| Concert Favorites Vol.2 - Percussion Percussion Hal Leonard
Essential Elements Band Folios. Size 9x12 inches. 31 pages. Published by Hal Leo...(+)
Essential Elements Band
Folios. Size 9x12 inches.
31 pages. Published by
Hal Leonard.
$8.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Concert Favorites Vol.2 - Keyboard Percussion Hal Leonard
| | |
| Vulcan's Anvil - Débutant Carl Fischer
Band Anvil, Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Anvil, Bass
Clarinet, Bass Drum,
Bassoon, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Tam-tam,
Timpani, Tom-tom,
Trombone, Trumpet 1 and
more. - Grade 1.5 SKU:
CF.FPS158 Composed by
Joseph Compello. Folio.
Fps. Set of Score and
Parts.
8+2+4+4+2+5+2+2+4+4+3+6+2
+3+1+1+2+3+16 pages.
Duration 2 minutes, 5
seconds. Carl Fischer
Music #FPS158. Published
by Carl Fischer Music
(CF.FPS158). ISBN
9781491158005. UPC:
680160916603. 9 x 12
inches. Vulcan's
Anvil is intended for
band students who have
completed at least one
year of instruction. In
order to capture properly
the character of the
music, students should
not confuse a Star Trek
character with the title
character of this piece.
Explain to them that
Vulcan is the ancient
mythological god of fire
who is often portrayed
holding a hammer over an
anvil at a blacksmith's
hearth. Of primary
importance to an
effective performance is
the acquisition of an
instrument which produces
a convincing anvil sound.
If possible, consult with
an orchestral
percussionist who, more
than likely, has used the
anvil in Verdi's Anvil
Chorus or in Wagner's
Ring Cycle. Web searches
will reveal in-depth
information about anvils
in music and the lore of
the character Vulcan.
Regarding wind
instruments, articulation
is always marcato. There
are no tender or
contrasting passages in
this piece. Effective
execution of crescendos
will add drama to the
music. As always, balance
between winds and
percussion is crucial.
Thank you for choosing
this composition. Joseph
Compello. Vulcan's
Anvil is intended for
band students who have
completed at least one
year of instruction. In
order to capture properly
the character of the
music, students should
not confuse a Star Trek
character with the title
character of this piece.
Explain to them that
Vulcan is the ancient
mythological god of fire
who is often portrayed
holding a hammer over an
anvil at a blacksmith's
hearth. Of primary
importance to an
effective  performance
is the acquisition of an
instrument which produces
a convincing anvil sound.
If possible, consult with
an orchestral
percussionist who, more
than likely, has used the
anvil in Verdi's Anvil
Chorus or in Wagner's
Ring Cycle. Web searches
will reveal in-depth
information about anvils
in music and the lore of
the character Vulcan.
Regarding wind
instruments, articulation
is always marcato. There
are no tender or
contrasting passages in
this piece. Effective
execution of crescendos
will add drama to the
music. As always, balance
between winds and
percussion is
crucial.Thank you for
choosing this
composition.Joseph
Compello. $58.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Vulcan's Anvil [Conducteur] - Débutant Carl Fischer
Band Anvil, Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Anvil, Bass
Clarinet, Bass Drum,
Bassoon, Clarinet 1,
Clarinet 2, Crash
Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Tam-tam,
Timpani, Tom-tom,
Trombone, Trumpet 1 and
more. - Grade 1.5 SKU:
CF.FPS158F Composed
by Joseph Compello. Sws.
Fps. Full score. 16
pages. Duration 2
minutes, 5 seconds. Carl
Fischer Music #FPS158F.
Published by Carl Fischer
Music (CF.FPS158F).
ISBN 9781491158012.
UPC: 680160916610. 9 x 12
inches. Vulcan's
Anvil is intended for
band students who have
completed at least one
year of instruction. In
order to capture properly
the character of the
music, students should
not confuse a Star Trek
character with the title
character of this piece.
Explain to them that
Vulcan is the ancient
mythological god of fire
who is often portrayed
holding a hammer over an
anvil at a blacksmith's
hearth. Of primary
importance to an
effective performance is
the acquisition of an
instrument which produces
a convincing anvil sound.
