SKU: GI.G-1086

Sacred. GIA Publications #1086. Published by GIA Publications (GI.G-1086).

UPC: 657383660057.

In celebration of the 10th Anniversary of the Uzee Brown Society of Choraliers— Uniquely capturing vastly diverse genres and styles of African American sacred music, TESTIMONY! includes foot-tapping jubilant, meditative and testimonial spirituals, charismatic sacred songs, and hymns beautifully spun out in anthem-like style, some with brilliant accompaniment and others unaccompanied. As the title would suggest, the songs collectively bear witness to victory in the face of life’s many challenges, not solely in the ten-year existence of the Choraliers or the African American experience, but as a microcosm of the human condition, with its unpredictable twists and turns in the exciting and ever-evolving cycle of life.

By Stephen Schwartz. For Choral (SATB). Contemporary Choral. 24 pages. Published by Hal Leonard

By Muriel C. Ashton. Arranged by Oliver X. White. Text: Bettie Jones. For Vocal Solo or Duet. Published by Jackman Music Corporation.
Level: Medium.

By Stephen Schwartz. For Choral (TTBB). Contemporary Choral. 24 pages. Published by Hal Leonard

SSAATTBB chorus

SKU: JK.01409

Choral SATB, Jesus Christ - Creator, Restoration, Revelation, Testimony. Christian, Inspirational. Jackman Music Corporation #01409. Published by Jackman Music Corporation (JK.01409).

Doctrine and Covenants 76:22-24.

Restorati on anthem for double mixed chorus (SSAATTBB) by Gates.
Reference:
Doctrine and Covenants 76:22-24

Basso (cello/double bass)

SKU: BR.OB-5294-26

Book 2. Composed by Wolfgang Amadeus Mozart. Edited by Johann Nepomuk David. Stapled. Orchester-Bibliothek (Orchestral Library).

The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach.

Classical period. Part. KV 404a, Nos. 4-6. 16 pages. Breitkopf and Haertel #OB 5294-26. Published by Breitkopf and Haertel (BR.OB-5294-26).

ISBN 9790004338032. 9 x 12 inches.

The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach. Or was it a brilliant contemporary of his who arranged the two preludes and five fugues by Johann Sebastian, and one fugue by Wilhelm Friedemann for string trio and supplemented the collection with further preludes? The new editions put the music text of Johann Nepomuk David's edition of the parts to the test, especially the editor's practical arrangement, which reflected the performance style of his time. These new editions go one step further, also in a performance-practical sense. The publication of the score and (orchestral) parts also enables string orchestras to play this piece for the first time - an instrumental possibility that is perfectly legitimate, both musically and historically. It is a fascinating addition to the repertoire that one can recommend to every chamber orchestra.Contents:No. 4 Adagio Mozart's arrangement of Johann Sebastian Bach, Adagio e dolce from the Sonata for Organ III BWV 527 Fuga Mozart's arrangement of Johann Sebastian Bach, Contrapunctus 8 from the Art of Fugue BWV 1080No. 5 Largo Mozart's arrangement of Johann Sebastian Bach, Largo from the Sonata for Organ II BWV 526 Fuga Mozart's arrangement of Johann Sebastian Bach, Allegro from the Sonata for Organ II BWV 526No. 6 Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Wilhelm Friedemann Bach, Fuga in F minor Falk No. 31/8.

SATB chorus and piano - Medium-easy

SKU: JK.01524

Composed by Traditional Irish Tune. Arranged by Brent Jorgensen. Choral SATB, Difficulty Easy Medium, Piano Choir, Atonement, Encouragement, God the Father, Gratitude, Jesus Christ - Example, Jesus Christ - Friend, Jesus Christ - Savior, Testimony, Trials. Christian, Inspirational. Duration 4:20. Jackman Music Corporation #01524. Published by Jackman Music Corporation (JK.01524).

