| The Ultimate Fake Book - Third Edition (Bb version)
Instruments en Sib [Fake Book] Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 p...(+)
Bb Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 816 pages.
Published by Hal Leonard.
(8)$49.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| The Ultimate Fake Book - C Instruments (3rd Edition)
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pa...(+)
C Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 816 pages.
Published by Hal Leonard.
(31)$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ryan's Mammoth Collection of Fiddle Tunes Violon [Partition] Mel Bay
Edited by Patrick Sky. For fiddle. All styles. Level: Multiple Levels. Book. Son...(+)
Edited by Patrick Sky.
For fiddle. All styles.
Level: Multiple Levels.
Book. Songbook. Size
8.75x11.75. 176 pages.
Published by Mel Bay
Pub., Inc.
$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Lyrics Paroles Seulement [Partition] Hal Leonard
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
(1)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Pop/Rock Fake Book - In C
Instruments en Do [Fake Book] Hal Leonard
(4th Edition ) For voice and C instrument. Format: fakebook. With vocal melody, ...(+)
(4th Edition ) For voice
and C instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Pop rock, rock and
pop. Series: Hal Leonard
Fake Books. 584 pages.
9x12 inches. Published by
Hal Leonard.
(26)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Phillips Collection of Traditional American Fiddle Tunes Vol 1 Violon [Partition] Mel Bay
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
(1)$39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Ultimate Ukulele Fake Book Ukulele [Fake Book] Hal Leonard
Over 400 Songs to Strum and Sing. Composed by Various. Ukulele. Folk, Standard...(+)
Over 400 Songs to Strum
and
Sing. Composed by
Various.
Ukulele. Folk, Standards.
Softcover. 632 pages.
Published by Hal Leonard
$45.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Ukulele Fake Book - Small Edition Ukulele [Fake Book] Hal Leonard
Over 400 Songs to Strum and Sing. By Various. Ukulele. Pop. Softcover. 632 pag...(+)
Over 400 Songs to Strum
and
Sing. By Various.
Ukulele.
Pop. Softcover. 632
pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Best Of 1000 No.1 Hits: Chord Songbook Music Sales
| | |
| Roy Clark's Fiddle Magic Method Violon Santorella Publications
| | |
| Dan Coates - Complete Advanced Piano Solos
Piano seul [Partition] - Intermédiaire Alfred Publishing
The Greatest Love Of All Composed by Michael Masser, Linda Creed Homecoming Com...(+)
The Greatest Love Of All
Composed by Michael
Masser, Linda Creed
Homecoming Composed by
Hagood Hardy
Weve Got Tonight Composed
by Bob Seger
Song From M*a*s*h
(Suicide Is Painless)
Composed by Johnny
Mandel, Mike Altman
Misty Composed by Erroll
Garner, Johnny Burke
Other Side Of Midnight
Composed by Michel
Legrand
The Rose Composed by
Amanda Mc Broom
Tears In Heaven Composed
by Eric Clapton, Will
Jennings
Theme From New York, New
York Composed by Fred
Ebb, John Kander
Heart Composed by Richard
Adler, Jerry Ross
Hey There Composed by
Richard Adler, Jerry Ross
Colors Of My Life
Composed by Cy Coleman,
Michael Stewart
Over The Rainbow Composed
by Harold Arlen, E.y.
Harburg
Separate Lives Love Theme
From "white Nights"
Theme From Ice Castles
Composed by Marvin
Hamlisch, Carole Bayer
Sager
Tonight I Celebrate My
Love Composed by Michael
Masser, Gerry Goffin
In This Life Composed by
Mike Reid, Allen Shamblin
Up Where We Belong
Composed by W Jennings, B
Sainte, Marie, J Nitzsche
From A Distance Composed
by Julie Gold
I Will Always Love You
Composed by Dolly Parton
Oh! What It Seemed To Be
Composed by Bennie
Benjamin, George David
Weiss, Frankie
I Believe I Can Fly
Composed by R. Kelly
Valentine Composed by Jim
Brickman, Jack Kugell
How Do I Live Composed by
Diane Warren
Colors Of The Wind
Composed by Stephen
Schwartz, Alan Menken
A Dream Is A Wish Your
Heart Makes Composed by
Mack David, Al Hoffman,
Jerry Livingston
see less... Tell Him
Composed by Linda
Thompson, David Foster
Con Te Patiro / Time To
Say Goodbye Composed by
Lucio Quarantotto,
Francesco Sartori
Karen's Theme Composed by
Richard Carpenter
The Prayer Composed by
Carole Bayer Sager, David
"babyface" Foster
My One True Friend
Composed by Carole Bayer
Sager, Carole King
Love Solo Composed by Dan
Coates
I Don't Want To Miss A
Thing Composed by Diane
Warren
As Time Goes By Composed
by Herman Hupfeld
La Vie En Rose Composed
by Louiguy, Piaf
(French), David (Eng.)
