|
| Volume 123 - Now's the Time - Standards with the Joey DeFrancesco Trio
Instruments Sib, Mib, Do et Bass clef [Partition + CD]
Jamey Aebersold Jazz
Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Alo...(+)
Edited by Jamey
Aebersold. For any C, Eb,
Bb, bass instrument or
voice. Play-Along series
with accompaniment CD.
Jazz Play-A-Long For All
Musicians. Book with CD.
Published by Jamey
Aebersold Jazz.
$17.90 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Do-It-Yourself Alto Sax
Saxophone Alto [Partition + Accès audio]
Hal Leonard
Book with Online Audio and Video Alto Sax The Best Step-by-Step Guide to Start...(+)
Book with Online Audio
and Video
Alto Sax
The Best Step-by-Step
Guide to
Start Playing. Do It
Yourself.
Instruction, Method.
Softcover
Media Online. 128 pages.
Published by Hal Leonard
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Simple Gifts: Four Shaker Songs
Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire
Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 9:00. Published
by Manhattan Beach Music.
$250.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | | |
| Simple Gifts: Four Shaker Songs
Orchestre d'harmonie [Conducteur] - Intermédiaire
Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Grade
3. Conductor Full Score.
Duration 9:00
$50.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | | |
| A Shaker Gift Song
Orchestre d'harmonie [Conducteur et Parties séparées] - Facile
Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for middle school and high school bands...(+)
By Frank Ticheli. Concert
band. Suitable for middle
school and high school
bands. Grade 2. Conductor
score and set of parts.
Duration 2:15. Published
by Manhattan Beach Music
$125.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | | |
| The All-Jazz Real Book - C Edition
Instruments en Do [Fake Book]
Sher Music Company
By Various. Jazz. Fake Book. 550 pages. Published by Sher Music Company. CD Incl...(+)
By Various. Jazz. Fake
Book. 550 pages.
Published by Sher Music
Company. CD Included with
the book contains 37
melodies played by the
following artists:
Bob Sheppard - saxes and
flute
Steve Houghton - drums
Dave Carpenter - acoustic
bass
Paul van Wageningen -
drums
Marc van Wageningen -
electric bass
Larry Dunlap - piano and
synthesizer
Dave Mac Nab - guitar.
(3)$44.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| The All-Jazz Real Book - Eb Edition
Instruments en Mib [Fake Book]
Sher Music Company
| | | |
| Cuico
Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire
C. Alan Publications
(Percussion Trio Feature). Composed by Gregory Danner. For Soloist(s) with Conce...(+)
(Percussion Trio
Feature). Composed by
Gregory Danner. For
Soloist(s) with Concert
Band (Piccolo, Flute 1,
Flute 2, Oboe 1, Bb
Clarinet 1, Bb Clarinet
2, Bb Clarinet 3, Bb Bass
Clarinet, Bassoon, Eb
Alto Saxophone 1, Eb Alto
Saxophone 2, Bb Tenor
Saxophone, Eb Baritone
Saxophone, Bb Trumpet 1,
Bb Trumpet 2, Bb Trumpet
3, F Horn 1/2, F Horn
3/). Band Music. Grade 4.
Score and parts. Duration
14:50. Published by C.
Alan Publications
$150.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | | |
| The All-Jazz Real Book - Bb Edition
Instruments en Sib [Partition + CD]
Sher Music Company
| | | |
| Sinfonia XVI: Transcendental Vienna
Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire
Manhattan Beach Music
Concert band - Grade 4 SKU: MH.1-59913-072-6 Composed by Timothy Broege. ...(+)
Concert band - Grade 4
SKU:
MH.1-59913-072-6
Composed by Timothy
Broege. Suitable for high
school, community, and
college bands. Conductor
score and set of parts.
Duration 7:00. Published
by Manhattan Beach Music
(MH.1-59913-072-6).
ISBN
9781599130729. Prog
ram Notes: It was a happy
coincidence that the
commission for SINFONIA
XVI: TRANSCENDENTAL
VIENNA came from the
Henry David Thoreau
School located in Vienna,
Virginia. Thoreau is one
of the magic names in
American culture: Henry
David Thoreau, one of the
leading figures of the
Transcendentalist
movement, centered in
19th-century New England,
left us a body of unique
philosophical and
poetical writings. To
utter the words, Walden
Pond, is to invoke an
America long past in
physical actuality, but
still present in the
minds and hearts of many
American citizens. The
name, Vienna, of course,
summons thoughts of the
Old World: culture, fine
food, wine, civilized
cities. While
contemplating the form
that SINFONIA XVI should
take, I found myself
thinking of two pillars
of Viennese culture:
expressionism and the
waltz. Musically
speaking, expressionism
reached a zenith in the
works of Arnold
Schoenberg and Alban
Berg. It was Berg, in
particular, that I wanted
to invoke in the outer
movements of my
composition. I knew I
would also have to
include a waltz, and an
invocation of the
mysterious forces that
are contained in both
expressionism and
transcendentalism. Thus
was the structure of the
work generated. The outer
movements with their
vision of the night sky
and the stars, Aldebaran
and Sirius, frame the
central movements, which
are essentially two
versions of the same
material, and are quieter
and less dramatic. The
outer movements are
symmetrical, and share
both pitch and rhythmic
materials. Accordingly, I
see the work as a ternary
form, with the central
movements forming a unit
within the outer frame: A
(Movement 1) B (Movements
2 & 3) A' (Movement 4).
Harmonically, the work
can be summarized by the
two pitch-series which
occur in the opening bars
of Movement 1: the
initial 12-note row, with
a tonal center on F-sharp
(measures 1-6), and the
subsequent D-minor Dorian
7-note row (beginning in
measure 14). Aspects of
these materials occur in
all four movements, but
they are most strongly
present in Movements 1
and 4. Note that the
12-note row is not
subjected to the usual
serial procedures, but
instead is treated as a
signifier and is left
unchanged. Since the
fourth movement takes up
where the first movement
leaves off, I can
conceive of one
interpretation of
SINFONIA XVI as an
evocation of Thoreau
himself contemplating two
of the brightest stars on
a clear, cold night.
Aldebaran is an orange,
first-magnitude star,
located in the
constellation Taurus;
Sirius, the Dog Star, is
the brightest star in the
sky, and is located in
the constellation Canis
Major. Thoreau interrupts
his star-gazing to
entertain some inward
thoughts, waking dreams,
as it were, then returns
his gaze to the splendid
night sky and all its
treasures. Although many
other interpretations of
the material are
possible, it is important
to remember that the
abstract materials of the
piece -- pitch, rhythm,
structure -- are what
count the most. Ensemble
instrumentation: 1
Piccolo, 4 Flute 1, 4
Flute 2, 3 Oboe, 1 Eb
Clarinet (opt.), 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 3
Bass Clarinet, 3 Bassoon,
3 Eb Alto Saxophone 1, 3
Eb Alto Saxophone 2, 2 Bb
Tenor Saxophone, 2 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 Horn
1, 2 Horn 2, 3 Trombone
1, 3 Trombone 2, 3
Euphonium B.C., 2
Euphonium T.C., 5 Tuba, 2
Timpani, 3 Percussion 1,
3 Percussion 2, 3
Percussion 3, 3
Percussion 4. $135.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | | |
| Loch Lomond
Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire
Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor score
and set of parts.
Duration 6:30. Published
by Manhattan Beach Music.
