By Lorde. Piano/Vocal/Guitar Artist Songbook. Softcover. 80 pages. Published by Hal Leonard

Arranged by Mike Lewis. Arr. Mike Lewis. For Jazz Ensemble. Jazz ensemble. Jazz Superset. Patriotic. Level: 2 (Medium Easy) (grade 2). Conductor Score and Parts. 192 pages. Duration 11:57. Published by Alfred Publishing.

(Featuring: America (My Country 'Tis of Thee) / America the Beautiful / The Star-Spangled Banner / Battle Hymn of the Republic / American Patrol / God Bless the U.S.A.). Arranged by Mike Lewis. Jazz Ensemble. Jazz Ensemble; Score. Jazz Superset. Patriotic. Grade 2. 40 pages. Published by Alfred Music Publishing

(High Voice and Piano). Composed by Paul Hindemith (1895-1963). Edited by Luitgard Schader. For High Voice, Piano Accompaniment (High Voice). Vocal Solo. Softcover. Schott Music #ED22458. Published by Schott Music

Violin and piano

SKU: HL.49044153

Composed by Stefan Heucke. This edition: Saddle stitching. Sheet music. String. Softcover. Composed 2000. Op. 38. 70 pages. Duration 21'. Schott Music #VLB188. Published by Schott Music (HL.49044153).

ISBN 9790001197748.

Die Sonate op. 38 entstand im November und Dezember 2000 und ist das einzige unmittelbar autobiographische Stuck, das ich bisher komponiert habe. Es ist dem Gedenken eines toten Freundes gewidmet, den ich 17 Jahre lang aus den Augen verloren und im Sommer 2000 auf dem Friedhof wiedergefunden habe. Ein wahrend der Zeit unserer Freundschaft im Herbst 1983 entstandener Plan fur eine Violinsonate konnte nun verwirklicht werden. Die Initialen des Widmungstragers - A.F. - beherrschen die gesamte Struktur des Werkes. Der erste, in unaufhaltsamer, wilder Bewegung voransturmende Satz speist sich aus zwei ausladenden gesanglichen Themen, das erste aus dem Intervall A - F, das zweite aus dem Intervall (E)S - H gewonnen, die von unaufhorlichen Sechzehntelbewegungen des Klaviers vorangetrieben werden. Der zweite Satz schweisst drei Formteile in einen grossen Variationssatz zusammen: Zunachst Thema und funf Variationen uber Brahms' Volkslied Da unten im Tale, dann ein variierter Scherzosatz uber eben dieses Thema und schliesslich eine gedrangte Passacaglia, die auf der Basis des Klanges A - F die vergangenen musikalischen Ereignisse zusammenpresst. Zum Schluss erscheint noch einmal das Brahms-Lied in entruckter Klanggestalt in der entfernten Tonart E-Dur. Der Text dieses Liedes lautet: Da unten im Tale laufts Wasser so trub,Und i kann dirs net sagen, i hab di so lieb. Sprichst allweil von Lieb, sprichst allweil von Treu,und a bissele Falschheit is au wohl dabei. Und wenn i dirs zehnmal sag, dass i di lieb,und du willst nit verstehen, muss i halt weiterziehen. Fur die Zeit, wo du g'liebt mi hast, dank i dir schon,und i wunsch, das dirs anderswo besser mag gehen. - Stefan Heucke.

Band Bass Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Percussion 5, Piccolo, String Bass and more.

SKU: PR.165000970

For Band. Composed by Dan Welcher. Folder. Premiered by the University of Texas Symphony Band, Scott S. Hanna, conductor, at Butler School of Music, UT/Austin, Austin, Texas. Contemporary. Set of Score and Parts. With Standard notation. Composed 14-Sep. 40 pages. Duration 7 minutes. Theodore Presser Company #165-00097. Published by Theodore Presser Company (PR.165000970).

ISBN 9781491100462. UPC: 680160626717. 9x12 inches.

