| Double Bass Solo 1 Contre Basse [Partition] Oxford University Press
| | |
| Double Bass Solo Techniques Contre Basse [Partition] Oxford University Press
(A book of orchestral excerpts). By Keith Hartley. For Double bass technique boo...(+)
(A book of orchestral
excerpts). By Keith
Hartley. For Double bass
technique book. Double
Bass. Double Bass Solo.
Double bass solos. Method
book. 32 pages
$30.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Suzuki Bass School, Volume 2 Contre Basse [Partition + CD] Alfred Publishing
(Bass Part). Composed by Dr. Shinichi Suzuki. For Bass. This edition: Revised. B...(+)
(Bass Part). Composed by
Dr. Shinichi Suzuki. For
Bass. This edition:
Revised. Book; CD;
Method/Instruction;
String - Bass (Suzuki);
Suzuki. Suzuki Bass
School. 20 pages.
Published by Alfred Music
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| More Classical Highlights Quatuor à cordes: 2 violons, alto, violoncelle De Haske Publications
String Quartet or String Orchestra - easy SKU: BT.DHP-1135315-070 Arrange...(+)
String Quartet or String
Orchestra - easy SKU:
BT.DHP-1135315-070
Arranged by Nico Dezaire.
De Haske String Orchestra
Series. Set (Score and
Parts). De Haske
Publications #DHP
1135315-070. Published by
De Haske Publications
(BT.DHP-1135315-070).
ISBN 9789043146814.
9x12 inches.
English-German-French-Dut
ch. More
Classical Highlights
is the follow-up to
Classical
Highlights, a
collection featuring
arrangements of classical
themes dating from the
17th century up to
the19th century. The
parts are quite easy and
attractively written, but
the arrangements stay as
faithful as possible to
the original works.
Baroque music is
represented with two
highlights: the
well-known Canon
by Pachelbel may well be
the most performed 17th
century composition. The
power of the piece lies
in a bass line of only
eight notes, above which
the melodic line of the
round itself develops.
Réjouissance
from Music for the
Royal Fireworks is a
very joyful composition
bythe Anglo-German
baroque composer Handel.
The 18th century
classical style gives us
the refined minuet
by Boccherini, the
Italian composer who
wrote a wealth of chamber
music. The 19th century
features in three famous
works: the lively
Marche Militaire No
1 by the Austrian
composer Schubert
originates from 3
Marches Militaires
for four-handed piano.
The Can Can from
Orphée aux
enfers (Orpheus in
the Underworld) is the
best-known separately
performed piece by the
operetta composer
Offenbach. Following this
exciting dance music
there is the beautiful,
lofty Largo theme
from the second movement
of Czech composer
Dvorákâ??s From
the New World
Symphony. In short: Six
varying arrangements -
challenging and very
suitable for
performances!
More Classical
Highlights is het
vervolg op Classical
Highlights, een
verzameling arrangementen
van klassieke thema´s
die dateren uit de
periode van de 17e eeuw
tot en met de 19e eeuw.
De partijen zijn
eenvoudig en
aantrekkelijk geschreven;
tegelijkertijd blijven de
arrangementen dicht bij
het origineel. De
barokmuziek is
vertegenwoordigd met twee
highlights. De bekende
Canon van
Pachelbel is wellicht de
meest gespeelde
17e-eeuwse compositie. De
kracht ervan ligt in een
baslijn van slechts acht
noten waarboven zich het
lijnenspel van de canon
ontspint.
Réjouissance
uit Music for the
Royal Fireworks is
een zeer opgewekte
compositie van
deDuits-Engelse
barokcomponist Händel.
De 18e-eeuwse klassieke
stijl horen we terug in
het verfijnde
menuet van
Boccherini, een
Italiaanse componist die
een schat aan kamermuziek
schreef. De 19e eeuw komt
naar voren in drie
beroemde stukken. De
uitbundige Marche
militaire nr. 1 van
de Oostenrijkse componist
Schubert komt uit 3
Marches militaires
voor vierhandig piano. De
Can Can uit
Orphée aux
enfers (Orpheus in de
onderwereld) is het
beroemdste afzonderlijk
uitgevoerde stuk van de
operettecomponist
Offenbach. Na deze
opzwepende dansmuziek
volgt het prachtige,
gedragen thema uit het
tweede deel van de
symfonie Uit de nieuwe
wereld met de titel
Largo, van de hand
van de Tsjechische
componist Dvorák.