What's New? Composed by
Bob Haggart, Johnny Burke
Summer Me, Winter Me
Composed by Michel
Legrand, Alan, Marilyn
Bergman
Evergreen Composed by
Barbra Streisand, Paul
Williams
Arthur's Theme (Best That
You Can Do) Composed by
Burt Bacharach, Carole
Bayer Sager
Can You Read My Mind
Composed by John
Williams, Leslie Bricusse
Love And Marriage
Composed by Jimmy Van
Heusen, Sammy Cahn
Desperado Composed by Don
Henley, Glenn Frey
The Wind Beneath My Wings
Composed by Jeff Silbar,
Larry Henley
How Do You Keep The Music
Playing? Composed by
Michel Legrand, Alan
Bergman
Anywhere The Heart Goes
Composed by Henry
Mancini, Will Jennings
Once Before I Go Composed
by Dean Pitchford, Peter
Allen
Star Wars - Main Theme
Composed by John Williams
Open Arms Composed by
Steve Perry, Jonathan
Cain
Canon In D Composed by
Johann Pachelbel
That's What Friends Are
For Composed by Burt
Bacharach, Carole Bayer
Sager
Friends Or Lovers Both To
Each Composed by Paul
Gordon, Jay Gruska
Forever Composed by Kenny
Loggins, Eva Loggins,
David Foster
Saving All My Love For
You Composed by Gerry
Goffin, Michael Masser
Miss Celie's Blues
Composed by Quincy Jones,
Rod Temperton, And
Anne's Theme Composed by
Hagood Hardy
One Moment In Time
Composed by Albert
Hammond, John Bettis
Kei's Song Composed by
David Benoit
I Say A Little Prayer
Composed by Burt
Bacharach, Hal David
Happy Birthday To You
Composed by Mildred J.
Hill, Patty S. Hill
May You Always Composed
by Larry Marks, Dick
Charles
If My Friends Could See
Me Now Composed by Cy
Coleman, Dorothy Fields
You Can Always Count On
Me Composed by Cy
Coleman, David Zippel
Ashokan Farewell Composed
by Jay Ungar
Everything I Do I Do It
For You Composed by Bryan
Adams, Robert Lange,
Michael Kamen
Send In The Clowns
Composed by Stephen
Sondheim
She Loves Me Composed by
Sheldon Harnick, Jerry
Bock
How Could I Ever Know?
Composed by Marsha
Norman, Lucy Simon
My Unknown Someone
Composed by Cy Coleman,
Adolph Green, Betty
Comden
Favorite Son Composed by
Cy Coleman, Adolph Green,
Betty Comden
I Swear Composed by Gary
Baker, Frank Myers
I Can Love You Like That
Composed by S Diamond, M
Derry, J Kimball
Beauty And The Beast
Composed by Howard
Ashman, Alan Menken
Angel Eyes Composed by
Jim Brickman
If You Believe Composed
by Jim Brickman
Because You Loved Me
Composed by Diane Warren
Un-break My Heart
Composed by Diane Warren
Ragtime Composed by
Stephen Flaherty, Lynn
Ahrens
Complete Advanced Piano
Solos (Music for All
Occasions). Arranged by
Dan Coates. For solo
piano. Piano -
Intermediate / Advanced
Collection; Piano
Supplemental. The
Professional Touch
Series. Contemporary
Instrumental and Pop. SMP
Level 9 (Advanced).
Collection. Standard
notation (does not
include words to the
songs). 304 pages.