If possible, consult with
an orchestral
percussionist who, more
than likely, has used the
anvil in Verdi's Anvil
Chorus or in Wagner's
Ring Cycle. Web searches
will reveal in-depth
information about anvils
in music and the lore of
the character Vulcan.
Regarding wind
instruments, articulation
is always marcato. There
are no tender or
contrasting passages in
this piece. Effective
execution of crescendos
will add drama to the
music. As always, balance
between winds and
percussion is crucial.
Thank you for choosing
this composition. Joseph
Compello. Vulcan's
Anvil is intended for
band students who have
completed at least one
year of instruction. In
order to capture properly
the character of the
music, students should
not confuse a Star Trek
character with the title
character of this piece.
Explain to them that
Vulcan is the ancient
mythological god of fire
who is often portrayed
holding a hammer over an
anvil at a blacksmith's
hearth. Of primary
importance to an
effective  performance
is the acquisition of an
instrument which produces
a convincing anvil sound.
If possible, consult with
an orchestral
percussionist who, more
than likely, has used the
anvil in Verdi's Anvil
Chorus or in Wagner's
Ring Cycle. Web searches
will reveal in-depth
information about anvils
in music and the lore of
the character Vulcan.
Regarding wind
instruments, articulation
is always marcato. There
are no tender or
contrasting passages in
this piece. Effective
execution of crescendos
will add drama to the
music. As always, balance
between winds and
percussion is
crucial.Thank you for
choosing this
composition.Joseph
Compello. $9.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Heartbreak Trail - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Sleigh Bells, Snare
Drum, Suspended Cymbal,
Timpani, Tom-tom and
more. - Grade 2 SKU:
CF.YPS241 Composed by
David Bobrowitz. Set of
Score and Parts.
17+4+4+2+4+4+2+2+3+2+2+2+
4+4+4+4+3+3+3+2+3+2+1+3+3
pages. Duration 2
minutes, 53 seconds. Carl
Fischer Music #YPS241.
Published by Carl Fischer
Music (CF.YPS241).
ISBN 9781491159651.
UPC:
680160918249. PROGR
AM NOTES Heartbreak Trail
describes the forced
relocation of
approximately 100,000
Native Americans in the
1830s. Known as the Trail
of Tears, thousands lost
their lives during the
march, and it is
remembered today as a
great human-rights
atrocity and a shameful
period in American
history. The opening
A-section captures the
sadness of those in the
five tribes who were
forced from their
homeland. The fast
B-section represents the
determination to survive
the long, difficult trek.
Although there were many
obstacles, thousands did
survive, but a dark
A-section returns to
depict the loss of
homeland, fellow tribe
members, and a depression
over the new lack of
freedom. PERFORMANCE
NOTES The opening should
be at a moderate pace and
section entrances should
be balanced at mezzo
piano. In m. 12 have the
woodwinds play out their
melodic material. In m.
20 the brass should pick
up the same volume level
as did the woodwinds
previously. Measure 27
should die away from what
was, and then a sudden
change in volume, and
mood at m. 31. The entire
B-section should be bold,
with attention paid to
the many accents. (Before
working the B-section, an
explanation of the
difference in accents
will probably aid in
accuracy.) Measures 37
and 41 have the timpanist
and tom-tom player play a
very strong forte with
attention to the accents.
Measures 51 to 52 work a
strong quick crescendo to
fortissimo. This should
set up the tutti forte at
m. 53. In m. 61 start a
gradual diminuendo to the
return of the A-section
at m. 68. Explain how to
execute the staggered
breathing for the flutes,
tenor sax and trombone
starting at m. 73.