Kortom: zes zeer
afwisselende
arrangementen, uitdagend
en uitermate geschikt
voor uitvoeringen!
More Classical
Highlights ist die
Fortsetzung von
Classical
Highlights, einer
Sammlung von Arrangements
klassischer Themen aus
der Zeit vom 17. bis zum
19. Jahrhundert. Die
Stimmen sind recht
einfach gehalten und
reizvoll ausgearbeitet;
zugleich sind die
Arrangements nah an den
Originalstu cken. Der
Barock ist mit zwei
musikalischen
Höhepunkten vertreten:
Der bekannte Canon
von Pachelbel ist
vielleicht die meist
gespielte Komposition aus
dem 17. Jahrhundert. Die
Kraft dieses Stu ckes
liegt in einer Basslinie
aus nur acht Noten, u ber
der sich das eigentliche
Gefu ge des Kanons
entwickelt.
Réjouissance
aus der
Feuerwerksmusik
ist einesehr fröhliche
Komposition des
deutsch-englischen
Barockkomponisten
Händel. Ein Kleinod
der Klassik aus dem 18.
Jahrhundert ist das
raffinierte
Menuett von
Boccherini, einem
italienischen
Komponisten, der einen
groÃ?en Schatz an
Kammermusik schrieb. Das
19. Jahrhundert ist mit
drei beru hmten Werken
vertreten: Der lebhafte
Marche militaire No.
1 des Ã?sterreichers
Schubert stammt aus 3
Marches militaires fu
r Klavier zu vier
Händen. Der
Can-Can aus
Orphée aux
enfers (Orpheus in
der Unterwelt) ist das
beru hmteste separat
aufgefu hrte Stu ck des
Operettenkomponisten
Offenbach. Nach dieser
mitreiÃ?enden Tanzmusik
folgt ein schönes,
erhabenes Thema aus dem
zweiten Satz der
Sinfonie Aus der Neuen
Welt mit dem Titel
Largo aus der
Feder des tschechischen
Komponisten Dvorák.
More Classical
Highlights, qui fait
suite au recueil
Classical
Highlights, rassemble
une collection
dâ??arrangements de
thèmes classiques
couvrant une période
de trois siècles, du
XVIIe au XIXe siècle.
Les diverses parties
instrumentales sont
faciles et agréables
jouer, mais les
arrangements restent
néanmoins fidèles
aux compositions
originales. La musique
baroque est
représentée par
deux oeuvres toujours
appréciées. Parmi
toutes les compositions
du XVIIe siècle, le
célèbre
Canon de Pachelbel
est peut-être celle
que lâ??on entend le
plus souvent. Sa
puissance réside dans
une simple ligne de basse
de huit notes par-dessus
laquelle se développe
le motif ducanon
lui-même.
Réjouissance,
tirée de Music for
the Royal Fireworks,
est une pièce très
enjouée du compositeur
baroque anglo-allemand
Haendel. Le style
classique du XVIIIe
siècle est inclus sous
la forme dâ??un
élégant
menuet de
Boccherini, un
compositeur italien qui a
écrit une quantité
de musique de chambre. Le
XIXe siècle est
évoqué par trois
oeuvres célèbres.
La dynamique Marche
militaire n° 1, du
compositeur autrichien
Schubert, extrait des
Trois marches
militaires pour piano
quatre mains. Le
Cancan
dâ??Orphée aux
enfers est la plus
connue des oeuvres
dâ??Offenbach,
célèbre pour ses
opérettes. Cette danse
endiablée est suivie
du Largo,
admirable thème du
deuxième mouvement de
la Symphonie du
Nouveau Monde, du
compositeur tchèque
Dvorák. En
résumé : six
arrangements variés,
stimulants et parfaits
pour être
interprétés en
concert ! $47.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Suzuki Bass School Bass Part, Volume 4 Contre Basse [Partition] Alfred Publishing
For String Bass. String - Bass (Suzuki). The Suzuki Method Core Materials. Book....(+)
For String Bass. String -
Bass (Suzuki). The Suzuki
Method Core Materials.
Book. 24 pages. Published
by Alfred Publishing.
