J.S. Bach's six suites for solo cello have been skilfully transcribed for solo Viola by Watson Forbes, offering a new wealth of repertoire to the advancing violist. / Alto

This series offers a versatile selection of music for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, and cello. Each book contains carefully edited arrangements appropriate to each instrument, and is well suited for level 2-3 students. The CD includes a fully orchestrated demo track of each song, which features a live instrumental solo performance, followed by a play-along track. Also included are PDFs of piano accompaniments, and Alfred's Tempo Changer Software. / Alto

An amazing selection from VH-1's 100 Greatest Songs Of Rock and Roll, arranged for solo Viola.Includes the songs: All Along the Watchtower, All Shook Up, American Pie, Beat It, Blowin' in the Wind, Blue Suede Shoes, Bohemian Rhapsody, Born to Be Wild, Born to Run, Bridge over Troubled Water, California Dreamin', Dream On, Every Breath You Take, Fire and Rain, Free Bird, Gloria, Good Vibrations, Great Balls of Fire, A Hard Day's Night, Hey Jude, Hotel California, (I Can't Get No) Satisfaction, I Heard It Through the Grapevine, Imagine, Jump, Layla, Let It Be, London Calling, Maggie May, My Generation, Piano Man, Proud Mary, Respect, Rock Around the Clock, Roxanne, Smells like Teen Spirit, Stairway to Heaven, Stand by Me, Sunshine of Your Love, Superstition, We Are the Champions, When Doves Cry, Yesterday, You Shook Me All Night Long and more. / Alto

This series offers a versatile selection of music for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, and cello. Each book contains carefully edited arrangements appropriate to each instrument, and is well suited for level 2-3 students. The CD includes a fully orchestrated demo track of each song, which features a live instrumental solo performance, followed by a play-along track. Also included are PDFs of piano accompaniments, and Alfred's Tempo Changer Software. / Trombone

This series offers a versatile selection of music for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, and cello. Each book contains carefully edited arrangements appropriate to each instrument, and is well suited for level 2-3 students. The CD includes a fully orchestrated demo track of each song, which features a live instrumental solo performance, followed by a play-along track. Also included are PDFs of piano accompaniments, and Alfred's Tempo Changer Software. / Clarinette

This series offers a versatile selection of music for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, and cello. Each book contains carefully edited arrangements appropriate to each instrument, and is well suited for level 2-3 students. The CD includes a fully orchestrated demo track of each song, which features a live instrumental solo performance, followed by a play-along track. Also included are PDFs of piano accompaniments, and Alfred\'s Tempo Changer Software. / Violon

This series offers a versatile selection of music for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, and cello. Each book contains carefully edited arrangements appropriate to each instrument, and is well suited for level 2-3 students. The CD includes a fully orchestrated demo track of each song, which features a live instrumental solo performance, followed by a play-along track. Also included are PDFs of piano accompaniments, and Alfred's Tempo Changer Software. / Saxophone Alto

This book is part of a String series arranged for Violin, Viola, and Cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student, and a carefully crafted removable part, complete with bowings, articulations, and keys well suited for the Level 2-3 player. A fully orchestrated accompaniment CD is also provided. Each song on the CD includes a DEMO track, which features a live string performance, followed by the PLAY-ALONG track by itself. / Violoncelle Et Piano

