Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Temple Blocks, Timpani, Triangle, Trombone and more. - Grade 1

SKU: CF.BPS150

Composed by Jason Taurins. Set of Score and Parts. Carl Fischer Music #BPS150. Published by Carl Fischer Music (CF.BPS150).

ISBN 9781491163467. UPC: 680160922253.

Rehea rsal Suggestions:Sunrise March is so named for the opening motive, which quickly ascends like the rising sun. Playable at the end of the first year of instruction, the march offers several teaching tools: independent parts playing in imitation or call and response, dynamic markings, staccato and accent markings, and limited accidentals. Every group gets the melody at some point. This would make a great selection for the end of year concert (especially a demonstration-style concert), or for taking to an adjudicated festival. This prepares students for more traditional full-length concert marches. Keep that in mind when rehearsing.Make sure students observe the articulation and dynamic markings in mm. 6 and 7. Notice the slurs over the 4-3 suspension in m. 10. Where optional divisi is marked in the low brass or reed voices, the division is preferred, but if necessary, play only the lower notes. Pay careful attention to balance at m. 23. The melody is always the most important.Note the accidentals in mm. 29 and 30. This is a great place to reinforce accidentals through repeated notes. After m. 31, note that the melody is fractured, and students will need to count multi-rests and know where the melody is. Focus on a full sound from m. 47 to the end. The stinger note in the low voices at the end should be played for its full value and release with a vowel sound, not the tongue!

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Temple Blocks, Timpani, Triangle, Trombone and more.

SKU: CF.BPS150F

Composed by Jason Taurins. Full score. 12 pages. Carl Fischer Music #BPS150F. Published by Carl Fischer Music (CF.BPS150F).

ISBN 9781491163863. UPC: 680160922659.

Rehea rsal Suggestions:Sunrise March is so named for the opening motive, which quickly ascends like the rising sun. Playable at the end of the first year of instruction, the march offers several teaching tools: independent parts playing in imitation or call and response, dynamic markings, staccato and accent markings, and limited accidentals. Every group gets the melody at some point. This would make a great selection for the end of year concert (especially a demonstration-style concert), or for taking to an adjudicated festival. This prepares students for more traditional full-length concert marches. Keep that in mind when rehearsing.Make sure students observe the articulation and dynamic markings in mm. 6 and 7. Notice the slurs over the 4-3 suspension in m. 10. Where optional divisi is marked in the low brass or reed voices, the division is preferred, but if necessary, play only the lower notes. Pay careful attention to balance at m. 23. The melody is always the most important.Note the accidentals in mm. 29 and 30. This is a great place to reinforce accidentals through repeated notes. After m. 31, note that the melody is fractured, and students will need to count multi-rests and know where the melody is. Focus on a full sound from m. 47 to the end. The stinger note in the low voices at the end should be played for its full value and release with a vowel sound, not the tongue!

Grade 3

SKU: CL.012-4987-00

Composed by Holsinger. Concert Band. Score and set of parts. Composed 2022. Opus III Wind Orchestra Publications #012-4987-00. Published by Opus III Wind Orchestra Publications (CL.012-4987-00).

This Allegro Moderato children’s march celebrates composer David Holsinger’s youngest granddaughter. A delightfully playful melody is passed throughout the piece, section to section, timbre to timbre, trailing off to a surprising last stinger. Eureka!

Pre 1

SKU: CL.RWS-2257-01

Composed by Bankston. Young Concert Band. Extra full score. Composed 2022. RWS Music Company #RWS-2257-01. Published by RWS Music Company (CL.RWS-2257-01).

From the down beat to stinger, this march is composed to be accessible to the beginning band. It is a wonderful teaching tool for introducing march style. Have your young musicians sounding their best with this short and simple march.

Pre 1

SKU: CL.RWS-2257-00

Composed by Bankston. Young Concert Band. Score and set of parts. Composed 2022. RWS Music Company #RWS-2257-00. Published by RWS Music Company (CL.RWS-2257-00).