Although the final
percussion from m. 73 to
the end is soft and
fading, make sure the
final sleigh bell sounds
are heard
clearly. Â PROGRAM
NOTESHeartbreak Trail
describes the forced
relocation of
approximately 100,000
Native Americans in the
1830s. Known as the Trail
of Tears, thousands lost
their lives during the
march, and it is
remembered today as a
great human-rights
atrocity and a shameful
period in American
history. The opening
A-section captures the
sadness of those in the
five tribes who were
forced from their
homeland. The fast
B-section represents the
determination to survive
the long, difficult
trek.Although there were
many obstacles, thousands
did survive, but a dark
A-section returns to
depict the loss of
homeland, fellow tribe
members, and a depression
over the new lack of
freedom.PERFORMANCE
NOTESThe opening should
be at a moderate pace and
section entrances should
be balanced at mezzo
piano. In m. 12 have the
woodwinds play out their
melodic material. In m.
20 the brass should pick
up the same volume level
as did the woodwinds
previously. Measure 27
should die away from what
was, and then a sudden
change in volume, and
mood at m. 31. The entire
B-section should be bold,
with attention paid to
the many accents. (Before
working the B-section, an
explanation of the
difference in accents
will probably aid in
accuracy.) Measures 37
and 41 have the timpanist
and tom-tom player play a
very strong forte with
attention to the
accents. Measures 51
to 52 work a strong quick
crescendo to fortissimo.
This should set up the
tutti forte at m. 53. In
m. 61 start a gradual
diminuendo to the return
of the A-section at m.
68. Explain how to
execute the staggered
breathing for the flutes,
tenor sax and trombone
starting at m. 73.
Although the final
percussion from m. 73 to
the end is soft and
fading, make sure the
final sleigh bell sounds
are heard clearly. $65.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Heartbreak Trail [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Sleigh Bells, Snare
Drum, Suspended Cymbal,
Timpani, Tom-tom and
more. - Grade 2 SKU:
CF.YPS241F Composed
by David Bobrowitz. Full
score. 17 pages. Carl
Fischer Music #YPS241F.
Published by Carl Fischer
Music (CF.YPS241F).
ISBN 9781491159668.
UPC:
680160918256. PROGR
AM NOTES Heartbreak Trail
describes the forced
relocation of
approximately 100,000
Native Americans in the
1830s. Known as the Trail
of Tears, thousands lost
their lives during the
march, and it is
remembered today as a
great human-rights
atrocity and a shameful
period in American
history. The opening
A-section captures the
sadness of those in the
five tribes who were
forced from their
homeland. The fast
B-section represents the
determination to survive
the long, difficult trek.
Although there were many
obstacles, thousands did
survive, but a dark
A-section returns to
depict the loss of
homeland, fellow tribe
members, and a depression
over the new lack of
freedom. PERFORMANCE
NOTES The opening should
be at a moderate pace and
section entrances should
be balanced at mezzo
piano. In m. 12 have the
woodwinds play out their
melodic material. In m.
20 the brass should pick
up the same volume level
as did the woodwinds
previously. Measure 27
should die away from what
was, and then a sudden
change in volume, and
mood at m. 31. The entire
B-section should be bold,
with attention paid to
the many accents. (Before
working the B-section, an
explanation of the
difference in accents
will probably aid in
accuracy.) Measures 37
and 41 have the timpanist
and tom-tom player play a
very strong forte with
attention to the accents.
Measures 51 to 52 work a
strong quick crescendo to
fortissimo. This should
set up the tutti forte at
m. 53. In m. 61 start a
gradual diminuendo to the
return of the A-section
at m. 68. Explain how to
execute the staggered
breathing for the flutes,
tenor sax and trombone
starting at m. 73.
Although the final
percussion from m. 73 to
the end is soft and
fading, make sure the
final sleigh bell sounds
are heard
clearly. Â PROGRAM
NOTESHeartbreak Trail
describes the forced
relocation of
approximately 100,000
Native Americans in the
1830s. Known as the Trail
of Tears, thousands lost
their lives during the
march, and it is
remembered today as a
great human-rights
atrocity and a shameful
period in American
history. The opening
A-section captures the
sadness of those in the
five tribes who were
forced from their
homeland. The fast
B-section represents the
determination to survive
the long, difficult
trek.Although there were
many obstacles, thousands
did survive, but a dark
A-section returns to
depict the loss of
homeland, fellow tribe
members, and a depression
over the new lack of
freedom.PERFORMANCE
NOTESThe opening should
be at a moderate pace and
section entrances should
be balanced at mezzo
piano. In m. 12 have the
woodwinds play out their
melodic material. In m.