Published by Alfred Music
Publishing
(80)$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Coplas Chorale SATB SATB A Cappella Chester
Choral (SATB a cappella) SKU: HL.14043287 Contemporary Church Music Se...(+)
Choral (SATB a cappella)
SKU: HL.14043287
Contemporary Church
Music Series.
Composed by John Tavener.
Choral. Contemporary,
General Worship, Sacred.
Octavo. 20 pages. Chester
Music #CH82830. Published
by Chester Music
(HL.14043287).
8.25x11.75x0.085
inches. John
Tavener 's Coplas ,
composed in 1970, for
unaccompanied SATB Choir.
' Coplas is a short
anthem for voices and
tape. It belongs to a
much larger work called
'Last Rites' which I have
been thinking about for
about a year. It is based
on the mystical idea of
St. John of the Cross
which obsesses me - the
more I live the more I
must die. Hence the
deliberately static
nature of Coplas. In once
sense Coplas is a
prolonged decoration of
the 'et sepultus est'
cadence from the
Crucifixus in Bach's Mass
in B minor. In another
sense I think of it not
so much as my music but a
way of listening to
Bach's music. ' - John
Tavener. $8.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.416415760 For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760). UPC:
680160636532. 9 x 12
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $39.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Sonata For Trumpet And Piano Trompette, Piano Theodore Presser Co.
Chamber Music Piano, Trumpet SKU: PR.114419070 Composed by Martin Amlin. ...(+)
Chamber Music Piano,
Trumpet SKU:
PR.114419070 Composed
by Martin Amlin. With
Standard notation. 20+16
pages. Duration 9
minutes. Theodore Presser
Company #114-41907.
Published by Theodore
Presser Company
(PR.114419070). ISBN
9781491113493. UPC:
680160671540. 9 x 12
inches. Martin
Amlin’s first
recital work for Trumpet
and Piano brings all the
iridescent excitement
that has intrigued other
performers. Composed for
his renowned colleague
Terry Everson,
Amlin’s sonata
pours new wine into old
bottles with its three
movements titled: 1.
Invention, 2. Chaconne,
and 3. Moto Perpetuo. The
publication provides solo
parts for both C and
E-flat
Trumpet. Composer and
pianist Martin Amlin has
received grants from the
National Endowment for
the Arts, Tanglewood
Music Center,
Massachusetts Cultural
Council, Massachusetts
Artists Foundation, St.
Botolph Club Foundation,
and the Massachusetts
Council for the Arts. He
was a recipient of an
ASCAP Grant to Young
Composers and has
received many ASCAPlus
Awards. He has been a
resident at Yaddo, the
Virginia Center for the
Creative Arts, and the
MacDowell Colony, where
he was named a Norlin
Fellow.Much of
Amlin’s music is
characterized by a
pungent tonality and
energetic rhythms. His
Sonata for Piccolo and
Piano and Sonata No. 2
for Flute and Piano both
won the National Flute
Association’s
Newly Published Music
Competition. Concerto for
Piccolo and Orchestra was
premiered by the Atlanta
Symphony Orchestra,and he
has had performances of
his music by the Pro Arte
Chamber Orchestra,
Tanglewood Festival
Chorus, John Oliver
Chorale, Back Bay
Chorale, Webster Trio,
and the American Vocal
Arts Quintet. He has had
commissions from the
Seattle Flute Society,
Pacific Serenades, the
Chicago Flute Club, ALEA
III, the James
Pappoutsakis memorial
flute competition,
pianist Andrew Willis,
and clarinetist Michael
Webster.Martin Amlin is
Chairman of the
Department of Composition
and Theory at Boston
University and Director
of the Young Artists
Composition Program at
the Boston University
Tanglewood Institute. He
is also recipient of
Boston
University’s Kahn
Award for his Piano
Sonata No. 7. He studied
with Nadia Boulanger at
the Ecoles d’Art
Américaines in
Fontainebleau and the
Ecole Normale de Musique
in Paris, and received
masters and doctoral
degrees as well as the
Performer’s
Certificate from the
Eastman School of Music.
