
recording available
separately (item
CL.WFR396). Extra full
score. Composed 2018.
Duration 1 minute, 34
seconds. C.L. Barnhouse
#023-4620-01. Published
by C.L. Barnhouse
(CL.023-4620-01).
Your beginning
band students will sound
mature beyond their years
with this marvelous work
from the pen of Japanese
composer Naoya Wada. Bold
and powerful, Impulse
Power is the perfect
overture for beginning
musicians, using just the
first six notes learned
in band instruction.
While the ranges, rhythms
and performance demands
are limited,
there’s no musical
compromise with this
masterfully scored work.
Impulse Power is sure to
captivate your students
and audiences alike. $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Secret Geometry Merion Music
Chamber Music Piano, Tape SKU: PR.140400670 Composed by James Primosch. P...(+)
Chamber Music Piano, Tape
SKU: PR.140400670
Composed by James
Primosch. Performance
Score. With Standard
notation. 18 pages.
Duration 15 minutes.
Merion Music #140-40067.
Published by Merion Music
(PR.140400670). UPC:
680160023271. Secre
t Geometry can be heard
as a short piano sonata,
with the movements
forming a typical
fast--slow--fast pattern.
The electronic sounds on
tape are tightly
interworven with the
piano, often serving to
extend and transform the
piano's sound. The goal
is to create a hybrid
sound world. The phrase
secret geometry is used
to describe the play of
forms in certain
paintings, referring to
structural patterns that
are used to organize the
pictorial elements. Since
the electronic medium
permits a composer to
focus on the
micro-structure of
individual sounds, as
well as more customary
concerns with patterns of
pitch and rhythm, it
seemed appropriate to
choose a title that
emphasizes the careful
shaping of every
compositional element.
But this is not to
neglect the spiritual
impulse of the work.
After all, the obscure
motion of the Holy Spirit
herself describes a
secret geometry, what
Thomas Merton called a
hidden wholeness. Written
for the distinguished
pianist Aleck Karis,
Secret Geometry was
composed with the
assistance of a grant
from the Pennsylvania
Council on the Arts. The
tape was realized in the
Presser Electronic Music
Studio of the University
of Pennsylvania. $55.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| SRT212 Hal Leonard
SKU: HL.1105208 12″ 1600W Professional Powered Loudspeaker. ...(+)
SKU: HL.1105208
12″ 1600W
Professional Powered
Loudspeaker. Mackie.
Live Sound. Hal Leonard
#2051848-00. Published by
Hal Leonard (HL.1105208).
UPC: 663961058666.
17.5x18.5x30.0
inches. SRT212 -
12″ 1600W
Professional Powered
Loudspeaker SRTâ„¢
Professional Powered
Loudspeakers are designed
for real-world working
musicians, DJs, events,
venues, and beyond. The
latest acoustic
processing technology,
powerful amplifiers, and
the ultra-versatile SRT
Mix Controlâ„¢ means
easy setup, incredible
sound, and unbeatable
reliability.
Built-Like-A-Tankâ„¢
construction features
rugged molded cabinets
and tough steel grilles
that are built to last.
As the larger gigs come
rolling in, your audience
gets bigger, and your
needs demand better sound
and flexibility, SRT is
YOUR Next Big Thing.
