Mixed choir

SKU: FG.55011-544-6

Composed by Urmas Sisask. Fennica Gehrman #55011-544-6. Published by Fennica Gehrman (FG.55011-544-6).

ISBN 9790550115446.

This delightful Estonian Christmas carol captures the joyful moments of Christmas with children gathering around the Christmas tree. Urmas Sisask (b.1960) possesses a vision unique among Estonian composers. His music contains magical primeval power and a sincere sense of beauty.

Choral Cello, Contrabass voice, Piano, Viola, Violin 1, Violin 2, Violin 3, SATB chorus

SKU: CF.CM9734

Composed by Basque Carol. Arranged by Christopher Thomas. 12 pages. Duration 2 minutes, 37 seconds. Carl Fischer Music #CM9734. Published by Carl Fischer Music (CF.CM9734).

ISBN 9781491161142. UPC: 680160919734. Key: A minor. English. Basque Carol.

A Basque Carol (also known as Gabriel's Message) holds a special place in Western music. The carol originates from Basque country around the 13th century, based on the Latin hymn, Angelus ad Virginem (likely of Franciscan origin). The tune quickly spread throughout Europe, finding popularity in Britain where it was even referenced in Chaucer's Canterbury Tales: Playing so sweetly that the chamber rang; / and Angelus ad virginem he sang. . .. Interestingly, the melody we know and love today is derived from the original Basque version. In my view, this tune is a perfect example of melody-crafting. It is at once hauntingly beautiful, yet warm and joyous. Its contours are complex, dramatic, yet singable. I believe this melodic accessibility is the key to the song's lasting popularity. I would also attribute A Basque Carol's continued popularity to its elegant translation into English (by Sabine Baring-Gould, who rediscovered the original Basque tune). Translations often risk sounding unimaginative, coarse, and blunt. This translation is strikingly different. It was graced with an especially poetic translation including lines such as his wings as drifted snow, his eyes as flame. I am very excited to offer a new perspective on this classic carol, joining the tradition of composers preserving and reimagining a priceless medieval melody. My first goal was to create a flowing, richly-textured, even cinematic string accompaniment for the choir. This approach was very much inspired by the dense, string-writing style of English composer Ralph Vaughan Williams. My second goal was to make the arrangement flexible enough to be performed with only choir, only strings, or (best of all) both ensembles combined. To further complement this approach, I've added an obligato line for a solo recorder (solo flute or violin work just as well). If you listen carefully, you will hear a quote from my other favorite holiday carol, Jesu Bambino. I hope you enjoy performing A Basque Carol. I especially hope that you sense the ancient magic cast into this tune, hearing the ineffable qualities that have compelled us to sustain it for nearly a millennium. Whether you're a choir, a string orchestra, or a combined ensemble, this arrangement of A Basque Carol will surely be a haunting and lovely addition to your next holiday program!.
A Basque Carol (also known as Gabriel’s Message) holds a special place in Western music. The carol originates from Basque country around the 13th century, based on the Latin hymn, Angelus ad Virginem (likely of Franciscan origin). The tune quickly spread throughout Europe, finding popularity in Britain where it was even referenced in Chaucer’s Canterbury Tales:  “Playing so sweetly that the chamber rang; / and Angelus ad virginem he sang. . .”.Interestingly, the melody we know and love today is derived from the original Basque version. In my view, this tune is a perfect example of melody-crafting. It is at once hauntingly beautiful, yet warm and joyous. Its contours are complex, dramatic, yet singable. I believe this melodic accessibility is the key to the song’s lasting popularity. I would also attribute A Basque Carol’s continued popularity to its elegant translation into English (by Sabine Baring-Gould, who rediscovered the original Basque tune). Translations often risk sounding unimaginative, coarse, and blunt. This translation is strikingly different. It was graced with an especially poetic translation including lines such as “his wings as drifted snow, his eyes as flame.”I am very excited to offer a new perspective on this classic carol, joining the tradition of composers preserving and reimagining a priceless medieval melody. My first goal was to create a flowing, richly-textured, even cinematic string accompaniment for the choir. This approach was very much inspired by the dense, string-writing style of English composer Ralph Vaughan Williams. My second goal was to make the arrangement flexible enough to be performed with only choir, only strings, or (best of all) both ensembles combined. To further complement this approach, I’ve added an obligato line for a solo recorder (solo flute or violin work just as well). If you listen carefully, you will hear a quote from my other favorite holiday carol, Jesu Bambino.I hope you enjoy performing A Basque Carol. I especially hope that you sense the ancient magic cast into this tune, hearing the ineffable qualities that have compelled us to sustain it for nearly a millennium. Whether you’re a choir, a string orchestra, or a combined ensemble, this arrangement of A Basque Carol will surely be a haunting and lovely addition to your next holiday program!

