| Symphony No.104 Alto seul Universal Edition
By Franz Joseph Haydn (1732-1809). Arranged by H.C. Robbins Landon. For Viola. H...(+)
By Franz Joseph Haydn
(1732-1809). Arranged by
H.C. Robbins Landon. For
Viola. Haydn-Mozart
Presse. Standard
notation. Hob. I:104.
Published by Universal
Edition
$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Viola Repertoire 7 Alto seul - Intermédiaire The Frederick Harris Music Company
Viola - Late Intermediate SKU: FH.VA7 Viola Series, 2013 Edition. ...(+)
Viola - Late Intermediate
SKU: FH.VA7
Viola Series, 2013
Edition. Composed by
The Royal Conservatory.
Viola Series, 2013
Edition. Book/CD. The
Frederick Harris Music
Company #VA7. Published
by The Frederick Harris
Music Company (FH.VA7).
ISBN
978-1-55440-569-5.
This groundbreaking
series for viola offers a
sound and progressive
collection of Repertoire,
Recordings, Etudes,
Technique, and Orchestral
Excerpts for the aspiring
virtuoso. Representing
all major style periods
and a variety of genres,
Viola Series, 2013
Edition offers all the
music and tools needed to
support a comprehensive
course of study from the
beginner to advanced
levels. A rich and varied
selection of music in
each of these nine
progressive volumes of
repertoire appeals to
violists of all ages.
From the Preparatory
Level through Level 8,
students will be exposed
to quality selections
originally written for
viola, fun arrangements
of traditional fiddle and
folk tunes, as well as
contemporary pieces by
notable composers such as
Violet Archer, Carey
Cheney, and Fritz
Kriesler. Level
7: Holberg Suite, op.
40: I,V - Grieg,
Edvard Symphony No. 5,
op. 67: II - Beethoven,
Ludwig van Symphony
No. 4 (Italian), op. 90:
II - Mendelssohn,
Felix Brandenburg
Concerto No. 3, BWV 1048:
I - Bach, Johann
Sebastian Symphony No.
35 (Haffner), K 385: I -
Mozart, Wolfgang
Amadeus Level
8: Ruslan and
Ludmilla: Overture -
Glinka,
Mikhail Symphony No.
35 (Haffner), K 385: IV -
Mozart, Wolfgang
Amadeus Symphony No. 6
(Pathetique), op. 75: I -
Tchaikovsky, Pyotr
Il'yich Symphony No.
9, op. 125: IV -
Beethoven, Ludwig
van Symphony No. 3
(Eroica), op. 55: IV -
Beethoven, Ludwig
van Symphony No. 1,
op. 68: I - Brahms,
Johannes Symphony No.
9 (New World), op. 95: IV
- Dvorak,
Antonin Level
9: Symphony No. 5, op.
67: III - Beethoven,
Ludwig van Die
Zauberfloete, K 620:
Overture - Mozart,
Wolfgang Amadeus The
Hebrides, op. 26:
Overture - Mendelssohn,
Felix Variations on a
Theme by Haydn, op. 56a -
Brahms, Johannes Le
carnaval romain -
Berlioz,
Hector Symphony No. 8,
op. 88: I - Dvorak,
Antonin Symphony NO. 4
(Romantic): II -
Bruckner, Anton Level
10: Symphony No. 4
(Italian), op. 90: I,IV -
Mendelssohn,
Felix Symphony No. 4,
op. 98: II,IV - Brahms,
Johannes Peer Gynt
Suite No. 1, op. 46: I -
Grieg, Edvard Concerto
for Orchestra: IV,V -
Bartok, Bela Symphony
No. 40, K 550: I,IV -
Mozart, Wolfgang
Amadeus Serenade for
Strings, op. 48: I,II -
Tchaikovsly, Pyotr
Il'yich Symphony No.
5, op. 47: I -
Shostakovich,
Dmitri Associate: G
roup 1: Ochestral Tutti
Parts (Viola): Daphnis
et Chloe: III - Ravel,
Maurice Don Juan, op.
20 - Strauss,
Richard Symphony No.