• A True Workhorse
for Gigging Professionals
• Powerful 1600W
Class-D amplifiers
designed for
ultra-reliable,
consistent performance
• Custom
high-efficiency
transducers ensure
maximum clarity and
accuracy •
Built-Like-A-Tankâ„¢
to conquer every gig
while lightweight for
easy loading •
Universal Power Supply
(100-240VAC) with Power
Factor Correction for
stable operation even
with unstable AC power
• Advanced
Impulseâ„¢ DSP -
Proprietary Acoustic
Tuning • Crystal
clear sound across the
entire dispersion zone
means the whole room is
the sweet spot •
Custom Sym-Xâ„¢ Horn
• Allows for total
efficiency from the HF
transducer minimizing
distortion and increasing
output • Creates a
perfectly symmetrical,
flat response at the
crossover point for
exceptionally smooth
midrange • The
horn-loading frequency is
set below the HF drivers'
LF capability allowing
for maximum efficiency
and optimal performance
at the crossover point
• Transparent
System Limiting and
Protection •
Dedicated processing
module monitors and
protects the amplifier in
real time • Sound
quality and tonal balance
is maintained even under
heavy limiting •
Utilizing powerful
multi-band compression,
the amplifier can target
specific frequency ranges
to prevent the system
from being overloaded
rather than turn
everything down at the
expense of overall output
• Input limiting
keeps your source signal
in check so if you're
sending audio that's a
bit too hot, the speaker
will cool it down •
SRT Mix Controlâ„¢
Built-in 4-Channel
Digital Mixer with
Bluetooth® •
Dual independent channels
that support mic, line,
and instrument signals
• Dedicated
1/8″ stereo aux
channel • Stream
music from any
Bluetooth® enabled
device • Complete
Wireless Control via the
SRT Connectâ„¢ App
• Wirelessly link
SRT speakers together for
music streaming
applications plus
complete control over
both speakers •
Versatile configuration
options • Step up
your low-end with the
SR18S Powered
Subwoofer. $679.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| SRT210 Hal Leonard
SKU: HL.1105207 10″ 1600W Professional Powered Loudspeaker. Mack...(+)
SKU: HL.1105207
10″ 1600W
Professional Powered
Loudspeaker. Mackie.
Live Sound. Hal Leonard
#2051849-00. Published by
Hal Leonard (HL.1105207).
UPC: 663961058741.
15.25x17.25x25.25
inches. SRT210 -
10″ 1600W Professional
Powered Loudspeaker
SRT™ Professional
Powered Loudspeakers are
designed for real-world
working musicians, DJs,
events, venues, and
beyond. The latest
acoustic processing
technology, powerful
amplifiers, and the
ultra-versatile SRT Mix
Control™ means easy
setup, incredible sound,
and unbeatable
reliability.
Built-Like-A-Tank™
construction features
rugged molded cabinets
and tough steel grilles
that are built to last.
As the larger gigs come
rolling in, your audience
gets bigger, and your
needs demand better sound
and flexibility, SRT is
YOUR Next Big Thing. •
A True Workhorse for
Gigging Professionals •
Advanced Impulse™ DSP -
Proprietary Acoustic
Tuning • Custom
Sym-X™ Horn •
Transparent System
Limiting and Protection
• SRT Mix Control™
Built-in 4-Channel
Digital Mixer with
Bluetooth®
•�Complete Wireless
Control via the SRT
Connect™ App •
Wirelessly link SRT
speakers together for
music streaming
applications plus
complete control over
both speakers •
Versatile configuration
options • Step up your
low-end with the SR18S
Powered Subwoofer. $579.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Double bass (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-27(+)
Double bass (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-27
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
8 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-27. Published by
Breitkopf and Haertel
(BR.OB-3210-27). ISBN
9790004300732. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Violin 1 (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-15 ...(+)
Violin 1 (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-15
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Solo: pno - 2.2.2.2 -
4.2.0.0 - timp - str.
Solo concerto; Romantic.
Part. 8 pages. Duration
43'. Breitkopf and
Haertel #OB 3210-15.
Published by Breitkopf
and Haertel
(BR.OB-3210-15). ISBN
9790004300695. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Violoncello (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-23(+)
Violoncello (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-23
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
8 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-23. Published by
Breitkopf and Haertel
(BR.OB-3210-23). ISBN
9790004300725. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Viola (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-19 ...(+)
Viola (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-19
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
12 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-19. Published by
Breitkopf and Haertel
(BR.OB-3210-19). ISBN
9790004300718. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Woodwinds (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-30 ...(+)
Woodwinds (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-30
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Set
of parts. 90 pages.
Duration 43'. Breitkopf
and Haertel #OB 3210-30.
Published by Breitkopf
and Haertel
(BR.OB-3210-30). ISBN
9790004300749. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $92.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Piano Concerto No. 1 in D minor Op. 15 Breitkopf & Härtel
Violin 2 (solo: pno - 2.2.2.2 - 4.2.0.0 - timp - str) SKU: BR.OB-3210-16 ...(+)
Violin 2 (solo: pno -
2.2.2.2 - 4.2.0.0 - timp
- str) SKU:
BR.OB-3210-16
Urtext based on the
Brahms Complete Edition
of the Gesellschaft der
Musikfreunde in
Vienna. Composed by
Johannes Brahms.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library). EB
6043 is printed in score
form; two copies are
needed for performance.