Commissione d by a consortium of 20 high school and university bands coordinated by Scott Hanna of the University of Texas at Austin, Downshifting is inspired by Welcher’s joy of bicycle riding. Welcher explains in the program note: When I decided to write a piece for band that was basically entertaining and uplifting, it made perfect sense to call it Downshifting... With three gears on the front sprocket and seven on the rear, it’s possible to keep one’s legs going at a constant speed (for me, q = 126) while the bike itself may be moving very slowly or very quickly. I determined to capitalize on this in writing Downshifting, which keeps the same mathematical inner pulse, ‘shifting’ (with a ratchet) as the terrain changes..
One of the joys of life for me is riding my 21-speed bicycle.  As a basically non-athletic person who nonetheless likes to stay in shape, I have found that riding my bike provides just the exercise I need.  The workout is strenuous, but pleasant—and the infinite variety of scenery I pass keeps me alert and wide awake.  When I decided to write a piece for band that was basically entertaining and uplifting, it made perfect sense to call it Downshifting.With three gears on the front sprocket and seven on the rear, it’s possible to keep ones legs going at a constant speed (for me, that’s 126 to the quarter note) while the bike itself may be moving very slowly or very quickly.  I determined to capitalize on this in writing the music, which manages to keep the same mathematical inner pulse, “shifting” (with a ratchet) as the terrain changes.  So Downshifting begins with that steady pulse, on a grid of eighth notes in 2/4 to propel the little vehicle forward.  There’s a joyous little tune in our heads as we begin our ride.  As the initial thrill of riding on the flat gives way to monotony, we stay in that pulse for the first minute or so of the ride.  Then, as the first hill becomes visible, we shift the bike down: even though the eighths are equal, the pulse feels slower (and we’re now in 6/8 time).  Ultimately the compound meter shifts again as the climb begins, and we’re now plodding doggedly up the hill.  (The music reflects all of these changes, with subtitles such as “Working harder—Seeing the climb, ahead”, “Steady and committed…the climb begins!”, “Straining against the grade”, etc.).There are two hills, and two long climbs (but in different keys, reflecting the change in scenery).  When at last the summit of the second hill is reached (“Flying, Over the Top”), we coast at last down the other side at breakneck speed.  The initial joyous melody returns, but now in a spread-out coasting pulse.  At the end of the ride, we slow to a stop—then take one last sprint (shifting five times in the process) in order to end on a biker’s high.Downshifting was commissioned by a consortium of fourteen high school and college bands, overseen by my longtime colleague at the University of Texas, Scott Hanna.  The piece is dedicated to him (and to all bicycle enthusiasts).

Piano/Keyboard, Voice

SKU: PE.EP68786

For Countertenor and Piano. Composed by Tyshawn Sorey. Edition Peters. Score. 16 pages. Edition Peters #98-EP68786. Published by Edition Peters (PE.EP68786).

ISBN 9790300762326. English.

Sav e the Boys by Tyshawn Sorey transforms a 19th-century temperance poem by Black abolitionist, suffragist, and writer Frances E. W. Harper into a lament on the precarity of Black lives in 21st-century America. Commissioned by Opera Philadelphia, the 20-minute song was composed for countertenor John Holiday and pianist Grant Loehnig, whose world premiere performance was released as an online video in February 2021 as part of the company's digital-only 2020-2021 season.

This vocal score includes piano accompaniment and a brief program note from the composer.

This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.

Piano

SKU: LM.JMS04

Composed by Martial Solal. Pop and jazz. Score. Editions Henry Lemoine #JMS04. Published by Editions Henry Lemoine (LM.JMS04).

ISBN 9782911567049.

