By Antony Paasch. Duet. For Bassoon and Tuba. Published by Tuba-Euphonium Press

By Various. Arranged by Donald Coakley. For 2 Euphonium, 2 Tuba. Mixed Instruments - Flexible Instrumentation; Quartet. Renaissance. Duration 00:04:00

By Brant Karrick. For Concert Band (Piccolo, Flute 1/2, Oboe, Bassoon, Clarinet in Bb 1/2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone 1/2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2/3, Horn in F 1/2, Trombone 1, Trombone 2/3, Euphonium, (Baritone T.C.), Tuba,). Band Music. Pioneer Band Series. Grade 3. Score and parts. Duration 7:20. Published by C. Alan Publications

Tuba

SKU: HL.48184505

Composed by Michel Defaye Jean. Leduc. Classical. Softcover. 18 pages. Alphonse Leduc #AL27569. Published by Alphonse Leduc (HL.48184505).

UPC: 888680835477. 9x12 inches.

“Jean -Michel Defaye's Sea Suite is a really nice set of six pieces portraying sea animals. Written for Bb Saxhorn, Bass Tuba or Euphonium, with Piano accompaniment, these six pieces are of medium/high difficulty. Each piece tries to re-create the main characteristics of the animal depicted, such as their weight, using the low range of the instruments and their speed, with the Dolphin being faster and lighter than the Sea Lion for example. The Piano accompaniment also uses numerous atonal chords. It features: 1. L'otarie - The Sea Lion, 1'35' 2. Le cachalot - The Sperm Whale, 1'30' 3. Le requin - The Shark, 1'20' 4. L'éléphant de mer - The Elephant Seal, 1'20' 5. Le baleineau ' The Whale Calf, 0'53' 6. Le dauphin ' The Dolphin, 1'20' The book includes an insert with the instrument-only parts. As a pianist, composer, producer and arranger, Jean-Michel Defaye mainly created pieces for brass and wind instruments. He won the Premier Second Grand Prix de Rome in 1958 and the Belgian Queen Elizabeth composition competition in 1959.&rdquo.

By Johann Sebastian Bach (1685-1750). Arranged by Arthur Frackenpohl. Duet. For Euphonium and Tuba. Published by Tuba-Euphonium Press

From Eight Russian Folksongs , Op. 58. Composed by Anatoli Lyadov. Arranged by Bill Calhoun. Score and part(s). 28 174 pages. Duration 4 minutes, 47 seconds. Carl Fischer #CPS0177. Published by Carl Fischer (CF.CPS177).

By Kelly Thomas, tuba and euphonium. By Various. For tuba solo & euphonium. Mark Masters. Classical. Audio CD. Published by Mark Custom Music

Full set - Grade 3

SKU: CL.102-4915-00

For Brass Quintet. Composed by James Swearingen. Ensemble. C.L. Barnhouse #102-4915-00. Published by C.L. Barnhouse (CL.102-4915-00).

This lovely and flowing lyrical work is well suited to a wide variety of performance and teaching situations. Scored for traditional brass quintet (two trumpets, horn, trombone, tuba) alternate parts are included for trombone/euphonium (treble or bass) substituting for horn) and euphonium treble clef (sub. for trombone.) Excellent for festival and assessment, as well as quintet performances of any kind. Beautiful music!

Extra full score - Grade 3

SKU: CL.102-4915-01

For Brass Quintet. Composed by James Swearingen. Ensemble. C.L. Barnhouse #102-4915-01. Published by C.L. Barnhouse (CL.102-4915-01).

This lovely and flowing lyrical work is well suited to a wide variety of performance and teaching situations. Scored for traditional brass quintet (two trumpets, horn, trombone, tuba) alternate parts are included for trombone/euphonium (treble or bass) substituting for horn) and euphonium treble clef (sub. for trombone.) Excellent for festival and assessment, as well as quintet performances of any kind. Beautiful music!

