| First 50 TV Themes You Should Play on Piano Piano seul - Facile Hal Leonard
Composed by Various. Easy Piano Songbook. TV. Softcover. Published by Hal Leo...(+)
Composed by Various. Easy
Piano Songbook. TV.
Softcover. Published by
Hal
Leonard
$18.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A South American Journey - Intermédiaire Forsyth Publications
Recorder and Harpsichord (or Piano) - Intermediate SKU: FP.FPJ01 Composed...(+)
Recorder and Harpsichord
(or Piano) - Intermediate
SKU: FP.FPJ01
Composed by Jim Parker.
Sheet Music and Books.
Take a South American
Journey with Jim Parker,
award-winning TV & Film
composer, with this
imaginative suite of
pieces for recorder and
piano. Classical.
Collection. Forsyths
Publications #FPJ01.
Published by Forsyths
Publications (FP.FPJ01).
ISBN
9790570504015. Jim
Parker's TV, film and
theatre scores are much
loved, with credits
including Foyle’s
War, House of Cards,
Midsomer Murders and
House of Elliott. He has
won the British Academy
Award for Best TV Music
on no less than four
occasions.
South
American Journey shares
Parker's genius for
painting musical pictures
and weaving memorable
melodies. He'll even have
you believing your
recorder is a Peruvian
pan-pipe! The piece was
written as a tribute to
the memory of his friend
and near-neighbour
Stephen
Dodgson.
Tango
Cinco and Pueblo
Tranquilo were first
performed in a concert
celebrating the life and
work of Stephen Dodgson
in the Cosmo Rodewald
Concert Hall, Manchester
University, on April 5th
2014, by John Turner
(recorder) and Pamela
Nash (harpsichord), and
the premiere of the
complete suite was given
by John Turner (recorder)
and Harvey Davies
(harpsichord) at
St.Bartholomew's Church,
Church Minshull,
Cheshire, on May 17th
2014. It is available in
recorded form on the
album Travelling Light:
Music of Jim Parker on
the Divine Art label. $15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| South Carolina -- The Palmetto State Piano seul Alfred Publishing
Composed by Melody Bober. For Piano. Graded Standard Repertoire; Piano Suite; Pi...(+)
Composed by Melody Bober.
For Piano. Graded
Standard Repertoire;
Piano Suite; Piano
Supplemental; Sheet;
Solo. Recital Suite
Series. Form: Suite.
Recital. Late
Intermediate. 12 pages.
Published by Alfred Music
$4.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Big Book of TV Theme Songs - 2nd Edition Piano, Voix et Guitare Hal Leonard
Composed by Various. Piano/Vocal/Guitar Songbook. TV. Softcover. Published by ...(+)
Composed by Various.
Piano/Vocal/Guitar
Songbook.
TV. Softcover. Published
by
Hal Leonard
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sparkle City Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 0.5
SKU: CF.PAS23
Composed by George Sweet.
Primer String Orchestra.
Set of Score and Parts.
With Standard notation.
8+2+5+5+5+2+8+8 pages.
Duration 2:15. Carl
Fischer Music #PAS23.
Published by Carl Fischer
Music (CF.PAS23). ISBN
9781491151211. UPC:
680160908714. 9 x 12
inches. Key: D
major. Your
beginning string
orchestra is bound to
sparkle with this
delightful new
composition from composer
George Sweet. The piece
uses very simple rhythmic
figure that will make
that very first concert
for these budding new
musicians a success. The
harmonies are lush and
refreshing for a piece at
this level. The parents
will not believe their
ears!. Sparkle City,
along with
“Hub-City,â€
is one of the nicknames
of Spartanburg, South
Carolina. The piece was
commissioned by the
Spartanburg District 7
5th Grade Honor Orchestra
and is a reflection of
their vibrant city.The
piece begins with a bold,
accented introduction.
The main theme is
presented by the first
Violins at m. 9. Be sure
to observe the staccato
markings in the
accompaniment as they
help to propel the piece
forward. Â A crescendo
pushes into the B-section
at m. 25 which is
reminiscent of the
introduction. Be sure to
observe the change in
dynamics as they
highlight the contrast
from section to section.
The second Violins and
Violas restate the main
theme at m. 35, this time
with a countermelody in
the first Violins. The
B-section returns again
at m. 49, this time up an
octave, and is
“echoed†at a
piano dynamic at m. 57.
Once again, be sure to
utilize as much dynamic
contrast as possible in
this section. Â The
introductory material
returns at m. 65 and
pushes the piece to a
dramatic conclusion. $48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sparkle City Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello,
Contrabass, Piano, Viola,
Violin 1, Violin 2,
Violin 3 - Grade 0.5
SKU: CF.PAS23F
Composed by George Sweet.
Primer String Orchestra
(PAS). Full score. With
Standard notation. 8
pages. Carl Fischer Music
#PAS23F. Published by
Carl Fischer Music
(CF.PAS23F). ISBN
9781491151587. UPC:
680160909087. 9 x 12
inches. Your
beginning string
orchestra is bound to
sparkle with this
delightful new
composition from composer
George Sweet. The piece
uses very simple rhythmic
figure that will make
that very first concert
for these budding new
musicians a success. The
harmonies are lush and
refreshing for a piece at
this level. The parents
will not believe their
ears!. Sparkle City,
along with
“Hub-City,â€
is one of the nicknames
of Spartanburg, South
Carolina. The piece was
commissioned by the
Spartanburg District 7
5th Grade Honor Orchestra
and is a reflection of
their vibrant city.The
piece begins with a bold,
accented introduction.
The main theme is
presented by the first
Violins at m. 9. Be sure
to observe the staccato
markings in the
accompaniment as they
help to propel the piece
forward. Â A crescendo
pushes into the B-section
at m. 25 which is
reminiscent of the
introduction. Be sure to
observe the change in
dynamics as they
highlight the contrast
from section to section.