A bout de souffle - Accalmie - Aigue-Marine - A San Francisco sans Francis - A night in Venezia - Balade du 10 Mars - Ballade - Bizarre, vous avez Dit ? - Bluesine - Centre de gravite - Chi va piano - Chromatisme - Coming yesterday - Cortancyl - Demaplastic - Difficult blues - Et si c'etait vrai - Fausses notes - Grain de valse - Grapes - Histoire de Blues - Hommage a Frederic Chopin - In an out - Incoercible - Isocele - Jazz frit - July shower - La couronne de flore - Life is so sweet - Lombardy - L'oreille hardie - Medium - Middle Jazz - Moins de 36 - Monostome - Navigation - No delay - Neutralisme - N.Y.1 - Ouin Ouin - Petites phrases - Quand les chlamydes - Ramage - Ridikiool - Ritournelle N1 - Ritournelle n. 2 - Round About twelve - Satar - Sacrebleu - Sapristi - Slightly bluesy - Soliloc - Special Club - Suspect rhythm - The date - The newest old waltz - Triangle - Une nuit au violon - Valse a 3 temps - Vice-versa - Viennoiserie - Voyage en Anatolie - Zag zig - 14 Septembre - 64 mesures.

By Johannes Brahms. Edited by Friedlaender. For high voice, piano. 65 songs (Text Language: German). Trost in Traenen, Schwermut, Serenade, Eine gute Nacht, Fruehlingstrost, An ein Bild, etc. Published by C.F. Peters.

Violin 1 (solos: SATB - choir: SATB - picc.2.2.2.2.dble bsn - 4.2.3.0 - timp.perc - str)

SKU: BR.OB-14619-15

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Beate Angelika Kraus. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Classical. Part. 36 pages. Duration 65'. Breitkopf and Haertel #OB 14619-15. Published by Breitkopf and Haertel (BR.OB-14619-15).

ISBN 9790004344774. 10 x 12.5 inches.

Since 2001 the Ninth has been included in UNESCO's Memory of the World Register. Beethoven was preoccupied with his unique work for many years, since at least 1815, and still shortly before his death, according to the highly complex source situation. The work will now finally be available as an edition produced from the new Beethoven Complete Edition in time for the 2020 anniversary year commemorating the composer's 250th birthday. Not all doubtful cases can be clarified, not all gaps closed, but numerous aspects have been further illuminated in this edition. New findings and source evaluations taken into account here, appear, for instance, pertaining to the work's title, the tradition of the metronome indications, the contrabassoon part, and the underlying vocal text in the finale, as well as in the original rendering of the sforzato and forte markings. The edition is to be considered, according to its editor Beate Angelika Kraus, as a contribution to the understanding of a work in which there is a discrepancy between its significance in musical life and the critical appreciation of its musical text..

SKU: TM.03864SC

Composed by Giuseppe Verdi. Score. Lucks Music Library #A3873. Published by Lucks Music Library (TM.03864SC).

Trio. No. 3 Scena Romanza e Terzetto (Finale to Act I). Contains Tacea la notte! Immersa (different aria than catalog # 03071: Tacea la notte placide).

Piano solo

SKU: HH.HH490-SOL

Composed by Franz Joseph Haydn. Edited by Sarah Jenner. Arranged by C.D. Stegmann. Playing score. Edition HH Music Publishers #HH490-SOL. Published by Edition HH Music Publishers (HH.HH490-SOL).

ISBN 9781910359815.

Hayd n’s Symphony No. 85, ‘La Reine de France’, belongs to the set of six ‘Paris’ Symphonies, Nos. 82–7, composed in 1785–6 to a commission by the directors of the Concert de la Loge Olympique at the instigation of the Comte d’Ogny and were first performed by that society during the 1787 season. The soubriquet ‘La Reine’ was attached to the work soon after its first performance (and was included in the first edition of printed parts) reflecting its status as a favourite work of Marie Antoinette.

Piano solo

SKU: HH.HH513-SOL

Composed by Franz Joseph Haydn. Edited by Sarah Jenner. Arranged by C.D. Stegmann. Playing score. Edition HH Music Publishers #HH513-SOL. Published by Edition HH Music Publishers (HH.HH513-SOL).

ISBN 9790708185239.

Hayd n’s Symphony No.94 was first performed on 23 March 1792 at the Hanover Square Rooms under the direction of Salomon as concertmaster with the composer himself at the fortepiano. The work was an instant success and soon became – and remains – one of Haydn’s most popular symphonies. The soubriquet Surprise was attached to the work very early on, and was prompted by the unexpected forte chord (reinforced by the Timpani stroke) in bar 16 of the Andante. In German-speaking countries the symphony is known by the nickname Mit dem Paukenschlag for the same reason.