Mr. Amlin has appeared as
soloist with the Boston
Pops Orchestra in
performances of
Mendelssohn’s
Piano Concerto No. 1 and
Gershwin’s
Rhapsody in Blue, and has
performed on the Boston
Symphony
Orchestra’s
Prelude concerts at both
Symphony Hall and
Tanglewood. He has also
appeared on the
FleetBoston Celebrity
Series and been pianist
for the M.I.T.
Experimental Music Studio
and the New England
Ragtime Ensemble. He has
often been heard live on
Boston’s WGBH
radio station as both
performer and composer,
and has given world
premieres of many new
works.Martin Amlin has
recordings on the Albany,
Ashmont Music, Centaur,
Crystal, Folkways,
Hyperion, Koch
International, Opus One,
Titanic, and Wergo
labels. . $18.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.41641576L For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L). UPC:
680160636549. 11 x 17
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Hall Johnson Collection Piano, Voix [Listening CD|Vocal Score|Reduction] Carl Fischer
Over 50 Classic Favorites for Voice and Piano Including a Performance CD. By Hal...(+)
Over 50 Classic Favorites
for Voice and Piano
Including a Performance
CD. By Hall Johnson; Toy
Harper. Edited by Julius
Willams. Arranged by Hall
Johnson. Text: Dwight
Strickland; Eugene Thamon
Simpson Ed. D.; Hall
Johnson; John L. Motley;
Langston Hughes; Oscar O.
Cozad. For Piano, Voice.
Piano/Vocal Score. 208
pages. Published by Carl
Fischer
(2)$45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Complete Sacred Vocal Works (Das geistliche Vokalwerk) Chorale Carus Verlag
Complete edition in 23 volumes. Composed by Johann Sebastian Bach (1685-1...(+)
Complete edition in 23
volumes. Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Ulrich Leisinger, Uwe
Wolf. Stuttgart Urtext
Edition: Bach vocal. Set
with study scores. Sacred
vocal music, Cantatas,
Masses, Latin,
Oratorios, Passions.
Package. 12808 pages.
Carus Verlag #CV
31.500/00. Published by
Carus Verlag
(CA.3150000).
$1025.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Johann Sebastian Bach: Masses, Passions and Oratorios (1 slip case) Carus Verlag
SKU: CA.3150200 Composed by Johann Sebastian Bach. Edited by Uwe Wolf, Ul...(+)
SKU: CA.3150200
Composed by Johann
Sebastian Bach. Edited by
Uwe Wolf, Ulrich
Leisinger. Stuttgart
Urtext Edition: Bach
vocal. Set with study
scores. Sacred vocal
music, Masses, Latin,
Oratorios, Passions.
Package. 2068 pages.
Carus Verlag #CV
31.502/00. Published by
Carus Verlag
(CA.3150200). ISBN
9790007187132. This
part of the complete
edition contains: Masses,
Passions and Oratorios (1
slip case) vol. 1: Mass
in B minor BWV 232
Sanctus in D major BWV
232III (version 1724)
vol. 2: Missa in F major
BWV 233 Kyrie Christe du
Lamm BWV 233a Missa in A
major BWV 234 Missa in G
minor BWV 235 Missa in G
major BWV 236 Sanctus in
C major BWV 237 Sanctus
in D major BWV 238
Magnificat in D major BWV
243 Inserts for the
Magnificat (in D major)
vol. 3: St. Matthew
Passion BWV 244 St. Mark
Passion BWV 247 vol. 4:
St. John Passion BWV 245
in all surviving versions
vol. 5: Christmas
Oratorio BWV 248 vol. 6:
Easter Oratorio BWV 249
Ascension Oratorio BWV 11
With the Bach vocal
project, we have
pubblished Johann
Sebastian Bach's complete
sacred vocal music in a
high-quality complete
edition: This up-to-date
Bach Edition - over
12,500 pages of score -
contains all the
cantatas, oratorios,
passions, motets and
masses. An edition in the
tried and tested Carus
quality - and the only
modern Bach edition for
which complete
performance material is
available for sale! -
Reader-friendly and handy
format (like a vocal
score) - Outstanding
legibility through clear
presentation of the
musical image and precise
printing on the tried and
tested Carus music paper
- Robust and practicable
binding - High-quality
slip case for practical
storage - User-friendly
structure of the volumes
- Rapid location of
desired work: each
cantata volume contains
an overview of the
cantatas in the church
year. $265.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 50 Blues Rock Guitar Licks You Must Know (DVD) Guitare [DVD] EMedia
| | |
| A Good Understanding (Percussion Part) Chorale SATB SATB, Orgue St Rose Music Publishing
(SATB AND ORGAN) SKU: HL.1122017 For Treble Semichorus, SATB Chorus, P...(+)
(SATB AND ORGAN) SKU:
HL.1122017 For
Treble Semichorus, SATB
Chorus, Percussion and
Organ. Composed by
Nico Muhly. Choral.