(1)$135.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | | |
| Loch Lomond
Orchestre d'harmonie [Conducteur] - Intermédiaire
Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert
band. Suitable for
advanced middle school,
high school, community
and college bands. Level:
Grade 3. Conductor Full
Score. Duration 6:30.
Published by Manhattan
Beach Music.
$22.50 - Voir plus => AcheterDélais: 4 to 6 weeks | | | |
| Essential Elements Book 2 - Eb Alto Saxophone
Saxophone Alto
Hal Leonard
Essential Elements Band Method. Size 9x12 inches. 32 pages. Published by Hal Leo...(+)
Essential Elements Band
Method. Size 9x12 inches.
32 pages. Published by
Hal Leonard.
$6.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| FastTrack Alto Saxophone Method - Book 1 (Eb Alto Saxophone)
Saxophone Alto [Partition + Accès audio] - Débutant
Hal Leonard
Written by Blake Neely. Instructional Softcover Audio Online for alto saxophone....(+)
Written by Blake Neely.
Instructional Softcover
Audio Online for alto
saxophone. Series: Hal
Leonard Fasttrack Music
Instruction. 48 pages.
Published by Hal Leonard.
(5)$9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Circus Time
Saxophone Alto [Partition + CD] - Facile
De Haske Publications
Alto Saxophone - early intermediate SKU: BT.DHP-1125244-400 14 showsto...(+)
Alto Saxophone - early
intermediate SKU:
BT.DHP-1125244-400
14 showstoppers for
alto saxophone play-along
performance. Composed
by Joachim Johow. Book
with CD. Composed 2012.
20 pages. De Haske
Publications #DHP
1125244-400. Published by
De Haske Publications
(BT.DHP-1125244-400).
ISBN 9789043141734.
9x12 inches.
English-German-French-Dut
ch. The band
strikes up the circus
march for the entrance of
the artistes—the
audience waits
expectantly…Between
the Opening March
and the Grand
Finale the packed
audience is presented
with a colourful
programme: courageous
acrobats, comical clowns,
oriental belly dancers,
knife-throwers and snake
charmers appear one after
the other.Circus
Time is also
available for flute,
clarinet and violin (in
the same sounding key).
This opens up all sorts
of choices: musicians can
take turns to perform or
build a real circus band,
or even—with the
help of scenery and
props—put on a
proper circus
performance. There is no
end of possibilities!The
accompanyingCD contains
demo and play-along
version of all the
pieces. Alternatively the
chord symbols (written in
concert pitch) above the
music staff can be used
for a live accompaniment
by guitar and/or
keyboard. An optional
piano accompaniment is
available separately
(order number: DHP
1125344-401).On with the
show!
Het orkest
begint de circusmars te
spelen voordat de
artiesten opkomen - het
publiek wacht vol
spanning af…Van de
openingsmars tot de grand
finale krijgen de
toeschouwers een
kleurrijk programma
voorgeschoteld: moedige
acrobaten,grappige
clowns,
oostersebuikdanseressen,
messenwerpers en
slangenbezweerders volgen
elkaar op in de
piste.Circus Time
is ook beschikbaar voor
dwarsfluit, klarinet en
viool (in dezelfde
klinkende toonsoort). Er
zijn dus
allerleimogelijkheden: de
muzikanten kunnen elkaar
afwisselen met
solo-optredens of een
echt circusorkest vormen,
of zelfs - in een
geschikte omgeving en met
behulp van decorstukken -
een heus circusoptreden
verzorgen. Laat je
fantasiede vrije loop.De
bijgevoegde cd bevat
zowel demotracks als
begeleidingen voor alle
stukken. Voor live
begeleiding door keyboard
en/of gitaar staan de
akkoordsymbolen (klinkend
genoteerd) boven de
muziek. Optionele
pianobegeleidingenzijn
apart verkrijgbaar
(bestelnummer: DHP
1125344-401).Laat de show
maar beginnen!
Die
Kapelle spielt schon den
Zirkusmarsch zum Einzug
der Artisten - das
Publikum wartet
gespannt...Zwischen dem
Eröffnungsmarsch und dem Großen
Finale wird dem
geneigten Publikum ein
buntes Programm
präsentiert: Mutige
Akrobaten, lustige
Clowns, orientalische
Bauchtänzerinnen,
Messerwerfer und
Schlangenbeschwörer
treten nacheinander
auf.Circus Time
gibt es auch für
Klarinette, Querflöte
und Violine (in den
gleichen klingenden
Tonarten). So eröffnen
sich viele
Möglichkeiten
für die
Aufführung: Die
Musiker können
abwechselnd auftreten
oder ein ganzes
Zirkusorchester“
bilden und sogar -
ergänzt durch eine
szenische Umsetzung -
eine
richtigeZirkusvorstellung
geben. Der Fantasie sind
keine Grenzen gesetzt!Die
beiliegende CD enthält
Demo- und
Mitspielversionen aller
Stücke. Alternativ
zu den Mitspiel-Tracks
können die
Akkordsymbole (in
klingenden Tonarten)
über den Noten
für eine
Live-Begleitung durch
Keyboard und/oder Gitarre
genutzt werden. Optional
sind Klavierbegleitungen
separat erhältlich
(Bestellnummer: DHP
1125344-401).Manege frei!
L’orchestr
e du cirque attaque la
marche qui annonce
l’apparition des
artistes - le public
attend
impatiemment…Entre
la marche
d’ouverture et le
finale, grands et petits
savourent un programme
haut en couleurs :
acrobates audacieux,
clowns comiques,
danseuses orientales,
jongleurs et charmeurs de
serpents présentent
tour tour leur
numéro.Circus
Time existe
également pour fl te,
clarinette et violon
(dans la même
tonalité). Ce choix
offre de nombreuses
options : les musiciens
peuvent jouer tour tour
ou former un véritable
orchestre de cirque, ou
même - avec des
décors et des
accessoires - monter une
vraie représentation
de cirque. Les
possibilités sont
illimitées!Le
compact-disc ci-joint
contient les versions
intégrales des
morceaux ainsi que les
versions
d’accompagnement.
Les symboles
d’accords (sons
réels) figurant
au-dessus de la portée
facilitent
l’accompagnement
la guitare et/ou au
piano. Les parties
d’accompagnement
de piano optionel sont
rassemblées dans un
recueil vendu
séparément
(référence
:DHP_x001F_1125344-401).Q
ue le spectacle commence
!
Un viaggio nel
mondo circense che
consente ai musicisti di
suonare da soli, ma anche
di formare una vera band.
Il CD contiene una
versione demo e una
play-long di ogni brano.
In alternativa, grazie ai
simboli degli accordi
sopra il pentagramma, ci
si può esibire live
accompagnati dalla
chitarra e/o tastiera
(DHP 1125344-401). $25.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Essential Elements Holiday Favorites (Eb Alto Saxophone)
Saxophone Alto [Partition + Accès audio] - Débutant
Hal Leonard
Eb Alto Saxophone Book with Online Audio. Arranged by Johnnie Vinson, Michael ...(+)
Eb Alto Saxophone Book
with
Online Audio. Arranged by
Johnnie Vinson, Michael
Sweeney, Paul Lavender,
and
Robert Longfield.
Essential
Elements Band Folios.
Holiday, Christmas.