(1)$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Double Bass Solo Contrebasse, Piano (duo) Oxford University Press
By Hartley. For Piano Accomps for Bks 1 & 2. Published by Oxford University Pres...(+)
By Hartley. For Piano
Accomps for Bks 1 & 2.
Published by Oxford
University Press.
$38.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Suzuki Bass School Bass Part, Volume 2
Contre Basse [Partition] Alfred Publishing
For String Bass. String - Bass (Suzuki). The Suzuki Method Core Materials. Book....(+)
For String Bass. String -
Bass (Suzuki). The Suzuki
Method Core Materials.
Book. 20 pages. Published
by Alfred Publishing.
(1)$14.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Annette Costanzi, George Vance: Progressive Repertoire for the Double Bass - Volume 1
Contre Basse [Livre + CD] Carl Fischer
Composed by Annette Costanzi, George Vance. Instructional book and accompaniment...(+)
Composed by Annette
Costanzi, George Vance.
Instructional book and
accompaniment CD for
String bass (Double
Bass). With bowings and
fingerings. 37 pages.
Published by Carl
Fischer.
(3)$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony No. 1 Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Highland/Etling
(First Movement). Composed by Ludwig van Beethoven (1770-1827). Arranged by Robe...(+)
(First Movement).
Composed by Ludwig van
Beethoven (1770-1827).
Arranged by Robert
Sieving. Orchestra.
Masterworks; Part(s);
Score; String Orchestra.
Highland String
Orchestra. Form:
Transcription. Classical;
Masterwork Arrangement;
Romantic. Grade 4. 124
pages. Published by
Highland/Etling
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Theme from Symphony No. 1, Movement 3 Orchestre à Cordes [Conducteur] - Intermédiaire Belwin
By Gustav Mahler (1860-1911). Arranged by Brad Pfeil. Orchestra. Score; Stri...(+)
By Gustav Mahler
(1860-1911).
Arranged by Brad Pfeil.
Orchestra. Score; String
Orchestra. Belwin Concert
String Orchestra.
Masterwork
Arrangement; Romantic.
Grade
3. 16 pages. Published by
Belwin Publishing
$10.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Theme from Symphony No. 1, Movement 3 Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Belwin
By Gustav Mahler (1860-1911). Arranged by Brad Pfeil. Orchestra. Part(s); Sc...(+)
By Gustav Mahler
(1860-1911).
Arranged by Brad Pfeil.
Orchestra. Part(s);
Score;
String Orchestra. Belwin
Concert String Orchestra.
Masterwork Arrangement;
Romantic. Grade 3. 130
pages.
Published by Belwin
Publishing
$65.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Solo Performer Series, Volume 1 Violoncelle, Piano - Intermédiaire Eighth Note Publications
By Various. Arranged by David Marlatt. Various. For Cello/Bass and Piano. String...(+)
By Various. Arranged by
David Marlatt. Various.
For Cello/Bass and Piano.
String - Cello Studies or
Collection. Solo
Performer Series.
Renaissance. Level:
Medium-Difficult.
Published by Eighth Note
Publications.
$25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 3e Symphonie en ut mineur, op. 78 - Avancé Barenreiter
Orchestra, Organ (Fl1, Fl2 , Fl3(Fl-picc), 2 Ob, EnglHn, 2 clarinet, clarinet-B,...(+)
Orchestra, Organ (Fl1,
Fl2 , Fl3(Fl-picc), 2 Ob,
EnglHn, 2 clarinet,
clarinet-B, 2 bassoon,
bassoon-Co, Hn1, Hn2 ,
Hn3(chrom.), Hn4(chrom.),
3Trp, 3trombone, timpani,
Tr-Gr, Tri, Be, Org,
piano-4ms, 2 Violin,
Viola, Cello, Double
Bass) - Level 5 SKU:
BA.BA10303-01
Composed by Camille
Saint-Saens. Edited by
Michael Stegemann. This
edition: Edition of
selected works, Urtext
edition. Linen.
Saint-Saens, Camille.
Oevres instrumentales
completes I/3. Edition of
selected works, Score.
Opus 78. Duration 39
minutes. Baerenreiter
Verlag #BA10303_01.
Published by Baerenreiter
Verlag (BA.BA10303-01).
ISBN 9790006559503. 33
x 26 cm inches. Key: C
minor. Preface: Michael
Stegemann. The
third symphony by Camille
Saint-Saens, known as the
Organ Symphony, is the
first publication in a
complete
historical-critical
edition of the French
composer's instrumental
works.
