Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin
Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by
Lara
Downes. Collection.
Theodore
Presser Company
#440-40028.
Published by Theodore
Presser
Company
(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyr...(+)
(C Edition) For voice and
C instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Series: Hal
Leonard Fake Books. 856
pages. 9x12 inches.
Published by Hal Leonard.
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
Solace, Entertainer and Maple Leaf Rag * 3 in 1 * Original Piano Solo composed b...(+)
Solace, Entertainer and
Maple Leaf Rag * 3 in 1 *
Original Piano Solo
composed by Scott Joplin
(1868-1917). For piano
solo. This edition:
Paperback. Solo. Ragtime.
Sheet Music. Text
Language: English. 12
pages. Published by
Santorella Publications
Entertainer and Maple Leaf * 2 in 1 * Easy Piano Solo composed by Scott Joplin (...(+)
Entertainer and Maple
Leaf * 2 in 1 * Easy
Piano Solo composed by
Scott Joplin (1868-1917).
Arranged by Tony
Santorella. For easy
piano solo. This edition:
Paperback. Solo. Ragtime.
Sheet Music. Text
Language: English. 12
pages. Published by
Santorella Publications
Entertainer and Maple Leaf Rag * 2 in 1 * Original Piano Solo by Scott Joplin ...(+)
Entertainer and Maple
Leaf Rag * 2 in 1 *
Original Piano Solo by
Scott Joplin (1868-1917).
For piano solo. This
edition: Paperback. Solo.
Ragtime. Sheet Music.
Text Language: English.
12 pages. Published by
Santorella Publications
For C instrument and voice. Format: fakebook (spiral bound). With chord names, v...(+)
For C instrument and
voice. Format: fakebook
(spiral bound). With
chord names, vocal melody
and lyrics. Jazz. Series:
Hal Leonard Fake Books.
448 pages. 9x12 inches.
Published by Hal Leonard.
Fakebook for Eb instrument and voice. With vocal melody, lyrics and leadsheet no...(+)
Fakebook for Eb
instrument and voice.
With vocal melody, lyrics
and leadsheet notation.
Series: Hal Leonard Fake
Books. 448 pages.
Published by Hal Leonard.
Piano SKU: BT.MUSAM39645 The Complete Piano Player. Tuition. Book Only. C...(+)
Piano
SKU:
BT.MUSAM39645
The
Complete Piano Player.
Tuition. Book Only.
Composed 1992. 232 pages.
Music Sales #MUSAM39645.
Published by Music Sales
(BT.MUSAM39645).
ISBN
9780711906723.
English.
All five
books of The Complete
Piano Player series are
published in this single
volume at a substantial
savings over the price of
the five individual
books. Complete with
keyboard chart.
Edited by Amy Appleby. Collection and examples CD for voice and piano. Over 180 ...(+)
Edited by Amy Appleby.
Collection and examples
CD for voice and piano.
Over 180 hits and
showstoppers by the
master songwriters of
yesteryear. 399 pages.
Published by Music Sales.
SKU: M7.MV-8525 A Bavarian Comedy. Composed by Carl Orff. DVD. Mus...(+)
SKU: M7.MV-8525
A Bavarian Comedy.
Composed by Carl Orff.
DVD. MusicAvision.
Duration 105'. MDS (Music
Distribution Services)
#MV 8525. Published by
MDS (Music Distribution
Services) (M7.MV-8525).
ISBN
9783795778316.
'Ast
utuli' are the cheeky
super-bright people who
get taken all too easily
by a clever con-man.
Nobody wants to be the
dumb one; thus, the
audience first lose a
healthy sense of truth,
then they lose their
clothes and their purses
and eventually all their
dignity. 'Everything is
make-believe!' shouts the
entertainer before
disappearing with his
accomplice and the loot.
It's a rascal's tale, a
story of deception, which
is both fascinating and
amusing. But behind all
that - and unnoticeable
until the very end - we
find deceit,
spoon-feeding and theft.
All this is presented in
Carl Orff's 'rootsy' and
powerful Bavarian style -
both linguistically and
musically. - This recent
DVD edition 'Carl Orff'
presents a new view of
the significant
20th-century composer
Carl Orff (1895-1982).
Conductor: Mark Mast
Stage Director: Hellmuth
Matiasek Assistant
director: Theo G. Kobler
Stage and costumes:
Thomas Pekny Lights:
Georg Boeshenz Assistant
choreographers: Günter
Pick, Carlos Carasquilla
Choir production: Gernot
Schwickert, Mark Mast
starring: Michael Schanze
(as The Entertainer),
Winfried Hübner,
Christoph Gehr, Michael
Schlenger... Ensemble of
the World Theatre Choirs
Andechs Young Munich
Philharmonic Orchestra
Performance:
Florian-Stadl (Florian
Barn), Kloster Andechs
(Andechs Monastery), Orff
in Andechs Festival A
B.O.A. VIDEOFILMKUNST
Munich production,
Regie/Director: Peider A.