Softcover
Audio Online. Published
by
Hal Leonard
$8.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Comedy Overture
Orchestre d'harmonie [Conducteur et Parties séparées]
G and M Brand Music Publishers
Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, 1st Bb Clarine...(+)
Concert band (Piccolo,
1st Flute, 2nd Flute, 1st
Oboe, 2nd Oboe*, 1st Bb
Clarinet, 2nd Bb
Clarinet, 3rd Bb
Clarinet, Eb Alto
Clarinet*, Bb Bass
Clarinet, 1st Bassoon,
2nd Bassoon*, 1st Eb Alto
Saxophone, 2nd Eb Alto
Saxophone, Bb Tenor
Saxophone, Eb Baritone
Saxophone*) - grade 5
SKU: CN.R10004
Composed by John Ireland.
Band Music. Score and
parts. Duration 10:30.
Published by G & M Brand
Music Publishers
(CN.R10004). A
slow introduction gives
way to the chirpy theme
which is developed,
inverted, and accents
displaced across the bar
line to give a 3/2 feel
against the written
meter. Restlessness leads
to a tranquillo presented
by the flute and
clarinet, weaving a
flowing counterpoint
around the melody until
the original slow
introduction returns. A
triumphant recapitulation
of the main theme brings
this wonderful piece to
an end.
Originally
composed for Brass Band
in 1934 Comedy Overture
is, despite its name, a
serious piece of writing.
The term Overture does
not imply that there is
anything else to follow;
it is used in the 19th
century sense of Concert
Overture (like
Mendelssohn's Fingal's
Cave - in other words, a
miniature Tone Poem). The
1930's was a period of
Ireland's mature writing
- yielding the Piano
Concerto (1930), the
Legend for piano and
orchestra (1933), and the
choral work These Things
Shall Be (1936-1937). We
are fortunate therefore
to have both Comedy
Overture and A Downland
Suite (1932) written for
band medium at this time.
As with Maritime Overture
(written in 1944 for
military band) Ireland
approaches his material
symphonically. The
opening three notes state
immediately the two
seminal intervals of a
semitone and a third.
These are brooding and
dark in Bb minor. It is
these intervals which
make up much of the
thematic content of
Comedy, sometimes
appearing in inverted
form, and sometimes in
major forms as well. The
concept that some musical
intervals are consonant ,
some dissonant, and some
perfect is perhaps useful
in understanding the
nature of the tension and
resolution of this work.
The third is inherently
unstable, and by bar 4,
the interval is expanded
to a fourth - with an
ascending sem-quaver
triplet - and then
expanded to a fifth. The
instability of the third
pushes it towards a
perfect resolution in the
fourth or the fifth. The
slow introduction is
built entirely around
these intervals in Bb
minor and leads through
an oboe cadenza, to an
Allegro moderato
brillante in Bb major.
Once again, the semi-tone
(inverted) and a third
(major) comprise the
main, chirpy,
theme-inspired by a
London bus-conductor's
cry of Piccadilly. (Much
of the material in Comedy
was re-conceived by
Ireland for orchestra and
published two years later
under the title A London
Overture.) The expansion
of the interval of a
third through a fourth,
fifth, sixth, and seventh
now takes place quickly
before our very ears at
the outset of this
quicker section.
Immediately the theme is
developed, inverted, and
accents displaced across
the bar line to give a
3/2 feel against the
written meter. But this
restlessness leads to a
tranquillo built around
an arpeggio figure and
presented by flute and
clarinet. Ireland weaves
his flowing counterpoint
around this melody until
the original slow
introduction returns
leading to a stretto
effect as the rising bass
motifs become more
urgent, requesting a
resolution of the tension
of that original semitone
and minor third. Yet
resolution is withheld at
this point as the music
becomes almost becalmed
in a further, unrelated
tranquillo section marked
pianissimo. It is almost
as if another side of
Ireland's nature is
briefly allowed to shine
through the stern
counterpoint and
disciplined structure.
This leads to virtually a
full recapitulation of
the chirpy brilliante,
with small additional
touches of counterpoint,
followed by the first
tranquillo section-this
time in the tonic of Bb
major. But the
instability of the third
re-asserts itself, this
time demanding a
resolution. And a
triumphant resolution it
receives, for it finally
becomes fully fledged and
reiterates the octave in
a closing vivace. The
opening tension has at
last resolved itself into
the most perfect interval
of all. $130.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | | |
| Tons of Tunes for the Beginner
Saxophone Alto [Partition + CD] - Débutant
Curnow Music
Eb Alto Saxophone - Grade 0.5 to 1. Arranged by Mike Hannickel, Amy Adam. Curnow...(+)
Eb Alto Saxophone - Grade
0.5 to 1. Arranged by
Mike Hannickel, Amy Adam.
Curnow Play-Along Book.
Play Along. BOOK W/CD.
Size 8.8x12 inches. 24
pages. Published by
Curnow Music.
(1)$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Can't Take My Eyes Off You [Conducteur et Parties séparées] - Intermédiaire
De Haske Publications
Flexible Wind Quintet and Percussion - intermediate SKU: BT.DHP-1084610-070(+)
Flexible Wind Quintet and
Percussion - intermediate
SKU:
BT.DHP-1084610-070
Composed by Bob Crewe and
Bob Gaudio. Arranged by
Lorenzo Bocci. Music Box.
Pop & Rock. Set (Score &
Parts). Composed 2008. 16
pages. De Haske
Publications #DHP
1084610-070. Published by
De Haske Publications
(BT.DHP-1084610-070).
ISBN 9789043130639.
9x12 inches.
English-German-French-Dut
ch. The songwriters
Bob Crewe and Bob Gaudio
formed a formidable
musical creative duo
that, in the sixties and
seventies, composed many
tunes for the super-group
Frankie Valli and the
Four Seasons. In 1967 the
huge hit was
Can’t Take My
Eyes Off You which,
since that year, has seen
repeated success with a
whole host of other
international singing
stars. Lorenzo Bocci has
taken this classic song
and created a wonderful,
laid back, quintet with
flexible woodwind/brass
instrumentation. One not
to be missed. Part 1 Fl
Ob Bb Clar S Sax Tpt Part
2 Fl Cor Ang Bb Clar Eb
Clar A Sax Tpt Hn Part 3
Cor Ang Eb Clar T Sax Bsn
Hn Trom Part 4 T Sax Bsn
Trom Euph Part 5Bass Clar
Bari Sax Bsn Trom Euph
Tuba Opt. Mallets Timp
Drum Perc
De
songwriters Bob Crewe en
Bob Gaudio vormden een
bijzonder succesvol duo.
In de jaren zestig en
zeventig schreven ze vele
hits voor Frankie Valli &
The Four Seasons,
waaronder Can't Take
My Eyes Off You uit
1967. Veel bekende
artiesten hebben in de
decennia die volgden dit
innemende up-temponummer
op hun repertoire gezet:
The Lettermen, Andy
Williams, Diana Ross &
The Supremes, Gloria
Gaynor, The Boystown
Gang, The Pet Shop
Boys... en de lijst is
nog lang niet compleet.