20 the brass should pick
up the same volume level
as did the woodwinds
previously. Measure 27
should die away from what
was, and then a sudden
change in volume, and
mood at m. 31. The entire
B-section should be bold,
with attention paid to
the many accents. (Before
working the B-section, an
explanation of the
difference in accents
will probably aid in
accuracy.) Measures 37
and 41 have the timpanist
and tom-tom player play a
very strong forte with
attention to the
accents. Measures 51
to 52 work a strong quick
crescendo to fortissimo.
This should set up the
tutti forte at m. 53. In
m. 61 start a gradual
diminuendo to the return
of the A-section at m.
68. Explain how to
execute the staggered
breathing for the flutes,
tenor sax and trombone
starting at m. 73.
Although the final
percussion from m. 73 to
the end is soft and
fading, make sure the
final sleigh bell sounds
are heard clearly. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Vulcan Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
(Score and Parts). Composed by Michael Daugherty (1954-). For Concert Band. Mich...(+)
(Score and Parts).
Composed by Michael
Daugherty (1954-). For
Concert Band. Michael
Daugherty Music. Grade 4.
Softcover. Published by
Hal Leonard
$325.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Michael Daugherty : Vulcan Orchestre d'harmonie [Conducteur] - Intermédiaire Hal Leonard
Full Score. Composed by Michael Daugherty (1954-). Michael Daugherty Music. S...(+)
Full Score. Composed by
Michael Daugherty
(1954-).
Michael Daugherty Music.
Softcover. 120 pages.
Published by Hal Leonard
$45.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Santa's Magical Midnight Ride Orchestre d'harmonie [Conducteur et Parties séparées] - Facile C.L. Barnhouse
Grade 2 SKU: CL.024-5055-00 Composed by Shaffer. Young Concert Band. Scor...(+)
Grade 2 SKU:
CL.024-5055-00
Composed by Shaffer.
Young Concert Band. Score
and set of parts. C.L.
Barnhouse #024-5055-00.
Published by C.L.
Barnhouse
(CL.024-5055-00).
The story tells
it all: Santa Claus is on
his way! His sleigh is
filled with gifts! The
weather is clear, perfect
for the reindeer to guide
him on his Christmas Eve
trek. Away we go! Santa
knows how to put on a
show. He’s getting
closer, above the roofs,
and as he descends,
you’ll hear the
reindeer hoofs. Toward
the chimney Santa goes,
hoping he fits…oh
no… it’s a
tight squeeze! As he
lands with a thump, but
Santa’s all right;
he never fails! After
all, he’s tough as
nails. Recovered from his
fall he leaves presents
for one and all. Then
back to the sleigh, so
much to do. Don’t
worry, he won’t
forget about you. The
stars will always be his
guide on Santa’s
Magical Midnight Ride!
Scored for maximum sound
effects within the
percussion section, this
will be the hit of any
holiday concert! $60.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Santa's Magical Midnight Ride Orchestre d'harmonie - Facile C.L. Barnhouse
Grade 2 SKU: CL.024-5055-01 Composed by Shaffer. Young Concert Band. Extr...(+)
Grade 2 SKU:
CL.024-5055-01
Composed by Shaffer.
Young Concert Band. Extra
score. C.L. Barnhouse
#024-5055-01. Published
by C.L. Barnhouse
(CL.024-5055-01).
The story tells
it all: Santa Claus is on
his way! His sleigh is
filled with gifts! The
weather is clear, perfect
for the reindeer to guide
him on his Christmas Eve
trek. Away we go! Santa
knows how to put on a
show. He’s getting
closer, above the roofs,
and as he descends,
you’ll hear the
reindeer hoofs. Toward
the chimney Santa goes,
hoping he fits…oh
no… it’s a
tight squeeze! As he
lands with a thump, but
Santa’s all right;
he never fails! After
all, he’s tough as
nails. Recovered from his
fall he leaves presents
for one and all. Then
back to the sleigh, so
much to do. Don’t
worry, he won’t
forget about you. The
stars will always be his
guide on Santa’s
Magical Midnight Ride!