9, op. 125: II,IV -
Beethoven, Ludwig
van Incidental Music
to A Midsummer Night's
Dream, op. 61: Scherzo -
Mendelssohn, Felix The
Bartered Bride: Overture
- Smetana,
Bed_ich Group 2: Viola
Solos: Don Quixote,
op. 35 - Strauss,
Richard Harold en
Italie: I - Berlioz,
Hector. $47.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphony no. 9 in E minor, op. 95 "New World" Alto seul Barenreiter
Viola SKU: BA.BA10419-79 Composed by Antonin Dvorak. Edited by Jonathan D...(+)
Viola SKU:
BA.BA10419-79
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
95. 14 pages.
Baerenreiter Verlag
#BA10419_79. Published by
Baerenreiter Verlag
(BA.BA10419-79). ISBN
9790006564750. 32.5 x
25.5 cm inches. Key: E
minor.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony D major Hob. I:104 'London Symphony, No. 12' Alto seul Barenreiter
Viola SKU: BA.BA04668-79 Composed by Franz Joseph Haydn. Edited by Hubert...(+)
Viola SKU:
BA.BA04668-79
Composed by Franz Joseph
Haydn. Edited by Hubert
Unverricht. This edition:
urtext edition. Stapled.
Single part. Hob. I :104.
13 pages. Baerenreiter
Verlag #BA04668_79.
Published by Baerenreiter
Verlag (BA.BA04668-79).
ISBN 9790006452835.
32.5 x 25.5 cm inches.
Key: D
major. Urtext from
the G. Henle Complete
Edition of the Works of
Joseph Haydn. $10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony No. 104 in D major Hob I:104 Breitkopf & Härtel
Viola (2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB-4380-19 Salomo...(+)
Viola (2.2.2.2. -
2.2.0.0. - timp - str)
SKU: BR.OB-4380-19
Salomo. Composed
by Franz Joseph Haydn.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Classical.
Part. 12 pages. Duration
25'. Breitkopf and
Haertel #OB 4380-19.
Published by Breitkopf
and Haertel
(BR.OB-4380-19). ISBN
9790004306765. 10 x 12.5
inches. $8.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Symphony No. 104 in D major Hob. I:104 Breitkopf & Härtel
Viola (2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.EOS-409-19 Salomo (Lo...(+)
Viola (2.2.2.2. -
2.2.0.0. - timp - str)
SKU: BR.EOS-409-19
Salomo (London).
Composed by Franz Joseph
Haydn. Orchestra;
stapled. Eulenburg
Orchestral Series.
Symphony; Classical.
Part. Duration 25'.
Breitkopf and Haertel
#EOS 409-19. Published by
Breitkopf and Haertel
(BR.EOS-409-19). ISBN
9790004785256. 9 x 12
inches. $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Treasures for Flute and Piano Flûte traversière et Piano Carl Fischer
Chamber Music flute, piano SKU: CF.WF228 Philippe Gaubert. Compose...(+)
Chamber Music flute,
piano SKU:
CF.WF228 Philippe
Gaubert. Composed by
Philippe Gaubert. Edited
by Amy Porter. Arranged
by Amy Porter. Set of
Score and Parts. With
Standard notation.
104+1+32 pages. Carl
Fischer Music #WF228.
Published by Carl Fischer
Music (CF.WF228). ISBN
9781491153529. 9 x 12
inches. Compiled
and edited by Amy Porter,
Treasures for Flute and
Piano is acollection of
Philippe Gaubert’s
shorter works for flute
and piano. Gaubertwas a
multi-talented musician,
a marvelous flutist as
well as a
composer,teacher, and
master conductor. Over
his lifetime, he became
one of the mostimportant
musical figures in France
between the World Wars in
the first halfof the 20th
century. Trained in
theory and harmony at the
Paris
Conservatory,Gaubert was
also deeply influenced by
other composers at the
time, includingDebussy,
Fauré, and Dukas.
Editor Amy Porter is a
distinguished Professorat
The University of
Michigan School of Music,
Theatre & Dance, and
hasbeen praised by
critics for her
exceptional musical
talent and her passion
forscholarship. This
edition represents eleven
of the sixteen works from
AmyPorter and Dr.
Penelope Fischer’s
video study guide,
“The Gaubert Cycle:
TheComplete Works for
Flute and Piano by
Philippe
Gaubertâ€. Philip
pe Gaubert
(1879–1941) was a
very important teacher
and flutist in our
classical flute playing
lineage. In this edition
we have gathered his
beautiful, shorter
compositions for flute
and piano all in one
place, to be cherished as
“Gaubert’s
Treasures.â€Philippe
Gaubert personified the
modern French school of
flute playing as
introduced by his teacher
Paul Taffanel
(1844–1908) at the
Paris Conservatory.