Can't Take My Eyes Off
You is dus zonder
meer een klassieker
binnen de popmuziek te
noemen. Lorenzo Bocci
maakte van dit
succesnummer een boeiend
arrangement.Part 1 C' C
Bb Part 2 C' CBb F Eb
Part 3 C Bb [TC] Bb [BC]
F Eb Part 4 C Bb [TC] Bb
[BC] Part 5 C' C Bb [TC]
Bb [BC] Eb [TC] Eb
[TC]Opt. Mallets Timp
Drum Perc
Die
Songwriter Bob Crewe und
Bob Gaudio waren ein
äußerst
erfolgreiches Duo. In den
60er- und 70er-Jahren des
vergangenen Jahrhunderts
schrieben sie zahlreiche
Hits für Frankie
Valli & The Four Seasons,
darunter auch
Can’t Take My
Eyes Off You aus dem
Jahr 1967, das schon von
vielen berühmten
Interpreten gesungen
wurde. Lorenzo Bocci
sorgte für diese
spannende Bearbeitung
für ein
fünfstimmig
variables
Bläserensemble.Part 1
Fl Ob Kl B S-Sax Trp Part
2 Fl Cor Ang Kl B A-Kl
A-Sax Trp Hn Part 3 Cor
Ang A-Kl T-Sax Fg Hn Pos
Part 4 T-Sax Fg Pos Euph
Part 5 B-Kl B-Sax Fg Pos
Euph Tuba Opt. Mallets
TimpDrum Perc
Les
auteurs-compositeurs Bob
Crewe et Bob Gaudio ont
formé un tandem
couronné de succès.
Dans les années 60 et
70, ils signent de
nombreux tubes pour
Frankie Valli & The Four
Seasons dont
l’immense standard
de l’année
1967, Can’t
Take My Eyes Off You.
Par la suite, une
pléiade
d’artistes
célèbres reprend
cette chanson charmante
au rythme enlevé.
Ainsi, The Lettermen,
Andy Williams, Diana Ross
& The Supremes, Gloria
Gaynor, The Boystown Gang
ou The Pet Shop Boys,
entre autres (liste non
exhaustive), ont inscrit
ce classique de la
musique pop leur
répertoire. Lorenzo
Bocci signe cet
arrangement entraînant
cinq voix pour ensemble
instrumentation
variable.Part 1 FlHtb Cl.
Si♭ Sax. S. Trp
Part 2 Fl Cor Angl. Cl.
Si♭ Cl. Alto Sax.
A. Trp Cor Part 3 Cor
Angl. Cl. Alto Sax. T.
Basson Cor Trb Part 4
Sax. T. Basson Trb Euph.
Part 5 Cl. Basse Sax. B.
Basson Trb Euph. Tuba
Opt. Mallets Timb. Batt.
Perc
Gli
autori-compositori Bob
Crewe e Bob Gaudio hanno
formato un tandem
coronato di successi.
Negli anni 60 e 70, hanno
firmato numerose conzoni
per Frankie Valli & The
Four Seasons tra cui lo
standard del 1967,
Can’t Take My
Eyes Off You. Molti
artisti celebri hanno
ripreso questa melodia
accattivante e dal ritmo
travolgente. Lorenzo
Bocci scrive un
arrrangiamento a 5 voci
per strumentazione
variabile. Part 1 Fl Ob
Bb Clar S Sax Tpt Part 2
Fl Cor Ang Bb Clar Eb
Clar A Sax Tpt Hn Part 3
Cor Ang Eb Clar T Sax Bsn
Hn Trom Part 4 T Sax Bsn
Trom Euph Part 5 Bass
Clar Bari Sax Bsn Trom
Euph Tuba Opt. Mallets
Timp Drum Perc. $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Circus Time
Violon [Partition + CD] - Facile
De Haske Publications
Violin - early intermediate SKU: BT.DHP-1125245-400 14 showstoppers fo...(+)
Violin - early
intermediate SKU:
BT.DHP-1125245-400
14 showstoppers for
violin play-along
performance. Composed
by Joachim Johow. Book
with CD. Composed 2012.
20 pages. De Haske
Publications #DHP
1125245-400. Published by
De Haske Publications
(BT.DHP-1125245-400).
ISBN 9789043141741.
9x12 inches.
English-German-French-Dut
ch. The band
strikes up the circus
march for the entrance of
the artistes—the
audience waits
expectantly…Between
the Opening March
and the Grand
Finale the packed
audience is presented
with a colourful
programme: courageous
acrobats, comical clowns,
oriental belly dancers,
knife-throwers and snake
charmers appear one after
the other.Circus
Time is also
available for flute,
clarinet and alto
saxophone (in the same
sounding key). This opens
up all sorts of choices:
musicians can take turns
to perform or build a
real circus band, or
even—with the help
of scenery and
props—put on a
proper circus
performance. There is no
end of
possibilities!Theaccompan
ying CD contains demo and
play-along version of all
the pieces. Alternatively
the chord symbols
(written in concert
pitch) above the music
staff can be used for a
live accompaniment by
guitar and/or keyboard.
An optional piano
accompaniment is
available separately
(order number: DHP
1125344-401).On with the
show!
Het orkest
begint de circusmars te
spelen voordat de
artiesten opkomen - het
publiek wacht vol
spanning af…Van de
openingsmars tot de grand
finale krijgen de
toeschouwers een
kleurrijk programma
voorgeschoteld: moedige
acrobaten,grappige
clowns,
oostersebuikdanseressen,
messenwerpers en
slangenbezweerders volgen
elkaar op in de
piste.Circus Time
is ook beschikbaar voor
dwarsfluit, klarinet en
altsaxofoon (in dezelfde
klinkende toonsoort). Er
zijn dusallerlei
mogelijkheden: de
muzikanten kunnen elkaar
afwisselen met
solo-optredens of een
echt circusorkest vormen,
of zelfs - in een
geschikte omgeving en met
behulp van decorstukken -
een heus circusoptreden
verzorgen. Laat
jefantasie de vrije
loop.De bijgevoegde cd
bevat zowel demotracks
als begeleidingen voor
alle stukken. Voor live
begeleiding door keyboard
en/of gitaar staan de
akkoordsymbolen (klinkend
genoteerd) boven de
muziek. Optionele
pianobegeleidingenzijn
apart verkrijgbaar
(bestelnummer: DHP
1125344-401).Laat de show
maar beginnen!
Die
Kapelle spielt schon den
Zirkusmarsch zum Einzug
der Artisten - das
Publikum wartet
gespannt...Zwischen dem
Eröffnungsmarsch und dem Großen
Finale wird dem
geneigten Publikum ein
buntes Programm
präsentiert: Mutige
Akrobaten, lustige
Clowns, orientalische
Bauchtänzerinnen,
Messerwerfer und
Schlangenbeschwörer
treten nacheinander
auf.Circus Time
gibt es auch für
Klarinette, Altsaxophon
und Querflöte (in den
gleichen klingenden
Tonarten). So eröffnen
sich viele
Möglichkeiten
für die
Aufführung: Die
Musiker können
abwechselnd auftreten
oder ein ganzes
Zirkusorchester“
bilden und sogar -
ergänzt durch eine
szenische Umsetzung -
einerichtige
Zirkusvorstellung geben.
Der Fantasie sind keine
Grenzen gesetzt!Die
beiliegende CD enthält
Demo- und
Mitspielversionen aller
Stücke. Alternativ
zu den Mitspiel-Tracks
können die
Akkordsymbole (in
klingenden Tonarten)
über den Noten
für eine
Live-Begleitung durch
Keyboard und/oder Gitarre
genutzt werden. Optional
sind Klavierbegleitungen
separat erhältlich
(Bestellnummer: DHP
1125344-401).Manege frei!