I gave
everything I was able to
give in this work. [...]
What I have done here I
will never be able to do
again.Camille Saint-Saens
was rightly proud of his
third Symphony in C minor
Op.78, dedicated to the
memory of Franz Liszt.
Called theOrgan
Symphonybecause of its
novel scoring, the work
was a commission from the
Philharmonic Society in
London, as was
Beethoven's Ninth, and
was premiered there on 19
May 1886. The first
performance in Paris
followed on 9 January
1887 and confirmed the
composer's reputation
asprobably the most
significant, and
certainly the most
independent French
symphonistof his time, as
Ludwig Finscher wrote in
MGG. In fact the work
remains the only one in
the history of that genre
in France to the present
day, composed a good half
century after the
Symphonie fantastique by
Hector Berlioz and a good
half century before
Olivier Messiaen's
Turangalila
Symphonie.
You
would think that such a
famous, much-performed
and much recorded opus
could not hold any more
secrets, but far from it:
in the first
historical-critical
edition of the Symphony,
numerous inconsistencies
and mistakes in the
Durand edition in general
use until now, have been
uncovered and corrected.
An examination and
evaluation of the sources
ranged from two early
sketches, now preserved
in Paris and Washington
(in which the Symphony
was still in B minor!)
via the autograph
manuscript and a set of
proofs corrected by
Saint-Saens himself, to
the first and subsequent
editions of the full
score and parts. The
versions for piano duet
(by Leon Roques) and for
two pianos (by the
composer himself) were
also consulted. Further
crucial information was
finally found in his
extensive correspondence,
encompassing thousands of
previously unpublished
letters. The discoveries
made in producing this
edition include the fact
that at its London
premiere, the Symphony
probably looked quite
different from its
present appearance
...
No less
exciting than the work
itself is the history of
its composition and
reception, which are
described in an extensive
foreword. With his
Symphony, Saint-Saens
entered right into the
dispute which divided
French musical life into
pro and contra Wagner in
the 1880s and 1890s. At
the same time, the work
succeeded in preserving
the balance between
tradition and modernism
in masterly fashion, as a
contemporary critic
stated:The C minor
Symphony by Saint-Saens
creates a bridge from the
past into the future,
from immortal richness to
progress, from ideas to
their
implementation.
On
19 March 1886 Saint-Saens
wrote to the London
Philharmonic Society,
which commissioned the
work:
Work on the
symphony is in full
swing. But I warn you, it
will be terrible. Here is
the precise
instrumentation: 3 flutes
/ 2 oboes / 1 cor anglais
/ 2 clarinets / 1 bass
clarinet / 2 bassoons / 1
contrabassoon / 2 natural
horns / [3 trumpets /
Saint-Saens had forgotten
these in his listing.] 2
chromatic horns / 3
trombones / 1 tuba / 3
timpani / organ / 1 piano
duet and the strings, of
course. Fortunately,
there are no harps.
Unfortunately it will be
difficult. I am doing
what I can to mitigate
the
difficulties.
As
in my 4th Concerto [for
piano] and my [1st]
Violin Sonata [in D minor
Op.75] at first glance
there appear to be just
two parts: the first
Allegro and the Adagio,
the Scherzo and the
Finale, each attacca.
This fiendish symphony
has crept up by a
semitone; it did not want
to stay in B minor, and
is now in C
minor.
It would be
a pleasure for me to
conduct this symphony.
Whether it would be a
pleasure for others to
hear it? That is the
question. It is you who
wanted it, I wash my
hands of it. I will bring
the orchestral parts
carefully corrected with
me, and if anyone wants
to give me a nice
rehearsal for the
symphony after the full
rehearsal, everything
will be fine.
When
Saint-Saens hit upon the
idea of adding an organ
and a piano to the usual
orchestral scoring is not
known. The idea of adding
an organ part to a
secular orchestral work
intended for the concert
hall was thoroughly novel
- and not without
controversy. On the other
hand, Franz Liszt, whose
music Saint-Saens'
Symphony is so close to,
had already demonstrated
that the organ could
easily be an orchestral
instrument in his
symphonic poem
Hunnenschlacht (1856/57).