The second Violins and
Violas restate the main
theme at m. 35, this time
with a countermelody in
the first Violins. The
B-section returns again
at m. 49, this time up an
octave, and is
“echoed†at a
piano dynamic at m. 57.
Once again, be sure to
utilize as much dynamic
contrast as possible in
this section. Â The
introductory material
returns at m. 65 and
pushes the piece to a
dramatic conclusion. $6.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rosa Parks Said "No" Theodore Presser Co.
Chamber Music solo viola SKU: PR.114423570 And The People Went To Work...(+)
Chamber Music solo viola
SKU: PR.114423570
And The People Went To
Work. Composed by
Adolphus Hailstork. 8
pages. Duration 9
minutes. Theodore Presser
Company #114-42357.
Published by Theodore
Presser Company
(PR.114423570). ISBN
9781491136386. UPC:
680160688920. One
of the bravest and most
potent calls to social
action by one individual
was the famous 1955
refusal by Rosa Parks to
give up her bus seat,
laying the groundwork for
the ensuing civil rights
movement.
Hailstork’s title
says it all, and his
dramatically expressive
work for solo viola
declaims it all. Using a
musical language that
evokes action, blues, and
power, along with a
considerable infusion of
contemplation and
determination, ROSA PARKS
SAID “NO†is
a 9-minute instrumental
monodrama perfect for any
concert recital as well
as special programming
needs. The Montgomery
bus boycott was a
political and social
protest campaign against
the policy of racial
segregation on the public
transit system of
Montgomery, Alabama. It
was a foundational event
in the civil rights
movement in the United
States. The campaign
lasted from December 5,
1955 — the Monday
after Rosa Parks, an
African American woman,
was arrested for her
refusal to surrender her
seat to a white person
— to December 20,
1956, when the federal
ruling Browder v. Gayle
took effect, leading to a
U.S. Supreme Court
decision that declared
the Alabama and
Montgomery laws that
segregated buses were
unconstitutional.THE
FIGHTIn addition to using
private motor vehicles,
some people used
non-motorized means to
get around, such as
cycling, walking, or even
riding mules or driving
horse-drawn buggies. Some
people also hitchhiked.
During rush hours,
sidewalks were often
crowded. As the buses
received few, if any,
passengers, their
officials asked the City
Commission to allow
stopping the service to
black communities. Across
the nation, black
churches raised money to
support the boycott and
collected new and
slightly used shoes to
replace the tattered
footwear of
Montgomery’s black
citizens, many of whom
walked everywhere rather
than ride the buses and
submit to Jim Crow
laws.THE TRIUMPHThe
Montgomery bus boycott
resounded far beyond the
desegregation of public
buses. It stimulated
activism and
participation from the
South in the national
Civil Rights
Movement. $14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Sevenoaks Suite Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-472-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.AMP-472-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2019. 50 pages.
Anglo Music Press #AMP
472-140. Published by
Anglo Music Press
(BT.AMP-472-140).
English-German-French-
Dutch. A
Sevenoaks Suite was
commissioned by the
Sevenoaks and Tonbridge
Concert Band from Kent in
the south-east of
England. The suite
describes 3 famous
landmarks in the
Sevenoaks and Tonbridge
area: ‘Knole
Park’, situated to
the south-east of
Sevenoaks. ‘The
Chapel - Tonbridge
School’: This
movement centres around a
hymn-like chorale,
depicting the years of
worship that have taken
place within the chapel,
and ‘The Vine
Bandstand’
suggesting the type of
music often played in
bandstands. It is in
march form, but is not
actually a march
throughout, veering off
into other styles before
ending
emphatically.
A
Sevenoaks Suite werd
geschreven in opdracht
van de Sevenoaks and
Tonbridge Concert Band
uit Kent, in het
zuidoosten van Engeland.
De suite beschrijft drie
beroemde
landschapselementen en
bouwwerken in de buurt
van Sevenoaks en
Tonbridge: als eerste
‘Knole
Park’, dat ten
zuidoosten van Sevenoaks
ligt. Dan volgt
‘The Chapel
Tonbridge School’,
een deel dat is opgebouwd
rond een hymne-achtig
koraal. ‘The Vine
Bandstand’ doet
denken aan het type
muziek dat vaak in
muziekpaviljoens wordt
gespeeld. Dit laatste
deel is gecomponeerd in
marsvorm, maar het is
geen complete mars, in
die zin dat er ook wordt
afgedwaald naar andere
stijlen voordat het werk
eindigt in eenkrachtig
slot.
A
Sevenoaks Suite wurde
von der Sevenoaks and
Tonbridge Concert Band
aus Kent im Südosten
Englands in Auftrag
gegeben. Die Suite
beschreibt drei
berühmte
Sehenswürdigkeiten in
der Gegend von Sevenoaks
und Tonbridge: Knole
Park“ liegt
südöstlich von
Sevenoaks, The Chapel
Tonbridge School“
dreht sich um einen
hymnenartigen Choral, der
die vielen Gottesdienste
beschreibt, die in der
Kapelle stattgefunden
haben, und The Vine
Bandstand“ deutet
die Art von Musik an, die
oftmals in Musikpavillons
gespielt wird. Der Satz
ist daher in Form eines
Marsches geschrieben,
auch wenn er nicht die
ganze Zeit wie ein Marsch
klingt, und geht in
andere Stilarten über,
bevor er energischendet.
A Sevenoaks
Suite est une
commande
l’Harmonie de
Sevenoaks et Tonbridge,
dans le Kent, au sud-est
de l’Angleterre.
Cette suite en trois
mouvements dépeint
trois lieux
célèbres aux
environs de ces villes.