SKU: HL.50587155

Ricordi Germany. Hal Leonard #SY3300. Published by Hal Leonard (HL.50587155).

Orchestra SATB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, 2 violins, viola, cello/contrabass, organ - Grade 3

SKU: CA.4061119

Creation Mass. Composed by Franz Joseph Haydn. Edited by Volker Kalisch. This edition: urtext. Stuttgart Urtext Edition: Joseph Haydn, Sacred vocal music. Haydn: Schopfungsmesse In B Xxii:13. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1801. Hob. XXII:13. Duration 40 minutes. Carus Verlag #CV 40.611/19. Published by Carus Verlag (CA.4061119).

ISBN 9790007133276. Key: B flat major. Language: Latin.

Within approximately six weeks Haydn, in 1801, composed his Creation Mass as the fifth of altogether six late missae solemnes commissioned by his employer, Prince Nikolaus II. Esterhazy. The sobriquet Creation Mass is not authentic, but it is probably based on the quotation in the Gloria taken from the oratorio Die Schopfung. Score and parts available separately - see item CA.4061100.

Keyboard

SKU: HH.HH565-SOL

Composed by J.N. Hummel and Wolfgang Amadeus Mozart. Edited by Sarah Jenner. Playing score. Edition HH Music Publishers #HH565-SOL. Published by Edition HH Music Publishers (HH.HH565-SOL).

ISBN 9790708185802.

The Marriage of Figaro was performed in Prague in Mozart’s presence, and on the 19th of January 1787 he gave an Academy at the National Theatre at which Symphony No. 38, since universally known under the soubriquet as the Prague, was first performed. Hummel’s arrangement of this symphony is dedicated to His Excellency Baron von Goethe.

By Queens Own. For Bagpipes. Traditional. Sheet Music. 294 pages. Published by Paterson Ltd.

Band Bass Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Euphonium, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Percussion 5, Piccolo, String Bass and more.

SKU: PR.16500097F

For Band. Composed by Dan Welcher. Sws. Premiered by the University of Texas Symphony Band, Scott S. Hanna, conductor, at Butler School of Music, UT/Austin, Austin, Texas. Contemporary. Full score. With Standard notation. Composed 14-Sep. 40 pages. Duration 7 minutes. Theodore Presser Company #165-00097F. Published by Theodore Presser Company (PR.16500097F).

ISBN 9781491100479. UPC: 680160626724. 9x12 inches.

Commissione d by a consortium of 20 high school and university bands coordinated by Scott Hanna of the University of Texas at Austin, Downshifting is inspired by Welcher’s joy of bicycle riding. Welcher explains in the program note: When I decided to write a piece for band that was basically entertaining and uplifting, it made perfect sense to call it Downshifting... With three gears on the front sprocket and seven on the rear, it’s possible to keep one’s legs going at a constant speed (for me, q = 126) while the bike itself may be moving very slowly or very quickly. I determined to capitalize on this in writing Downshifting, which keeps the same mathematical inner pulse, ‘shifting’ (with a ratchet) as the terrain changes..

For Alto Saxophone. By Various. Arranged by Candida Connolly. Schott. BOOK W/CD. Size 9x12 inches. 60 pages. Published by Schott.

Piano (Piano Solo)

SKU: HL.51481637

Piano Solo. Composed by Franz Liszt. Edited by Peter Jost. Henle Music Folios. Classical. Softcover. 20 pages. G. Henle #HN1637. Published by G. Henle (HL.51481637).

UPC: 196288278726. 9.0x12.0x0.077 inches.

The Fifth Hungarian Rhapsody, published in 1853, emerged from several earlier versions. The double character indicated in the sobriquet “Héroïde élégiaque” is based on the two contrary themes: a “heroic” theme in minor and an “elegiac” theme in major, seasoned with characteristics of Liszt's “style hongrois” such as augmented seconds and sharp dotted rhythms. Thanks to the slow tempo, No. 5 is one of Liszt's less difficult rhapsodies and thus offers a wonderful introduction to these musical reminiscences of his Hungarian homeland. Involved in this Henle Urtext edition, which also takes the autograph into account for the first time, were two eminent Liszt specialists: Mária Eckhardt provided the preface, Vincenzo Maltempo the fingerings.