By Carl F. Schalk. For Voices: Unison, some various. Keyboard accompaniment. Coll; Hymnl Sacred. Level: easy. 95 pages. Published by GIA Publications.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2.5

SKU: CF.YAS185

Composed by Mark Revell. Young String Orchestra. Set of Score and Parts. With Standard notation. 16+16+10+10+4+10+16 pages. Duration 3 minutes, 5 seconds. Carl Fischer Music #YAS185. Published by Carl Fischer Music (CF.YAS185).

ISBN 9781491151501. UPC: 680160909001. 9 x 12 inches. Key: E minor.

The idea with this piece was a representation of a subatomic or chemical process beginning and progressing, with electrons bouncing around and interacting. This mostly pizzicato piece is contrasted by legato violins used over the top of the spirited pizzicato material as contrast to the rest of the piece.  A very effective, colorful and fresh piece. You may remember composer Mark Revell as the composer of music for the popular LG Signature commercial found in the YouTube link - https://www.youtube. com/watch?v=f-i0Ok43Ek8.< br>The idea with this piece was a representation of a subatomic or chemical process beginning and progressing, with electrons bouncing around and interacting. The legato violins section about two-thirds of the way through should be a marked contrast to the pizzicato popping of the rest of the piece and played sweetly with sensuous vibrato.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2.5

SKU: CF.YAS185F

Composed by Mark Revell. Young String Orchestra (YAS). Full score. With Standard notation. 16 pages. Carl Fischer Music #YAS185F. Published by Carl Fischer Music (CF.YAS185F).

ISBN 9781491151877. UPC: 680160909377. 9 x 12 inches.

The idea with this piece was a representation of a subatomic or chemical process beginning and progressing, with electrons bouncing around and interacting. This mostly pizzicato piece is contrasted by legato violins used over the top of the spirited pizzicato material as contrast to the rest of the piece.  A very effective, colorful and fresh piece. You may remember composer Mark Revell as the composer of music for the popular LG Signature commercial found in the YouTube link - https://www.youtube. com/watch?v=f-i0Ok43Ek8.< br>The idea with this piece was a representation of a subatomic or chemical process beginning and progressing, with electrons bouncing around and interacting. The legato violins section about two-thirds of the way through should be a marked contrast to the pizzicato popping of the rest of the piece and played sweetly with sensuous vibrato.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vocal melody, piano accompaniment, lyrics, chord names and guitar chord diagrams. Christmas and holiday. 192 pages. 9x12 inches.

For Autoharp, Guitar, Ukulele, Mandolin, Banjo, and Keyboard. Compiled and arranged by Meg Peterson. For Acoustic Instruments/Songbook. Songbook. Children's. Level: Beginning. Book. Size 8.5x11. 40 pages. Published by Mel Bay Publications, Inc.

Performed by The Rolling Stones. Fakebook for voice and C instrument. With vocal melody, chord names, color photos, discography, selected riffs (guitar tab) and introductory text. 431 pages. Published by Alfred Publishing.

Edited by Carol Cuellar. Piano/Vocal songbook (Piano/Vocal/Chords. Arrangements for piano and voice with guitar chords). 236 pages. Published by Alfred Publishing.

Twenty pieces with Yuletide associations arranged for easy-play piano. Includes works by Bach, Corelli, Berlioz and Tchaikovsky, popular carols and Christmas classics

Twenty pieces with Yuletide associations. Includes works by Bach, Corelli, Berlioz and Tchaikovsky, popular carols and Christmas classics

by Dr. William Weiss. For Recorder (Soprano). method. Basic Series. All Styles. Level: Beginning. Book. Size 8.75x11.75. 56 pages. Published by Mel Bay Publications, Inc.

Composed by Percy Aldridge Grainger (1882-1961). Arranged by Matt Johnston. Alry Publications #CC176. Published by Alry Publications (AY.CC176).