| Rise Again Songbook Paroles et Accords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sonata (Spirit of the Hudson) Flûte traversière et Piano Theodore Presser Co.
Chamber Music Bass Flute, Piano SKU: PR.114418900 Composed by Daniel Dorf...(+)
Chamber Music Bass Flute,
Piano SKU:
PR.114418900 Composed
by Daniel Dorff. Set of
Score and Parts. 24+8
pages. Duration 14
minutes. Theodore Presser
Company #114-41890.
Published by Theodore
Presser Company
(PR.114418900). ISBN
9781491129517. UPC:
680160668632. A
welcome addition to the
bass flute repertoire,
Dorff’s 14-minute
sonata is designed as two
pairs of slow-fast
movements. While composed
as a complete 4-movement
sonata, either half may
be performed alone as a
7-minute recital work.
The movement titles are:
I. Sprawling, burbling;
II. Sparkling,
glistening; III. Under
Winter; and IV. Spring
Spirits. When Peter
Sheridan commissioned me
to write a piece for bass
flute and piano, his only
requests were a
sonata-like
multi-movement work, and
some kind of reference to
New York, where we both
grew up. Just the thought
of a bass flute, with its
broad and mighty
airstream, already
reminded me of the mighty
Hudson River: from the
dense woods of upstate
New York, through the
beautiful landscapes of
New Paltz and
Poughkeepsie, down
through the celebrated
Manhattan waterway.As I
daydreamed how to build a
sonata inspired by the
Hudson, I thought of its
deep primal nature carved
by the Ice Age, and the
life within the river and
on its shores long before
humans arrived. I thought
of how the river’s
magnetism drew Native
Americans who honored and
built their lives around
it. I thought of
beautiful trees and
wildlife, the annual
cycles of ecosystems, and
the natural symbiosis
between the river itself,
the life within, and the
life on land spawned by
the river’s
resources.I wondered what
if Thoreau had sat by the
Hudson rather than by
Walden Pond; I wondered
what if Hesse had set
Siddhartha in the Hudson
Valley with this river as
his metaphor for the flow
of life and time.I
wondered whether the
sonata should flow from
north to south, or have
chronological references.
I wondered if I should
allude to the many poets
and painters who have
drawn inspiration from
the mighty Hudson. Every
thought led to the
river’s essence,
its own spirit and life
— flowing through
raw nature, from skinny
trickles to mightiness
spawning cities;
supporting subtle life,
and becoming a central
commons for human
societies.The subtitle
Spirit of the Hudson
brings it all together.*
* *The sonata is built in
4 movements, with formal
inspiration from the
Baroque: A slow Mvt. 1
“Sprawling,
burbling†leads
directly to the rapid
Mvt. 2 “Sparkling,
glistening,â€
followed by another
slow-fast pair: Mvt. 3
“Under
Winter†which leads
directly into Mvt. 4
“Spring
Spirits.†In
addition to performances
of the complete sonata,
either pair of movements
may be performed on its
own for a shorter concert
segment.SONATA (SPIRIT OF
THE HUDSON) was premiered
at the International Low
Flutes Festival in April
2018 by its commissioner,
bass flutist Peter
Sheridan, with Hyeeun
Hahm as pianist. $21.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rise Up Singing
Paroles et Accords [Partition] Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...(+)
The Group Singing
Songbook. By Various.
Vocal. Size 9.5x12
inches. 281 pages.
Published by Hal Leonard.
(1)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Fake Book Of The World's Favorite Songs - C Instruments - 4th Edition
Instruments en Do [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
(14)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Facile Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
(8)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Real Little Ultimate Fake Book - 3rd Edition (C Edition) [Fake Book] Hal Leonard
Fakebook (spiral bound) for voice and C instrument. With vocal melody, lyrics, c...(+)
Fakebook (spiral bound)
for voice and C
instrument. With vocal
melody, lyrics, chord
names, leadsheet notation
and guitar chord chart.
Series: Hal Leonard Fake
Books. 813 pages.
Published by Hal Leonard.
(4)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Fake Book - Third Edition (Bb version)
Instruments en Sib [Fake Book] Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 p...(+)
Bb Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 816 pages.
Published by Hal Leonard.
(8)$49.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| The Ultimate Fake Book - 3rd Edition Fake Book [Fake Book] Hal Leonard
Eb Edition. By Various. Fake Book (Includes melody line and chords). Size 9x12 i...(+)
Eb Edition. By Various.