Gaubert was a
multitalented musician, a
marvelous flutist as well
as a gifted composer,
teacher and master
conductor. Over his
lifetime he became one of
the most important
musical figures in France
between the World Wars in
the first half of the
twentieth century.
Gaubert’s musical
andpedagogical gifts to
us are passed along
through generations of
students and continue to
touch the hearts of many
who listen to his fine,
and refined,
music.Philippe Gaubert
studied composition at
the Paris Conservatory
with Raoul Pugno, Xavier
Leroux, and then for a
brief time with Charles
Lenepvu. It was after
this study that he won
the famous Prix de Rome
second prize in
composition. Even with
his schooling of theory
and harmony in Paris, he
was deeply influenced by
other composers of the
time, namely Debussy,
Fauré and Dukas.
Between the years of
1905–1914
Gaubert’s early
workswere arrangements
and short pieces written
for the year-end final
exam pieces at the
Conservatory.Between
1914–1918 Gaubert
served in the French Army
during World War I, most
notably in the battle of
Verdun in 1916. This was
considered one of the
largest battles against
the Germans in WWI. He
was wounded but his
creativity level was not
dampened. He was rewarded
for his service and
awarded medals for his
bravery. It was during
this time that he found
the energy to compose his
Deux Esquisses or 2
Scenes, and sketched out
his first flute
sonata.Gaubert composed
his remaining five flute
and piano works after
1922 in Paris, and
clearly his poetic soul
was transformed from the
earlier years. He took in
new forms and styles of
compositions such as a
Suite, a Ballade and a
Sonatine. He also
completed his Second and
Third Sonatas for Flute
and Piano, all of them
dramatic works in terms
of compositional
techniques and grandeur
of tone.Gaubert composed
music easily throughout
his lifetime, especially
during summer breaks when
the orchestra and Paris
Opera seasons were on
hiatus and he was not
conducting. He loved
literature and poetry
which inspired over
thirty vocal works from
1903 through 1938.He also
wrote twenty-six
instrumental chamber
works for other
instruments: oboe,
cornet, clarinet,
trombone, violin, viola,
cello, harp and
combinations of these
instruments with piano.
Some of these were
commissioned jury pieces,
but many were for his
musician friends.Six
full-length stage works,
both ballets and operas
for the stage, several
tone poems and symphonies
were written throughout
his lifetime.This edition
represents eleven out of
the sixteen works from
our video study guide
“The Gaubert Cycle:
The Complete Works for
Flute and Piano by
Philippe Gaubertâ€
with guest pianist Tim
Carey. Omitted in this
edition are Sonatas Nos.
1–3, Ballade, and
Sonatine. $29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony in C major Hob. I:90 Orchestre [Conducteur] Barenreiter
Orchestra (Fl, 2 Ob, bassoon, 2 Hn, 2 Trp, timpani, 2 Violin, Viola, Cello, Doub...(+)
Orchestra (Fl, 2 Ob,
bassoon, 2 Hn, 2 Trp,
timpani, 2 Violin, Viola,
Cello, Double Bass)
SKU: BA.BA10981
Composed by Franz Joseph
Haydn. Edited by Andreas
Friesenhagen. This
edition: urtext edition.
Stapled. Score. Hob.
I:90. Baerenreiter Verlag
#BA10981_00. Published by
Baerenreiter Verlag
(BA.BA10981). ISBN
9790006564620. 31 x 24.3
cm inches. Key: C major.
Preface: Andreas
Friesenhagen. Haydn
’s Symphony in C
major Hob. I: 90, dated
1788 in the autograph,
belongs to a group of
works that he composed
between the Paris
symphonies (Hob. I:
82–87) and the
London symphonies (Hob.
I: 93–104). It
thus belongs to the last
symphonies he wrote
before his journeys to
England in 1791–92
and 1794–95.
Continuing the
collaboration between
Bärenreiter and the G.