Softcover. St. Rose Music
#SRO100013-01. Published
by St. Rose Music
(HL.1122017). ISBN
9781705181744. UPC:
196288108986. A
Good Understanding (2005)
was written for Tim Brown
and the choir of Clare
College, Cambridge with
the generous cooperation
of John Scott and the
Boys of Saint Thomas
Church Fifth Avenue. A
Good Understanding, with
texts culled from two
psalms, is designed to
share a program with
Rutter's expansive and
expressive Mass of the
Children. The piece
unfolds episodically
short choral phrases
alternating with longer
instrumental interludes.
The first half of the
text is typical psaltry
praise-making: outlining
agreements, explaining
the rules; the music is,
accordingly, severe but
practical. The second
half of the text begins,
The fear of the Lord is
the beginning of wisdom/a
good understanding have
all they that do his
commandments.?I find the
idea of a good
understanding?to be an
especially exciting
reward for following the
rules; the boys sing
pulsed syllables and long
descants to celebrate the
covenant while the choir
sings a lilting,
repetitive refrain.
(Psalm 111, 10). - Nico
Muhly. $4.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Keyboard Strategies Piano seul Schirmer
Master Text II. By Various. Piano Collection. 432 pages. Published by G. Schirme...(+)
Master Text II. By
Various. Piano
Collection. 432 pages.
Published by G. Schirmer,
Inc.
$50.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Early Tudor Masses I. (Made to order) Stainer and Bell
SKU: ST.EC1 Composed by Various. Edited by John D. Williams. Library Volu...(+)
SKU: ST.EC1
Composed by Various.
Edited by John D.
Williams. Library
Volumes. Edited by John
D. Bergsagel. First
published in 1963. Pages:
150. Format: A4
spiral-bound. Choral
Score. Stainer & Bell
Ltd. #EC1. Published by
Stainer & Bell Ltd.
(ST.EC1). ISBN
9780852495292. The
first volume of the
series draws on the
Forrest-Heyther
partbooks, preserved in
Oxford's Bodleian
Library. They are the
source of a 6-part Festal
Mass by Richard Alwood,
written to an unknown
cantus firmus and most
unusually in duple
notation throughout, and
a Festal Mass, also in 6
parts and using the
Advent antiphon Ave
Maria as cantus, by
Thomas Ashewell. $94.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Mass of the Children Chorale SATB [Vocal Score] Oxford University Press
By John Rutter (1945-). For Soprano and Baritone solo voices, children's and SAT...(+)
By John Rutter (1945-).
For Soprano and Baritone
solo voices, children's
and SATB choirs,
orchestra/chamber
ensemble (Orchestra:
[2.2.2.2-2.2.0.0],
timpani, percussion (2
players).hp-str Chamber
ensemble: fl, ob, cl,
bsn, hn, timp, perc (1 or
2 players), hp
$16.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| St. Cecilia Mass Soli, choeur mixte et accompagnement Soli, chœur mixte et piano [Vocal Score] Novello & Co Ltd.
By Alessandro Scarlatti. For SSATB Soli, SATB Choir, Organ. Baroque. Sheet Music...(+)
By Alessandro Scarlatti.
For SSATB Soli, SATB
Choir, Organ. Baroque.
Sheet Music. 120 pages.
Published by Novello and
Co Ltd.
$25.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Major Choral Works CD Sheet Music
SKU: SU.00220513 Composed by Johann Sebastian Bach. Vocal/Choral, Sacred ...(+)
SKU: SU.00220513
Composed by Johann
Sebastian Bach.