There was also a model
for the piano duet part
which Saint-Saens knew
and may possibly have
used quite consciously as
an exemplar: theFantaisie
sur la Tempetefrom the
lyrical monodrama Lelio,
ou le retour a la Vie op.
14bis (1831) by Berlioz.
The name of the organist
at the premiere ist
unknown, as,
incidentally, was also
the case with many of the
later performances; the
organ part is indeed not
soloistic, but should be
understood as part of the
orchestral
texture.
In fact
the subsequent success of
the symphony seems to
have represented a kind
of breakthrough for the
composer, who was then
over 50 years of age.My
dear composer of a famous
symphony, wrote
Saint-Saens' friend and
pupil Gabriel Faure:You
will never be able to
imagine what a pleasure I
had last Sunday [at the
second performance on 16
January 1887]! And I had
the score and did not
miss a single note of
this Symphony, which will
endure much longer than
we two, even if we were
to join together our two
lifespans!
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$566.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Major Works For Orchestra Orchestre [Conducteur] Theodore Presser Co.
Orchestra - all SKU: PR.816600040 Composed by Wolfgang Amadeus Mozart. CD...(+)
Orchestra - all SKU:
PR.816600040 Composed
by Wolfgang Amadeus
Mozart. CD Sheet Music
(Version 1). Full Scores
to all of the major works
for orchestra by Mozart -
parts not included.
Classical Period. CD
Sheet Music. 2000
printable pages.
Published by Theodore
Presser Company
(PR.816600040). UPC:
680160600045. 5.5x5
inches. This disk
contains study scores of
all 41 of Mozart's
Symphonies, as well as
Concertos for Winds and
Strings (Piano Concertos
are on a companion
CD-ROM), Serenades, Opera
Overtures, Divertimentos,
and other works.
About CD Sheet
Music (Version
1) CD
Sheet Music (Version 1)
was the initial CD Sheet
Music series distributed
by Theodore Presser. The
CDs include thousands of
pages of music that are
viewable and printable on
Mac or PC. Version 1
titles are a great value
at 40% off, as we make
room in our warehouse for
the newly enhanced CD
Sheet Music (Version 2.0)
series. $18.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sonatina Orchestre à Cordes [Conducteur] - Facile Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS13F Composed by Muzio...(+)
Orchestra String
Orchestra - Grade 2-2.5
SKU: CF.YAS13F
Composed by Muzio
Clementi. Arranged by
Douglas Townsend. Carl
Fischer Young String
Orchestra Series.
Classical. Full score.
With Standard notation.
12 pages. Carl Fischer
Music #YAS13F. Published
by Carl Fischer Music
(CF.YAS13F). ISBN
9780825848339. UPC:
798408048334. 8.5 X 11
inches. Key: G
major. IApart from
some of his Sonatinas,
Opus 36, Clementi's life
and music are hardly
known to the piano
teachers and students of
today. For example, in
addition to the above
mentioned Sonatinas,
Clementi wrote sixty
sonatas for the piano,
many of them unjustly
neglected, although his
friend Beethoven regarded
some of them very highly.
Clementi also wrote
symphonies (some of which
he arranged as piano
sonatas), a substantial
number of waltzes and
other dances for the
piano as well as sonatas
and sonatinas for piano
four-hands.In addition to
composing, Clementi was a
much sought after piano
teacher, and included
among his students John
Field (Father of the
'Nocturne'), and
Meyerbeer.In his later
years, Clementi became a
very successful music
publisher, publishing
among other works the
first English edition of
Beethoven's Violin
Concerto, in the great
composer's own
arrangement for the
piano, as well as some of
his string quartets.
Clementi was also one of
the first English piano
manufacturers to make
pianos with a metal frame
and string them with
wire.The Sonatina in C,
Opus 36, No. 1 was one of
six such works Clementi
wrote in 1797. He must
have been partial to
these little pieces (for
which he also provided
the fingerings), since
they were reissued
(without the fingering)
by the composer shortly
after 1801. About 1820,
he issued ''the sixth
edition, with
considerable improvements
by the author;· with
fingerings added and
several minor changes,
among which were that
many of them were written
an octave higher.IIIt has
often been said,
generally by those
unhampered by the facts,
that composers of the
past (and, dare we add,
the present?), usually
handled their financial
affairs with their public
and publishers with a
poor sense of business
acumen or common sense.