About Henle Urtext

What I can expect from Henle Urtext editions:

• error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
• preface in 3 languages with information on the genesis and history of the work 
• Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions 
• most beautiful music engraving 
• page-turns, fold-out pages, and cues where you need them 
• excellent print quality and binding 
• largest Urtext catalogue world-wide 
• longest Urtext experience (founded 1948 exclusively for Urtext editions)

SATB Choir and Piano (SATB)

SKU: HL.14004952

Composed by Rory Boyle. Music Sales America. Post-1900. Book Only. Composed 2002. Chester Music #CH58818. Published by Chester Music (HL.14004952).

Prex Lausque has been composed by Rory Boyle, for SATB Chorus and Piano.

Scottish composer Rory Boyle has won several important musical awards, notably the BBC Scottish Composers' Prize(1971), two Royal Philharmonic Society Prizes (1973 and 1975), and the Zaiks Prize (1987) for his orchestral score 'Winter Music'.

His list of works covers most genres and has been performed and broadcast widely in Britainand abroad. He has been commissioned by many festivals, societies and leading performers including Evelyn Glennie, Nicholas Daniel, Peter Seivewright and the Fine Arts Brass Ensemble, and he has also written extensively foryounger players, including four children's operas; he was the first Composer Laureate for Schools with the Scottish Chamber Orchestra, a position he held for three years.

2 flutes

SKU: M2.MOS-41008

Composed by Hans-Georg Lotz. Hausmusik. Performance score. 14 pages. Möseler Verlag #MOS 41008. Published by Möseler Verlag (M2.MOS-41008).

ISBN 9790203730088.

Die neun Flotenduette wurden im wesentlichen mit der Absicht geschrieben, eine Unterrichtsliteratur anzubieten, die sowohl technisch als auch musikalisch weiterbildende Aufgaben stellt. So geht es u.a. um Atmungsprobleme bei langen Legatopassagen und gehaltenen Tonen in der tiefen Lage des Instruments, um Sauberkeit der Intonation bei den feinen Schwebungen von Sekundklangen, Quinten und Oktaven und um Wendigkeit bei schnellen Sprungen. Musikalisch war es die Absicht des Komponisten, echte Duette zu schreiben, Formen, die erst durch das Zusammenwirken von zwei Instrumenten wirklich lebendig und erkennbar werden. Das bedeutet eine gezielte Herausforderung an die rhythmischen Qualitaten und das musikalische Einfuhlungsvermogen beider Spieler. Irgend ein Niveauunterschied zwischen der ersten und zweiten Flote besteht nicht; beide haben die gleichen technischen Anforderungen und musikalischen Problem zu bewaltigen.

Woodwinds (solos: SATB - choir: SATB - picc.2.2.2.2.dble bsn - 4.2.3.0 - timp.perc - str)

SKU: BR.OB-14619-30

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Beate Angelika Kraus. Choir; Folder. Orchester-Bibliothek (Orchestral Library). Symphony; Classical. Set of parts. 342 pages. Duration 65'. Breitkopf and Haertel #OB 14619-30. Published by Breitkopf and Haertel (BR.OB-14619-30).

ISBN 9790004344828. 10 x 12.5 inches.

Since 2001 the Ninth has been included in UNESCO's Memory of the World Register. Beethoven was preoccupied with his unique work for many years, since at least 1815, and still shortly before his death, according to the highly complex source situation. The work will now finally be available as an edition produced from the new Beethoven Complete Edition in time for the 2020 anniversary year commemorating the composer's 250th birthday. Not all doubtful cases can be clarified, not all gaps closed, but numerous aspects have been further illuminated in this edition. New findings and source evaluations taken into account here, appear, for instance, pertaining to the work's title, the tradition of the metronome indications, the contrabassoon part, and the underlying vocal text in the finale, as well as in the original rendering of the sforzato and forte markings. The edition is to be considered, according to its editor Beate Angelika Kraus, as a contribution to the understanding of a work in which there is a discrepancy between its significance in musical life and the critical appreciation of its musical text..