Vocal/Choral, Sacred
Large Choral Works. CD
(PDF Scores). CD Sheet
Music #00220513.
Published by CD Sheet
Music (SU.00220513).
This CD Sheet
Musicâ„¢ collection
makes available vocal
scores (mostly modern
clef editions) for J.S.
Bach's larger choral
works. Includes: St.
Matthew Passion (English
& German), St. John
Passion, Mass in B Minor,
Magnificat in D,
Christmas & Easter
Oratorios, Motets, other
masses, secular cantatas,
and more. Also includes
composer biographies and
relevant articles from
the 1911 edition of
Grove's Dictionary of
Music and Musicians
Companion to Bach: The
Complete Church Cantatas
(#00220554) 2500+ pages
Please note,
customers using Macintosh
computers running macOS
Catalina (version 10.5)
have reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| A Hymn to the Thames Orchestre [Conducteur] University Of York Music Press
Orchestra SKU: BT.YKM570369270 Composed by Robert Saxton. Score Only. Com...(+)
Orchestra SKU:
BT.YKM570369270
Composed by Robert
Saxton. Score Only.
Composed 2021. 70 pages.
University of York Music
Press #YKM570369270.
Published by University
of York Music Press
(BT.YKM570369270).
A Hymn to the
Thames was commissioned
by James Turnbull and the
Music Director of the St
Paul’s Sinfonia, Andrew
Morley. It was begun in
2019 and completed early
in 2020. There are four
movements played without
a break, which follow the
Thames from its Cotswold
source to the North Sea.
As the first performance
took place in St
ALfege’s Church,
Greenwich, this seemed
appropriate. The solo
oboe represents both a
wanderer along the river
path and the spirit of
the river. The pitch
centres of the movements
spell out the musical
letters of the river
(tHAmES—B natural, A, E
and E flat) so that the
river’s name is
projected across the
whole work. In addition,
the musical letters found
in James Turnbull, Andrew
Morley and my wife,
Teresa Cahill ( who was
born in Maidenhead and
brought up by the river
in Rotherhithe) are
entwined in various
guises. The first
movement grows from the
depths, the soloist
entering with
fanfare-like gestures,
followed by lyrical music
and breaks into a dance
as the river gathers
momentum. The third
movement is slow and
sustained and
geographically the Thames
flows through Oxford. The
music is based on the
well-known In Nomine
‘head motif’ from the
Gloria tibi Trinitas Mass
by the early Tudor
composer, John Taverner,
who was the first
Director of Music at
Christ Church, Oxford.
The orchestra provides a
screen or veil above
which the solo oboe
dreams and ruminates.
This leads directly into
the fourth and final
movement which begins in
the depths once more,
interrupting the oboe’s
held note from the end of
the third movement. The
waters’ increasing
intensity and power are
represented throughout by
a moto perpetuo of quick,
steady semiquavers. Near
the close, the woodwind
play O Nata Lux by Thomas
Tallis, the great Tudor
composer who, with his
wife Joan, is buried in
St Alfege’s. Beneath
this, the lower strings
continue the fast
semiquaver movement of
the river and, above, the
violins are heard as a
halo of harmonics. At the
close, the oboe rises,
opening out to the
future, and celebrating
its voyage, while the
orchestra fades as the
river meets the sea. A
Hymn to the Thames lasts
approximately 17
minutes. $23.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Orchestra Musician's CD-ROM Library, Volume 10 Violin CD Sheet Music
SKU: SU.00220236 Composed by Handel Bach. Strings, Violin. CD (PDF Scores...(+)
SKU: SU.00220236
Composed by Handel Bach.
Strings, Violin. CD (PDF
Scores). CD Sheet Music
#00220236. Published by
CD Sheet Music
(SU.00220236).
The complete
Violin I & II parts
[CD-ROM] for the 53
orchestral works included
in The Orchestra
Musician's CD-ROM
Libraryâ„¢, Volume
10: Bach, Handel and
more. If these parts were
purchased separately,
this collection could
cost several hundred
dollars. Parts are easily
viewable and printable on
either PC or Mac using
embedded Adobe® Reader
technology. Contents:
ARNE The Masque of Comus,
Overture; C. P. E. BACH
Magnificat, Sinfonia in
D, Sinfonia in Eb,
Sinfonia in F; J. S. BACH
Brandenburg Concertos
1-6, Christmas Oratorio,
Concerto for Violin in A
Minor, Concerto for
Violin in E Major, Easter
Oratorio (Kommt, eilet
und laufet), Magnificat
in D Major, Mass in B
Minor, St. John Passion,
St. Matthew Passion,
Orchestral Suites 1-4;
BOCCHERINI Sinfonia, Op.