« Knole Park »
évoque un parc au
sud-est de Sevenoaks.
Fondé sur un choral en
forme d’hymne,
« The Chapel Tonbridge
School » représente
les années de
pratiques religieuses
dont la chapelle a
été témoin.
Enfin, « The Vine
Bandstand » rappelle
les styles typiques des
kiosques musique. Ce
mouvement est en forme de
marche, mais s’en
écarte parfois en
faveur d’autres
genres avant une
conclusion
énergique. $35.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jazz Method **german Version*** [Partition + Accès audio] - Intermédiaire Schott
Alto-(baritone-) saxophone - intermediate SKU: HL.49007788 Vom ersten ...(+)
Alto-(baritone-)
saxophone - intermediate
SKU: HL.49007788
Vom ersten Ton bis
Charlie Parker.
Composed by John O'Neill.
This edition:
Paperback/Soft Cover.
Sheet music with online
material. Edition Schott.
Die Jazzmethode fur
Saxophon zeigt
Instrumentalisten aller
Altersstufen den Weg vom
ersten Ton bis hin zu
klassischen Monk-,
Parker- und
Rollins-Themen.
Classical. Edition with
Online audio file. 100
pages. Schott Music #ED
8111. Published by Schott
Music (HL.49007788).
ISBN 9783795751593.
9.0x12.0x0.31 inches.
German. Das
Saxophon ist das
Jazzinstrument
schlechthin, und es gibt
ein reichhaltiges,
aufregendes Repertoire,
das darauf wartet, von
Neueinsteigern entdeckt
zu werden. Die
Jazzmethode fur Saxophon
zeigt Anfangern aller
Altersstufen den Weg vom
ersten Ton bis hin zu
klassischen Monk-,
Parker- und
Rollins-Themen. Aber auch
Jazzstucke heutiger
fuhrender Jazzmusiker und
Komponisten werden
behandelt. Das Buch
enthalt eine
Play-along-CD mit 69
Tracks. Mit einer
schrittweisen Einfuhrung
und speziell fur diese
Schule geschriebener
Stucke werden die
grundlegenden Elemente
einer soliden
Saxophon-Technik -
Atemkontrolle,
Tonbildung, Ansatz,
Zungenstoss und Griffe -
zusammen mit den
rhythmischen Finessen der
Jazzmusik (zum Beispiel
synkopierte Rhythmen und
Achtelphrasierung)
erklart. Durch das
systematische Studium von
Tonleitern, Arpeggien,
Akkordfolgen und Tipps
zur Gehorbildung wird der
Schuler von Anfang an zum
Improvisieren ermuntert.
Zusatzliche Praxis-Tipps
wie Aussuchen von
Blattern, Pflege des
Instruments sowie eine
Bibliographie und eine
Diskographie machen die
Jazzmethode fur Saxophon
zu einem idealen
Begleiter sowohl fur
Schuler, die im
Selbstunterricht lernen
wollen, als auch fur
diejenigen, die
zusatzlich Unterricht bei
einem Lehrer nehmen. Die
Begleit-CD, die extra fur
diese Schule aufgenommen
wurde, liefert den
musikalischen Hintergrund
fur alle Stucke, so dass
der Saxophon-Schuler von
Anfang an durch das
Spielen mit einer
erstklassigen
Rhyhtmusgruppe (Bass,
Gitarre und Schlagzeug)
in den Genuss eines
authentischen Jazz-Sounds
kommt, und sie hilft ihm
spater bei den ersten
Improvisationsversuchen.<
/p>
$38.00 - Voir plus => Acheter | | |
| Lucrezia Borgia - Vocal Score - Critical Edition By R. Parker And R. Ward Piano, Voix - Intermédiaire Ricordi
Voice and Piano - intermediate SKU: HL.50603593 Ed. crit. R. Parker-R....(+)
Voice and Piano -
intermediate SKU:
HL.50603593 Ed.
crit. R. Parker-R. Ward -
Riduzione per canto e
pianoforte. Composed
by Gaetano Donizetti.
Ricordi. Softcover.
Composed 2020. Ricordi
#CP14161600. Published by
Ricordi (HL.50603593).
ISBN 9788881920709.
UPC: 840126945102.
8.0x10.5x1.3 inches.
Italian-English. Do
nizetti's Lucrezia Borgia
was premiered at Milan's
Teatro alla Scala on 26
December 1833 and is
considered one of the
composer's most important
and innovative operas of
the 1830s. Although,
because of censorship
issues, particularly in
the south of Italy, it
was initially slow to
become popular, by the
late 1830s it had become
one of the composer's
most popular operas, both
in Italy and abroad, and
remained an essential
part of the composer's
oeuvre until at least the
end of the nineteenth
century. Remarkable for
its daring subject matter
(with an unconventional,
forceful heroine), it is
also renowned for its
challenging mixture of
the comic and the tragic,
something very unusual at
the time and clearly an
important influence on
Giuseppe Verdi's middle
period masterpieces. The
present reduction for
voice and piano derives
from the critical edition
of the score, recently
published in this
catalog: is based on
Donizetti's autograph
manuscript (housed in the
Ricordi Archives in
Milan), on the libretto
for the premiere, on
several printed editions
of voice and piano, and
on numerous additional
scores of the period. It
presents for the first
time all the numerous
additions that the
composer made to the
score over the course of
ten years: a fascinating
record of his changing
music dramatic attitudes
during this period. There
is also a synthetic
historical reconstruction
of the genesis of the
opera and of the
description of the
Sources as well as a
selection of most
interest to singers of
Critical Commentary
Notes.