3 Nephi 12:48, 3 Nephi 27:27.

Anthem of comfort and solace for mixed chorus (SATB) and piano, bearing testimony that in the Savior we can find relief.
When the burdens of life press upon me
And become more than I can bear;
When the shadows of darkness surround me
There is One who is always there.
Composer: Traditional Irish Tune
Arranger: Brent Jorgensen
Lyricist: Janice Kapp Perry
Difficulty: Medium-easy
Performance time: 4:20
Reference: 3 Nephi 12:48, 3 Nephi 27:27.

Violin and 1 other inst.

SKU: BR.EB-9344

Composed by Michael Haydn. Edited by Wilhelm Altmann. Solo instruments; stapled. Edition Breitkopf. Testimony of the friendship between M. Haydn und W. A. Mozart. Sonata; Classical. Score. 60 pages. Breitkopf and Haertel #EB 9344. Published by Breitkopf and Haertel (BR.EB-9344).

ISBN 9790004188088. 9 x 12 inches.

Michael Haydn composed his four Sonatas for Violin and Viola in 1783, commissioned by the Salzburg archbishop. In fact, the archbishop ordered six sonatas, but Haydn fell ill and was not able to write the last two sonatas himself. As helper in need, Wolfgang Amadeus Mozart aided his friend. He composed the two missing sonatas and agreed that they would be presented to the archbishop under the name of Haydn. While both sonatas by Mozart have found a wide distribution, the four compositions by Haydn nearly fell into oblivion and are made available again with this edition.

Testimony of the friendship between M. Haydn und W. A. Mozart.

SA chorus and piano - Medium

SKU: JK.00545

Composed by Lynnette Shaw Loughton. Choral SA, Difficulty Medium, Piano Choir, Book of Mormon, Gospel, Scriptures, Testimony. Choral. Jackman Music Corporation #00545. Published by Jackman Music Corporation (JK.00545).

Alma 30:44.

Original choral arrangement for two-part treble chorus (SA) and piano, bearing testimony of the scriptures: Friend of mind, may you see so bright. Plant these messages into your heart.... I know these scriptures I read are true. And a leatherbound book waits for you. Highest note: D.
Composer: Lynnette Shaw Loughton
Lyrics: Lynnette Shaw Loughton
Difficulty: Medium
Performance Time: 4:00
Reference: Alma 30:44.

Violin 1

SKU: BR.OB-5294-15

Book 2. Composed by Wolfgang Amadeus Mozart. Edited by Johann Nepomuk David. Stapled. Orchester-Bibliothek (Orchestral Library).

The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach.

Classical period. Part. KV 404a, Nos. 4-6. 16 pages. Breitkopf and Haertel #OB 5294-15. Published by Breitkopf and Haertel (BR.OB-5294-15).

ISBN 9790004338018. 9 x 12 inches.

The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach. Or was it a brilliant contemporary of his who arranged the two preludes and five fugues by Johann Sebastian, and one fugue by Wilhelm Friedemann for string trio and supplemented the collection with further preludes? The new editions put the music text of Johann Nepomuk David's edition of the parts to the test, especially the editor's practical arrangement, which reflected the performance style of his time. These new editions go one step further, also in a performance-practical sense. The publication of the score and (orchestral) parts also enables string orchestras to play this piece for the first time - an instrumental possibility that is perfectly legitimate, both musically and historically. It is a fascinating addition to the repertoire that one can recommend to every chamber orchestra.Contents:No. 4 Adagio Mozart's arrangement of Johann Sebastian Bach, Adagio e dolce from the Sonata for Organ III BWV 527 Fuga Mozart's arrangement of Johann Sebastian Bach, Contrapunctus 8 from the Art of Fugue BWV 1080No. 5 Largo Mozart's arrangement of Johann Sebastian Bach, Largo from the Sonata for Organ II BWV 526 Fuga Mozart's arrangement of Johann Sebastian Bach, Allegro from the Sonata for Organ II BWV 526No. 6 Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Wilhelm Friedemann Bach, Fuga in F minor Falk No. 31/8.

Viola

SKU: BR.OB-5294-19

Book 2. Composed by Wolfgang Amadeus Mozart. Edited by Johann Nepomuk David. Stapled. Orchester-Bibliothek (Orchestral Library).