As a result they
frequently found
themselves in financial
straits.Contrary to
popular opinion, this was
the exception rather than
the rule. With the
exception of Mozart and
perhaps a few other
composers, the majority
of composers then, as
now, were quite
successful in their
dealings with the public
and their publishers, as
the following examples
will show.It was not
unusual for 18th- and
19th-century composers to
arrange some of their
more popular compositions
for different
combinations of
instruments in order to
increase their
availability to a larger
music-playing public.
Telemann, in the
introduction to his
seventy-two cantatas for
solo voice and one melody
instrument (flute, oboe
or violin, with the usual
continua) Der Harmonische
Gottesdienst, tor
example, suggests that if
a singer is not available
to perform a cantata the
voice part could be
played by another
instrument. And in the
introduction to his Six
Concertos and Six Suites
for flute, violin and
continua, he named four
different instrumental
combinations that could
perform these pieces, and
actually wrote out the
notes for the different
possibilities. Bach
arranged his violin
concertos for keyboard,
and Beethoven not only
arranged his Piano Sonata
in E Major, Opus 14, No.
1 for string quartet, he
also transposed it to the
key of F. Brahm's
well-known Quintet in F
Minor for piano and
strings was his own
arrangement of his
earlier sonata for two
pianos, also in F
Minor.IIIWe come now to
Clementi. It is well
known that some of his
sixty piano sonatas were
his own arrangements of
some of his lost
symphonies, and that some
of his rondos for piano
four-hands were
originally the last
movements of his solo
sonatas or piano trios.In
order to make the first
movement of his
delightful Sonatina in C,
Opus 36, No. 1 accessible
to young string players,
I have followed the
example established by
the composer himself by
arranging and transposing
one of his piano
compositions from one
medium (the piano) to
another. (string
instruments). In order to
simplify the work for
young string players, in
the process of adapting
it to the new medium it
was necessary to
transpose it from the
original key of C to G,
thereby doing away with
some of the difficulties
they would have
encountered in the
original key. The first
violin and cello parts
are similar to the right-
and left-hand parts of
the original piano
version. The few changes
I have made in these
parts have been for the
convenience of the string
players, but in no way do
they change the nature of
the music.Since the
original implied a
harmonic framework in
many places, I have added
a second violin and viola
part in such a way that
they not only have
interesting music to
play, but also fill in
some of the implied
harmony without in any
way detracting from the
composition's musical
value. Occasionally, it
has been necessary to
raise or lower a few
passages an octave or to
modify others slightly to
make them more accessible
for young players.It is
hoped that the musical
value of the composition
has not been too
compromised, and that
students and teachers
will come to enjoy this
little piece in its new
setting as much as
pianists have in the
original one. This
arrangement may also be
performed by a solo
string quartet. When
performed by a string
orchestra, the double
bass part may be
omitted.- Douglas
TownsendString editing by
Amy Rosen.
About Carl
Fischer Young String
Orchestra
Series Thi
s series of Grade 2/Grade
2.5 pieces is designed
for second and third year
ensembles. The pieces in
this series are
characterized
by: --Occasionally
extending to third
position --Keys
carefully considered for
appropriate
difficulty --Addition
of separate 2nd violin
and viola
parts --Viola T.C.
part
included --Increase
in independence of parts
over beginning levels $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Classical Highlights Orchestre à Cordes [Conducteur et Parties séparées] - Débutant De Haske Publications
String Orchestra - very easy SKU: BT.DHP-1094713-070 Arranged by Nico Dez...(+)
String Orchestra - very
easy SKU:
BT.DHP-1094713-070
Arranged by Nico Dezaire.
De Haske String Orchestra
Series. Set (Score &
Parts). Composed 2009. 24
pages. De Haske
Publications #DHP
1094713-070. Published by
De Haske Publications
(BT.DHP-1094713-070).
ISBN 9789043131919.
9x12 inches.
English-German-French-Dut
ch. The De Haske
String Orchestra
Series offers
attractive pieces
especially composed and
arranged for string
orchestras. Students and
teachers are treated to a
great variety of musical
styles. Each part
presents a challenge to
the player. The Viola
part can be replaced by a
3rd Violin part, and the
Double bass part can be
replaced by a 2nd Cello
part. The Piano part is
mainly meant for support,
but it occasionally adds
new motifs as well.