Rappresenta
ta per la prima volta al
Teatro alla Scala il 26
dicembre 1833, Lucrezia
Borgia e considerata una
fra le piu importanti e
innovative opere di
Donizetti. Sebbene le
resistenze della censura,
soprattutto nel sud
Italia, ne causarono
inizialmente una lenta
diffusione, dalla fine
degli anni '30
dell'Ottocento essa
divenne uno dei lavori
piu popolari e
significativi del
compositore e tale rimase
fino alla fine del XIX
secolo. Notevole per il
suo audace soggetto (con
un'eroina non
convenzionale e dalla
forte personalita) essa e
rinomata anche per
l'impegnativa commistione
di comico e tragico, un
tratto piuttosto inusuale
per l'epoca, che ebbe una
chiara influenza sui
capolavori verdiani di
meta secolo. La presente
riduzione per canto e
pianoforte e condotta
sull'edizione critica
della partitura, da poco
pubblicata in questo
stesso catalogo: si basa
sul manoscritto autografo
di Donizetti (conservato
presso l'Archivio Storico
Ricordi di Milano), sul
libretto della prima
rappresentazione, su
alcune riduzioni a stampa
per canto e pianoforte e
su varie altre fonti
dell'epoca. L'edizione
presenta per la prima
volta tutte le aggiunte
che il compositore
apporto alla partitura
nel corso di dieci anni,
costituendo
un'affascinante
testimonianza dei
mutevoli approcci di
Donizetti alla materia
drammatico musicale
durante questa fase della
sua carriera. Il volume
comprende una sintesi
della ricostruzione della
genesi storica dell'opera
e della descrizione delle
fonti e una selezione di
Note del Commento Critico
fra quelle piu funzionali
alle esigenze di cantanti
e pianisti
accompagnatori. $44.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Hail the Dragon! Orchestre d'harmonie - Intermédiaire Anglo Music
(Grade 5 - Score Only). Composed by Philip Sparke (1951-). For Concert Band. Ang...(+)
(Grade 5 - Score Only).
Composed by Philip Sparke
(1951-). For Concert
Band. Anglo Music Concert
Band. Grade 5. 28 pages.
Anglo Music Press
#AMP278. Published by
Anglo Music Press
$25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A South American Journey Flûte à bec Alto, Piano - Intermédiaire Forsyth Publications
Alto Recorder and Piano - late intermediate SKU: BT.FORFPJ01 Composed by ...(+)
Alto Recorder and Piano -
late intermediate SKU:
BT.FORFPJ01 Composed
by Jim Parker. Book Only.
Forsyths Publications
#FORFPJ01. Published by
Forsyths Publications
(BT.FORFPJ01).
$13.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Rise Up Singing
Paroles et Accords [Partition] Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...(+)
The Group Singing
Songbook. By Various.
Vocal. Size 9.5x12
inches. 281 pages.
Published by Hal Leonard.
(1)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Up Singing Paroles et Accords [Partition] Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...(+)
Arranged by Peter Blood,
Annie Patterson. Vocal.
Size 7.5x10.5 inches. 283
pages. Published by Hal
Leonard.
(1)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Grand Tetons Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Concert Band - Grade 3 SKU: CF.CPS263F Composed by Carl Strommen. Cp...(+)
Band Concert Band - Grade
3 SKU: CF.CPS263F
Composed by Carl
Strommen. Cps. Full
score. 32 pages. Duration
4 minutes, 38 seconds.
Carl Fischer Music
#CPS263F. Published by
Carl Fischer Music
(CF.CPS263F). ISBN
9781491161739. UPC:
680160920426. Notes
The Teton Range is part
of the Rocky Mountain
chain just east of the
Idaho border and south of
Yellowstone National
Park. The name of this
majestic range has its
roots in the Shoshone
teewinet, meaning many
pinnacles. Performance
Suggestions: The opening
measures of The Grand
Tetons should be played
broadly and majestically.
At m. 14, the tempo is
indicated at q = 132 and
is introduced by a light
snare drum figure. The
low brass figures at m.18
are to be played softly
and broadly in contrast
to the lighter and
slightly louder high
woodwinds. This entire
section builds to a
climax at m.44. Note the
dynamic contrasts in the
mixed meter section after
m. 53. at 67, the
trombone and horn figures
should be evident but not
overbearing against the
lightly played trumpet
solo. The 2 measure mixed
meter (6/8) (3/4) theme
introduced at m.88 should
be performed by
exaggerating the dotted
8th-16th rhythm, thereby
creating a slight swing
and dance-like feeling.
At m.109, the 8th notes
become even and the theme
more strident and
energetic, with the
ritard returning Tetons
to the opening theme at
m.129. Notes The Teton
Range is part of the
Rocky Mountain chain just
east of the Idaho border
and south of Yellowstone
National Park. The name
of this majestic range
has its roots in the
Shoshone teewinet,
meaning many pinnacles.
Performance Suggestions:
The opening measures of
The Grand Tetons should
be played broadly and
majestically. At m. 14,
the tempo is indicated at
q = 132 and is introduced
by a light snare drum
figure. The low brass
figures at m.18 are to be
played softly and broadly
in contrast to the
lighter and slightly
louder high woodwinds.
This entire section
builds to a climax at
m.44. Note the dynamic
contrasts in the mixed
meter section after m.
53. at 67, the trombone
and horn figures should
be evident but not
overbearing against the
lightly played trumpet
solo. The 2 measure mixed
meter (6/8) (3/4) theme
introduced at m.88 should
be performed by
exaggerating the dotted
8th-16th rhythm, thereby
creating a slight swing
and dance-like feeling.