Defilla German with
English subtitles Dolby
Digital 5.1 DVD-9 / 105
min. regional code: 0
(PAL, colour) frame size:
16 : 9.
Choral SSA Choir, piano, flute SKU: CF.CM9583 Composed by Christopher Gab...(+)
Choral SSA Choir, piano,
flute
SKU:
CF.CM9583
Composed by
Christopher Gabel. Sws.
Performance Score. 20
pages. Duration 4
minutes, 9 seconds. Carl
Fischer Music #CM9583.
Published by Carl Fischer
Music (CF.CM9583).
ISBN 9781491154052.
UPC: 680160912551. 6.875
x 10.5 inches. Key: Eb
major. English. Thomas
Moore
(1779-1852).
Thomas
Moore (17791852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Filld with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when pleasures
dream is gone, Its memory
lives in Musics breath.
Music, oh, how faint, how
weak, Language fades
before thy spell! Why
should Feeling ever
speak, When thou canst
breathe her soul so well?
Friendships balmy words
may feign, Loves are even
more false than they; Oh!
tis only musics strain
Can sweetly soothe, and
not betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779a1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music a
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fillad with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasureas dream is gone,
Its memory lives in
Musicas breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendshipas balmy
words may feign, Loveas
are even more false than
they; Oh! atis only
musicas strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779-1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music -
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fill'd with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasure's dream is gone,
Its memory lives in
Music's breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendship's balmy
words may feign, Love's
are even more false than
they; Oh! 'tis only
music's strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779-1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music -
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fill'd with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasure's dream is gone,
Its memory lives in
Music's breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendship's balmy
words may feign, Love's
are even more false than
they; Oh! 'tis only
music's strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779–1852)
was an Irish poet,
singer, songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song.We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life?On Music
– Thomas MooreWhen
through life unblest we
rove,Losing all that made
life dear,Should some
notes we used to love,In
days of boyhood, meet our
ear,Oh! how welcome
breathes the
strain!Wakening thoughts
that long have
slept,Kindling former
smiles againIn faded eyes
that long have wept.Like
the gale, that sighs
alongBeds of oriental
flowers,Is the grateful
breath of song,That once
was heard in happier
hours.Fill’d with
balm the gale sighs
on,Though the flowers
have sunk in death;So,
when pleasure’s
dream is gone,Its memory
lives in Music’s
breath.Music, oh, how
faint, how weak,Language
fades before thy
spell!Why should Feeling
ever speak,When thou
canst breathe her soul so
well?Friendship’s
balmy words may
feign,Love’s are
even more false than
they;Oh! ’tis only
music’s strainCan
sweetly soothe, and not
betray.Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece.
Oboe SKU: BT.9781408105283 Composed by Helen McKean. Abracadabra. Method....(+)
Oboe
SKU:
BT.9781408105283
Composed by Helen McKean.
Abracadabra. Method. Book
with CD. Collins Music
Publishing
#9781408105283. Published
by Collins Music
Publishing
(BT.9781408105283).
A Collection of Popular Classical Themes Arranged for Guitar. By David Coe. By D...(+)
A Collection of Popular
Classical Themes Arranged
for Guitar. By David Coe.
By David Coe. For Guitar
(All). Tune Book. Archive
Edition. Classic. Level:
Beginning. Book. 168
pages. Published by Mel
Bay Publications, Inc.
Violin SKU: HL.239841 Grades 1-3 (Violin). By Marjory King. Arrang...(+)
Violin
SKU:
HL.239841
Grades
1-3 (Violin). By
Marjory King. Arranged by
Jerry Lanning. Music
Sales America. Classical.
Softcover. Composed 2012.
134 pages. Chester Music
#CH78573. Published by
Chester Music
(HL.239841).
ISBN
9781780382531.
This
collection of 50 popular
tunes has been carefully
arranged and graded to
provide attractive
repertoire for young
violinists. The
familiarity of the
material will stimulate
pupils' enthusiasm and
encourage
theirpractice.
The
technical demands of the
solo part increase
progressively up to the
standard of Associated
Board Grade 3. The piano
accompaniments are simple
yet effective and should
be within the range of
most pianists.
Joplin's Entertainer for Alto Sax and Piano composed by Scott Joplin (1868-1917)...(+)
Joplin's Entertainer for
Alto Sax and Piano
composed by Scott Joplin
(1868-1917). Arranged by
Tony Santorella. For alto
sax solo and piano
accompaniment. Solo with
Accompaniment. Ragtime.