L’orchestr
e du cirque attaque la
marche qui annonce
l’apparition des
artistes - le public
attend
impatiemment…Entre
la marche
d’ouverture et le
finale, grands et petits
savourent un programme
haut en couleurs :
acrobates audacieux,
clowns comiques,
danseuses orientales,
jongleurs et charmeurs de
serpents présentent
tour tour leur
numéro.Circus
Time existe
également pour fl te,
clarinette et alto
saxophone (dans la
même tonalité). Ce
choix offre de nombreuses
options : les musiciens
peuvent jouer tour tour
ou former un véritable
orchestre de cirque, ou
même - avec des
décors et des
accessoires - monter une
vraie représentation
de cirque. Les
possibilités
sontillimitées !Le
compact-disc ci-joint
contient les versions
intégrales des
morceaux ainsi que les
versions
d’accompagnement.
Les symboles
d’accords (sons
réels) figurant
au-dessus de la portée
facilitent
l’accompagnement
la guitare et/ou au
piano. Les parties
d’accompagnement
de piano optionel sont
rassemblées dans un
recueil vendu
séparément
(référence
:DHP_x001F_1125344-401).Q
ue le spectacle commence
!
Un viaggio nel
mondo circense che
consente ai musicisti di
suonare da soli, ma anche
di formare una vera band.
Il CD contiene una
versione demo e una
play-long di ogni brano.
In alternativa, grazie ai
simboli degli accordi
sopra il pentagramma, ci
si può esibire live
accompagnati dalla
chitarra e/o tastiera
(DHP 1125344-401). $25.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Eb Alto Saxophone Poster
Saxophone Alto [Poster]
Santorella Publications
For Eb Alto Saxophone. With fingering chart and Circle of Fifths. Color poster. ...(+)
For Eb Alto Saxophone.
With fingering chart and
Circle of Fifths. Color
poster. Published by
Santorella Publications.
$8.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Blue Horizons - Intermédiaire
Carl Fischer
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
English Horn, Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3, Horn 4, Oboe 1,
Oboe 2, Piccolo, Trumpet
1, Trumpet 2, Trumpet 3,
alto Saxophone 1 and
more. - Grade 5 SKU:
CF.SPS85 Composed by
Jeremy Martin. Folio.
Sps. Set of Score and
Parts.
4+28+28+14+14+4+14+14+7+2
4+28+28+8+4+8+8+14+8+9+12
+12+8+8+8+8+12+12+9+12+8+
16+4+3+2+6+6+6+7+44
pages. Duration 7
minutes, 8 seconds. Carl
Fischer Music #SPS85.
Published by Carl Fischer
Music (CF.SPS85). ISBN
9781491156421. UPC:
680160914968. 9 x 12
inches. Blue
Horizons is a spirited
tribute to the musical
heritage of the United
States Air Force. The
main theme is a variation
of the U.S. Air Force
Song (Off We Go), with a
secondary theme based on
A Toast to the Host (the
bridge of The Air Force
Song). Throughout the
work, fragments of other
Air Force-related songs
appear: Lord, Guard and
Guide (the Air Force
Hymn), Air Force Blue,
and Those Magnificent Men
in Their Flying Machines.
The original request for
this work was a daunting
task: I was asked to
create an Air Force
companion piece to Robert
Jager's Esprit de Corps
that would mirror the
style and spirit of that
landmark work. The goal
was to use elements of
our various Air Force
tunes in the same way
that Jager incorporated
The Marine's Hymn into
his work - that is, to
weave a musical tapestry
of the Air Force's
musical heritage without
ever becoming a mere
arrangement of the
original material. As a
former student of Robert
Jager at Tennessee
Technological University,
I discussed my plans for
the piece with him,
shared my progress along
the way, and sought his
guidance as I had done so
many times in the past.
He was delighted that I
managed to incorporate a
few Jager-isms into the
music, including one
direct quote from Esprit
de Corps. Although Blue
Horizons was conceived as
a dedication to the Air
Force's musical legacy,
it is also a personal
homage to my teacher and
friend, Robert Jager.
Performance Notes * If
only two flutists are
available, omit the
piccolo part and have
them play Flute 1 and 2;
in this case, Flute 1
should switch over to
piccolo (still playing
from the Flute 1 part) at
m. 81 and back to regular
flute at m. 114. If only
covering the Flute 1 and
2 parts, Flute 2 should
ignore indications to
switch to piccolo and
just play the entire work
on regular flute. * Oboe
1 and 2 parts should be
covered before adding the
English Horn part. * The
clarinet in Eb part
should not be covered
unless there are a
sufficient number of
players on the clarinet
in Bb parts. * The
trumpet cues in mm. 77-80
are only necessary if the
horns need assistance
finishing their soli
phrase with enough
strength to be heard. If
you can hear them without
extra support, leave the
trumpets out. * From mm.
89-95, be sure the wind
players with static
eighth notes do not cover
up the players with
moving lines. * There is
a strong tendency to rush
m. 121. * During the oboe
solo from mm. 157-168,
ensure that the
suspension/resolution
lines in the bassoon and
clarinet parts are heard;
emphasize the importance
of growing into the
suspension with a slight
crescendo. * In the
scherzo section that
begins at m. 217, be sure
that each player knows
how his/her part fits
into the overall sound. I
recommend isolating
different textural items
so the players can hear
those parts on their own.
(The bass line from mm.
243-260, for example, or
the moving inner-voice
line from mm. 251-260.) *
In this same scherzo
section, care should be
taken to not play too
loud and save a little
strength for the climax
fanfare at m. 279. * If
you have an abundance of
tubas, I would recommend
having one or two of them
play up an octave from
mm. 243-271 if the lower
part seems too
heavy.
Blue Horizons
is a spirited tribute to
the musical heritage of
the United States Air
Force. The main theme is
a variation of the U.S.
Air Force Song (Off We
Go), with a secondary
theme based on A Toast to
the Host (the bridge of
The Air Force Song).
Throughout the work,
fragments of other Air
Force-related songs
appear: Lord, Guard and
Guide (the Air Force
Hymn), Air Force Blue,
and Those Magnificent Men
in Their Flying
Machines.The original
request for this work was
a daunting task: I was
asked to create an Air
Force “companion
piece†to Robert
Jager’s Esprit de
Corps that would mirror
the style and spirit of
that landmark work. The
goal was to use elements
of our various Air Force
tunes in the same way
that Jager incorporated
The Marine’s Hymn
into his work –
that is, to weave
amusical tapestry of the
Air Force’s
musical heritage without
ever becoming a mere
arrangement of the
original material. As a
former student of Robert
Jager at Tennessee
Technological University,
I discussed my plans for
the piece with him,
shared my progress along
the way, and sought his
guidance as I had done so
many times in the past.
He was delighted that I
managed to incorporate a
few
“Jager-ismsâ€
into the music, including
one direct quote from
Esprit de Corps. Although
Blue Horizons was
conceived asa dedication
to the Air Force’s
musical legacy, it is
also a personal homage to
my teacher and friend,
Robert Jager.Performance
Notes• If only two
flutists are available,
omit the piccolo part and
have them play Flute 1
and 2; in this case,
Flute 1 should switch
over to piccolo (still
playing from the Flute 1
part) at m. 81 and back
to regular flute at m.