At m.109, the 8th notes
become even and the theme
more strident and
energetic, with the
ritard returning Tetons
to the opening theme at
m.129. Notes The
Teton Range is part of
the Rocky Mountain chain
just east of the Idaho
border and south of
Yellowstone National
Park. The name of this
majestic range has its
roots in the Shoshone
“teewinet,â€
meaning “many
pinnacles.â€Â Perf
ormance
Suggestions:Â The
opening measures of The
Grand Tetons should be
played broadly and
majestically. At m. 14,
the tempo is indicated at
q = 132 and is introduced
by a light snare drum
figure. The low brass
figures at m.18 are to be
played softly and broadly
in contrast to the
lighter and slightly
louder high woodwinds.
This entire section
builds to a climax at
m.44. Note the dynamic
contrasts in the mixed
meter section after m.
53. at 67, the trombone
and horn figures should
be evident but not
overbearing against the
lightly played trumpet
solo. The 2 measure
mixed meter (6/8) (3/4)
theme introduced at m.88
should be performed by
exaggerating the dotted
8th-16th rhythm, thereby
creating a slight
“swing†and
dance-like feeling. At
m.109, the 8th notes
become even and the theme
more strident and
energetic, with the
ritard returning Tetons
to the opening theme at
m.129. $13.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Grand Tetons Orchestre d'harmonie - Intermédiaire Carl Fischer
Band Concert Band - Grade 3 SKU: CF.CPS263 Composed by Carl Strommen. Cps...(+)
Band Concert Band - Grade
3 SKU: CF.CPS263
Composed by Carl
Strommen. Cps. Set of
Score and Parts.
8+8+4+8+8+8+4+4+4+4+4+4+8
+8+8+4+4+4+4+6+6+6+6+4+8+
1+1+4+5+32 pages.
Duration 4 minutes, 38
seconds. Carl Fischer
Music #CPS263. Published
by Carl Fischer Music
(CF.CPS263). ISBN
9781491161524. UPC:
680160920150. Notes
The Teton Range is part
of the Rocky Mountain
chain just east of the
Idaho border and south of
Yellowstone National
Park. The name of this
majestic range has its
roots in the Shoshone
teewinet, meaning many
pinnacles. Performance
Suggestions: The opening
measures of The Grand
Tetons should be played
broadly and majestically.
At m. 14, the tempo is
indicated at q = 132 and
is introduced by a light
snare drum figure. The
low brass figures at m.18
are to be played softly
and broadly in contrast
to the lighter and
slightly louder high
woodwinds. This entire
section builds to a
climax at m.44. Note the
dynamic contrasts in the
mixed meter section after
m. 53. at 67, the
trombone and horn figures
should be evident but not
overbearing against the
lightly played trumpet
solo. The 2 measure mixed
meter (6/8) (3/4) theme
introduced at m.88 should
be performed by
exaggerating the dotted
8th-16th rhythm, thereby
creating a slight swing
and dance-like feeling.
At m.109, the 8th notes
become even and the theme
more strident and
energetic, with the
ritard returning Tetons
to the opening theme at
m.129. Notes The Teton
Range is part of the
Rocky Mountain chain just
east of the Idaho border
and south of Yellowstone
National Park. The name
of this majestic range
has its roots in the
Shoshone teewinet,
meaning many pinnacles.
Performance Suggestions:
The opening measures of
The Grand Tetons should
be played broadly and
majestically. At m. 14,
the tempo is indicated at
q = 132 and is introduced
by a light snare drum
figure. The low brass
figures at m.18 are to be
played softly and broadly
in contrast to the
lighter and slightly
louder high woodwinds.
This entire section
builds to a climax at
m.44. Note the dynamic
contrasts in the mixed
meter section after m.
53. at 67, the trombone
and horn figures should
be evident but not
overbearing against the
lightly played trumpet
solo. The 2 measure mixed
meter (6/8) (3/4) theme
introduced at m.88 should
be performed by
exaggerating the dotted
8th-16th rhythm, thereby
creating a slight swing
and dance-like feeling.
At m.109, the 8th notes
become even and the theme
more strident and
energetic, with the
ritard returning Tetons
to the opening theme at
m.129. Notes The
Teton Range is part of
the Rocky Mountain chain
just east of the Idaho
border and south of
Yellowstone National
Park. The name of this
majestic range has its
roots in the Shoshone
“teewinet,â€
meaning “many
pinnacles.â€Â Perf
ormance
Suggestions:Â The
opening measures of The
Grand Tetons should be
played broadly and
majestically. At m. 14,
the tempo is indicated at
q = 132 and is introduced
by a light snare drum
figure. The low brass
figures at m.18 are to be
played softly and broadly
in contrast to the
lighter and slightly
louder high woodwinds.
This entire section
builds to a climax at
m.44. Note the dynamic
contrasts in the mixed
meter section after m.
53. at 67, the trombone
and horn figures should
be evident but not
overbearing against the
lightly played trumpet
solo. The 2 measure
mixed meter (6/8) (3/4)
theme introduced at m.88
should be performed by
exaggerating the dotted
8th-16th rhythm, thereby
creating a slight
“swing†and
dance-like feeling. At
m.109, the 8th notes
become even and the theme
more strident and
energetic, with the
ritard returning Tetons
to the opening theme at
m.129. $85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Scots Guards Standard Settings Of Pipe Music Volume 1 Cornemuse - Intermédiaire Paterson Ltd
| | |
| Southwest Saga Orchestre d'harmonie - Intermédiaire Opus III Wind Orchestra Publications
Grade 3.5 SKU: CL.012-1919-01 Composed by Sheldon. Concert Band. Heritage...(+)
Grade 3.5 SKU:
CL.012-1919-01
Composed by Sheldon.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (item
CL.WFR357). Extra full
score. Composed 1987.
Duration 5 minutes. Opus
III Wind Orchestra
Publications
#012-1919-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-1919-01).