Henle publishing company
regarding Haydn's
large-scale choral works,
operas and symphonies,
this edition is based on
the G. Henle Complete
Edition of the Works of
Joseph Haydn. With
Symphony No. 90,
Bärenreiter has now
published the complete
performance material for
all the symphonies from
Nos. 82 to 104 as well as
several Sturm und Drang
symphonies.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$55.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony in G Major, Opus 88, No. 8 Orchestre [Conducteur] Barenreiter
Orchestra (Fl1, Fl2 (Fl-picc), Ob1(EnglHn), Ob2 , 2 clarinet, 2 bassoon, 4Hn, 2 ...(+)
Orchestra (Fl1, Fl2
(Fl-picc), Ob1(EnglHn),
Ob2 , 2 clarinet, 2
bassoon, 4Hn, 2 Trp,
3trombone, Tb, timpani, 2
Violin, Viola, Cello,KB)
SKU: BA.BA10418
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Paperback. Barenreiter
Urtext. Score. Opus 88.
Duration 12 hours.
Baerenreiter Verlag
#BA10418_00. Published by
Baerenreiter Verlag
(BA.BA10418). ISBN
9790006564644. 32.5 x
25.5 cm inches. Key: G
major. Preface: Jonathan
Del Mar. The
performance material
available up till now for
Dvorákâ??s sun-filled
cheerful Symphony no. 8
has been notorious for
its myriad mistakes. The
challenge of correcting
it has now been taken
over by the editor
Jonathan Del Mar. He has
taken into account the
engraverâ??s copy, which
was actually discovered
in a trash bin at
Novelloâ??s in 1964. Its
title page bears the
words â??Copied from my
original manuscriptâ?
in Dvorákâ??s hand.
This source proves that
many of the readings
contained in the first
edition and faithfully
adopted in all subsequent
editions, were simply
slips of the copyistâ??s
pen.
This new
edition with score and
orchestral parts in an
enlarged format is
accompanied by a detailed
Critical Commentary on
the sources and
alternative readings. It
also contains important
facsimile pages to
clarify problematical
readings.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$106.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Du Mont Bloch Symphonie A 3 Symphonie No.23 Score/parts Alto seul Leduc, Alphonse
Viola SKU: HL.48189369 Composed by Henri Dumont. Leduc. Softcover. Alphon...(+)
Viola SKU:
HL.48189369 Composed
by Henri Dumont. Leduc.
Softcover. Alphonse Leduc
#NT10451Y. Published by
Alphonse Leduc
(HL.48189369). UPC:
888680875541.
8.25x12.0x0.79
inches. Du Mont
Bloch Symphonie A 3
Symphonie No.23
Score/Parts. $26.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony in G Major, Opus 88, No. 8 Alto seul Barenreiter
Viola SKU: BA.BA10418-79 Composed by Antonin Dvorak. Edited by Jonathan D...(+)
Viola SKU:
BA.BA10418-79
Composed by Antonin
Dvorak. Edited by
Jonathan Del Mar. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
88. 12 pages.
Baerenreiter Verlag
#BA10418_79. Published by
Baerenreiter Verlag
(BA.BA10418-79). ISBN
9790006564675. 32.5 x
25.5 cm inches. Key: G
major.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts - Urtext
editions as close as
possible to the
composerâ€â„
s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
$10.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Du Mont Symphonie A 3 No.5 2 2 Violas & Basso Continuo Score/parts Alto seul Leduc, Alphonse
Viola SKU: HL.48189368 Composed by Henri Dumont. Leduc. Softcover. Alphon...(+)
Viola SKU:
HL.48189368 Composed
by Henri Dumont. Leduc.
Softcover. Alphonse Leduc
#NT10441Y. Published by
Alphonse Leduc
(HL.48189368). UPC:
888680875527.
8.25x12.0x0.95
inches. Du Mont
Symphonie A 3 No.5 2 2
Violas & Basso
Continuo Score/Parts. $26.25 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Symphony No. 4 in C minor D 417 Breitkopf & Härtel
Viola (2.2.2.2. - 4.2.0.0. - timp - str) SKU: BR.OB-4464-19 Tragic Sym...(+)
Viola (2.2.2.2. -
4.2.0.0. - timp - str)
SKU: BR.OB-4464-19
Tragic Symphony.
Composed by Franz
Schubert. Stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Part.
14 pages. Duration 30'.
Breitkopf and Haertel #OB
4464-19. Published by
Breitkopf and Haertel
(BR.OB-4464-19). ISBN
9790004310496. 10 x 12.5
inches. $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Symphony Nr. 7 D minor op. 70 Alto seul [Set de Parties séparées] Barenreiter
Composed by Antonin Dvorak (1841-1904). Edited by Jonathan Del Mar. This edition...(+)
Composed by Antonin
Dvorak (1841-1904).