(Original Pour Tuba Francais Et Piano, Pour Euphonium Ou Saxhorn Et Piano - (Original for French Tuba and Piano, for Euphonium or Saxhorn and Piano)). By Alfred Desenclos (1912-1971). For Euphonium / Saxhorn, Piano. Philippe Fritsch. Advanced. Score and part(s). Standard notation. Duration 11 minutes. Published by Gerard Billaudot Editeur

By Lee Aronson. Duet. For Euphonium and Electric Guitar. Published by Tuba-Euphonium Press

By Bob Margolis (After Claude Gervaise). Concert band. Suitable for high school, community, and college bands. Level: Grade 4. Conductor score and set of parts. Duration 4:30. Published by Manhattan Beach Music.

Latin Folk Song Trilogy (Grade 3 - Score and Parts). Arranged by William Himes. Curnow Music Concert Band. Grade 3. Curnow Music #044400. Published by Curnow Music

Concert band - Grade 4

SKU: MH.0-931329-53-1

Composed by Gregory B.Rudgers. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 7:30. Published by Manhattan Beach Music (MH.0-931329-53-1).

ISBN 9780931329531.

Jour ney back to ancient Greece and view a place of long-gone legend. Follow the trail to the Kingdom of Ithaca, from the heroic palace, to a place of tranquility, to a reckless dance of abandon, to the return of Odysseus. The melodic material used in 200 B.C. is from a two thousand year old Greek hymn to Apollo. The legendary adventures of Odysseus as described by Homer in the Odyssey (ca. 700 B.C.) provide the programmatic material. The music is freely based upon the First Delphic Hymn (or Paen to Apollo), composed ca. 200 B.C. The source is a transcription appearing on pages 363 - 367 of Ancient and Oriental Music, Edited by Egon Wellesz (Oxford University Press: London, 1957). Each movement of the work depicts a key event in the epic Homeric poem, as described below. Movement I: Intrada - The first four notes of this movement, C - Bb - G - Bb, are the melodic and harmonic foundation for the entire work. These pitches, introduced in a simple and direct manner, are subsequently developed in more complex fashions throughout the suite. Following this stately introduction is a militaristic fanfare that introduces the dotted-eighth and sixteenth-note figure later reprised in the second and fourth movements. Indeed, all the musical ideas which will be central to the remaining movements first appear in the Intrada. This movement depicts the grandeur of Odysseus and his kingdom in Ithaca, and establishes the heroic mood of the entire work. Movement II: Ballad - After a brief restatement of the opening dotted-eighth-and-sixteen th fanfare, the second movement extracts the falling third (Bb to G) from the C - Bb - G - Bb motif and extends it and expands it into a haunting solo for alto saxophone. The C - Bb - G - Bb motif appears again (see measures 23 - 33 in trumpets) as counterpoint to this melody, now pulsing through the thick texture of the band. Many performers have come to view the Ballad as the emotional epicenter of the entire suite; my conception of the Ballad is to achieve a union of pathos and strength. Programmatically, this movement depicts Odysseus's son, Telemachos, as he both longs for Odysseus's return and stoically defends his father's kingdom. Movement III: Dance - It will take Odysseus twenty years to return to Ithaca. During his absence, noblemen besiege his palace, violating the sanctity of the household and seeking the hand of his wife, Penelope. This movement depicts the wanton revelries that result. The original four-note motif is chromatically altered and the meter is made irregular. The rapid tempo, driving percussion, and angular meter and melodies combine in an explosion of reckless abandon. Movement IV: March Building from a delicate woodwind ensemble accompanied by finger cymbals to a fully orchestrated statement replete with thundering percussion, this is a resounding march of victory. Odysseus has returned in triumph to restore dignity to his household and to reclaim the throne of the Kingdom of Ithaca. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 - 2, 2 Oboe 1 - 2, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 1 Eb Alto Clarinet, 3 Bb Bass Clarinet, 2 Bassoon 1 - 2, 3 Eb Alto Saxophone 1, 3 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1-2, 2 F Horn 3-4, 2 Trombone 1, 2 Trombone 2, 2 Trombone 3, 3 Euphonium (B.C.), 2 Euphonium T.C., 4 Tuba, 1 Timpani, 2 Mallet Percussion: Bells, Xylophone, 2 Percussion 1: Snare Drum, Tambourine, 2 Percussion 2: Crash Cymbals, Suspended Cymbal, Tom-Tom, Finger Cymbals, 1 Percussion 3: Bass Drum.