Scored for maximum sound
effects within the
percussion section, this
will be the hit of any
holiday concert! $7.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Cambridgeshire Impressions Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000652-020 Composed by Rieks van der V...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000652-020
Composed by Rieks van der
Velde. Set (Score &
Parts). 144 pages.
Gobelin Music
Publications #GOB
000652-020. Published by
Gobelin Music
Publications
(BT.GOB-000652-020).
In a four-part
composition Rieks van der
Velde takes us to the
richly varied area
surrounding the
university city of
Cambridge. The Dutch
composer was especially
inspired by the
atmosphere of
Cambridgeshire, the
county which lies north
of London. 1.
The Journey. Although
on arrival the area looks
peaceful and friendly,
the ruggedness of its
inhabitants and landscape
have an unmistakable
influence on the
music. In the course
of the tour, which starts
with an Allegro movement,
we are shown the
vitality, energy and
freshness of the
Cambridgeshire
countryside. Short
themes, swift and sudden
motifs and rhythmical
patterns supported by the
drive ofpercussion
instruments give
expression to this
image. The first part
is concluded by two
'Calmo' movements in
which the music expresses
how the cathedral in the
city of Ely comes into
sight and is gradually
approached.
2.
Visit to Ely
Cathedral. The famous
Norman cathedral church
of Ely, which was built
in 1109, has attracted
tourists from all over
the world apart from
being a place of worship
and heritage site. A
cornet solo introduces
the contemplative mood of
the composition at this
point. The mystical
atmosphere of the
cathedral runs through
this lyrical part like a
continuous thread.
3. The Pub.
The thirst caused by this
intensive journey makes a
visit to the local pub a
definite must. These
“public houses”,
which may be open until
the early hours of the
morning, offer all kinds
of entertainment.
Drinks are served
liberally and the
atmosphere is
lively.
4. The
Journey Back. Time
has flown: In other
words, the moment of
departure has come sooner
than one would have
wished. In a
flashback which
recaptures elements of
the first part of the
composition we say
goodbye to Cambridgeshire
in a fitting manner.
Two scintillating final
measures bring us
abruptly back to the
present.
In een
viertal delen neemt Rieks
van der Velde ons mee
door de zeer gevarieerde
streek rond de
universiteitsstad
Cambridge. De
Nederlandse componist
liet zich inspireren door
vooral de sfeer in het
graafschap Cambridgeshire
tennoorden van
Londen.
1. The
Journey. De aankomst
in de streek is
vriendelijk te noemen
doch de grilligheid van
de mensen en het
landschap heeft een
onmiskenbare invloed op
de muziek. De
rondreis welke start op
hetAllegro laat
Cambridgeshire zien als
een streek van
vitaliteit, energie en
frisheid. Korte
thema's, flitsende
motiefjes en ritmische
patroontjes gesteund door
stuwend slagwerk
bevestigen dit beeld.
Het eerste gedeelte
besluitmet twee 'Calmo'
gedeelten waarbij het
zicht op de kathedraal
van de stad Ely en het
naderen ervan wordt
aangegeven.
2.
Visit to Ely
Cathedral. In 1109
werd de beroemde
kathedraal van Ely
gebouwd die tot op de
dagvan vandaag een grote
aantrekkingskracht geniet
van niet alleen
toeristen. Het
rustpunt van de
compositie wordt ingeleid
door een cornetsolo.
De mystieke sfeer van de
kathedraal is de rode
draad in dit lyrische
gedeelte.
3. The
Pub. Een intensieve
rondreis maakt dorstig en
een bezoek aan de pub is
uiteraard een must.
Tot 11 uur 's avonds
kan men er terecht voor
alle vormen van vertier.
De drank vloeit rijkelijk
en de sfeer is
feestelijk.
4. The
Journey Back. Er is
een tijd van komen en
gaan, en dat moment komt
eerder dan je zou willen
met andere woorden de
tijd is omgevlogen.