22, No. 1, Symphony No.
23 in D Minor, Op. 37,
No. 3; CIMAROSA Il
Matrimonio Segreto,
Overture; DITTERSDORF
Symphonies 1-6; GLUCK
Dance of the Blessed
Spirits, Don Juan Ballet
Suite, Iphigenia in Aulis
Overture, Orfeo ed
Euridice Overture, Paris
and Helena Ballet Suite;
HANDEL Music for the
Royal Fireworks, Israel
in Egypt, Judas
Maccabaeus, Julius
Caesar, Messiah (Mozart
version), Messiah (Prout
version), Saul Overture,
Water Music, Xerxes;
HÉROLD Zampa
Overture; LULLY Ballet
Suite (Mottl); MÉHUL
Joseph Overture;
PAISIELLO Barber of
Seville Overture; RAMEAU
Ballet Suite from
Platèe, Castor and
Pollux Suite, Sixth
Concert (Suite) Visit for
more
information Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Orchestra Musician's CD-ROM Library, Volume 10 Double Bass CD Sheet Music
SKU: SU.00220239 Composed by Handel Bach. Strings, Contrabass. CD (PDF Sc...(+)
SKU: SU.00220239
Composed by Handel Bach.
Strings, Contrabass. CD
(PDF Scores). CD Sheet
Music #00220239.
Published by CD Sheet
Music (SU.00220239).
The complete
Double Bass parts
[CD-ROM] for the 53
orchestral works included
in The Orchestra
Musician's CD-ROM
Libraryâ„¢, Volume
10: Bach, Handel and
more. If these parts were
purchased separately,
this collection could
cost several hundred
dollars. Parts are easily
viewable and printable on
either PC or Mac using
embedded Adobe® Reader
technology. Contents:
ARNE The Masque of Comus,
Overture; C. P. E. BACH
Magnificat, Sinfonia in
D, Sinfonia in Eb,
Sinfonia in F; J. S. BACH
Brandenburg Concertos
1-6, Christmas Oratorio,
Concerto for Violin in A
Minor, Concerto for
Violin in E Major, Easter
Oratorio (Kommt, eilet
und laufet), Magnificat
in D Major, Mass in B
Minor, St. John Passion,
St. Matthew Passion,
Orchestral Suites 1-4;
BOCCHERINI Sinfonia, Op.
22, No. 1, Symphony No.
23 in D Minor, Op. 37,
No. 3; CIMAROSA Il
Matrimonio Segreto,
Overture; DITTERSDORF
Symphonies 1-6; GLUCK
Dance of the Blessed
Spirits, Don Juan Ballet
Suite, Iphigenia in Aulis
Overture, Orfeo ed
Euridice Overture, Paris
and Helena Ballet Suite;
HANDEL Music for the
Royal Fireworks, Israel
in Egypt, Judas
Maccabaeus, Julius
Caesar, Messiah (Mozart
version), Messiah (Prout
version), Saul Overture,
Water Music, Xerxes;
HÉROLD Zampa
Overture; LULLY Ballet
Suite (Mottl); MÉHUL
Joseph Overture;
PAISIELLO Barber of
Seville Overture; RAMEAU
Ballet Suite from
Platèe, Castor and
Pollux Suite, Sixth
Concert (Suite) Visit for
more
information Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac. $20.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Leonard Bernstein's Mass Chorale, Orchestre [Vocal Score] Boosey and Hawkes
Vocal Score. By Leonard Bernstein. (Vocal Score). Boosey and Hawkes Stage Works....(+)
Vocal Score. By Leonard
Bernstein. (Vocal Score).
Boosey and Hawkes Stage
Works. Size 10.3x13.5
inches. 267 pages.
Published by Boosey and
Hawkes.
(1)$120.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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