Have a look into study
score PB 3654. Solo
concerto; Romantic. Part.
8 pages. Duration 43'.
Breitkopf and Haertel #OB
3210-16. Published by
Breitkopf and Haertel
(BR.OB-3210-16). ISBN
9790004300701. 10 x 12.5
inches. Johannes
Brahms' first Piano
Concerto was the fruit of
a complex, protracted,
and extremely trying
creative process. Its
origin goes back to a
sonata in D minor for two
pianos conceived in
spring 1854. The impulse
for the creation of the
main subject was however
a shocking event:
According to Joseqph
Joachim, the theme
originated after hearing
about Schumanns suicide
attempt. A few months
earlier, Schumann had
revealed Brahms to the
musical world in his
essay New Paths. In this
article, Brahms is
extolled as the musician
who is called to give
expression to the feeling
of his times in an ideal
fashion. The unusually
rapid genesis of the
D-minor sonata and its
prevailingly dark,
monumental mood can be
interpreted as an
impassioned compositional
response to Schumann's
suicide attempt. However,
the year-long struggle to
arrive at the final form
of the work should
perhaps also be seen in
the context of the
resounding praise of
Schumann's prophetic
article. Brahms undoubtly
felt a growing inner
pressure to live up to
the expectations aroused
therein.Together with
Clara Schumann, Brahms
played the three so far
existing movements of the
sonata, but he was very
self-critical. He felt
that he had not been able
to realize the
monumentality he had
envisioned, and which
Clara Schumann felt, by
merely doubling the piano
sound. He soon decided to
transform the sonata into
a symphony (his first
orchestral project).
However, this idea did
not seem to fit his
vision either. Only in
spring 1855 did he strike
upon the definitive
solution: a piano
concerto. With Brahms as
soloist, this concerto
premiered in 1859, though
he initially had little
success. He wrote to
Joachim about one of the
first performances that
the concerto was a
brilliant and
unmistakable - failure.
This hardly surprised
Brahms, for he was
undoubtedly aware of the
newness of the work,
which surpassed the
expectations of the
audience. The work's
complex structure and
symphonic dimensions, the
solo part's rejection of
showy, elegant
brilliance, and the
uniquely Brahmsian
orchestral density it
maintains throughout; all
of these qualities
inevitably exasperated
audiences at first -
until they raised this
work to the ranks of the
most celebrated concertos
of all time. $7.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Shards of Light. Solo Violin Violon SATB, Orchestre [Conducteur] Stainer and Bell
Violin SKU: ST.Y228 Composed by Rhian Samuel. String music. Score. Staine...(+)
Violin SKU:
ST.Y228 Composed by
Rhian Samuel. String
music. Score. Stainer &
Bell Ltd. #Y228.
Published by Stainer &
Bell Ltd. (ST.Y228).
ISBN
9790220221712.
Shards of Light is
dedicated to Gyorgy Pauk,
and is of Grade 8 to
diploma standard. The
contrast between its
atmospheric main idea of
fleet, ethereal
figurations high on the
E-string and more spiky
and aggressive material
suggests the image of its
title, in music
contemporary in sound yet
accessible in
feeling. Like
other instrumental works
by Rhian Samuel,
Shards of Light
combines exciting
instrumental virtuosity
with a strongly poetic
impulse, and is a most
effective addition to the
repertoire of new violin
music, whether as an
examination test-piece or
as recital material. $11.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Um Mitternacht Chorale SSAATTBB SSAATTBB A Cappella [Vocal Score] Universal Edition
(Text Von Friedrich Ruckert). By Gustav Mahler (1860-1911). Edited by Clytus Got...(+)
(Text Von Friedrich
Ruckert). By Gustav
Mahler (1860-1911).
Edited by Clytus Gottwald
(transcriber). For
Ssaattbbb. Vocal Score.
13 pages. Published by
Universal Edition
$14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Gramercy Square Piano seul Carl Fischer
Chamber Music Piano SKU: CF.PL1025 Seven Pieces for Solo Piano. Co...(+)
Chamber Music Piano
SKU: CF.PL1025
Seven Pieces for Solo
Piano. Composed by
Joseph Scianni. SWS.