A colorful and
invigorating work which
captures the spirit of
the great American
Southwest. From the
frolicking cowboy
exuberance to the gentle
lyricism of the expertly
crafted melodies this
concert/contest selection
sparkles with character
and energy.
About Heritage
of the
March Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style $12.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Southwest Saga Orchestre d'harmonie - Intermédiaire C.L. Barnhouse
Grade 3 SKU: CL.012-1919-75 Composed by Sheldon. Concert Band. Heritage o...(+)
Grade 3 SKU:
CL.012-1919-75
Composed by Sheldon.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (item
CL.WFR357). Oversized,
spiral-bound score.
Composed 1987. Duration 5
minutes. Opus III Wind
Orchestra Publications
#012-1919-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-1919-75).
A colorful and
invigorating work which
captures the spirit of
the great American
Southwest. From the
frolicking cowboy
exuberance to the gentle
lyricism of the expertly
crafted melodies this
concert/contest selection
sparkles with character
and energy.
About Heritage
of the
March Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style $25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Robert Sheldon : Southwest Saga Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
By Robert Sheldon. Concert Band. Grade 3.5. Score and set of parts. Composed 198...(+)
By Robert Sheldon.
Concert Band. Grade 3.5.
Score and set of parts.
Composed 1987. Duration
0:05:00
$74.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Southend Celebration Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-392-010 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.AMP-392-010
Composed by Philip
Sparke. Anglo Music
Midway Series. Set (Score
& Parts). Composed 2014.
Anglo Music Press #AMP
392-010. Published by
Anglo Music Press
(BT.AMP-392-010).
English-German-French-
Dutch. The work
opens with a stern
fanfare in bare fifths,
which leads to a
cantabile theme
introduced by alto
saxophone. This builds to
a climax and reintroduces
the fanfare, which slowly
evolves into the
subsequent vivo. A perky
tune emerges on flute,
saxophone and trumpet,
which, after a short
bridge passage, leads to
a contrasting melody on
low clarinets and
saxophones. After some
development a true
‘second
subject’ appears
for the whole band. A
recapitulation leads
briefly back to the
opening fanfare before
the vivo returns to close
the work in celebratory
mood.
Het werk
begint met een sobere
fanfare in open kwinten,
gevolgd door een zangerig
thema dat wordt ge
ntroduceerd door de
altsaxofoon. Dit thema
groeit uit tot een climax
en leidt opnieuw de
fanfare in, die zich
langzaam ontwikkelt tot
het daaropvolgende vivo.
Er verschijnt een
opgewekte melodie in de
fluit, saxofoon en
trompet, die na een korte
overgangspassage uitmondt
in een contrasterende
melodie in de lage
klarinetten en saxofoons.
Na een verdere uitwerking
openbaart zich een tweede
thema voor het complete
orkest. Een herneming
voert ons even weer mee
naar de openingsfanfare,
voordat het vivo
terugkeert en het werk in
feestelijke stemming
afsluit.
Nach
einer ernsten Fanfare in
bloßen Quinten, die zu
einem Thema in cantabile
im Altsaxophon führt,
taucht eine kecke Melodie
in Flöte, Saxophon und
Trompete auf, die nach
einer kurzen
Ãœberleitung zu einer
kontrastierenden Melodie
in den tiefen Klarinetten
und Saxophonen wird. Ein
zweites Thema“
spielt das gesamte
Blasorchester. Bevor ein
Vivo aus dem Anfangsteil
Southend Celebration
beendet, werden
längst alle Musiker
und Zuhörer von der
festlichen Stimmung, die
es verbreitet, infiziert
sein!
L’Å
uvre s’ouvre
avec une fanfare de
nature sérieuse en
quintes qui mène un
thème cantabile
introduit par les
saxophones alto. La
musique s’amplifie
pour atteindre un certain
climax et réintroduire
la fanfare, qui évolue
progressivement vers un
vivo. Fl tes, saxophones
et trompettes
introduisent un air
guilleret qui, après
un court passage de
transition, aboutit une
mélodie contrastée
dans le registre grave
des clarinettes et
saxophones. Après un
développement, un
véritable second sujet
apparaît pour
l’orchestre
entier. Une
récapitulation mène
une brève
réapparition de la
fanfare
d’ouverture avant
le retour du vivo, qui
achève la pièce
dans une ambiance de
fête.
Il lavoro
si apre con
un’austera fanfara
con quinte vuote, che
porta a un tema cantabile
introdotto da un saxofono
contralto. Si arriva a un
culmine e si introduce
nuovamente la fanfara,
che lentamente evolve nel
‘vivo’
successivo. Un tema
vivace emerge dal flauto,
dal sassofono e dalla
tromba, e dopo un breve
passaggio di transizione,
porta a una melodia
contrastante, dei
clarinetti bassi e dei
sassofoni. Dopo qualche
sviluppo un vero
‘secondo
soggetto’ sorge
dall’intera banda.
Una ripresa porta
brevemente indietro alla
fanfara, prima che il
‘vivo’
ritorni per chiudere il
lavoro in modo
celebrativo. $196.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Southend Celebration Orchestre d'harmonie - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 4 SKU: BT.AMP-392-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.AMP-392-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Score
Only. Composed 2014.
Anglo Music Press #AMP
392-140. Published by
Anglo Music Press
(BT.AMP-392-140).
English-German-French-
Dutch. The work
opens with a stern
fanfare in bare fifths,
which leads to a
cantabile theme
introduced by alto
saxophone. This builds to
a climax and reintroduces
the fanfare, which slowly
evolves into the
subsequent vivo. A perky
tune emerges on flute,
saxophone and trumpet,
which, after a short
bridge passage, leads to
a contrasting melody on
low clarinets and
saxophones. After some
development a true
‘second
subject’ appears
for the whole band. A
recapitulation leads
briefly back to the
opening fanfare before
the vivo returns to close
the work in celebratory
mood.