The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach.

Classical period. Part. KV 404a, Nos. 4-6. 16 pages. Breitkopf and Haertel #OB 5294-19. Published by Breitkopf and Haertel (BR.OB-5294-19).

ISBN 9790004338025. 9 x 12 inches.

The Six Three-Part Preludes and Fugues are regarded as a unique testimony to Mozart's profound interest in the works of Bach. Or was it a brilliant contemporary of his who arranged the two preludes and five fugues by Johann Sebastian, and one fugue by Wilhelm Friedemann for string trio and supplemented the collection with further preludes? The new editions put the music text of Johann Nepomuk David's edition of the parts to the test, especially the editor's practical arrangement, which reflected the performance style of his time. These new editions go one step further, also in a performance-practical sense. The publication of the score and (orchestral) parts also enables string orchestras to play this piece for the first time - an instrumental possibility that is perfectly legitimate, both musically and historically. It is a fascinating addition to the repertoire that one can recommend to every chamber orchestra.Contents:No. 4 Adagio Mozart's arrangement of Johann Sebastian Bach, Adagio e dolce from the Sonata for Organ III BWV 527 Fuga Mozart's arrangement of Johann Sebastian Bach, Contrapunctus 8 from the Art of Fugue BWV 1080No. 5 Largo Mozart's arrangement of Johann Sebastian Bach, Largo from the Sonata for Organ II BWV 526 Fuga Mozart's arrangement of Johann Sebastian Bach, Allegro from the Sonata for Organ II BWV 526No. 6 Adagio by Wolfgang Amadeus Mozart Fuga Mozart's arrangement of Wilhelm Friedemann Bach, Fuga in F minor Falk No. 31/8.

Orchestra S(A)TB vocal soli, SATB choir, 2 oboes, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3910512

Kantate zum 1. Advent. Composed by Georg Philipp Telemann. Edited by Traugott Fedtke, Klaus Hofmann. Arranged by Traugott Fedtke. This edition: urtext. Stuttgart Urtext Edition: Telemann-Archiv. German title: Machet die Tore weit. Innovative practice aids, Sacred vocal music, Cantatas, Psalms, German, Advent, Praise and thanks. Single Part, Violin 2. TVWV 1:1074. 8 pages. Duration 16 minutes. Carus Verlag #CV 39.105/12. Published by Carus Verlag (CA.3910512).

ISBN 9790007055233. Language: German/English.

The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann's sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 (therefore during the same period as the first performance of Bach's Christmas Oratorio). Of the four solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of the choir, and the tenor recitative can be sung by the soprano soloist. This work is now available in carus music, the choir app! Score and part available separately - see item CA.3910500.

Soli S[A]TB, Coro SATB, 2 Ob, 2 Vl, Va, Bc - Level 3

SKU: CA.3910549

Composed by Georg Philipp Telemann. Edited by Traugott Fedtke, Klaus Hofmann. Arranged by Traugott Fedtke. Carus plus: Innovative practice aids; Sacred vocal music, Cantatas, Psalms, German; use during church year: Advent; Stuttgart Editions (Urtext): Telemann-Archiv. Stuttgart Edition; occasions: Praise and thanks. Stuttgart Urtext Edition: Telemann-Archiv. Organ. Innovative practice aids, Sacred vocal music, Cantatas, Psalms, German, Advent, Praise and thanks. Single Part, Organ. TVWV 1:1074. 16 pages. Duration 16 minutes. Carus Verlag #CV 39.105/49. Published by Carus Verlag (CA.3910549).

ISBN 9790007244279. Language: German/English.

The Advent cantata Machet die Tore weit has long been one of the most frequently performed of Telemann's sacred works. Among the copies of this cantata which have been handed down is a copy by J. S. Bach which bears testimony to the high respect he paid to his then more celebrated colleague from Hamburg: It is a copy of the score in the hand of the Thomaskantor which was made for a performance in Leipzig on Avent Sunday in 1734 (therefore during the same period as the first performance of Bach's Christmas Oratorio). Of the four solo singers the soprano and bass, each of whom has an aria, are indispensable. The brief alto solos in the opening chorus can be sung by a member of the choir, and the tenor recitative can be sung by the soprano soloist. This work is now available in carus music, the choir app! Score and part available separately - see item CA.3910500.

