(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
Composed by Alexander Borodin (1833-1887), arranged by David Curran. Instrumenta...(+)
Composed by Alexander
Borodin (1833-1887),
arranged by David Curran.
Instrumental solo book
for violin solo and piano
accompaniment. With solo
part, standard notation
and piano accompaniment.
11 pages. Published by
C.F. Peters.
Composed by Alexander Borodin (1833-1887), edited by David Curran. For cello sol...(+)
Composed by Alexander
Borodin (1833-1887),
edited by David Curran.
For cello solo and piano
accompaniment. Format:
instrumental solo book.
With solo part, standard
notation and piano
accompaniment. Romantic
Period. 11 pages. 9x12
inches. Published by C.F.
Peters.
String Quartet SKU: HL.14031816 Composed by Jean Joubert. Music Sales Ame...(+)
String Quartet
SKU:
HL.14031816
Composed
by Jean Joubert. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #NOV12053901.
Published by Music Sales
(HL.14031816).
8.5x11.75x0.3
inches.
Though
conceived as four
separate movements, my
second string quartet has
a single motif which is
common to them all. This
is the three-note Muss es
sein? from Beethoven's
last quartet, Op. 135.
But whereas Beethoven's
theme is notated G E A
flat, thus giving it an F
minor connotation, I have
sued an alternative
spelling - G E G sharp -
which suggests an
ambiguous E minor-major.
This ambiguity, in fact,
becomes the tonal basis
of the whole work, only
to be resolved at the end
of the final movement.
Each movement begins with
a variant of the basic
motif on the cello. The
first has the original
form of the theme, while
the second has a
majorised version which
is also expressed as a
chord. The third
movement, with its
scherzoid middle section,
reverts to the
major-minor ambiguity of
the first, and the finale
begins with the majorised
version as an ostinato
accompaniment on
pizzicato cello. The slow
movement is sub-titled In
memoriam DSCH and
concludes with a
quotation of
Shostakovich's motto - D
E flat C B - which is
basically the same as
Beethoven's with the
addition of one note.
This is not to imply that
the work contains no
other thematic material.
One important theme, a
rising fifth and a
second, is also common to
three of the movements,
and is ultimately derived
from my first quartet,
Op. 1 of 27 years
earlier, to which this
second contribution to
the form is in many ways
like a sequel. Like the
earlier work, too, this
quartet is dedicated to
my wife.
By Dmitri Shostakovich (1906-1975). Arranged by Paul Erion. For Trumpets in C, H...(+)
By Dmitri Shostakovich
(1906-1975). Arranged by
Paul Erion. For Trumpets
in C, Horn, Trombone
Tuba. 20th Century
Russian. Virtuoso. Score
and parts. Published by
Cherry Classics
Composed by Arcangelo Corelli (1653-1713), edited by Paul Paradise. Performance ...(+)
Composed by Arcangelo
Corelli (1653-1713),
edited by Paul Paradise.
Performance part for 1st
violin. With bowings and
fingerings. 36 pages.
Published by Belwin.
Composed by Alexander Borodin (1833-1887). Set of performance parts for 2 violin...(+)
Composed by Alexander
Borodin (1833-1887). Set
of performance parts for
2 violins, viola and
cello. With standard
notation. Composed 1881.
49 pages. Published by
International Music Co.