Fake Book (Includes
melody line and chords).
Size 9x12 inches. 816
pages. Published by Hal
Leonard.
(2)$49.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| American Death Ballads Piano, Voix [Vocal Score] Schirmer
Composed by David Conte (1955-). Vocal Anthology/Vocal Solo. Secular, 21st Cent...(+)
Composed by David Conte
(1955-). Vocal
Anthology/Vocal Solo.
Secular, 21st Century.
Vocal score. 35 pages.
Published by E.C.
Schirmer Publishing
(EC.8454).
$17.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| American Death Ballads Piano, Voix Schirmer
Composed by David Conte (1955-). Vocal Anthology/Vocal Solo. Secular, 21st cent...(+)
Composed by David Conte
(1955-). Vocal
Anthology/Vocal Solo.
Secular, 21st century.
Vocal score. 35 pages.
Published by E.C.
Schirmer Publishing
(EC.8455).
$17.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rise Up Singing Paroles et Accords [Partition] Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...(+)
Arranged by Peter Blood,
Annie Patterson. Vocal.
Size 7.5x10.5 inches. 283
pages. Published by Hal
Leonard.
(1)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Thirty Famous Patriotic Songs for Piano Accompaniment (Winds) Piano seul - Intermédiaire Childrens Music Workshop
Piano - Intermediate SKU: CZ.9798396181786 Composed by Various. Edited by...(+)
Piano - Intermediate
SKU:
CZ.9798396181786
Composed by Various.
Edited by Larry Newman.
Arranged by Larry Newman.
Book. Children's Music
Workshop #9798396181786.
Published by Children's
Music Workshop
(CZ.9798396181786).
ISBN
9798396181786. Disc
over the spirit of
America with Thirty
Famous Patriotic Songs
for Piano Accompaniment
(Winds), a remarkable
collection of melodies
that celebrates the land
of the brave and the home
of the free. This
comprehensive book brings
together some of the most
beloved patriotic tunes
that honor the USA,
making it the perfect
companion for occasions
like July Fourth or any
time of the year when you
want to express your love
for your country. With
Thirty Famous Patriotic
Songs for Piano
Accompaniment (Winds),
you can immerse yourself
in the rich musical
heritage that has
resonated with Americans
throughout history while
providing accompaniment
for a number of different
woodwinds and brass. The
book features timeless
classics like Amazing
Grace, My Country Tis of
Thee, America the
Beautiful, and The
Star-Spangled Banner,
which will evoke a deep
sense of national pride
with every note. To
enhance your musical
experience, mp3
accompaniment tracks are
available online,
allowing you to perform
these iconic songs with
full instrumental
support. This
accompaniment book
ensures that pianists
have the sheet music they
need to master these
patriotic melodies and
provide musical
background for
instrumental
solos. From the
stirring Battle Cry of
Freedom to the
soul-stirring Eternal
Father, Strong to Save,
Thirty Famous Patriotic
Songs for Piano
Accompaniment
(Winds)encompasses a
diverse array of
compositions that capture
the essence of the
American spirit. Whether
you're commemorating the
sacrifices of the armed
forces with The Marine's
Hymn or embracing the
lively spirit of American
folk with Oh! Susanna and
Yankee Doodle, this
collection has it
all. Experience the
pride and joy of being an
American with Thirty
Famous Patriotic Songs
for Piano Accompaniment
(Winds). Immerse yourself
in the rich tapestry of
American history, as
reflected in the music
that has accompanied the
nation through triumph
and adversity. Let the
melodies of liberty,
unity, and patriotism
resonate within your
heart as you sing or play
these beloved songs.
Celebrate the legacy of a
nation with Thirty Famous
Patriotic Songs for Piano
Accompaniment (Winds) and
let the music of America
inspire you. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Thirty Famous Patriotic Songs for Piano Accompaniment (Strings) Piano seul - Intermédiaire Childrens Music Workshop
Piano - Intermediate SKU: CZ.9798396293144 Composed by Various. Edited by...(+)
Piano - Intermediate
SKU:
CZ.9798396293144
Composed by Various.
Edited by Larry Newman.
Arranged by Larry Newman.
Book. Children's Music
Workshop #9798396293144.
Published by Children's
Music Workshop
(CZ.9798396293144).