Met een flash back naar
het eerste deel wordt op
passende wijze
afscheidgenomen van
Cambridgeshire. Twee
flitsende slotmaten
zetten ons in één klap
weer in het hier en
nu. $229.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cambridgeshire Impressions Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 3 SKU: BT.GOB-000652-120 Composed by Rieks van der V...(+)
Fanfare Band - Grade 3
SKU:
BT.GOB-000652-120
Composed by Rieks van der
Velde. Score Only. 22
pages. Gobelin Music
Publications #GOB
000652-120. Published by
Gobelin Music
Publications
(BT.GOB-000652-120).
In a four-part
composition Rieks van der
Velde takes us to the
richly varied area
surrounding the
university city of
Cambridge. The Dutch
composer was especially
inspired by the
atmosphere of
Cambridgeshire, the
county which lies north
of London. 1.
The Journey. Although
on arrival the area looks
peaceful and friendly,
the ruggedness of its
inhabitants and landscape
have an unmistakable
influence on the
music. In the course
of the tour, which starts
with an Allegro movement,
we are shown the
vitality, energy and
freshness of the
Cambridgeshire
countryside. Short
themes, swift and sudden
motifs and rhythmical
patterns supported by the
drive ofpercussion
instruments give
expression to this
image. The first part
is concluded by two
'Calmo' movements in
which the music expresses
how the cathedral in the
city of Ely comes into
sight and is gradually
approached.
2.
Visit to Ely
Cathedral. The famous
Norman cathedral church
of Ely, which was built
in 1109, has attracted
tourists from all over
the world apart from
being a place of worship
and heritage site. A
cornet solo introduces
the contemplative mood of
the composition at this
point. The mystical
atmosphere of the
cathedral runs through
this lyrical part like a
continuous thread.
3. The Pub.
The thirst caused by this
intensive journey makes a
visit to the local pub a
definite must. These
“public houses”,
which may be open until
the early hours of the
morning, offer all kinds
of entertainment.
Drinks are served
liberally and the
atmosphere is
lively.
4. The
Journey Back. Time
has flown: In other
words, the moment of
departure has come sooner
than one would have
wished. In a
flashback which
recaptures elements of
the first part of the
composition we say
goodbye to Cambridgeshire
in a fitting manner.
Two scintillating final
measures bring us
abruptly back to the
present.
In een
viertal delen neemt Rieks
van der Velde ons mee
door de zeer gevarieerde
streek rond de
universiteitsstad
Cambridge. De
Nederlandse componist
liet zich inspireren door
vooral de sfeer in het
graafschap Cambridgeshire
tennoorden van
Londen.
1. The
Journey. De aankomst
in de streek is
vriendelijk te noemen
doch de grilligheid van
de mensen en het
landschap heeft een
onmiskenbare invloed op
de muziek. De
rondreis welke start op
hetAllegro laat
Cambridgeshire zien als
een streek van
vitaliteit, energie en
frisheid. Korte
thema's, flitsende
motiefjes en ritmische
patroontjes gesteund door
stuwend slagwerk
bevestigen dit beeld.
Het eerste gedeelte
besluitmet twee 'Calmo'
gedeelten waarbij het
zicht op de kathedraal
van de stad Ely en het
naderen ervan wordt
aangegeven.
2.
Visit to Ely
Cathedral. In 1109
werd de beroemde
kathedraal van Ely
gebouwd die tot op de
dagvan vandaag een grote
aantrekkingskracht geniet
van niet alleen
toeristen. Het
rustpunt van de
compositie wordt ingeleid
door een cornetsolo.
De mystieke sfeer van de
kathedraal is de rode
draad in dit lyrische
gedeelte.
3. The
Pub. Een intensieve
rondreis maakt dorstig en
een bezoek aan de pub is
uiteraard een must.
Tot 11 uur 's avonds
kan men er terecht voor
alle vormen van vertier.
De drank vloeit rijkelijk
en de sfeer is
feestelijk.
4. The
Journey Back. Er is
een tijd van komen en
gaan, en dat moment komt
eerder dan je zou willen
met andere woorden de
tijd is omgevlogen.