Edited by Jonathan Del
Mar. This edition: urtext
edition. Stapled.
Part(s). Opus 70, No. 7.
20 pages. Duration 38
minutes. Published by
Baerenreiter Verlag
(BA.BA10417-79).
$11.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony No. 3 in D major D 200 Breitkopf & Härtel
Viola (2.2.2.2. - 2.2.0.0. - timp - str) SKU: BR.OB-4463-19 Composed by F...(+)
Viola (2.2.2.2. -
2.2.0.0. - timp - str)
SKU: BR.OB-4463-19
Composed by Franz
Schubert. Orchestra;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Part.
8 pages. Duration 23'.
Breitkopf and Haertel #OB
4463-19. Published by
Breitkopf and Haertel
(BR.OB-4463-19). ISBN
9790004310441. 10 x 12.5
inches. $8.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Die Donau Orchestre Barenreiter
Orchestra SKU: BA.BA06861 Sinfonie (1923-1928). Composed by Leos J...(+)
Orchestra SKU:
BA.BA06861
Sinfonie
(1923-1928). Composed
by Leos Janacek. Arranged
by Leoš Faltus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek H/3.
Complete edition, Score,
Set of parts. Duration 40
minutes. Baerenreiter
Verlag #BA06861_00.
Published by Baerenreiter
Verlag (BA.BA06861).
ISBN 9790260104211.
34.3 x 27 cm
inches. Leoš
Janácek’s
symphonic fragment Dunaj
(The Danube) dates from
the period of the
composition of
“Katya
Kabanovaâ€. The
composer was not
concerned with a
musical-picturesque
description of a river
landscape, but with the
mythical link between
women’s destinies
and
water.
“Pale
green waves of the
Danube! There are so many
of you, and one followed
by another. You remain
interlocked in a
continuous flow. You
surprise yourselves where
you ended up – on
the Czech shores! Look
back downstream and you
will have an impression
of what you have left
behind in your haste. It
pleases you here. Here I
will rest with my
symphony.†Thus
Leoš Janácek
described the idea behind
the composition project
which occupied him in
1923/24. However, after
further work, it remained
incomplete in 1926. His
“symphonyâ€
entitled Dunaj has
survived as a
continuously-notated,
four-movement bundle of
sketches in score form.
It is one of the works
which occupied him until
his death. The scholarly
reconstruction by the two
Brno composers Miloš
Štedron and Leoš
Faltus closely follows
the original
manuscript.
A
whole conglomeration of
motifs stands behind the
incomplete work. What at
first seems like a
counterpart to
Smetana’s Vltava,
in fact doesn’t
turn out to be a musical
depiction of the Danube.
On the contrary, the
fateful link between the
destiny of women, water
and death permeates the
range of motifs found in
the work. It seems to be
no coincidence that
Janácek, whilst
working on the opera
Katya Kabanova, in which
the Volga, as the river
bringing death plays an
almost mythical role,
planned a Danube
symphony, and that its
content was linked with
the destiny of women: in
the sketches, two poems
were found which may have
provided the stimulus for
several movements of the
symphony. He copied a
poem by Pavla
Kriciková into the
second movement, in which
a girl remarks that
whilst bathing in a pond,
she was observed by a
man. Filled with shame,
the young naked woman
jumps into the water and
drowns. The outer
movements likewise draw
on the poem
“Lola†by the
Czech writer Sonja
Špálová,
published under the
pseudonym Alexander
Insarov. This is about a
prostitute who asks for
her heart’s
desire: she is given a
palace, but then goes on
a long search for it and
is finally no longer
wanted by anyone. She
suffers, feels cold and
just wants a warm fire.
Janácek adds his
remark “she jumps
into the Danube†to
the inconclusive
ending.
To these
tangible literary models
is added Adolf
Veselý’s verbal
account which reports
that the composer wanted
to portray “in the
Danube, the female sex
with all its passions and
driving forcesâ€.
The third movement is
said to characterise the
city of Vienna in the
form of a
woman.
It is
evident that in his
composition, Janácek
was not striving for a
simple, natural lyricism.