ISBN
9798396293144. Disc
over the spirit of
America with Thirty
Famous Patriotic Songs
for Piano Accompaniment
(Strings), a remarkable
collection of melodies
that celebrates the land
of the brave and the home
of the free. This
comprehensive book brings
together some of the most
beloved patriotic tunes
that honor the USA,
making it the perfect
companion for occasions
like July Fourth or any
time of the year when you
want to express your love
for your country. With
Thirty Famous Patriotic
Songs for Piano
Accompaniment (Strings),
you can immerse yourself
in the rich musical
heritage that has
resonated with Americans
throughout history while
providing accompaniment
for a number of different
woodwinds and brass. The
book features timeless
classics like Amazing
Grace, My Country Tis of
Thee, America the
Beautiful, and The
Star-Spangled Banner,
which will evoke a deep
sense of national pride
with every note. To
enhance your musical
experience, mp3
accompaniment tracks are
available online,
allowing you to perform
these iconic songs with
full instrumental
support. This
accompaniment book
ensures that pianists
have the sheet music they
need to master these
patriotic melodies and
provide musical
background for
instrumental
solos. From the
stirring Battle Cry of
Freedom to the
soul-stirring Eternal
Father, Strong to Save,
Thirty Famous Patriotic
Songs for Piano
Accompaniment (Strings)
encompasses a diverse
array of compositions
that capture the essence
of the American spirit.
Whether you're
commemorating the
sacrifices of the armed
forces with The Marine's
Hymn or embracing the
lively spirit of American
folk with Oh! Susanna and
Yankee Doodle, this
collection has it
all. Experience the
pride and joy of being an
American with Thirty
Famous Patriotic Songs
for Piano Accompaniment
(Strings). Immerse
yourself in the rich
tapestry of American
history, as reflected in
the music that has
accompanied the nation
through triumph and
adversity. Let the
melodies of liberty,
unity, and patriotism
resonate within your
heart as you sing or play
these beloved songs.
Celebrate the legacy of a
nation with Thirty Famous
Patriotic Songs for Piano
Accompaniment (Strings)
and let the music of
America inspire you. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet, Clarinet 1,
Clarinet 2, Clarinet 3,
Contrabass Clarinet,
Contrabassoon, English
Horn, Flute 1, Flute 2,
Oboe 1, Oboe 2, Piccolo,
alto Saxophone, soprano
Saxophone, tenor
Saxophone SKU:
PR.165001000 Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Folio. Set of Score and
Parts.
4+24+24+16+8+4+4+24+12+12
+8+4+4+4+4+8+8+8+8+4+4+4+
4+8+8+8+8+8+8+8+8+4+16+4+
8+4+8+8+4+4+4+48 pages.
Duration 10 minutes, 41
seconds. Theodore Presser
Company #165-00100.
Published by Theodore
Presser Company
(PR.165001000). ISBN
9781491129241. UPC:
680160669776. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $150.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass
Drum, Bassoon 1, Bassoon
2, Bongos, Castanets,
Celesta, Clarinet,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
English Horn, Euphonium,
Euphonium T.C., Flute 1,
Flute 2, Horn 1, Horn 2,
Horn 3 and more. SKU:
PR.16500100F Hymns
for Wind Ensemble.
Composed by Dan Welcher.
Sws. Full score. 48
pages. Duration 10
minutes, 41 seconds.
Theodore Presser Company
#165-00100F. Published by
Theodore Presser Company
(PR.16500100F). ISBN
9781491114421. UPC:
680160669783. 9 x 12
inches. Commissione
d for a consortium of
high school and college
bands in the north Dallas
region, FOR THEMYSTIC
HARMONY is a 10-minute
inspirational work in
homage to Norwood and
Elizabeth Dixon,patrons
of the Fort Worth
Symphony and the Van
Cliburn Competition.
Welcher draws melodic
flavorfrom five American
hymns, spirituals, and
folk tunes of the 19th
century. The last of
these sources toappear is
the hymn tune For the
Beauty of the Earth,
whose third stanza is the
quatrain: “For the
joy of earand eye, For
the heart and
mind’s delight,
For the mystic harmony,
Linking sense to sound
and sight,â€giving
rise to the work’s
title. This work,
commissioned for a
consortium of high school
bands in the north Dallas
area, is my fifteenth
maturework for wind
ensemble (not counting
transcriptions). When I
asked Todd Dixon, the
band director
whospearheaded this
project, what kind of a
work he most wanted, he
first said
“something
that’s basically
slow,†butwanted to
leave the details to me.