Cello and piano

SKU: BR.EB-32083

Urtext. Composed by Camillo Schumann. Edited by Maria Kliegel. Solo instruments; stapled. Edition Breitkopf.

With supplementary violoncello part marked by Maria Kliegel

Sonata; Late-romantic. Score. 108 pages. Breitkopf and Haertel #EB 32083. Published by Breitkopf and Haertel (BR.EB-32083).

ISBN 9790004186299. 9 x 12 inches.

There are many composers about whom it is believed, today, that they composed conservatively, or against the taste of their time. The question is also raised, today, which extract of this large amount of effective and high-quality music, unknown for the most part, should receive our attention; which of it is worth rediscovering or re-editing. Camillo Schumann is one of the most important representatives of these composers, but his works are still largely unknown today. He was born on 10 March 1872 in Konigstein, Saxony. His musical language combines the sound world of Brahms with the grand, late-romantic Liszt School. He wrote piano parts of incredible power and virtuosity, approaching the sounds of Rachmaninoff. His wonderfully individual melodic language makes these works a valuable testimony to a composer who never had his due recognition. The cello sonatas Opp. 59 (EB 32082) and 99 (EB 32083) are the first of three works for this combination. Op. 59 was composed around 1905/06, Op. 99 followed in 1932. Nothing is known so far of the circumstances of the composition of this work, including for whom it was composed. However, it is quite evident that Schumann wrote it, like most of his works, primarily for his own concerts and befriended musicians. The extensive entries in the piano part bear witness to a considerably practical approach. Crossed-out bars, notes added or crossed out in chords as well as a number of revisions of other kinds are more the rule than the exception. The composer's own fingerings written in the piano part also underline this assumption. The present edition contains two solo-parts each. One clean Urtext-part free of any additions from the editor and a second one with bowing marks and fingerings by Maria Kliegel who recorded both sonatas for the first time with the label Naxos. Both sonatas show evident resemblance to the works of this combination by Johannes Brahms and are therefore a must have for ambitious cellists.

With supplementary violoncello part marked by Maria Kliegel.

Choral (SATB)

SKU: HL.357638

Composed by Lynne German. Arranged by Stewart Harris. Shawnee Sacred. Easter, Graduation, Lent. Octavo. 12 pages. Duration 190 seconds. Published by Shawnee Press (HL.357638).

UPC: 840126943672. 6.75x10.5x0.019 inches. Luke 24:13-33, Matthew 16:24, Micah 6:8, Psalm 5:8.

Peacefully flowing from a gentle pastorale by J.S. Bach, this graceful melody rises like a folk song. Presented as a testimony of commitment, the text nourishes the heart to trust and follow the path of righteousness. The chorus is full and expressive, sharing the desire to walk worthy until our faith becomes sight. Music of the heart!

Violoncello & basso continuo/ two violoncelli

SKU: HH.HH521-FSP

Composed by Gaetano Francone. Edited by Giovanna Barbati and Guido Olivieri. Full score and parts. Edition HH Music Publishers #HH521-FSP. Published by Edition HH Music Publishers (HH.HH521-FSP).

ISBN 9790708185321.

This remarkable collection of 10 Passagagli, the only known composition by the Neapolitan string teacher Gaetano Francone (fl. 1688–1717), is a unique example of a virtuoso school for the cello, as well as an extraordinary source of knowledge on improvisation for scholars and for performers, on both baroque and modern instruments. Although the term ‘violoncelloâ€� � appears in the work’s title, the music indicates that the composer was writing for a non-standard instrument, one tuned a tone lower than the modern cello. To perform these works with the original left-hand position, today’s players should either adopt the Bb1–F–câ� �“g tuning or transpose each work one tone higher. Francone’s method stands as precious testimony to the advanced technical level of cello playing in 17th-century Naples.