114. If only covering the
Flute 1 and 2 parts,
Flute 2 should ignore
indications to switch to
piccolo and just play the
entire work on regular
flute.• Oboe 1 and
2 parts should be covered
before adding the English
Horn part.• The
clarinet in Eb part
should not be covered
unless there are a
sufficient number of
players on the clarinet
in Bb parts.• The
trumpet cues in mm. 77-80
are only necessary if the
horns need assistance
finishing their soli
phrase with enough
strength to be heard. If
you can hear them without
extra support, leave the
trumpets out.• From
mm. 89-95, be sure the
wind players with static
eighth notes do not cover
up the players with
moving lines.•
There is a strong
tendency to rush m.
121.• During the
oboe solo from mm.
157-168, ensure that the
suspension/resolution
lines in the bassoon and
clarinet parts are heard;
emphasize the importance
of growing into the
suspension with a slight
crescendo.• In the
scherzo section that
begins at m. 217, be sure
that each player knows
how his/her part fits
into the overall sound. I
recommend isolating
different textural items
so the players can hear
those parts on their own.
(The bass line from mm.
243-260, for example, or
the moving inner-voice
linefrom mm.
251-260.)• In this
same scherzo section,
care should be taken to
not play too loud and
save a little strength
for the climax fanfare at
m. 279.• If you
have an abundance of
tubas, I would recommend
having one or two of them
play up an octave from
mm. 243-271 if the lower
part seems too heavy. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | | |
| Jazz Solo Series for "Eb" instruments
Saxophone Alto [Partition + Accès audio] - Intermédiaire
ADG productions
Composed by Mark Vega. Saddle stitch. Jazz/Saxophone Instruction. Book and Downl...(+)
Composed by Mark Vega.
Saddle stitch.
Jazz/Saxophone
Instruction. Book and
Downloadable audio.
Duration 70 minutes.
Published by ADG
Productions
$21.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | | |
| Royal Coronation Dances
Orchestre d'harmonie [Conducteur et Parties séparées] - Facile
Manhattan Beach Music
Concert band - Grade 3 SKU: MH.1-59913-054-8 Composed by Bob Margolis. Su...(+)
Concert band - Grade 3
SKU:
MH.1-59913-054-8
Composed by Bob Margolis.
Suitable for advanced
middle school, high
school, community and
college bands. Conductor
score and set of parts.
Duration 4:45. Published
by Manhattan Beach Music
(MH.1-59913-054-8).
ISBN
9781599130545. Roya
l Coronation Dances is
the first sequel to the
Fanfare Ode & Festival,
both being settings of
dance music originally
arranged by Gervaise in
the mid 16th-century (the
next sequel is The
Renaissance Fair, which
uses music of Susato and
Praetorius). Fanfare Ode
& Festival has been
performed by many tens of
thousands of students,
both in high school and
junior high school. I
have heard that some of
them are amazed that the
music they are playing
was first played and
danced to over 400 years
ago. Some students tend
to think that music
started with Handel and
his Messiah to be
followed by Beethoven and
his Fifth Symphony, with
naught in between or
before of consequence.
Although Royal Coronation
Dances is derived from
the same source as
Fanfare Ode & Festival,
they are treated in
different ways. I
envisioned this new suite
programmatically -- hence
the descriptive movement
titles, which I imagined
to be various dances
actually used at some
long-ago coronation. The
first movement depicts
the guests, both noble
and common, flanked by
flag and banner bearers,
arriving at the palace to
view the majestic event.
They are festive, their
flags swirling the air,
their cloaks brightly
colored. In the second
movement, the queen in
stately measure moves to
take her place on the
throne as leader and
protector of the realm.
In the third movement,
the jesters of the court
entertain the guests with
wild games of sport.
Musically, there are
interesting sonorities to
recreate. Very special
attention should be given
to the tambourine/tenor
drum part in the first
movement. Their lively
rhythms give the movement
its power. Therefore they
should be played as
distinctly and
brilliantly as possible.
The xylophone and
glockenspiel add clarity,
but must not be allowed
to dominate. Observe
especially the differing
dynamics; the intent is
to allow much buzzing
bass to penetrate. The
small drum (starting at
meas. 29) should be
played expressively, with
attention to the notated
articulations, with the
brass light and detached,
especially in a lively
auditorium. It is of some
further interest that the
first dance is extremely
modal. The original is
clearly in G mixolydian
mode (scale:
G-A-B-C-D-E-F-G).
However, other editors
might put in F-sharps in
many places (changing the
piece almost to G major),
in the belief that such
ficta would have been
automatically put in by
the 16th-century
performers as they
played. I doubt it. I
have not only eschewed
these within the work,
but even at the cadences.
So this arrangement is
most distinctly modal
(listen to the F-naturals
in meas. 22 and 23, for
instance), with all the
part-writing as Gervaise
wrote it. In the second
movement, be careful that
things do not become too
glued together. In the
16th century this music
might have been played by
a consort of recorders,
instruments very light of
touch and sensitive to
articulation. Concert
band can easily sound
heavy, and although this
movement has been scored
for tutti band, it must
not sound it. It is
essential, therefore,
that you hear all the
instruments, with none
predominating. Only when
each timbre can be heard
separately and
simultaneously will the
best blend occur, and
consequently the greatest
transparency. So aim for
a transparent, spacious
tutti sound in this
movement. Especially have
the flutes, who do this
so well, articulate
rather sharply, so as to
produce a chiffing sound,
and do not allow the
quarter-notes to become
too tied together in the
entire band. The entrance
of the drums (first
tenor, then bass) are
events and as such should
be audible. Incidentally,
this movement begins in F
Major and ends in D
Minor: They really didn't
care so much about those
things then. The third
movement (one friend has
remarked that it is the
most Margolisian of the
bunch, but actually I am
just getting subtler, I
hope) again relies upon
the percussion (and the
scoring) to make its
points. Xylophone in this
movement is meant to be
distinctly audible.
Therefore, be especially
sure that the xylophone
player is secure in the
part, and also that the
tambourine and toms sound
good. This movement must
fly or it will sink, so
rev up the band and
conduct it in 1 for this
mixolydian jesting. I
suppose the wildly
unrelated keys (clarinets
and then brass at the
end) would be a good
16th-century joke, but to
us, our
put-up-the-chorus-a-half-
step ears readily accept
such shenanigans.
Ensemble instrumentation:
1 Full Score, 1 Piccolo,
4 Flute 1, 4 Flute 2 & 3,
2 Oboe 1 & 2, 2 Bassoon 1
& 2, 1 Eb Clarinet, 4 Bb
Clarinet 1, 4 Bb Clarinet
2, 4 Bb Clarinet 3, 2 Eb
Alto Clarinet, 1 Eb
Contra Alto Clarinet, 3
Bb Bass & Bb Contrabass
Clarinet, 2 Eb Alto
Saxophone 1, 2 Eb Alto
Saxophone 2, 2 Bb Tenor
Saxophone, 2 Eb Baritone
Saxophone, 3 Bb Trumpet
1, 3 Bb Trumpet 2, 3 Bb
Trumpet 3, 4 Horn in F 1
& 2, 2 Trombone 1, 4
Trombone 2 & 3, 3
Euphonium (B.C.), 2
Euphonium (T.C.), 4 Tuba,
1 String Bass, 1 Timpani
(optional), 2 Xylophone &
Glockenspiel, 5
Percussion. $95.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | | |
| Circus Time
Clarinette [Partition + CD] - Facile
De Haske Publications
Clarinet - early intermediate SKU: BT.DHP-1125243-400 14 showstoppers ...(+)
Clarinet - early
intermediate SKU:
BT.DHP-1125243-400
14 showstoppers for
clarinet play-along
performance. Composed
by Joachim Johow. Book
with CD. Composed 2012.