Choir, solo parts, speakers, flute, 2 keyboards, accordion, piano, cello, electric bass or double bass, guitar or electric guitar, percussion (FL) - easy

SKU: HL.49032414

(Die Kinder von Girouan). Composed by Hans-Georg Wolos. This edition: Saddle stitching. Sheet music. Edition Schott. Individual part. 12 pages. Duration 120'. Schott Music #ED 7577-11. Published by Schott Music (HL.49032414).

ISBN 9790001079037. German.

Durch einen geheimnisvollen blauen Strahl eines Zauberers werden in einem kleinen franzosischen Dorf alle Erwachsenen in Schlaf versenkt. Die Kinder des Dorfes nehmen ihre Selbstversorgung und zugleich die Reorganisation des ziemlich verlotterten Gemeinwesens in die Hand, bis zum guten Schluss alles wieder ins Lot kommt. Diese Science-Fiction-Vorgabe dient als Folie fur klare padagogische Botschaften, die zum Zeitpunkt der Erstveroffentlichung der Romanvorlage sicher aktuell waren und von denen einige genannt seien:Ursache allen Ubels ist der Alkoholmissbrauch, denn er fuhrt zu Streit und Faulheit.Disziplin, Ordnung, Sauberkeit, Gruppenkonformes und normales Rollenverhalten (die Madchen sorgen fur die Harmonie und das Kochen, die Jungen konnen gut rechnen, sind handwerklich begabt und haben das Sagen) sind die besten Heilmittel gegen die Entgleisungen der Erwachsenenwelt und werden von den Kindern exemplarisch durchexerziert.Aber auch unter den Kindern gibt es Aussenseiter: sie kommen von ausserhalb des Dorfes, sind Fremde mit niederem sozialen Status (Kesselflicker), stehlen, sind aufsassig, wortbruchig, voll krimineller Energie und mussen im Sinne der Gruppe diszipliniert werden. Da dies jedoch nicht gelingt, bleibt nur die Ausweisung aus dem Dorf, abgemildert durch die Gabe einiger Brote, damit die Ausgewiesenen nicht hungern mussen.Die Musik des in seinen Absichten eindeutigen Stuckes ist recht jugendwirksam aufgemacht.

Violoncello (solos: SATB - choir: SATB - picc.2.2.2.2.dble bsn - 4.2.3.0 - timp.perc - str)

SKU: BR.OB-14619-23

Urtext based on the new Complete Edition (G. Henle Verlag). Composed by Ludwig van Beethoven. Edited by Beate Angelika Kraus. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Symphony; Classical. Part. 32 pages. Duration 65'. Breitkopf and Haertel #OB 14619-23. Published by Breitkopf and Haertel (BR.OB-14619-23).

ISBN 9790004344804. 10 x 12.5 inches.

Since 2001 the Ninth has been included in UNESCO's Memory of the World Register. Beethoven was preoccupied with his unique work for many years, since at least 1815, and still shortly before his death, according to the highly complex source situation. The work will now finally be available as an edition produced from the new Beethoven Complete Edition in time for the 2020 anniversary year commemorating the composer's 250th birthday. Not all doubtful cases can be clarified, not all gaps closed, but numerous aspects have been further illuminated in this edition. New findings and source evaluations taken into account here, appear, for instance, pertaining to the work's title, the tradition of the metronome indications, the contrabassoon part, and the underlying vocal text in the finale, as well as in the original rendering of the sforzato and forte markings. The edition is to be considered, according to its editor Beate Angelika Kraus, as a contribution to the understanding of a work in which there is a discrepancy between its significance in musical life and the critical appreciation of its musical text..

