Piano seul [Feuillet] - Intermédiaire Alfred Publishing
Composed by Scott Joplin (1868-1917), arranged by Gunther Schuller (1925-). Sing...(+)
Composed by Scott Joplin
(1868-1917), arranged by
Gunther Schuller (1925-).
Single for solo piano.
From the motion picture
"The Sting". C Major. 5
pages. Published by
Alfred Publishing.
Performed by Sting. For guitar and voice. Format: guitar tablature songbook. Wit...(+)
Performed by Sting. For
guitar and voice. Format:
guitar tablature
songbook. With guitar
tablature, standard
notation, vocal melody,
lyrics, chord names,
guitar chord diagrams,
introductory text and
guitar notation legend.
Pop rock and adult
contemporary. Series: Hal
Leonard Guitar Recorded
Versions. 88 pages. 9x12
inches. Published by Hal
Leonard.
Performed by Sting. For voice, piano and guitar chords. Format: piano/vocal/chor...(+)
Performed by Sting. For
voice, piano and guitar
chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Pop rock
and adult contemporary.
94 pages. 9x12 inches.
Published by Hal Leonard
Songbook for Voice and Guitar. Original Versions from the Complete Lute Songs Ed...(+)
Songbook for Voice and
Guitar. Original Versions
from the Complete Lute
Songs Edition as composed
by John Dowland. By John
Dowland, Sting. Edited by
Werner J. Wolff. Voice
and guitar. For voice(s)
and guitar. Published by
Doblinger (Austrian
import).
Top 2000 Songbook Piano, Voix et Guitare - Intermédiaire De Haske Publications
Piano, Vocal and Guitar - intermediate SKU: BT.DHP-1084506-401 50 Hits...(+)
Piano, Vocal and Guitar -
intermediate
SKU:
BT.DHP-1084506-401
50 Hits. Book
Only. Composed 2007. 256
pages. De Haske
Publications #DHP
1084506-401. Published by
De Haske Publications
(BT.DHP-1084506-401).
ISBN 9789043129220.
9x12 inches.
English-German-French-Dut
ch.
This mega-value
bumper book contains 50
top hits from the past 50
years. There is something
for everyone in this 256
page folio. Each song is
clearly printed with
piano part, vocal line
and guitar tab. Includes
hits by: Elvis Presley,
Nora Jones,Abba, Sting,
Jimi Hendrix, Eric
Clapton, U2, The Beatles,
Prince, Oasis and many
many more.
Met
een boek vol bladmuziek
uit de Top 2000 van Radio
2 is voor veel
liefhebbers een
langverwachte wens in
vervulling gegaan. Er is
een selectie gemaakt van
vijftig hits uit
verschillende
poptijdperken. De
arrangementen zijn zo
geschrevendat zegeschikt
zijn voor zangers,
pianisten, gitaristen en
basgitaristen. Als
gitarist kun je spelen
aan de hand van de
akkoordsymbolen en/of
akkoorddiagrammen.Inhoud:
Against All Odds (Phil
Collins) ? Angels
(Robbie Williams) ?
Candle in the Wind 97
(Elton John) ? Dancing
Queen (ABBA) ?
Everything I Do (I Do It
for You) (Bryan Adams)
? Hey Jude (The
Beatles) ? I Shot the
Sheriff (Eric Clapton)
? KillingMe Softly
(Roberta Flack) ?
Morning Has Broken (Cat
Stevens) ? Purple Rain
(Prince and The
Revolution) ? The Best
(Tina Turner) ? Up
Where We Belong (Joe
Cocker and Jennifer
Warnes) ? Sweet Home
Alabama (Lynyrd Skynyrd)
? Time After Time
(Cyndi
Lauper)e.v.a.
T
op 2000 Songbook: das
sind 50 Tophits in einem
Buch für Gesang mit
Begleitungen für Klavier
und Gitarre (mit
Akkorddiagrammen).
Inha
lt: Against All Odds
? Angels ? Candle in
the Wind ??97 ?
Dancing Queen ?
Everything I Do (I Do It
for You) ? Hey Jude ?
I Shot the Sheriff ?
Killing Me Softly ?
Morning Has Broken ?
Purple Rain ? The Best
? Up Where We Belong
? Sweet HomeAlabama ?
Time after Time ? Great
Balls of Fire ? Imagine
? Our House ? Torn
? Wonderwall ? Like a
Rollin Stone u. v. m.
Top 2000
Songbook : une
compilation des 50 plus
grands succès musicaux
des 50 dernières
années, dans une version
arrangée pour Piano,
Voix et Guitare (grilles
d´accords incluses).