SATB chorus and organ - Medium-difficult

SKU: JK.01249

Composed by Robert P. Manookin. Choral SATB, Difficulty Medium Hard, Seasonal Music Pioneer Day, Faith, God the Father, Gospel, Jesus Christ - Savior, Prayer, Prophets, Restoration, Scriptures. Christian, Inspirational. Duration 3:30. Jackman Music Corporation #01249. Published by Jackman Music Corporation (JK.01249).

Joseph Smith--History 1:14-20, 25, James 1:5.

Restoratio n anthem with original music for mixed chorus (SATB) and organ, reiterating Joseph Smith's testimony of the First Vision.
Composer: Robert P. Manookin
Lyricist: George Manwaring
Difficulty: Medium-difficult
Performance time: 3:30
Reference: Joseph Smith--History 1:14-20, 25, James 1:5.

SATB vocal soli, SATB choir, oboe, bassoon, 2 violins, viola, cello, basso continuo

SKU: CA.3113205

Cantata for the 4th Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Bereitet die Wege, bereitet die Bahn. Sacred vocal music, Cantatas, Advent. Choral Score. Composed 1715. BWV 132. 2 pages. Duration 22 minutes. Carus Verlag #CV 31.132/05. Published by Carus Verlag (CA.3113205).

ISBN 9790007103163. Language: German/English.

Bac h's cantata BWV 132 was written for the 4th Sunday in Advent, and the autograph score is dated 1715. It was composed while Bach was at Weimar, to a libretto by the Weimar Court Preacher Salomon Franck. Its subject matter is the testimony of John the Baptist addressed to the Christian community and to individual believers. Since the original concluding chorale, the fifth verse of the hymn Herr Christ der einig Gotts Sohn (Elisabeth Cruziger), has been lost, here the cantata ends with the last movement (transposed from B flat to A major), to the same words, of the cantata BWV 164. Score available separately - see item CA.3113200.

Composed by Sydney Nicholson. Arranged by Jay Althouse. For SATB choir. Praise, Lent, Sacred. Octavo. Published by Hope Publishing Company

SATB vocal soli, SATB choir, oboe, bassoon, 2 violins, viola, cello, basso continuo

SKU: CA.3113213

Cantata for the 4th Sunday in Advent. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. German title: Bereitet die Wege. Sacred vocal music, Cantatas, Advent. Single Part, Viola. Composed 1715. BWV 132. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.132/13. Published by Carus Verlag (CA.3113213).

ISBN 9790007207946. Language: German/English.

Bac h's cantata BWV 132 was written for the 4th Sunday in Advent, and the autograph score is dated 1715. It was composed while Bach was at Weimar, to a libretto by the Weimar Court Preacher Salomon Franck. Its subject matter is the testimony of John the Baptist addressed to the Christian community and to individual believers. Since the original concluding chorale, the fifth verse of the hymn Herr Christ der einig Gotts Sohn (Elisabeth Cruziger), has been lost, here the cantata ends with the last movement (transposed from B flat to A major), to the same words, of the cantata BWV 164. Score and part available separately - see item CA.3113200.

Soli SATB, Coro SATB, 3 Trb, Cor, 2 Vl, Va, Vc, Cb, Org

SKU: CA.2732049

Composed by Anton Bruckner. Edited by Anselm Eber. Organ. Sacred vocal music, Masses, Latin, Requiem. Single Part, Organ. WAB 39. 20 pages. Duration 38 minutes. Carus Verlag #CV 27.320/49. Published by Carus Verlag (CA.2732049).

ISBN 9790007245306. Language: Latin.

Anton Bruckner composed his Requiem in D minor at the young age of 24 in memory of a friend of his father's who was his patron. The work was greatly influenced by the Viennese classical style. He revised the work at the age of 70 in 1894 and held it in high regard throughout his career, even though his setting never enjoyed the popularity of similar works by Mozart or Verdi in the concert repertoire. The new edition now published represents the revised version, which can be regarded as a very personal, and at the same time impressive compositional testimony to Bruckner's artistic development on his journey towards becoming the great church musician and symphonist. Bruckner set the text of the Requiem Mass in a relatively compact form in terms of extent and scoring. The range of compositional colors stretches from Alpine-influenced writing for male voice choir (Hostias), to a five-part choral movement (Sanctus) and an unaccompanied movement (Requiem), to movements with choir and soloists. Score and part available separately - see item CA.2732000.