Met een flash back naar
het eerste deel wordt op
passende wijze
afscheidgenomen van
Cambridgeshire. Twee
flitsende slotmaten
zetten ons in één klap
weer in het hier en
nu. $42.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cambridgeshire Impressions Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000452-030 Composed by Rieks van der Vel...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000452-030
Composed by Rieks van der
Velde. Set (Score &
Parts). 62 pages. Gobelin
Music Publications #GOB
000452-030. Published by
Gobelin Music
Publications
(BT.GOB-000452-030).
In a four-part
composition Rieks van der
Velde takes us to the
richly varied area
surrounding the
university city of
Cambridge. The Dutch
composer was especially
inspired by the
atmosphere of
Cambridgeshire, the
county which lies north
ofLondon. 1. The
Journey. Although on
arrival the area looks
peaceful and friendly,
the ruggedness of its
inhabitants and landscape
have an unmistakable
influence on the
music. In the course
of the tour, which starts
with an Allegromovement,
we are shown the
vitality, energy and
freshness of the
Cambridgeshire
countryside. Short
themes, swift and sudden
motifs and rhythmical
patterns supported by the
drive of percussion
instruments give
expression to this
image. Thefirst part
is concluded by two Calmo
movements in which the
music expresses how the
cathedral in the city of
Ely comes into sight and
is gradually
approached.
2.
Visit to Ely
Cathedral. The famous
Norman cathedral church
of Ely, whichwas built in
1109, has attracted
tourists from all over
the world apart from
being a place of worship
and heritage site. A
cornet solo introduces
the contemplative mood of
the composition at this
point. The mystical
atmosphere of
thecathedral runs through
this lyrical part like a
continuous thread.
3. The Pub.
The thirst caused by this
intensive journey makes a
visit to the local pub a
definite must. These
“public houses”,
which may be open until
the earlyhours of the
morning, offer all kinds
of entertainment.
Drinks are served
liberally and the
atmosphere is
lively.
4. The
Journey Back. Time
has flown: In other
words, the moment of
departure has come sooner
than one would
havewished. In a
flashback which
recaptures elements of
the first part of the
composition we say
goodbye to Cambridgeshire
in a fitting manner.
Two scintillating final
measures bring us
abruptly back to the
present.
In een
viertal delen neemt Rieks
van der Velde ons mee
door de zeer gevarieerde
streek rond de
universiteitsstad
Cambridge. De
Nederlandse componist
liet zich inspireren door
vooral de sfeer in het
graafschap Cambridgeshire
ten noorden
vanLonden.
1. The
Journey. De aankomst
in de streek is
vriendelijk te noemen
doch de grilligheid van
de mensen en het
landschap heeft een
onmiskenbare invloed op
de muziek. De
rondreis welke start op
het Allegro laat
Cambridgeshire zienals
een streek van
vitaliteit, energie en
frisheid. Korte
themas, flitsende
motiefjes en ritmische
patroontjes gesteund door
stuwend slagwerk
bevestigen dit beeld.
Het eerste gedeelte
besluit met twee Calmo
gedeelten waarbij het
zicht op dekathedraal van
de stad Ely en het
naderen ervan wordt
aangegeven.
2.
Visit to Ely
Cathedral. In 1109
werd de beroemde
kathedraal van Ely
gebouwd die tot op de dag
van vandaag een grote
aantrekkingskracht geniet
van niet
alleentoeristen. Het
rustpunt van de
compositie wordt ingeleid
door een cornetsolo.
De mystieke sfeer van de
kathedraal is de rode
draad in dit lyrische
gedeelte.
3. The
Pub. Een intensieve
rondreis maakt dorstig en
een bezoek aan depub is
uiteraard een must.
Tot 11 uur s avonds
kan men er terecht voor
alle vormen van vertier.
De drank vloeit rijkelijk
en de sfeer is
feestelijk.
4.
The Journey Back. Er
is een tijd van komen en
gaan, en dat moment komt
eerder danje zou willen
met andere woorden de
tijd is omgevlogen.
Met een flash back naar
het eerste deel wordt op
passende wijze afscheid
genomen van
Cambridgeshire. Twee
flitsende slotmaten
zetten ons in één klap
weer in het hier en
nu.