The River Danube is
masculine in the Slavic
language –
“ten Dunajâ€
– and assumes an
almost mythical
significance in the
national character,
indeed often also a role
bringing death. The four
movements are motivically
conceived. Elements of
sound painting, small
wave-like figures in the
first movement, motoric,
driving movements in the
third are obvious
evocations of water. And
the content and the
literary level are easy
to discover. The
“tremolo of the
four timpaniâ€,
which was amongst
Janácek’s first
inspirations, appears in
the second movement. It
is not difficult to
retrace in it the fate of
the drowning bather. The
oboe enters lamentoso
towards the end of the
movement over timpani
playing tremolo, its
descending figure is
taken over by the flute,
then upper strings and
intensified considerably.
The motif of drowning
– Lola’s
despair – returns
again in the fourth
movement in the clarinet,
before the work ends
abruptly and
dramatically.
One
special effect is the use
of a soprano voice in the
motor-driven third
movement. The singer
vocalises mainly in
parallel with the solo
oboe, but also in
dialogue with other parts
such as the viola
d’amore, which
Janácek used in
several late works as a
sort of “voice of
loveâ€.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p> MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
$249.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Symphony #3 Orchestre [Conducteur] Carl Fischer
For Orchestra. By Lukas Foss. For Piccolo, Flute, Oboe, English Horn, Clarinet, ...(+)
For Orchestra. By Lukas
Foss. For Piccolo, Flute,
Oboe, English Horn,
Clarinet, Bass Clarinet,
Bassoon, Horn, Trumpet,
Tenor, Tuba, Timpani,
Percussion, Harp, Organ,
Piano, Celesta, Violin,
Viola, Cello, Contrabass.
World Premiere Chicago
Symphony Orchestra
February 19, 1992.
Classical. Full Score -
Study. 104 pages.
Published by Carl
Fischer.
$75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Timbres, Space, Movement (orchestra) Orchestre Heugel
Orchestra (Orchestra) SKU: HL.48188488 Composed by Henri Dutilleux. Leduc...(+)
Orchestra (Orchestra)
SKU: HL.48188488
Composed by Henri
Dutilleux. Leduc.
Classical. Softcover. 104
pages. Heugel & Cie
#HE32608. Published by
Heugel & Cie
(HL.48188488). UPC:
888680866952.
8.5x11.75x0.543
inches. “Comp
osed in 1978 by Henri
Dutilleux, Timbres,
Space, Movement is a work
for Orchestra, also named
?The starry night? after
a painting by Van Gogh.
It was commisioned by
Mstislav Rostropovich for
the National Symphony
Orchestra of Washington
and is dedicated to
Charles Münch. This
great orchestral work
lasts approximately 20
minutes and depicts the
content of the painting.
It is written for a full
orchestra without Violins
or Violas. A sketch of
the placement of the
instruments is given in
the book as its
disposition differs from
a full orchestra: The
Cellos placed in a
half-circle in front of
the conductor. The Cellos
represents the space with
twirling solos and more
stagnant sections while
the lack of Violins and
Violas is for the quiet
and motionless part of
the painting. The solo of
the Winds and Drums
characterizes the clouds
and the light of the moon
and the stars. It is
divided in two parts: 1.
Nébuleuse (Nebula) and
2.Constellations, which
are divided by a Cello
interlude. Henri
Dutilleux was
internationally acclaimed
for his work winning
prizes such as the Gold
Medal of the Royal
Philharmonic Society and
the UNESCO's
International Rostrum of
Composers, amongst many
others. His work also
includes a Piano sonata,
two symphonies, the
Violin concerto 'L'arbre
des songes' (The tree of
dreams) and the Cello
concerto 'Tout un monde
lointain' (A whole
distant
word).â€. $85.80 - Voir plus => Acheter | | |
| Lobgesang (Chant de louange) [Conducteur] - Intermédiaire Carus Verlag
(Symphonie-Kantate). By Felix Bartholdy Mendelssohn (1809-1847). Edited by Seato...(+)
(Symphonie-Kantate). By
Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Seaton,
Douglass. For Soli SST,
Choir SSAATB, 2 Flutes, 2
Oboes, 2 Clarinets, 2
Bassoons, 4 Horn, 2
Trumpets, 3 Trombones,
Timpani, 2 Violins,
Viola, Cello, Contrabass,
Organ. This edition:
paperbound. Full score
available separately -
see item CA.4007600.
Stuttgart Urtext
editions; Occasions:
Praise and thanks. Level
3. Piano/Vocal score.
Language: German/English.
Composed 1840. 52. 104
pages. Duration 65 min
$19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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