By Johannes Brahms. Edited by Friedlaender. For medium (low) voice, piano. 65 songs(Ger).Trost in Traenen,Schwermut,Serenad e,Eine gute Nacht,Fruehlingstrost,An ein Bild,etc. Published by C.F. Peters.

SKU: NR.106196

Dlia golosa s fortepiano =. Composed by Aleksandr Abramovich Krein. Vocal music. Score. Noten Roehr #106196. Published by Noten Roehr (NR.106196).

Zehn jiddische Lieder : für Singstimme und, Klavier, opus 49, 1940 (ru/ji), Rodionov, Iaroslav, 1903-1943, text, Esli b imel ia ptich'i kryl'ia =, Ven ix zol hobn fligelex, Gde gora kruta = Afn hoixn barg, Zhiznennyi put' moi tikh byl i priam =, X'hob mir gelebt stil un barut, S bol'shoi dosadoi = Far grois dosade, Zreiut kolos'ia = Hober un Korn, Oi mama mama ne goriui ty = Oj vein nit mame, Probilo shest' chasov utra =, Oj zeks azeiger in der fri, V vorota vkhodiat dedy = Di zeides mit die babes, Khleba sozrevaiut = Mit corener zotkeit, Vesel'em vesel'em vse vokrug sverkaet =, Baglejtn baglejtn zajnen mir gegangen.

Percussion solo

SKU: BR.EB-9427

Solo for 18 Tubular Bells. Composed by Nicolaus A. Huber. Solo instruments; stapled. Edition Breitkopf. Music post-1945; New music (post-2000). Full score. Composed 2021. 8 pages. Duration 9'. Breitkopf and Haertel #EB 9427. Published by Breitkopf and Haertel (BR.EB-9427).

ISBN 9790004189047. 10 x 12.5 inches.

Kirchengloc ken, indische Glockchen, Almglocken, Glockenspiel - eine reiche Familie, voller Bedeutungen und Traditionen. Als Kind war ich beeindruckt von einer Dankeskapelle in der Nahe meines Heimatortes Waldkirchen. Der Dankende hatte sich im Wald verirrt und fand den rettenden Ort, weil er dem Glockenklang der Kirche folgen konnte. Meine Eltern wohnten selbst einige Jahre direkt neben der Kirche, und damals wurde sehr ausgiebig gelautet. Ich selbst half beim Lauten mit: ziehen am Seil - wie schnell kommt der erste Anschlag - sich zum Bremsen ans Seil hangen - wie schnell stoppt man die Glocke - und die wunderbaren Weiten des Klanges, die Abstrahlungshohe, der gefahrliche Glockenstuhl, und das Lauten als Belastigung! Zu Hause hiess es immer: ,,Goethe hat schon die Kirchenglocken gehasst! Unsere Glocken waren in Stimmung und Qualitat Ergebnis eines Glockensachverstandigen. Es war der spatere Passauer Dom-Chordirigent, in dessen Chor ich etliche Jahre sang!Und jetzt die ,,Rohrenglocken!Sie sind schwierig, diese Rohren, die nur in ihrer Lange variieren und dadurch fur ihre Tonhohe nicht immer bestens ausgerustet sind. Aber sie behalten das Glockenflair, trotz ihrer Sperrigkeit. Gerade ihre mystifizierende Verschlossenheit zieht an: das Verhaltnis von Anschlagsmittel, Anschlagstelle und Klangergebnis ist nicht immer genau vorhersehbar, und selbst bei hochsten Lautstarken hat man den Eindruck, dass die Rohren nicht alles von sich geben. Dafur modulieren sie sich gegenseitig hervorragend. Der Spieler mit seinen Anschlagswerkzeugen steht immer einem eigenwilligen, vielfaltigen Ich gegenuber.Oft kann man bei grosseren Besetzungen Rohrenglocken erleben. Ich habe mir sagen lassen, dass es bisher aber kein SOLO fur Rohrenglocken gabe.Nun laissez vibrer ist eines! ich hoffe, gelungen!!!(Nicolaus A. Huber, 2021)

World premiere: Lockenhaus/Austria (Lockenhaus Festival), July 11, 2021.