Het werk
begint met een sobere
fanfare in open kwinten,
gevolgd door een zangerig
thema dat wordt ge
ntroduceerd door de
altsaxofoon. Dit thema
groeit uit tot een climax
en leidt opnieuw de
fanfare in, die zich
langzaam ontwikkelt tot
het daaropvolgende vivo.
Er verschijnt een
opgewekte melodie in de
fluit, saxofoon en
trompet, die na een korte
overgangspassage uitmondt
in een contrasterende
melodie in de lage
klarinetten en saxofoons.
Na een verdere uitwerking
openbaart zich een tweede
thema voor het complete
orkest. Een herneming
voert ons even weer mee
naar de openingsfanfare,
voordat het vivo
terugkeert en het werk in
feestelijke stemming
afsluit.
Nach
einer ernsten Fanfare in
bloßen Quinten, die zu
einem Thema in cantabile
im Altsaxophon führt,
taucht eine kecke Melodie
in Flöte, Saxophon und
Trompete auf, die nach
einer kurzen
Ãœberleitung zu einer
kontrastierenden Melodie
in den tiefen Klarinetten
und Saxophonen wird. Ein
zweites Thema“
spielt das gesamte
Blasorchester. Bevor ein
Vivo aus dem Anfangsteil
Southend Celebration
beendet, werden
längst alle Musiker
und Zuhörer von der
festlichen Stimmung, die
es verbreitet, infiziert
sein!
L’Å
uvre s’ouvre
avec une fanfare de
nature sérieuse en
quintes qui mène un
thème cantabile
introduit par les
saxophones alto. La
musique s’amplifie
pour atteindre un certain
climax et réintroduire
la fanfare, qui évolue
progressivement vers un
vivo. Fl tes, saxophones
et trompettes
introduisent un air
guilleret qui, après
un court passage de
transition, aboutit une
mélodie contrastée
dans le registre grave
des clarinettes et
saxophones. Après un
développement, un
véritable second sujet
apparaît pour
l’orchestre
entier. Une
récapitulation mène
une brève
réapparition de la
fanfare
d’ouverture avant
le retour du vivo, qui
achève la pièce
dans une ambiance de
fête.
Il lavoro
si apre con
un’austera fanfara
con quinte vuote, che
porta a un tema cantabile
introdotto da un saxofono
contralto. Si arriva a un
culmine e si introduce
nuovamente la fanfara,
che lentamente evolve nel
‘vivo’
successivo. Un tema
vivace emerge dal flauto,
dal sassofono e dalla
tromba, e dopo un breve
passaggio di transizione,
porta a una melodia
contrastante, dei
clarinetti bassi e dei
sassofoni. Dopo qualche
sviluppo un vero
‘secondo
soggetto’ sorge
dall’intera banda.
Una ripresa porta
brevemente indietro alla
fanfara, prima che il
‘vivo’
ritorni per chiudere il
lavoro in modo
celebrativo. $42.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Sevenoaks Suite Orchestre d'harmonie Anglo Music
Concert Band (Score) SKU: HL.4006373 Concert Band Score. Composed ...(+)
Concert Band (Score)
SKU: HL.4006373
Concert Band
Score. Composed by
Philip Sparke. Anglo
Music Concert Band.
Classical, English.
Softcover. 50 pages.
Duration 625 seconds.
Anglo Music Press
#AMP472140. Published by
Anglo Music Press
(HL.4006373). UPC:
888680987404. A
Sevenoaks Suite was
commissioned by the
Sevenoaks and Tonbridge
Concert Band from Kent in
the south-east of
England. The suite
describes 3 famous
landmarks in the
Sevenoaks and Tonbridge
area: 'Knole Park',
situated to the
south-east of Sevenoaks.
'The Chapel- Tonbridge
School': This movement
centres around a
hymn-like chorale,
depicting the years of
worship that have taken
place within the chapel,
and 'The Vine Bandstand'
suggesting the type of
music often played in
bandstands. It is in
march form, but is
notactually a march
throughout, veering off
into other styles before
ending emphatically. $35.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Sevenoaks Suite Orchestre d'harmonie Anglo Music
Score and Parts Concert Band (Score & Parts) SKU: HL.4006372 Concert B...(+)
Score and Parts Concert
Band (Score & Parts)
SKU: HL.4006372
Concert Band Score and
Parts. Composed by
Philip Sparke. Anglo
Music Concert Band.
Classical, English.
Softcover. Duration 625
seconds. Anglo Music
Press #AMP472010.
Published by Anglo Music
Press (HL.4006372).
ISBN 9781540080172.
UPC:
888680987398. A
Sevenoaks Suite was
commissioned by the
Sevenoaks and Tonbridge
Concert Band from Kent in
the south-east of
England. The suite
describes 3 famous
landmarks in the
Sevenoaks and Tonbridge
area: 'Knole Park',
situated to the
south-east of Sevenoaks.
'The Chapel- Tonbridge
School': This movement
centres around a
hymn-like chorale,
depicting the years of
worship that have taken
place within the chapel,
and 'The Vine Bandstand'
suggesting the type of
music often played in
bandstands. It is in
march form, but is
notactually a march
throughout, veering off
into other styles before
ending emphatically. $185.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Painted Desert Orchestre d'harmonie - Débutant Anglo Music
Debut Series Grade 1 - 1-1/2. By Philip Sparke. ANGLO MUSIC PRESS. Published by ...(+)
Debut Series Grade 1 -
1-1/2. By Philip Sparke.
ANGLO MUSIC PRESS.
Published by Anglo Music.