During a long subsequent
conversation, he
mentioned that his
grandparents,Norwood and
Elizabeth Dixon, were
prime supporters of the
Fort Worth Symphony,
going so far as to
purchase anumber of high
quality instruments for
that orchestra. This
intrigued me, so I asked
more about his
grandparentsand was
provided an 80-page
biographical sketch.
Reading that article,
including a long section
about theirdevotion to
supporting a young man
through the rigors of the
Van Cliburn International
Piano Competition fora
number of years, moved me
very much. Norwood and
Elizabeth Dixon
weren’t just
supporters of the arts;
theywere passionate
lovers of music and
musicians. I determined
to make this work a
testament to that love,
and tothe religious faith
that sustained them both.
The idea of using extant
hymns was also suggested
by Todd Dixon,and this
10-minute work is the
result.I have employed
existing melodies in
several works, delving
into certain kinds of
religious music more than
a fewtimes. In seeking
new sounds, new ways of
harmonizing old tunes,
and the contrapuntal
overlaying of one
tunewith another, I was
able to make works like
ZION (using 19th-century
Revivalist hymns) and
LABORING SONGS(using
Shaker melodies) reflect
the spirit of the
composers who created
these melodies, without
sounding likepastiches or
medleys. I determined to
do the same with this new
work, with the added
problem of
employingmelodies that
were more familiar. I
chose five tunes from the
19th century: hymns,
spirituals, and
folk-tunes.Some of these
are known by differing
titles, but they all
appear in hymnals of
various Christian
denominations(with
various titles and
texts). My idea was to
employ the tunes without
altering their notes,
instead using aconstantly
modulating sense of
harmony —
sometimes leading to
polytonal harmonizations
of what are
normallysimple four-chord
hymns.The work begins and
ends with a repeated
chime on the note C: a
reminder of steeples,
white clapboard
churchesin the country,
and small church organs.
Beginning with a
Mixolydian folk tune of
Caribbean origin
presentedtwice with
layered entrances, the
work starts with a
feeling of mystery and
gentle sorrow. It
proceeds, after along
transition, into a second
hymn that is sometimes
connected to the sea
(hence the sensation of
water andwaves throughout
it). This tune, by John
B. Dykes (1823-1876), is
a bit more chromatic and
“shifty†than
mosthymn-tunes, so I
chose to play with the
constant sensation of
modulation even more than
the original does. Atthe
climax, the familiar
spiritual “Were you
there?†takes over,
with a double-time
polytonal feeling
propelling itforward at
“Sometimes it
causes me to
tremble.â€Trumpets
in counterpoint raise the
temperature, and the
tempo as well, leading
the music into a third
tune (ofunknown
provenance, though it
appears with different
texts in various hymnals)
that is presented in a
sprightlymanner. Bassoons
introduce the melody, but
it is quickly taken up by
other instruments over
three
“verses,â€cons
tantly growing in
orchestration and volume.
A mysterious second tune,
unrelated to this one,
interrupts it inall three
verses, sending the
melody into unknown
regions.The final melody
is “For the Beauty
of the Earth.†This
tune by Conrad Kocher
(1786-1872) is commonly
sung atThanksgiving
— the perfect
choice to end this work
celebrating two people
known for their
generosity.Keeping the
sense of constant
modulation that has been
present throughout, I
chose to present this
hymn in threegrowing
verses, but with a twist:
every four bars, the
“key†of the
hymn seems to shift
— until the
“Lord of all,
toThee we praiseâ€
melody bursts out in a
surprising compound
meter. This, as it turns
out, was the
“mystery
tuneâ€heard earlier
in the piece. After an
Ivesian, almost polytonal
climax, the Coda begins
over a long B( pedal. At
first,it seems to be a
restatement of the first
two phrases of “For
the Beauty†with
long spaces between them,
but it soonchanges to a
series of
“Amenâ€
cadences, widely
separated by range and
color. These, too, do not
conform to anykey, but
instead overlay each
other in ways that are
unpredictable but
strangely comforting.The
third verse of “For
the Beauty of the
Earth†contains
this quatrain:“For
the joy of ear and eye,
–For the heart and
mind’s delightFor
the mystic harmonyLinking
sense to sound and
sightâ€and it was
from this poetry that I
drew the title for the
present work. It is my
hope that audiences and
performerswill find
within it a sense of
grace: more than a little
familiar, but also quite
new and unexpected. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Pledge of Allegiance Chorale SATBB Edward B. Marks Music Company
Choral (SATBB) SKU: HL.115255 Composed by Francis Bellamy and Laurie Ange...(+)
Choral (SATBB) SKU:
HL.115255 Composed by
Francis Bellamy and
Laurie Angela Hochman.