Classical. Solo part.
With Standard notation.
31 pages. Carl Fischer
Music #PL1025. Published
by Carl Fischer Music
(CF.PL1025). ISBN
9780825850752. UPC:
798408050757. 9 X 12
inches. Gramercy
Square is a beautiful
collection of
intermediate level pieces
in a lyrical style, with
strong, memorable
melodies and simple left
hand accompaniments. The
music is an atmospheric
look at the sights,
sounds and memories
produced by urban life in
and around a New York
landmark. This is music
shaped and propelled by
the melodic impulse and
will be very satisfying
for young pianists to
play. The book’s
pieces are titled Come
October, Gramercy Square,
Letter from Home, Public
Transportation, Sand
Pebble, Secrets and
Summer’s End. $9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Der Klang Der Revolte: Die Magischen Jahre Des Wetdeutschen Musik-underground Schott
SKU: HL.49019767 Die magischen Jahre des westdeutschen Musik-Undergrou...(+)
SKU: HL.49019767
Die magischen Jahre
des westdeutschen
Musik-Underground.
Composed by Christoph
Wagner. This edition:
Paperback/Soft Cover.
Book. Edition Schott.
Softcover. 388 pages.
Schott Music #NZ5032.
Published by Schott Music
(HL.49019767). ISBN
9783795708429.
German. Mit dem
Jugendprotest entstand in
Westdeutschland in den
'magischen Jahren' von
1967 bis 1973 eine neue
Underground-Musik, die
eine radikale Abkehr von
der biederen
Nachkriegsunterhaltung
markierte.Ob in Rock,
Jazz, deutschsprachigem
Folk oder
avantgardistischer
Popelektronik -uberall
bastelten visionare
Musiker an neuartigen
Klangen, die die Impulse
der anglo-amerikanischen
Szene mit europaischen
Einflussen zu
eigenstandigen Stilformen
verbanden. Ihre Sounds
hallten im subkulturellen
'Echoraum' aus
Bandkommunen, Drogen, den
ersten internationalen
Rockfestivals sowie
lokalen
Konzertinitiativen und
Jugendclubs - selbst in
der tiefsten Provinz
-wider und befeuerten so
den gesellschaftlichen
Umbruch. Uber 100 rare
Schwarz-Weiss-Fotos
illustrieren diese
Musikgeschichte dieser
'magischen Jahre'. $37.00 - Voir plus => Acheter | | |
| Near Distance [Conducteur] Theodore Presser Co.
Chamber Music Bass Clarinet, Cello, Clarinet, Cymbal, Flute, Percussion, Piano, ...(+)
Chamber Music Bass
Clarinet, Cello,
Clarinet, Cymbal, Flute,
Percussion, Piano, Side
Drum, Tam-tam, Temple
Blocks, Tom-tom,
Triangle, Vibraphone,
Violin, Wood Block, alto
Flute SKU:
PR.11440744S Lost
In Thought About Ancient
Culture and Modern
Civilization.
Composed by Chen Yi. Full
score. With Standard
notation. 20 pages.
Duration 9 minutes.
Theodore Presser Company
#114-40744S. Published by
Theodore Presser Company
(PR.11440744S). UPC:
680160011490. 9.5 x 13
inches. The sextet
was written for flute
(doubling alto flute),
clarinet doubling bass
clarinet), violin, cello,
piano and percussion
(triangle, 3 temple
blocks, 2 wood blocks,
side drum, cymbal, 4
tom-toms, vibraphone,
small tam-tam, median
tam-tam and big tam-tam).
It presents the composer
lost in thought about
ancient culture and
modern civilization and
her thinking about the
parallels and contrasts
between the East and the
West. Near Distance takes
us through a journey that
covers thousands of miles
and thousands of years.
Contrasting moments of
dense, busy activity with
sparse, haunting lines
the composer bridges the
gap between the timeless
history of her homeland
and the ever-changing,
energetic life in the
modern society. The work
was originally written
under the request of
Prof. Jacob Druckman, for
a composition workshop at
the Aspen Music Festival.