Sommaire : Against
All Odds ? Angels ?
Candle in the Wind ??97
? Dancing Queen ?
Everything I Do (I Do It
for You) ? Hey Jude ?
I Shot the Sheriff ?
Killing Me Softly ?
Morning Has Broken ?
Purple Rain ? The Best
? Up Where We Belong
? SweetHome Alabama ?
Time after Time ? Great
Balls of Fire ? Imagine
? Our House ? Torn
? Wonderwall ? Like a
Rollin Stone...
By Sting. For easy guitar and voice. Hal Leonard Easy Guitar. Pop Rock and Adult...(+)
By Sting. For easy guitar
and voice. Hal Leonard
Easy Guitar. Pop Rock and
Adult Contemporary.
Difficulty: easy-medium.
Easy guitar tablature
songbook. Guitar
tablature, standard
guitar notation, lyrics,
chord names and guitar
chord diagrams. 72 pages.
Pu. easy guitar tablature
songbook. Pop Rock and
Adult Contemporary.
Piano, Voix et Guitare [Feuillet] - Intermédiaire Hal Leonard
Performed by Sting. For voice, piano and guitar chords. Format: piano/vocal/chor...(+)
Performed by Sting. For
voice, piano and guitar
chords. Format:
piano/vocal/chords
single. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Rock, pop
rock and adult
contemporary. D Major. 6
pages. 9x12 inches.
Published by Hal Leonard.
Composed by
Jimmy Baas. Sws.
Performance Score. 16
pages. Duration 3
minutes, 49 seconds. Carl
Fischer Music #CM9625.
Published by Carl Fischer
Music (CF.CM9625).
ISBN 9781491156988.
UPC: 680160915545. 6.875
x 10.5 inches. Key: Bb
major. English, English.
William Butler
Yeats.
The
Everlasting Voices is the
perfect blend of textural
variety and harmonic
interest for the advanced
treble ensemble.
Employing a powerful
text, Baas' vocal
layering coupled with
piano and optional cello
make this compelling
piece a programming
must!. O sweet
everlasting Voices, be
still; Go to the guards
of the heavenly fold And
bid them wander obeying
your will, Flame under
flame, till Time be no
more; Have you not heard
that our hearts are old,
That you call in birds,
in wind on the hill, In
shaken boughs, in tide on
the shore? O sweet
everlasting Voices, be
still. This SSAA choral
work by Jimmy Baas was
comissioned by the
Lumberton HS Varsity
Treble Choir. The opening
and closing lines of the
poem, O sweet everlasting
voices, be still provide
the perfect bookends for
two larger sections of
the poem. These two
sections are equally
divided into verses. The
opening line is used once
again as a transition
between the verses. The
previously mentioned
lines, O sweet
everlasting voices, are
overlapped as different
layers of voices enter
and sustain. A fifth and
sixth voice, the cello
and piano accompaniment
take part in these layers
as well. The words be
still are very much a
part of the mood each
time as the everlasting
voices become quiet and
still. The two verses
feature different voices
within the SSAA choir.
Verse 1, the sopranos,
and verse 2 the altos.
There are many moments in
this piece to explore the
full range and color of
the SSAA choir. The piano
and cello play an
important part
throughout, making this
piece an excellent choice
for any festival women's
chorus. O sweet
everlasting Voices, be
still;Go to the guards of
the heavenly foldAnd bid
them wander obeying your
will,Flame under flame,
till Time be no more;Have
you not heard that our
hearts are old,That you
call in birds, in wind on
the hill,In shaken
boughs, in tide on the
shore?O sweet everlasting
Voices, be still.This
SSAA choral work by Jimmy
Baas wascomissioned by
the Lumberton HS Varsity
Treble Choir.The opening
and closing lines of the
poem, “O
sweeteverlasting voices,
be still” provide the
perfect bookendsfor two
larger sections of the
poem. These two
sectionsare equally
divided into verses. The
opening line is usedonce
again as a transition
between the verses.The
previously mentioned
lines, “O sweet
everlastingvoices,” are
overlapped as different
layers of voices enterand
sustain. A fifth and
sixth voice, the cello
and pianoaccompaniment
take part in these layers
as well.The words “be
still” are very much a
part of the moodeach time
as the everlasting voices
become quietand still.The
two verses feature
different voices within
the SSAAchoir. Verse 1,
the sopranos, and verse 2
the altos. Thereare many
moments in this piece to
explore the full range
andcolor of the SSAA
choir. The piano and
cello play an
importantpart throughout,
making this piece an
excellent choice for
anyfestival women’s
chorus.