From the down beat to stinger, this march is composed to be accessible to the beginning band. It is a wonderful teaching tool for introducing march style. Have your young musicians sounding their best with this short and simple march.

Concert Band Concert Band - late intermediate

SKU: RU.10262S

Composed by Charles E. Duble. Edited by Timothy Rhea. Arranged by Edited by Timothy Rhea. Contest/Festival. Legacy of the March. Score. RBC Publications #10262S. Published by RBC Publications (RU.10262S).

9 x 12 inches.

The Battle of the Winds is a technical showcase in march form. Charles Duble’s experience as a low brass (trombone) player is particularly evident in the second strain of this march. From the first note, to the final stinger, the execution of the individual parts of this march most certainly present a battle to all wind players. Battle of the Winds is certainly not for the faint of heart – the faster the tempo, the more difficult the march! As this is a circus march, a tempo between 132-160 beats per minute is acceptable, with the technique of the ensemble defining what is most appropriate.

Grade 3

SKU: CL.012-4987-01

Composed by Holsinger. Concert Band. Extra full score. Composed 2022. Opus III Wind Orchestra Publications #012-4987-01. Published by Opus III Wind Orchestra Publications (CL.012-4987-01).

This Allegro Moderato children’s march celebrates composer David Holsinger’s youngest granddaughter. A delightfully playful melody is passed throughout the piece, section to section, timbre to timbre, trailing off to a surprising last stinger. Eureka!

Band concert band - Grade 0.5

SKU: CF.PPS51F

March. Composed by Larry Clark. Primer Band (PPS). Full score. With Standard notation. 12 pages. Carl Fischer Music #PPS51F. Published by Carl Fischer Music (CF.PPS51F).

ISBN 9781491152638. UPC: 680160910137.

The march style is important to the heritage of the modern concert band. Why not get beginners off to a great start by teaching them this essential band style as early as possible? Achieve u ses only the first six notes of the Bb-major scale and utilizes two repeated eighth notes as the most difficult rhythm. It is written in traditional march form and style, but without modulation in the trio.
The march style is important to the heritage of the modern concert band, and it is my opinion that even the youngest of students should be taught the march style and form as early as possible. This march sets out to give these students that opportunity. It uses only the first six notes of the Bb-major scale, and the most difficult rhythm is two repeated eighth notes. Yet it has all of the traditional march form and style. The form of this easy march is the traditional intro, first strain, second strain and trio. The only difference from more challenge marches is that the key does not change to the subdominant at the trio. Most everything else is the same as you would find in the American marches of Sousa, Fillmore or King.The march begins forte with a quote from the end of the second strain, something that is common in many marches. This is followed by the first strain at a softer dynamic level. Additional voices are added on the repeat for variety. The second strain has tradition changes in dynamics, first starting out loud, then getting soft with crescendos to the end of the strain. The trio following again in typical fashion with the first time being very soft and legato. There are some suggestions for changing the orchestration, but you can use your creativity to tailor the instrumentation to your musical taste. The repeat of the trio should then be back to a more marcato march style. This should start with the last note of the first ending in m. 70. The march then ends with the traditional stinger.It is my opinion that in marches with this form that the repeats should not be eliminated. By doing so, it changes the form and makes the march lopsided, with the first half of the marching being too short compared to the trio section.It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program.—Larry ClarkLakeland, FL 2018.

Concert Band - medium, medium-advanced

SKU: RU.10262

Composed by Charles E. Duble. Edited by Timothy Rhea. Arranged by Timothy Rhea. Contest/Festival. Legacy of the March. Score and Parts. RBC Publications #10262. Published by RBC Publications (RU.10262).

9 x 12 inches.

The Battle of the Winds is a technical showcase in march form. Charles Duble’s experience as a low brass (trombone) player is particularly evident in the second strain of this march. From the first note, to the final stinger, the execution of the individual parts of this march most certainly present a battle to all wind players. Battle of the Winds is certainly not for the faint of heart – the faster the tempo, the more difficult the march! As this is a circus march, a tempo between 132-160 beats per minute is acceptable, with the technique of the ensemble defining what is most appropriate.