Edited by Judith Clurman.
Arranged by Larry
Hochman. Festival Choral.
American, Choir &
Orchestra, Concert,
Festival, Inspirational,
Patriotic. Octavo. 8
pages. Published by
Edward B. Marks Music
(HL.115255). UPC:
884088879013. 6.75x10.5
inches. From Judith
Clurman's Essential
Voices USA recording
Celebrating the
American Spirit, this
brilliant setting of the
Pledge of Allegiance will
bring pageantry and
artistry and a spirit of
celebration to concerts
and patriotic events
alike. Inspirational!
Instrumental
accompaniment score and
parts available as a
digital download (tpt,
hn, vn, va, vc).
Duration: ca. 2:00. $1.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Hymn to the American Spirit Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312417460 From the Opera The Confi...(+)
Choral SATB Choir and
Piano SKU:
PR.312417460 From
the Opera The Confidence
Man. Composed by
George Rochberg.
Classical. Part. With
Standard notation.
Composed 1981. Duration
4:30. Theodore Presser
Company #312-41746.
Published by Theodore
Presser Company
(PR.312417460). UPC:
680160051007. Key: D
major. Text: Gene
Rochberg. $2.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Glitter, Doom, Shards, Memory Theodore Presser Co.
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello SKU: PR.11441...(+)
Chamber Music Viola 1,
Viola 2, Violin 1, Violin
2, Violoncello SKU:
PR.11441690S
String Quartet No.
3. Composed by
Shulamit Ran. Sws.
Contemporary. Full score.
With Standard notation.
Composed March 9 2013. 32
pages. Duration 23
minutes. Theodore Presser
Company #114-41690S.
Published by Theodore
Presser Company
(PR.11441690S). UPC:
680160626021. 9 x 12
inches. Ran's third
string quartet was
written for the Pacifica
Quartet, who are
featuring it in numerous
performances from May
2014 through February
2016, across the country
and abroad. Their blog
page dedicated to the
work also features the
composer's notes, for
more indepth insight.
...impassioned solos
emerge from ominous
quiet, and high arpeggios
in the violins quiver
alongside the earthy
cello. Ms. Ran skillfully
deploys these extremes of
color, volume and pitch,
yet the overall somewhat
chilly impression is one
of poise. -- Zachary
Woolfe, The New York
Times. My third string
quartet was composed at
the invitation of the
Pacifica
Quartet, whose
music-making I have come
to know closely and
admire hugely as resident
artists at the University
of Chicago. Already
in our early
conversations Pacifica
proposed that this
quartet might, in some
manner, refer to the
visual arts as a point of
germination. Probing
further, I found out that
the quartet members had
special interest in art
created during the
earlier part of the 20th
century, perhaps between
the two world wars.Â
It was my good fortune to
have met, a short while
later, while in residence
at the American Academy
in Rome in the fall of
2011, art conservationist
Albert Albano who steered
me to the work of Felix
Nussbaum (1904-1944), a
German-Jewish painter
who, like so many others,
perished in the Holocaust
at a young age, and who
left some powerful,
deeply moving art that
spoke to the life that
was unraveling around
him. The title of my
string quartet takes its
inspiration from a major
exhibit devoted to art by
German artists of the
period of the Weimar
Republic (1919-1933)
titled “Glitter and
Doom: German Portraits
from the 1920sâ€,
first shown at New
York’s
Metropolitan Museum of
Art in 2006-07.Â
Nussbaum would have been
a bit too young to be
included in this
exhibit. His most
noteworthy art was
created in the last very
few years of his short
life. The
exhibit’s
evocative title, however,
suggested to me the idea
of “Glitter, Doom,
Shards, Memory†as
a way of framing a
possible musical
composition that would be
an homage to his life and
art, and to that of so
many others like him
during that era.