SST(A)TTB vocal soli, ST(A)TB choir, 2 flute, 2 oboe, 2 violin, 2 viola, cello/contra bass, basso continuo

SKU: CA.2100714

Psalm 45. Grand Motet. Composed by Jean-Philippe Rameau. Edited by Jean-Paul C. Montagnier. French Sacred Music. Deus Noster Refugium (Psalm 45). Sacred vocal music, Psalms, Latin, Psalms. Single Part, basso continuo. 16 pages. Duration 26 minutes. Carus Verlag #CV 21.007/14. Published by Carus Verlag (CA.2100714).

ISBN 9790007197865. Language: Latin.

The three grands motets, Quam dilecta, In convertendo and Deus noster refugium, which Jean-Philippe Rameau composed from 1713 to 1715 are still relatively unknown today. Yet these masterworks can stand comparison to the best works of Michel-Richard de Lalande. They are testimony to Rameau's great contrapuntal mastery and contain beautiful lyrical passages. Quam dilecta and Deus noster refugium have survived only in later sources which originated in about 1770, after Rameau's death, and the works have been rendered in a scoring which does not correspond to his intentions. The present new edition attempts for the first time to reconstruct them as closely as possible to their original form. The edition of In convertendo is based on Rameau's autograph score from 1751. Score and part available separately - see item CA.2100700.

SATB choir - Moderate

SKU: WD.080689638176

Composed by Bradley Knight. Choral, cantatas. Eastertide. Book. Word Music #080689638176. Published by Word Music (WD.080689638176).

UPC: 080689638176.

From Word Music & Church Resources ~ featuring the dynamic creative team of Bradley Knight and Johnathan Crumpton ~ comes Our Living Hope, new for Easter!

Filled with the joy and promise of a world redeemed by the love and victorious resurrection of our great Savior, Our Living Hope is the perfect foundation for what just might be your most powerful and compelling Easter service ever!

Featuring powerfully explosive songs of worship and praise and filled with testimony of the impact of God’s love and mercy on our lives, Our Living Hope sets a new standard of excellence for contemporary, evangelical worship choirs everywhere! Your choir will love singing these masterful Bradley Knight arrangements, such as the opening refrain of Were You There? in a medley with Kari Jobe’s Forever (We Sing Hallelujah), breathtaking new songs like Mercy Has Changed Me (a new “instant classic” first introduced by TaRanda Greene), a soulful Nothing but the Blood Medley, the new worship anthem, Living Hope, and much more!

By Janice Kapp Perry. Arranged by Janice Kapp Perry. For Piano Book. Level: Varied. Published by Jackman Music Corporation.

Arranged by Marty Parks. Modern Christian: Sacred. Anthem (Preview). Published by Word Music (WD.080689228230).

By Joseph M. Martin. Arranged by Stan Pethel. For SATB choir and orchestra. Score and set of parts. Text language: English. 67 pages

SATTBB chorus and piano - Medium-difficult

SKU: JK.01809

Composed by Ralph B. Woodward. Choral SATB, Difficulty Medium Hard, Piano Choir, Gathering of Israel, Gospel, Jesus Christ - Second Coming, Restoration, Testimony, Youth. Christian, Inspirational. Octavo. Duration 3:30. Jackman Music Corporation #01809. Published by Jackman Music Corporation (JK.01809).

Majestic hymn anthem for mixed chorus (SATTBB) and piano on the Second Coming of the Lord.
Composer: Ralph B. Woodward
Lyricist: Marvin R. VanDam
Difficulty: Medium-difficult
Performance time: 3:30
Reference: Doctrine and Covenants 39:17-24, Doctrine and Covenants 133:7-10.