It is dedicated to his
memory with admiration
and respect. Near
Distance has been
featured in Sound and
Silence, a series of ten
documentary films on
contemporary music, which
has been broadcast on the
European TV network since
1989, produced by the
ISCM, Adamov Films and
the Polish TV. It has
also been recorded on
CRI, released in 1999,
under the title Sparkle:
Chamber Music of Chen Yi.
[now available through
New World Records] --Chen
Yi Her piece...
generates a vivid and
wholly radiant color
scheme. Harmonically,
too, it seems to float
enchantingly, its
occasional ventures into
microtones gracefully
bending away from
traditional tonality.
Gorgeous music, this; one
longs to hear more.
--Alan Rich, LA Weekly
'Near Distance' evinced
some delicate, dramatic
sonorities in its fusion
of East Asian and Western
musical impulses. --John
von Rhein, Chicago
Tribune. $32.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Flute En Suite Flute And Piano Reducation Schott
Flute and orchestra (FLUTE PIANO) - difficult SKU: HL.49044665 For flu...(+)
Flute and orchestra
(FLUTE PIANO) - difficult
SKU: HL.49044665
For flute and
orchestral groups.
Composed by Jorg Widmann.
This edition: Saddle
stitching. Sheet music.
Woodwind Solo. This
'Suite' is not one of my
'epic' instrumental
concertos such as the
concertos for cello,
violin or oboe, but a
substantially
smaller-structured series
of dance forms arranged
into a suite. Sunken
worlds suddenly emerge
here, only to reach the
surface,. Softcover.
Composed 2011. 80 pages.
Duration 22'. Schott
Music #FTR225. Published
by Schott Music
(HL.49044665). ISBN
9790001200103. UPC:
841886022928.
9.0x12.0x0.213
inches. This
'Suite' is not one of my
'epic' instrumental
concertos such as the
concertos for cello,
violin or oboe, but a
substantially
smaller-structured series
of dance forms arranged
into a suite. Sunken
worlds suddenly emerge
here, only to reach the
surface, hover in
dangerously distorted
fashion and then sink
back to the bottom.Almost
every individual movement
allots the solo flute a
specific tonal colouring
and an instrumental group
from the orchestra: in
the opening Allemande,
the flutes of the
orchestra (including alto
and bass flute and later
also piccolo to include
the entire flute family);
the string section in the
Sarabande; in both
chorales (extremely muted
in the first and
brutalist in the second),
the brass etc.; and it is
only in the concluding
Badinerie that all
orchestral groups are
combined, although they
are terraced in the
Baroque style, one
following another, seldom
all playing
simultaneously.This
permits the flute to
remain the provider of
all impulses; it attaches
itself to the wide
variety of instrumental
colours, becomes suffused
with these colours and
thereby shines in
different lights -
acerbic, pale and
radiant. This first
performance marks the
conclusion of my two-year
residence with the
Cleveland Orchestra. The
immense versatility of
this fine body of sound
(which is indeed treated
as such with the sum of
its parts) and the
exciting dark timbre of
its principal flautist
Joshua Smith have to a
great extent determined
the form and tonal
character of my Flute en
suite. Jorg
Widmann
This
'Suite' is not one of my
'epic' instrumental
concertos such as the
concertos for cello,
violin or oboe, but a
substantially
smaller-structured series
of dance forms arranged
into a suite. Sunken
worlds suddenly emerge
here, only to reach the
surface, hover in
dangerously distorted
fashion and then sink
back to the bottom.Every
individual movement
allots the solo flute an
instrumental group from
the orchestra: in the
opening Allemande, the
flutes of the orchestra;
the string section in the
Sarabande; in both
chorales the brass etc.;
and it is only in the
concluding Badinerie that
all orchestral groups are
combined, although they
are terraced in the
Baroque style, one
following another, seldom
all playing
simultaneously.This first
performance marks the
conclusion of my two-year
residence with the
Cleveland Orchestra. The
immense versatility of
this fine body of sound
and the exciting dark
timbre of its principal
flautist Joshua Smith
have to a great extent
determined the form and
tonal character of my
Flute en suite. Jorg
Widmann
3 (2. auch
Altfl., 3. auch Bassfl.,
alle auch Picc.) * 3 (2.
auch Ob. d'am., 3. auch
Engl. Hr.) * 0 * 3 (3.
auch Kfg.) - 4 * 4 * 3 *
1 - S. (Glsp. * Vibr. * 3
hg. Beck. [h./m./t.] *
chin. Beck. * 4 Gongs * 4
Buckelgongs * 2 Tamt.