Gobelin Music
Publications. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cambridgeshire Impressions Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 3 SKU: BT.GOB-000452-130 Composed by Rieks van der Vel...(+)
Brass Band - Grade 3
SKU:
BT.GOB-000452-130
Composed by Rieks van der
Velde. Score Only. 32
pages. Gobelin Music
Publications #GOB
000452-130. Published by
Gobelin Music
Publications
(BT.GOB-000452-130).
In a four-part
composition Rieks van der
Velde takes us to the
richly varied area
surrounding the
university city of
Cambridge. The Dutch
composer was especially
inspired by the
atmosphere of
Cambridgeshire, the
county which lies north
ofLondon. 1. The
Journey. Although on
arrival the area looks
peaceful and friendly,
the ruggedness of its
inhabitants and landscape
have an unmistakable
influence on the
music. In the course
of the tour, which starts
with an Allegromovement,
we are shown the
vitality, energy and
freshness of the
Cambridgeshire
countryside. Short
themes, swift and sudden
motifs and rhythmical
patterns supported by the
drive of percussion
instruments give
expression to this
image. Thefirst part
is concluded by two Calmo
movements in which the
music expresses how the
cathedral in the city of
Ely comes into sight and
is gradually
approached.
2.
Visit to Ely
Cathedral. The famous
Norman cathedral church
of Ely, whichwas built in
1109, has attracted
tourists from all over
the world apart from
being a place of worship
and heritage site. A
cornet solo introduces
the contemplative mood of
the composition at this
point. The mystical
atmosphere of
thecathedral runs through
this lyrical part like a
continuous thread.
3. The Pub.
The thirst caused by this
intensive journey makes a
visit to the local pub a
definite must. These
“public houses”,
which may be open until
the earlyhours of the
morning, offer all kinds
of entertainment.
Drinks are served
liberally and the
atmosphere is
lively.
4. The
Journey Back. Time
has flown: In other
words, the moment of
departure has come sooner
than one would
havewished. In a
flashback which
recaptures elements of
the first part of the
composition we say
goodbye to Cambridgeshire
in a fitting manner.
Two scintillating final
measures bring us
abruptly back to the
present.
In een
viertal delen neemt Rieks
van der Velde ons mee
door de zeer gevarieerde
streek rond de
universiteitsstad
Cambridge. De
Nederlandse componist
liet zich inspireren door
vooral de sfeer in het
graafschap Cambridgeshire
ten noorden
vanLonden.
1. The
Journey. De aankomst
in de streek is
vriendelijk te noemen
doch de grilligheid van
de mensen en het
landschap heeft een
onmiskenbare invloed op
de muziek. De
rondreis welke start op
het Allegro laat
Cambridgeshire zienals
een streek van
vitaliteit, energie en
frisheid. Korte
themas, flitsende
motiefjes en ritmische
patroontjes gesteund door
stuwend slagwerk
bevestigen dit beeld.
Het eerste gedeelte
besluit met twee Calmo
gedeelten waarbij het
zicht op dekathedraal van
de stad Ely en het
naderen ervan wordt
aangegeven.
2.
Visit to Ely
Cathedral. In 1109
werd de beroemde
kathedraal van Ely
gebouwd die tot op de dag
van vandaag een grote
aantrekkingskracht geniet
van niet
alleentoeristen. Het
rustpunt van de
compositie wordt ingeleid
door een cornetsolo.
De mystieke sfeer van de
kathedraal is de rode
draad in dit lyrische
gedeelte.
3. The
Pub. Een intensieve
rondreis maakt dorstig en
een bezoek aan depub is
uiteraard een must.
Tot 11 uur s avonds
kan men er terecht voor
alle vormen van vertier.
De drank vloeit rijkelijk
en de sfeer is
feestelijk.
4.
The Journey Back. Er
is een tijd van komen en
gaan, en dat moment komt
eerder danje zou willen
met andere woorden de
tijd is omgevlogen.
Met een flash back naar
het eerste deel wordt op
passende wijze afscheid
genomen van
Cambridgeshire. Twee
flitsende slotmaten
zetten ons in één klap
weer in het hier en
nu.
Gobelin Music
Publications. $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
1 |