$86.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Prelude on An American Spiritual (My Lord What A Morning) Orchestre d'harmonie - Intermédiaire Carl Fischer
Concert Band Bass Clarinet, Bassoon, Chimes, Clarinet 1, Clarinet 2, Clarinet 3,...(+)
Concert Band Bass
Clarinet, Bassoon,
Chimes, Clarinet 1,
Clarinet 2, Clarinet 3,
Euphonium, Flute 1, Flute
2, Horn 1, Horn 2, Oboe,
Suspended Cymbal,
Timpani, Trumpet 1,
Trumpet 2, Trumpet 3,
Tuba, Vibraphone, alto
Clarinet, alto Saxophone
1 and more. - Grade 3-3.5
SKU: CF.CPS13F
My Lord, What A
Mornin' - Full Score.
Composed by Carl
Strommen. Arranged by
Carl Strommen. Carl
Fischer Concert
Performance Series. Full
score. With Standard
notation. 12 pages. Carl
Fischer Music #CPS13F.
Published by Carl Fischer
Music (CF.CPS13F).
ISBN 9780825843617.
UPC: 798408043612. 9 X 12
inches. Commissione
d by the South Carolina
Chapter of Phi Beta Mu
Band Fraternity in honor
of Lorraine Paris, Band
Director for 47 years at
Newberry High School,
Newberry, SC. Lorraine
Paris is a native of
Greenville, South
Carolina, where she
graduated from Parker
High School. She received
her B.S. in Music
Education from Winthrop
College and her M.A. from
Furman University. She
began her teaching career
in 1948 in Newberry,
South Carolina, where she
taught for the next 47
years until her
retirement in 1995. A
member of numerous
musical organizations,
including Phi Beta Mu and
the Theta chapter of
Alpha Delta Kappa, she
served as the first
president of the South
Carolina Band Directors
Association and currently
serves as their first
Executive
Secretary-Treasurer. She
has been named
Outstanding Bandmaster
and Outstanding
Contributor by the South
Carolina Chapter of Phi
Beta Mu, and was also
named to that
organization's Hall of
Fame. Other honors
include the South
Carolina Career Service
Award from ASBDA, the
Silver Baton and Scroll
of Excellence Awards from
WBDNA, and the Band World
Legion of Honor. In 1993,
she was presented the Key
to the City of Newberry,
and at her retirement,
was awarded the Order of
the Palmetto from the
State of South Carolina.
It is to this legacy that
the Phi Beta Mu
fraternity commissions
Prelude to an American
Spiritual and it is
Lorraine Paris' love of
the hymn song that
prompted this arrangement
of My Lord, What a
Momin'. Commissioned
by the South Carolina
Chapter of Phi Beta Mu
Band Fraternity in honor
of Lorraine Paris, Band
Director for 47 years at
Newberry High School,
Newberry, SC.Lorraine
Paris is a native of
Greenville, South
Carolina, where she
graduated from Parker
High School. She received
her B.S. in Music
Education from Winthrop
College and her M.A. from
Furman University. She
began her teaching career
in 1948 in Newberry,
South Carolina, where she
taught for the next 47
years until her
retirement in 1995. A
member of numerous
musical organizations,
including Phi Beta Mu and
the Theta chapter of
Alpha Delta Kappa, she
served as the first
president of the South
Carolina Band Directors
Association and currently
serves as their first
Executive
Secretary-Treasurer.She
has been named
Outstanding Bandmaster
and Outstanding
Contributor by the South
Carolina Chapter of Phi
Beta Mu, and was also
named to that
organization’s
Hall of Fame. Other
honors include the South
Carolina Career Service
Award from ASBDA, the
Silver Baton and Scroll
of Excellence Awards from
WBDNA, and the Band World
Legion of Honor. In 1993,
she was presented the Key
to the City of Newberry,
and at her retirement,
was awarded the Order of
the Palmetto from the
State of South
Carolina.It is to this
legacy that the Phi Beta
Mu fraternity commissions
Prelude to an American
Spiritual and it is
Lorraine Paris’
love of the hymn song
that prompted this
arrangement of My Lord,
What a Momin’. $14.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Scots Guards Standard Settings Of Pipe Music Volume 2 Cornemuse - Intermédiaire Paterson Ltd
For Bagpipes. Traditional. Level: Intermediate. Sheet Music. 210 pages. Publishe...(+)
For Bagpipes.
Traditional. Level:
Intermediate. Sheet
Music. 210 pages.
Published by Paterson
Ltd.
$53.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Movie Fake Book - 3rd Edition
Fake book [Fake Book] - Intermédiaire Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 448 pa...(+)
C Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 448 pages.
Published by Hal Leonard.
(1)$39.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Drei Fantasiebilder Südafrika Edition HH
Flute, clarinet, (bass clarinet), trumpet, trombone, piano, violin, viola, violo...(+)
Flute, clarinet, (bass
clarinet), trumpet,
trombone, piano, violin,
viola, violoncello
SKU: HH.HH392-IPT
Composed by Ming Wang.
Flute, Clarinet, (Bass
Clarinet), Trumpet,
Trombone, Piano, Violin,
Viola, Violoncello.
Instrumental parts.
Duration 9 minutes.
Edition HH Music
Publishers #HH392-IPT.
Published by Edition HH
Music Publishers
(HH.HH392-IPT). ISBN
9790708146117. As a
work commissioned by
Ensemble Reconsil taking
South Africa as its
theme, this composition
conjures up a fantasy
landscape by means of its
symbolic musical
language, its timbres and
its quotations from the
music of the
country’s
original, inhabitants as
well as that of European
newcomers. In the middle
stands the ‘Great
Limpopo Transfrontier
Park’; the
establishment of this
park of peace has the aim
of creating a harmonious,
balanced relationship
between humans, animals
and nature. $88.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
Page suivante 1 31 61 |