20 pages. De Haske
Publications #DHP
1125243-400. Published by
De Haske Publications
(BT.DHP-1125243-400).
ISBN 9789043141727.
9x12 inches.
English-German-French-Dut
ch. The band
strikes up the circus
march for the entrance of
the artistes—the
audience waits
expectantly…Between
the Opening March
and the Grand
Finale the packed
audience is presented
with a colourful
programme: courageous
acrobats, comical clowns,
oriental belly dancers,
knife-throwers and snake
charmers appear one after
the other.Circus
Time is also
available for flute, alto
saxophone and violin (in
the same sounding key).
This opens up all sorts
of choices: musicians can
take turns to perform or
build a real circus band,
or even—with the
help of scenery and
props—put on a
proper circus
performance. There is no
end of
possibilities!Theaccompan
ying CD contains demo and
play-along version of all
the pieces. Alternatively
the chord symbols
(written in concert
pitch) above the music
staff can be used for a
live accompaniment by
guitar and/or keyboard.
An optional piano
accompaniment is
available separately
(order number: DHP
1125344-401).On with the
show!
Het orkest
begint de circusmars te
spelen voordat de
artiesten opkomen - het
publiek wacht vol
spanning af…Van de
openingsmars tot de grand
finale krijgen de
toeschouwers een
kleurrijk programma
voorgeschoteld: moedige
acrobaten,grappige
clowns,
oostersebuikdanseressen,
messenwerpers en
slangenbezweerders volgen
elkaar op in de
piste.Circus Time
is ook beschikbaar voor
dwarsfluit, altsaxofoon
en viool (in dezelfde
klinkende toonsoort). Er
zijn dusallerlei
mogelijkheden: de
muzikanten kunnen elkaar
afwisselen met
solo-optredens of een
echt circusorkest vormen,
of zelfs - in een
geschikte omgeving en met
behulp van decorstukken -
een heus circusoptreden
verzorgen. Laat je
fantasiede vrije loop.De
bijgevoegde cd bevat
zowel demotracks als
begeleidingen voor alle
stukken. Voor live
begeleiding door keyboard
en/of gitaar staan de
akkoordsymbolen (klinkend
genoteerd) boven de
muziek. Optionele
pianobegeleidingenzijn
apart verkrijgbaar
(bestelnummer: DHP
1125344-401).Laat de show
maar beginnen!
Die
Kapelle spielt schon den
Zirkusmarsch zum Einzug
der Artisten - das
Publikum wartet
gespannt...Zwischen dem
Eröffnungsmarsch und dem Großen
Finale wird dem
geneigten Publikum ein
buntes Programm
präsentiert: Mutige
Akrobaten, lustige
Clowns, orientalische
Bauchtänzerinnen,
Messerwerfer und
Schlangenbeschwörer
treten nacheinander
auf.Circus Time
gibt es auch für
Querflöte, Altsaxophon
und Violine (in den
gleichen klingenden
Tonarten). So eröffnen
sich viele
Möglichkeiten
für die
Aufführung: Die
Musiker können
abwechselnd auftreten
oder ein ganzes
Zirkusorchester“
bilden und sogar -
ergänzt durch eine
szenische Umsetzung -
einerichtige
Zirkusvorstellung geben.
Der Fantasie sind keine
Grenzen gesetzt!Die
beiliegende CD enthält
Demo- und
Mitspielversionen aller
Stücke. Alternativ
zu den Mitspiel-Tracks
können die
Akkordsymbole (in
klingenden Tonarten)
über den Noten
für eine
Live-Begleitung durch
Keyboard und/oder Gitarre
genutzt werden. Optional
sind Klavierbegleitungen
separat erhältlich
(Bestellnummer: DHP
1125344-401).Manege frei!
L’orchestr
e du cirque attaque la
marche qui annonce
l’apparition des
artistes - le public
attend
impatiemment…Entre
la marche
d’ouverture et le
finale, grands et petits
savourent un programme
haut en couleurs :
acrobates audacieux,
clowns comiques,
danseuses orientales,
jongleurs et charmeurs de
serpents présentent
tour tour leur
numéro.Circus
Time existe
également pour fl te,
saxophone alto et violon
(dans la même
tonalité). Ce choix
offre de nombreuses
options : les musiciens
peuvent jouer tour tour
ou former un véritable
orchestre de cirque, ou
même - avec des
décors et des
accessoires - monter une
vraie représentation
de cirque. Les
possibilités
sontillimitées !Le
compact-disc ci-joint
contient les versions
intégrales des
morceaux ainsi que les
versions
d’accompagnement.
Les symboles
d’accords (sons
réels) figurant
au-dessus de la portée
facilitent
l’accompagnement
la guitare et/ou au
piano. Les parties
d’accompagnement
de piano optionel sont
rassemblées dans un
recueil vendu
séparément
(référence
:DHP_x001F_1125344-401).Q
ue le spectacle commence
!
Un viaggio nel
mondo circense che
consente ai musicisti di
suonare da soli, ma anche
di formare una vera band.
Il CD contiene una
versione demo e una
play-long di ogni brano.
In alternativa, grazie ai
simboli degli accordi
sopra il pentagramma, ci
si può esibire live
accompagnati dalla
chitarra e/o tastiera
(DHP 1125344-401). $25.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | | |
| Circus Time
Flûte traversière [Partition + CD] - Facile
De Haske Publications
Flute - early intermediate SKU: BT.DHP-1125242-400 14 showstoppers for...(+)
Flute - early
intermediate SKU:
BT.DHP-1125242-400
14 showstoppers for
flute play-along
performance. Composed
by Joachim Johow. Book
with CD. Composed 2012.
20 pages. De Haske
Publications #DHP
1125242-400. Published by
De Haske Publications
(BT.DHP-1125242-400).
ISBN 9789043141710.
9x12 inches.
English-German-French-Dut
ch. The band
strikes up the circus
march for the entrance of
the artistes?the audience
waits
expectantlyâ?¦Between
the Opening March
and the Grand
Finale the packed
audience is presented
with a colourful
programme: courageous
acrobats, comical clowns,
oriental belly dancers,
knife-throwers and snake
charmers appear one after
the other.Circus
Time is also
available for clarinet,
alto saxophone and violin
(in the same sounding
key). This opens up all
sorts of choices:
musicians can take turns
to perform or build a
real circus band, or
even?with the help of
scenery and props?put on
a proper circus
performance. There is no
end of
possibilities!Theaccompan
ying CD contains demo and
play-along version of all
the pieces. Alternatively
the chord symbols
(written in concert
pitch) above the music
staff can be used for a
live accompaniment by
guitar and/or keyboard.
An optional piano
accompaniment is
available separately
(order number: DHP
1125344-401).On with the
show!