Par BAEYENS AUGUST. August Louis Baeyens received his musical training at the Royal Flemish Music Conservatory in Antwerp, studying solfège, viola, and harmony. As a composer, Baeyens developed chiefly through the study of composers such as Debussy, Wagner and Strauss - this interest gave him the reputation of a revolutionary within the confines of the very traditionalist conservatory. However, this was not where Baeyens' exploration of musical language was to end. The 1956 Piranesi Suite for flute and cello, written three decades after Baeyens' graduation from the Flemish Conservatory, marks an intriguing phase of his composition. Baeyens tended towards older forms - the Suite, for example, is afive-movement work, though each movement is drawn through a more modern glass - it's hardly usual to hear a Sinfonia, Toccata, Moto Perpetuo, Aria, and Corrente together. The resemblance towards older forms breaks down as the music is further examined - the Sinfonia is full of transposed, repetitive melodies that play off each other with sly rhythmic twists (much in the manner of Stravinsky), the Toccata is a powerful solo cello showpiece, and the Aria is a delicate flute melody winding above bitonal cello pizzicato. The final Corrente, belying its name, brings the piece to a close with an accelerating back-and-forth of melody and accompaniment. August Louis Baeyens received his musical training at the Royal Flemish Music Conservatory in Antwerp, studying solfège, viola, and harmony. As a composer, Baeyens developed chiefly through the study of composers such as Debussy, Wagner and Strauss - this interest gave him the reputation of a revolutionary within the confines of the very traditionalist conservatory. However, this was not where Baeyens' exploration of musical language was to end. The 1956 Piranesi Suite for flute and cello, written three decades after Baeyens' graduation from the Flemish Conservatory, marks an intriguing phase of his composition. Baeyens tended towards older forms - the Suite, for example, is afive-movement work, though each movement is drawn through a more modern glass - it's hardly usual to hear a Sinfonia, Toccata, Moto Perpetuo, Aria, and Corrente together. The resemblance towards older forms breaks down as the music is further examined - the Sinfonia is full of transposed, repetitive melodies that play off each other with sly rhythmic twists (much in the manner of Stravinsky), the Toccata is a powerful solo cello showpiece, and the Aria is a delicate flute melody winding above bitonal cello pizzicato. The final Corrente, belying its name, brings the piece to a close with an accelerating back-and-forth of melody and accompaniment./ Répertoire / Flûte Traversière et Violoncelle

2-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 2 part: 23 MINI-Canons – from the very start - 37 Canons – for the progressing demands This collection is particularly well-suited for the playing together ofpupil and teacher, but it also works well in group lessons. A collection of canons for the first learning steps on the instrument as well as for more advanced levels of learning. Through the universal versions for viola, cello and flute, different instruments can also play together. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Alto

This book is part of a String series arranged for Violin, Viola, and Cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student, and a carefully crafted removable part, complete with bowings, articulations, and keys well suited for the Level 2-3 player. A fully orchestrated accompaniment CD is also provided. Each song on the CD includes a DEMO track, which features a live string performance, followed by the PLAY-ALONG track by itself. Titles are: from Episode I: Augie's Great Municipal Band * Duel of the Fates * Qui-Gon's Funeral * Star Wars (Main Title); from Episode II: Across the Stars * The Imperial March * May the Force Be with You * The Meadow Picnic; from Episode III: Battle of the Heroes * Princess Leia's Theme * The Throne Room.

J.S. Bach's six suites for solo cello have been skilfully transcribed for solo viola by Watson Forbes, offering a new wealth of repertoire to the advancing violist. / Alto / Chester Music

A precious gem of romantic viola literature is now available in Henle quality! Thanks to the publisher's good connections to Russian archives, we were able to assess Glazunov's autograph for the first time for this first Urtext edition, and uncover the discrepancies between the autograph and the first print. Written in 1893 for the Danish violist Franz Hildebrand, the Elégie is one of the few original works of the 19th century for viola and thus a welcome enrichment of the repertoire. Since the piece does not make any particularly high technical demands on the soloist, the Elégie is ideally suited for teaching as well - and Tabea Zimmermann's fingerings guarantee the best possible support. / Alto Et Piano

Mezmer for string quartet is an adaptation of the last movement of Re-Collecting ASTORoids, an earlier suite for orchestra from Kats-Chernin. Commissioned by the Melbourne Symphony Orchestra, the suite was written in tribute to Astor Piazzolla and is clearly inspired by tango, though Kats-Chernin uses various rhythms as her source of inspiration. Mezmer is a miniature and has an intimate, smoky feel with a bluesy violin solo laden with vibrato. An air of solitude and reflection surrounds the piece. / Quatuor A Cordes