Band concert band - Grade 0.5

SKU: CF.PPS51

March. Composed by Larry Clark. Primer Band (PPS). Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+2+3+2+6+3 +1+1+2+2+12+2 pages. Duration 2 minutes, 8 seconds. Carl Fischer Music #PPS51. Published by Carl Fischer Music (CF.PPS51).

ISBN 9781491151952. UPC: 680160909452.

The march style is important to the heritage of the modern concert band. Why not get beginners off to a great start by teaching them this essential band style as early as possible? Achieve u ses only the first six notes of the Bb-major scale and utilizes two repeated eighth notes as the most difficult rhythm. It is written in traditional march form and style, but without modulation in the trio.
The march style is important to the heritage of the modern concert band, and it is my opinion that even the youngest of students should be taught the march style and form as early as possible. This march sets out to give these students that opportunity. It uses only the first six notes of the Bb-major scale, and the most difficult rhythm is two repeated eighth notes. Yet it has all of the traditional march form and style. The form of this easy march is the traditional intro, first strain, second strain and trio. The only difference from more challenge marches is that the key does not change to the subdominant at the trio. Most everything else is the same as you would find in the American marches of Sousa, Fillmore or King.The march begins forte with a quote from the end of the second strain, something that is common in many marches. This is followed by the first strain at a softer dynamic level. Additional voices are added on the repeat for variety. The second strain has tradition changes in dynamics, first starting out loud, then getting soft with crescendos to the end of the strain. The trio following again in typical fashion with the first time being very soft and legato. There are some suggestions for changing the orchestration, but you can use your creativity to tailor the instrumentation to your musical taste. The repeat of the trio should then be back to a more marcato march style. This should start with the last note of the first ending in m. 70. The march then ends with the traditional stinger.It is my opinion that in marches with this form that the repeats should not be eliminated. By doing so, it changes the form and makes the march lopsided, with the first half of the marching being too short compared to the trio section.It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program.—Larry ClarkLakeland, FL 2018.

Chamber Music 2 flutes

SKU: PR.114419550

Composed by Gary Schocker. Sws. Set of performance scores. 24+24 pages. Duration 7 minutes. Theodore Presser Company #114-41955. Published by Theodore Presser Company (PR.114419550).

ISBN 9781491131411. UPC: 680160677306. 9 x 12 inches.

Schockerâ� ��™s flute duets often are inspired by nature, and the composer’s love of gardening is reflected in a number of his works. LITTLE HELPERS refers to “nature’s little helpers,” those insects who help the plant kingdom thrive. The four movements of this 7-minute piece are titled Earthworms, Cicada Wasps, Cocooned, and Stingers.

Men's Chorus

SKU: HG.GH-5182A

Freiburgisches Volkslied. Edited by Felix Pfirstinger. Octavo. Hug Musikverlage #GH 5182A. Published by Hug Musikverlage (HG.GH-5182A).

Nur in Chorstarke, ab 20 Stuck.

Women's chorus

SKU: HG.GH-9484

Composed by Felix Pfirstinger. Choral. Octavo. Hug Musikverlage #GH 9484. Published by Hug Musikverlage (HG.GH-9484).

ISBN 9790202817407.

Nur in Chorstarke, ab 20 Stuck.

Men's Chorus

SKU: HG.GH-3491

Composed by Felix Pfirstinger. Octavo. Hug Musikverlage #GH 3491. Published by Hug Musikverlage (HG.GH-3491).

Nur in Chorstarke, ab 20 Stuck.

Mixed Chorus

SKU: HG.GH-3544

Composed by Felix Pfirstinger. Octavo. Hug Musikverlage #GH 3544. Published by Hug Musikverlage (HG.GH-3544).

Nur in Chorstarke, ab 20 Stuck.