Het orkest
begint de circusmars te
spelen voordat de
artiesten opkomen - het
publiek wacht vol
spanning afâ?¦Van de
openingsmars tot de grand
finale krijgen de
toeschouwers een
kleurrijk programma
voorgeschoteld: moedige
acrobaten,grappige
clowns,
oostersebuikdanseressen,
messenwerpers en
slangenbezweerders volgen
elkaar op in de
piste.Circus Time
is ook beschikbaar voor
klarinet, altsaxofoon en
viool (in dezelfde
klinkende toonsoort). Er
zijn dus
allerleimogelijkheden: de
muzikanten kunnen elkaar
afwisselen met
solo-optredens of een
echt circusorkest vormen,
of zelfs - in een
geschikte omgeving en met
behulp van decorstukken -
een heus circusoptreden
verzorgen. Laat je
fantasiede vrije loop.De
bijgevoegde cd bevat
zowel demotracks als
begeleidingen voor alle
stukken. Voor live
begeleiding door keyboard
en/of gitaar staan de
akkoordsymbolen (klinkend
genoteerd) boven de
muziek. Optionele
pianobegeleidingenzijn
apart verkrijgbaar
(bestelnummer: DHP
1125344-401).Laat de show
maar beginnen!
Die
Kapelle spielt schon den
Zirkusmarsch zum Einzug
der Artisten - das
Publikum wartet
gespannt...Zwischen dem
Eröffnungsmarsch und dem Gro�en
Finale wird dem
geneigten Publikum ein
buntes Programm
präsentiert: Mutige
Akrobaten, lustige
Clowns, orientalische
Bauchtänzerinnen,
Messerwerfer und
Schlangenbeschwörer
treten nacheinander
auf.Circus Time
gibt es auch fu?r
Klarinette, Altsaxophon
und Violine (in den
gleichen klingenden
Tonarten). So eröffnen
sich viele
Möglichkeiten fu?r die
Auffu?hrung: Die Musiker
können abwechselnd
auftreten oder ein ganzes
Zirkusorchesterâ??
bilden und sogar -
ergänzt durch eine
szenische Umsetzung -
einerichtige
Zirkusvorstellung geben.
Der Fantasie sind keine
Grenzen gesetzt!Die
beiliegende CD enthält
Demo- und
Mitspielversionen aller
Stu?cke. Alternativ zu
den Mitspiel-Tracks
können die
Akkordsymbole (in
klingenden Tonarten)
u?ber den Noten fu?r eine
Live-Begleitung durch
Keyboard und/oder Gitarre
genutzt werden. Optional
sind Klavierbegleitungen
separat erhältlich
(Bestellnummer: DHP
1125344-401).Manege frei!
Lâ??orchestre du
cirque attaque la marche
qui annonce
lâ??apparition des
artistes - le public
attend
impatiemmentâ?¦Entre la
marche dâ??ouverture et
le finale, grands et
petits savourent un
programme haut en
couleurs : acrobates
audacieux, clowns
comiques, danseuses
orientales, jongleurs et
charmeurs de serpents
présentent tour tour
leur numéro.Circus
Time existe
également pour
clarinette, saxophone
alto et violon (dans la
même tonalité). Ce
choix offre de nombreuses
options : les musiciens
peuvent jouer tour tour
ou former un véritable
orchestre de cirque, ou
même - avec des
décors et des
accessoires - monter une
vraie représentation
de cirque. Les
possibilitéssont
illimitées !Le
compact-disc ci-joint
contient les versions
intégrales des
morceaux ainsi que les
versions
dâ??accompagnement. Les
symboles dâ??accords
(sons réels) figurant
au-dessus de la portée
facilitent
lâ??accompagnement la
guitare et/ou au piano.
Les parties
dâ??accompagnement de
piano optionel sont
rassemblées dans un
recueil vendu
séparément
(référence
:DHP_x001F_1125344-401).Q
ue le spectacle commence
!
Un viaggio nel
mondo circense che
consente ai musicisti di
suonare da soli, ma anche
di formare una vera band.
Il CD contiene una
versione demo e una
play-long di ogni brano.
In alternativa, grazie ai
simboli degli accordi
sopra il pentagramma, ci
si può esibire live
accompagnati dalla
chitarra e/o tastiera
(DHP 1125344-401). $25.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | | |
| Saxophone Repertoire 2
Saxophone
The Frederick Harris Music Company
Saxophone - Late Elementary SKU: FH.WS2 Saxophone Series, 2013 Edition...(+)
Saxophone - Late
Elementary SKU:
FH.WS2 Saxophone
Series, 2013 Edition.
Composed by The Royal
Conservatory. Saxophone
Series, 2013 Edition.
Book/CD. 48/20 pages. The
Frederick Harris Music
Company #WS2. Published
by The Frederick Harris
Music Company (FH.WS2).
ISBN
978-1-55440-551-0.
Unparalleled in scope,
this groundbreaking
series for E_Alto and
B_Tenor offers a single
collection of Repertoire
and supporting materials
written or arranged
specifically for
saxophone. With
Repertoire spanning from
the Baroque to
contemporary eras,
Recordings, Etudes,
Technique, and Orchestral
Excerpts, this
comprehensive series
serves as a balanced and
organized pedagogical
resource from the
beginner to advanced
levels of study. Nine
progressive volumes of
Repertoire expose
students to original
works and arrangements of
diverse styles from W.A.
Mozart to Violet Archer,
with selected works by
notable jazz artist Paul
Desmon (Take Five), and
living composer Phil
Woods. Each level
provides opportunities to
explore Baroque,
Classical, Romantic, and
contemporary works, with
original, unaccompanied
selections from Levels 5
through 8 that use
extended techniques such
as multiphonics, key
clicks, and bisbigliando.
Earlier works pre-dating
the origin of the
saxophone have been
carefully arranged with
consideration of the
unique quality of the
instrument. Exposure to
these works help to
develop musicianship and
an understanding of
tonality, creating
well-rounded and
versatile performers.
Selections written for
both E_Alto and B_Tenor
include piano
accompaniments that
function with both
instruments.
Eb
Saxophone:
Mainly
Transcriptions:
Sonata
in F Major, op. 5, no. 10
- Arcangelo Corelli, arr.
J. Michael Leonard
-
Third Movement: Sarabanda
- Fourth Movement:
Gavotta
Gavotte (from
Rosine) - Francois Joseph
Gossec, arr. Emil
Kross
Rondino -
Wolfgang Amadeus Mozart,
arr. Jason
Noble
Gavotte en
rondeau, BWV 822 - Johann
Sebastian Bach, arr.
Larry Teal
Mainly
Original Repertoire for
Saxophone:
Timepiece -
Lennie Niehaus
Hot on
the Line - Pam
Wedgwood
Furry Bear -
Phil Woods
A Drowsy
Tune - Violet
Archer
Flowers -
Elizabeth
Raum
Larghetto - Ralph
Vaughan
Williams
Bb
Saxophone:
Mainly
Transcriptions:
Contre
danse No. 2, K 101 -
Wolfgang Amadeus Mozart,
arr. Jason Gray
Bread
of Angels (Panis
angelicus, from Messe a
trois voix) - Cesar
Franck, arr. Mark
Mrozinski
The Reapers
(Les moissonneurs) -
Francois Couperin, arr.
Kathleen Wood
Slavonic
Dance - Antonin Dvorak,
arr. Jason Gray
Mainly
Original Repertoire for
Saxophone:
Hot on the
Line - Pam
Wedgwood
Polish Dance
- Raymond Milford
Endresen
The Keel Row
- English folk song, arr.
James Rae. $34.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
|