[m./t.] * Wassertamt. *
gr. Tr. * Metal Chimes *
Peitsche) (2 Spieler) -
Hfe. * Cel. (auch Cemb.)
- Str. (10 * 8 * 6 * 4 *
3). $74.00 - Voir plus => Acheter | | |
| bel Canto [Conducteur] Breitkopf & Härtel
Oboe(s) solo SKU: BR.EB-9240 For Solo Oboe. Composed by Jorg Birke...(+)
Oboe(s) solo SKU:
BR.EB-9240 For
Solo Oboe. Composed
by Jorg Birkenkotter.
Solo instruments;
stapled. Edition
Breitkopf. Solo concerto;
Music post-1945; New
music (post-2000). Score.
Composed 2013/14. 16
pages. Duration 13'30.
Breitkopf and Haertel #EB
9240. Published by
Breitkopf and Haertel
(BR.EB-9240). ISBN
9790004185407. 9 x 12
inches. Belcanto is
a term for the Italian
art of singing which took
its development from the
richly ornamented solo
vocalism of the early
17th century (nobile
maniera di cantare) and
dominated European
operatic singing until
the first half of the
19th century. Complete
control over the voice
meant not only legato and
messa di voce, but also
appoggiatura and
portamento, as well as
virtuoso ornamentation by
means of coloratura
(canto fiorito). This
development towards
utmost virtuosity,
emulating instrumental
playing techniques, led
to a mannered, artificial
style on the one hand,
but on the other also
emphasized the physical
aspects of interpretation
(castrati were considered
the ideal belcanto
singers). And today? In
his essay The Grain of
the Voice, Roland Barthes
writes: The grain is the
body in the voice as it
sings, the hand as it
writes and the limb as it
performs. Initially, he
refers to the friction
between language and
voice in singing, but
then transfers his
thoughts to the
physicality of
instrumental music. In
this spirit, I went in
search of beautiful
singing, a beauty which
perhaps results in the
very place where the
grain, the roughness,
meaning also physical
resistance, are not
smoothed over. The oboe
seemed very suitable to
me for singing with such
a physical expressivity,
as a very unruly
instrument! The backbone
of my piece is one
single, quasi endless
melodic line, consisting
of intervals that are
constantly pulled apart
and contracted again
(breathing). Many
different actions attach
themselves to these
notes: coloratura,
trills, chords
(multiphonics), double
flageolets. However,
there are not only sound
types, but also impulses,
repetitions, rhythmic
figures and other
elements: composed
elements of belcanto. In
the opera tradition
described above, these
were improvised ornaments
or additions; here they
become composed figures
which originate with the
notes of the melody, but
also pull on them, bend
them, and charge them
with physicality. (Jorg
Birkenkotter). $36.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Dull Roots & Spring Rain Performance Score For Flute Or Clarinet, Oboe, Bassoon Schott
Flute/bassflute (or clarinet), oboe and bassoon - difficult SKU: HL.49018144<...(+)
Flute/bassflute (or
clarinet), oboe and
bassoon - difficult
SKU: HL.49018144
Composed by Benjamin
Schweitzer. This edition:
Saddle stitching. Sheet
music. Woodwind Ensemble.
Performance score, in C.
Composed 2008. 80 pages.
Duration 10'. Schott
Music #ED20746. Published
by Schott Music
(HL.49018144). ISBN
9790001170079.
9.0x12.0x0.21
inches. The image
of a landscape in April,
freed from winter's hold,
with its mixture of
barrenness and still dull
colours, characterises
the basic tone of this
piece. Melodic elements
and fast virtuoso
figurations cannot be
found, instead the piece
is dominated by subtle
nuances of just a few
sounds and textures. The
harmony is based almost
entirely on a single
chord type. Occasionally,
short chains of
repetitions and
oscillating impulses
emerge from this string
of sounds.Ambitious
performers can use this
demanding and varied
piece to try out modern
playing techniques. $36.00 - Voir plus => Acheter | | |
1 |