 Knowing that their
days were numbered, yet
intent on leaving a mark,
a legacy, a memory, their
art is triumph of the
human spirit over
annihilation. Parallel
to my wish to compose a
string quartet that,
typically for this genre,
would exist as
“pure musicâ€,
independent of a
narrative, was my desire
to effect an awareness in
my listener of matters
which are, to me, of
great human concern.
 To my mind there is
no contradiction between
the two goals. Â As in
several other works
composed since 1969, this
is my way of saying
‘do not
forget’, something
that, I believe, can be
done through music with
special power and
poignancy. Â Â The
individual titles of the
quartet’s four
movements give an
indication of some of the
emotional strands this
work explores. 1)
“That which
happened†(das was
geschah) – is how
the poet Paul Celan
referred to the Shoah
– the Holocaust.
 These simple words
served for me, in the
first movement, as a
metaphor for the way in
which an
“ordinaryâ€
life, with its daily flow
and its sense of sweet
normalcy, was shockingly,
inhumanely, inexplicably
shattered. 2)
“Menace†is a
shorter movement,
mimicking a Scherzo.
 It is also
machine-like, incessant,
with an occasional,
recurring, waltz-like
little tune –
perhaps the chilling
grimace we recognize from
the executioner’s
guillotine mask. Â Like
the death machine it
alludes to, it gathers
momentum as it goes, and
is
unstoppable. 3) â
If I must perish - do
not let my paintings
dieâ€; these words
are by Felix Nussbaum
who, knowing what was
ahead, nonetheless
continued painting till
his death in Auschwitz in
1944. Â If the heart of
the first movement is the
shuddering interruption
of life as we know it,
the third movement tries
to capture something of
what I can only imagine
to be the conflicting
states of mind that would
have made it possible,
and essential, to
continue to live and
practice one’s art
– bearing witness
to the events.
 Creating must have
been, for Nussbaum and
for so many others, a way
of maintaining sanity,
both a struggle and a
catharsis – an act
of defiance and salvation
all at the same
time. 4)
“Shards,
Memory†is a direct
reference to my
quartet’s title.
 Only shards are left.
 And memory.  The
memory is of things large
and small, of unspeakable
tragedy, but also of the
song and the dance, the
smile, the hopes. All
things human. Â As we
remember, in the face of
death’s silence,
we restore dignity to
those who are
gone.—Shulamit
Ran . $29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Through All Things Chorale American Composers Forum
Composed by Stephen Paulus. For Choral (SA(T)B). ChoralQuest. 12 pages. Publishe...(+)
Composed by Stephen
Paulus. For Choral
(SA(T)B). ChoralQuest. 12
pages. Published by
American Composers Forum
$1.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Definitive Paul Simon Songbook Ligne De Mélodie, Paroles et Accords [Partition] Music Sales
The Definitive Paul Simon Songbook by Paul Simon. For Melody Line, Lyrics and Ch...(+)
The Definitive Paul Simon
Songbook by Paul Simon.
For Melody Line, Lyrics
and Chords. Music Sales
America. Folk Rock.
Softcover. 560 pages.
Paul Simon Music
#PS11594. Published by
Paul Simon Music
(1)$45.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Top-Requested Patriotic Sheet Music Piano, Voix et Guitare - Intermédiaire Alfred Publishing
(18 Songs Celebrating the American Spirit). For Guitar; Keyboard; Piano; Voi...(+)
(18 Songs Celebrating the
American Spirit). For
Guitar;
Keyboard; Piano; Voice.
This
edition:
Piano/Vocal/Guitar.
Book; P/V/C Mixed Folio;
Piano/Vocal/Chords. Top-
Requested Sheet Music.
4th of
July; Patriotic; Summer.
68
pages. Published by
Alfred
Music
$16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Top-Requested Patriotic Sheet Music Piano seul - Facile Alfred Publishing
(19 Songs Celebrating the American Spirit Arranged by Dan Coates). Arranged by D...(+)
(19 Songs Celebrating the
American Spirit Arranged
by Dan Coates). Arranged
by Dan Coates. For Piano.
Book; Piano - Easy Piano
Collection; Piano
Supplemental.
Top-Requested Sheet
Music. Patriotic. Easy
Piano. 48 pages.