Mixed Chorus

SKU: HG.GH-9198

Composed by Felix Pfirstinger. Choral. Octavo. Hug Musikverlage #GH 9198. Published by Hug Musikverlage (HG.GH-9198).

ISBN 9790202816592.

Nur in Chorstarke, ab 20 Stuck.

Men's Chorus

SKU: HG.GH-7786

Composed by Felix Pfirstinger. Octavo. Hug Musikverlage #GH 7786. Published by Hug Musikverlage (HG.GH-7786).

Nur in Chorstarke, ab 20 Stuck.

Mixed Chorus

SKU: HG.GH-3514B

Composed by Huber Ferdinand. Edited by Felix Pfirstinger. Octavo. Hug Musikverlage #GH 3514B. Published by Hug Musikverlage (HG.GH-3514B).

Nur in Chorstarke, ab 20 Stuck.

Men's Chorus

SKU: HG.GH-6317

Composed by Felix Pfirstinger. Octavo. Hug Musikverlage #GH 6317. Published by Hug Musikverlage (HG.GH-6317).

Nur in Chorstarke, ab 20 Stuck.

Mixed Chorus

SKU: HG.GH-5691

Composed by Felix Pfirstinger. Octavo. Hug Musikverlage #GH 5691. Published by Hug Musikverlage (HG.GH-5691).

Nur in Chorstarke, ab 20 Stuck.

Mixed Chorus

SKU: HG.GH-3545

Composed by Felix Pfirstinger. Octavo. Hug Musikverlage #GH 3545. Published by Hug Musikverlage (HG.GH-3545).

Nur in Chorstarke, ab 20 Stuck.

Men's Chorus

SKU: HG.GH-5635

Composed by Felix Pfirstinger. Octavo. Hug Musikverlage #GH 5635. Published by Hug Musikverlage (HG.GH-5635).

Nur in Chorstarke, ab 20 Stuck.

Men's Chorus

SKU: HG.GH-7847

Composed by Felix Pfirstinger. Octavo. Hug Musikverlage #GH 7847. Published by Hug Musikverlage (HG.GH-7847).

Nur in Chorstarke, ab 20 Stuck.

Women's chorus

SKU: HG.GH-6767

Appenzeller Landsgemeindelied. Composed by Johann Heinrich Tobler. Edited by Felix Pfirstinger. Octavo. Hug Musikverlage #GH 6767. Published by Hug Musikverlage (HG.GH-6767).

Nur in Chorstarke, ab 20 Stuck.

Mixed Chorus

SKU: HG.GH-5637

Composed by Felix Pfirstinger. Octavo. Hug Musikverlage #GH 5637. Published by Hug Musikverlage (HG.GH-5637).

Nur in Chorstarke, ab 20 Stuck.

Mixed Chorus

SKU: HG.GH-8789

Composed by Franz Schubert. Edited by Felix Pfirstinger. Octavo. Hug Musikverlage #GH 8789. Published by Hug Musikverlage (HG.GH-8789).

Nur in Chorstarke, ab 20 Stuck.

Mixed Chorus

SKU: HG.GH-5825

Composed by Felix Pfirstinger. Octavo. Hug Musikverlage #GH 5825. Published by Hug Musikverlage (HG.GH-5825).

Nur in Chorstarke, ab 20 Stuck.

Men's Chorus

SKU: HG.GH-6316

Composed by Felix Pfirstinger. Octavo. Hug Musikverlage #GH 6316. Published by Hug Musikverlage (HG.GH-6316).

Nur in Chorstarke, ab 20 Stuck.

Mixed Chorus

SKU: HG.GH-5638

Composed by Felix Pfirstinger. Octavo. Hug Musikverlage #GH 5638. Published by Hug Musikverlage (HG.GH-5638).

Nur in Chorstarke, ab 20 Stuck.

Men's Chorus

SKU: HG.GH-3490

Composed by Felix Pfirstinger. Octavo. Hug Musikverlage #GH 3490. Published by Hug Musikverlage (HG.GH-3490).

Nur in Chorstarke, ab 20 Stuck.