Classical
Highlights is a
collection of six
arrangements of classical
themes dating from 17th
to 19th century. The
parts have been kept easy
and attractive; at the
same time they stay close
to the
original.
De
De Haske String
Orchestra Series
biedt u aantrekkelijke,
speciaal voor
strijkorkest
gecomponeerde en
gearrangeerde werken. De
stukken zijn geschreven
in verschillende stijlen:
van klassiek en folk tot
moderne, populaire
muziek. Iedere partij is
zo geschreven dat elke
speler in het orkest een
uitdaging heeft. De
partij voor altviool kan
door een derde viool
worden vervangen. De
partij voor contrabas kan
ook door een tweede cello
worden gespeeld. De
pianopartij dient als
ondersteuning, maar voegt
soms ook nieuwe motieven
toe aan de muziek.
Classical
Highlights is een
verzameling arrangementen
van klassieke
thema’s die
dateren uit de 17e tot en
met de 19e eeuw. De
partijen zijn eenvoudig
en aantrekkelijk
geschreven:
tegelijkertijd blijven de
arrangementen dicht bij
het origineel.
Die De Haske
String Orchestra
Series bietet
attraktive, speziell fu r
StreichÂorchester
komponierte und
arrangierte Stu cke in
einer stilistischen
Vielfalt von Klassik u
ber Folk bis zu modernen
U-Musikstilen. Jede
Stimme stellt dabei
besondere
Herausforderungen an die
Spieler. Die Violastimme
kann durch eine dritte
Violine und der
Kontrabass durch ein
zweites Cello ersetzt
werden. Die Klavierstimme
dient zur Unterstu tzung,
fu gt aber zuweilen auch
neue Motive hinzu.
Classical
Highlights enthält
Bearbeitungen von sechs
klassischen Themen aus
der Zeitspanne vom 17.
bis zum 19. Jahrhundert.
Die Stimmen wurden
einfach und ansprechend
gestaltet und sinddoch
zugleich getreu dem
Original. Die Ausgabe
enthält ein
Rigaudon von Henry
Purcell, das berühmte
Menuett aus der
Feuerwerksmusik
von Händel, ein
Andante von Haydn
(das Thema mit dem
berühmten
Paukenschlag), das Thema
aus Beethovens
Violinkonzert,
Das große Tor von
Kiew aus Bilder
einer Ausstellung von
Modest Mussorgsky und
schließlich noch
España von
Waldteufel und Chabrier.
De Haske
String Orchestra
Series : Les
compositions et les
arrangements réunis
sous ce label sont en
parfait accord avec le
niveau ciblé, et
proposent des styles
très variés. Chaque
publication est
accompagnée d'un
compact disc contenant la
version de
démonstration des
œuvres publiées
dans cette collection.
L’instrumentation
est toujours la
même : Violons 1
& 2, Alto (ou Violon
3), Violoncelle,
Contrebasse (ou
Violoncelle 2) et
Piano. Classical
Highlights est un
recueil qui réunit six
arrangements de grands
thèmes classiques du
XVIIe au XIXe siècle.
Les parties sont
motivantes et facilement
accessibles, explorant
avec justesse
l’oeuvreoriginale.
De Haske
String Orchestra
Series è una nuova
raccolta pensata per i
suonatori di archi
principianti. Le
composizioni e gli
arrangiamenti raccolti
sotto questa etichetta
sono perfetti per chi
inizia a suonare e
prongono stili variegati.
La strumentazione è
sempre la stessa: violino
1 & 2, viola (o
violino 3), violoncello,
contrabbasso (o
violoncello 2) e
piano.Classical
Highlights è una
pubblicazione che
raccoglie sei
arrangiamenti di grandi
temi classici del XVII e
XIX secolo. Brani
motivanti e facilmente
accessibili, che rendono
onore
all‘originale.Tracc
e Demo:1. Rigaudon2.
Minuet3. Andante4.
Allegro5. Great Gate of
Kiev6. EspanaPer
effettuare il download
delle tracce demo, clicca
sul titolo selezionato e
scegli “Salva
come†nel
menu. $45.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Intermediate Music for Three, Volume 2, Part 3 - Bass Clarinet [Partie séparée] Last Resort Music Publishing
(Mix and Match Trios for Strings, Woodwinds, Saxophones and Keyboard). By Variou...(+)
(Mix and Match Trios for
Strings, Woodwinds,
Saxophones and Keyboard).