Score and solo part. Text
Language: English. 12
pages. Published by
Santorella Publications
Joplin's Entertainer for Flute and Piano composed by Scott Joplin (1868-1917). A...(+)
Joplin's Entertainer for
Flute and Piano composed
by Scott Joplin
(1868-1917). Arranged by
Tony Santorella. For
flute solo and piano
accompaniment. Solo with
Accompaniment. Ragtime.
Score and solo part. Text
Language: English. 12
pages. Published by
Santorella Publications
Joplin's Entertainer for Trumpet and Piano composed by Scott Joplin (1868-1917)....(+)
Joplin's Entertainer for
Trumpet and Piano
composed by Scott Joplin
(1868-1917). Arranged by
Tony Santorella. For
trumpet solo and piano
accompaniment. Solo with
Accompaniment. Ragtime.
Score and solo part. Text
Language: English. 12
pages. Published by
Santorella Publications
The Joy Of Ragtime Piano seul [Partition] - Intermédiaire Yorktown Music Press
Edited by Denes Agay. For piano. Format: piano solo book. With chord names and ...(+)
Edited by Denes Agay.
For piano. Format: piano
solo book. With chord
names and fingerings.
Ragtime. 80 pages. 9x12
inches. Published by
Yorktown Music Press.
(MS.YK21129)
This book includes the
best and most durable
examples of the unique
ragtime style--the music
of Scott Joplin, James
Scott, Joseph F. Lamb,
Tom Turpin, Charles
Hunter, and others--most
are in their original
forms, though some have
been arranged for easier
playing.
Four Joplin Rags Flûte traversière et Piano Theodore Presser Co.
Composed by Scott Joplin (1868-1917). Arranged by David Gilliland. Solo part wit...(+)
Composed by Scott Joplin
(1868-1917). Arranged by
David Gilliland. Solo
part with piano
reduction. 48 pages.
Duration 15 minutes.
Theodore Presser Company
#114-41838. Published by
Theodore Presser Company
(PR.114418380).
Piano SKU: SP.ME1033 Composed by Scott Joplin. Solo; Ragtime. Score. Sant...(+)
Piano
SKU:
SP.ME1033
Composed by
Scott Joplin. Solo;
Ragtime. Score.
Santorella Publications
#ME1033. Published by
Santorella Publications
(SP.ME1033).
ISBN
9781585607457.
The
Masterpiece Edition
series, published
exclusively by Santorella
Publications, is a
collection of original
piano works, as well as
challenging arrangements
and transcriptions
designed for the
experienced to advanced
pianist. The series is
meticulously engraved and
printed on heavy cover
stock and quality paper
to last for generations.
With original works from
the great masters, Bach,
Beethoven, Mozart, and
alike, as well as
arrangements and
transcriptions from some
of the greatest works of
all time, these
Masterpiece Editions are
sure to be popular
favorites while enhancing
the repertoire of most
any serious pianist. In
this case, we are
extremely proud to
release the original,
unedited, Masterpiece
Edition of Joplin's
Solace, Entertainer and
Maple Leaf Rag as a 3 in
1 sheet in its purest
form. Our ultimate goal
is to emphasize the
necessity of exceptional
quality in printed sheet
music. Time has heard the
strains of a myriad of
musical styles. Some
styles liven with age
while others fade. The
same is true of the
composers themselves;
some are regarded as
brilliant masters from
the beginning of their
lives while others are
praised only
posthumously. Endurance
is the ultimate test.
Scott Joplin endured
great injustices and
criticism, yet he remains
the King of Ragtime. We
remember the genius of
Scott Joplin by
publishing Solace, The
Entertainer, and Maple
Leaf Rag in a remarkable
3 in 1 original edition.
Joplin's most popular
rag, The Entertainer
reached high acclaim in
1973 as a recognizable
theme from the film
classic, The Sting. This
Academy Award-Winning
film was solely
responsible for the
resurgence of ragtime in
general, but more
specifically brought
renewed interest in the
works of Scott Joplin.
Solace was frequently
heard in the background
of many scenes in which
the character was deep in
thought. Subtitled, A
Mexican Serenade, Solace
has a serene Latin feel,
unlike no other samba
written and is the
favorite of many Joplin
enthusiasts. While the
Maple Leaf Rag, actually
became quite popular
during Joplin's lifetime,
so much so that it was
the first printed sheet
of music to sell over one
million copies. We are
pleased to combine these
three original rags in
one sheet as a special
part of our Masterpiece
Ragtime Selections. These
newly engraved editions
are clean, sharp,
distinct, and accurate.
An absolute pleasure to
read as each crisp note
seems to pop off the
page.
Piano, Voix et Guitare [Partition] - Facile Hal Leonard
For voice, piano and guitar chords. Format: piano/vocal/chords songbook. With vo...(+)
For voice, piano and
guitar chords. Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Vocal
Standards. 544 pages.
9x12 inches. Published by
Hal Leonard Corporation.