By Various. Arranged by
Daniel Kelley. String
Trio, Wind Trio, Mixed
Trio, Clarinet Trio,
Saxophone Trio, Piano
Trio, Piano Quartet. For
Bass Clarinet in Bb.
Trios. Intermediate Music
for Three. Classical.
Intermediate. Partbook -
Part 3. Published by Last
Resort Music Publishing
$20.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wind Symphony No. 1 Orchestre d'harmonie [Conducteur d'étude / Miniature] Subito Music
Composed by Nancy Galbraith (1951-). For Concert Band (2 flutes, 2 oboes, Eb cla...(+)
Composed by Nancy
Galbraith (1951-). For
Concert Band (2 flutes, 2
oboes, Eb clarinet, 3
clarinets*, bass
clarinet, 2 bassoons; 2
alto saxophones, tenor
saxophone, baritone
saxophone; 4 horns, 4
trumpets, 3 trombones,
euphonium, 2 tubas;
timpani, 4 percussion,
piano/synthesizer,
string-bass (*at least 2
per p). Study Score.
Composed 1996. Duration
17'. Published by Subito
Music Corporation
$50.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| An Italian Elegy, from Symphony No. 4 Italian Orchestre à Cordes - Intermédiaire Alfred Publishing
By Felix Mendelssohn. Arranged by Harry Alshin. Music by Felix Mendelssohn / arr...(+)
By Felix Mendelssohn.
Arranged by Harry Alshin.
Music by Felix
Mendelssohn / arr. Harry
Alshin. For String
Orchestra. String
Orchestra. String
Orchestra. Level: 4
(grade 4). Conductor
Score and Parts. 1 pages.
Published by Alfred
Publishing.
$48.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Wind Symphony No. 1 Orchestre d'harmonie Subito Music
Instrumentation: 2fl, 2ob, eb-cl, 3cl*, bs-cl, 2bn; 2a-sax, t-sax, b-sax; 4hn, 4...(+)
Instrumentation: 2fl,
2ob, eb-cl, 3cl*, bs-cl,
2bn; 2a-sax, t-sax,
b-sax; 4hn, 4tpt, 3tbn,
euph, 2tba; timp, 4perc,
pno/synth, string-bass
(*at least 2 per part)
Duration: 17' 1. Allegro;
2. Andante; 3. Vivace
Study Score: available
for sale (#90810050)
Former title: If Rachael
in a Yellow Rose
Composed: 1996 Published
by: Subito Music
Publishing fantastic
landscapes... --Records
International Galbraith's
music for wind ensemble
gives her a chance to
show off her considerable
skills as an orchestrator
of winds and percussion.
Her Wind Symphony I is a
gaudy creation, imposing
in its martial and
celebratory granduer. It
mixes lush harmonies and
minimalist pulsings with
gamelan-style
superimpositions of long,
slow lines over faster
ostinatos... --American
Record Guide
$250.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Fox, You've Stolen the Goose Quatuor à cordes: 2 violons, alto, violoncelle - Intermédiaire Schott
String quartet (double bass ad libitum) - intermediate SKU: HL.49018965 <...(+)
String quartet (double
bass ad libitum) -
intermediate SKU:
HL.49018965 Double
Bass Part. Composed
by Ludwig van Beethoven
and Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover. 8
pages. Duration 13'.
Schott Music #ED20713-15.
Published by Schott Music
(HL.49018965). ISBN
9790001175791. What
do Beethoven and the
children's song Fuchs Du
hast die Gans gestohlen
have in common? Nothing,
strictly speaking.
Although the song was
written as early as 1824
(and theoretically,
Beethoven could have
known it), it has not
left deep marks on his
oeuvre. But what if he
had known it? Wolfgang
Birtel pursued this
question and, in reply to
it, conceived a symphony
for string quartet:
behind each movement is
an original symphony by
Beethoven (spiced with
quotes from other works).
The children's song
appears as the main theme
in the final movement of
Symphony No. 1, in the
famous funeral march of
Eroica, fate knocks at
the door (of the goose
house) in remembrance of
Symphony No. 5, and the
work ends with Ode to the
Roast Goose (Symphony No.
9). A funny and cleverly
arranged collage, a
performing and listening
pleasure in the footsteps
of Beethoven. $7.99 - Voir plus => Acheter | | |
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