Published by Alfred Music
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lyrics Paroles Seulement [Partition] Hal Leonard
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
(1)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Road Not Taken Carl Fischer
Choral Cello, Piano, SATB chorus SKU: CF.CM9714 Composed by Z. Randall St...(+)
Choral Cello, Piano, SATB
chorus SKU:
CF.CM9714 Composed by
Z. Randall Stroope. 16
pages. Duration 4
minutes, 48 seconds. Carl
Fischer Music #CM9714.
Published by Carl Fischer
Music (CF.CM9714).
ISBN 9781491160329.
UPC: 680160918904. Key: F
major. English. Robert
Frost. About the
work ... Few American
poems are as well known
as The Road Not Taken.
Robert Frost, the author,
is an international icon,
not unlike Pablo Picasso,
Winston Churchill or Mark
Twain in their own
disciplines.The poem is
full of contradictions
and quirks of form and
structure. Perhaps that
illusiveness is part of
the poem's intrigue. But
beyond all of the
literary devices that
only a few scholars may
fully appreciate, this
poem has taken on a sort
of fanfare for the common
person credo - a
challenge to
individualism, stepping
out on one's own, and
breaking the mold out of
sheer determination if
nothing else. Frost
connects to the core of
the human spirit in just
a few stanzas using the
analogy of a fork in a
road. The message super
cedes geography, culture,
race or creed. Rather, it
is part of the DNA of
most every person on the
planet - the inner desire
to feel empowered to
create one's own destiny,
to forge a road not
taken, and ultimately in
doing so, to make a
difference. Rehearsal
notes ... Research
strongly suggests that
there is a direct
connection between the
first rehearsal and the
performance. First
impressions last. I find
it helpful to immediately
lock three concepts into
place - mechanics
(notes/rhythms),
text/phrasing (intent and
motivation) and color
(timbre). Performers need
to think musically from
the first reading forward
(first impression). The
cello is very much a
collaborative instrument
in this work, and should
be located in front of
the ensemble (not to
side). Lastly, let the
text speak. The simplest
melodic lines are often
the most exposed. Keep
the voices clear and
transparent, floating
over the top in softer
passages, and singing
with vibrancy and forward
focus throughout. Z.
Randall Stroope A
definitive recording was
made by the New American
Voices, with Randall
conducting. This can be
found on Spotify,
YouTube, his website
(www.zrstroope), and
other social media. About
the composer ... Z.
Randall Stroope is an
American composer and
conductor. His
composition teachers were
Normand Lockwood and
Cecil Effinger, both
students of the Nadia
Boulanger, the famous
French teacher (and
student of Gabriel
Faure). He is the
artistic director of two
international summer
music festivals, is an
Honorary Member of the
National Association of
Italian Choral Directors,
and has conducted in 25
countries. He has
directed over 40 times at
Carnegie Hall, and is a
frequent conductor at
other prestigious concert
venues. Randall has 190
published works, and his
music can be heard on
Spotify, YouTube and
other platforms,
including his website
(www.zrstroope.com). A
bout the work ...Few
American poems are as
well known as The Road
Not Taken. Robert Frost,
the author, is an
international icon, not
unlike Pablo Picasso,
Winston Churchill or Mark
Twain in their own
disciplines.The poem is
full of contradictions
and quirks of form and
structure. Perhaps that
illusiveness is part of
the poem's intrigue. But
beyond all of the
literary devices that
only a few scholars may
fully appreciate, this
poem has taken on a sort
of fanfare for the common
person credo - a
challenge to
individualism, stepping
out on one's own, and
breaking the mold out of
sheer determination if
nothing else. Frost
connects to the core of
the human spirit in just
a few stanzas using the
analogy of a fork in a
road. The message super
cedes geography, culture,
race or creed. Rather, it
is part of the DNA of
most every person on the
planet - the inner desire
to feel empowered to
create one's own destiny,
to forge a road not
taken, and ultimately in
doing so, to make a
difference.Rehearsal
notes ...Research
strongly suggests that
there is a direct
connection between the
first rehearsal and the
performance. First
impressions last. I find
it helpful to immediately
lock three concepts into
place - mechanics
(notes/rhythms),
text/phrasing (intent and
motivation) and color
(timbre). Performers need
to think musically from
the first reading forward
(first impression). The
cello is very much a
collaborative instrument
in this work, and should
be located in front of
the ensemble (not to
side). Lastly, let the
text speak. The simplest
melodic lines are often
the most exposed. Keep
the voices clear and
transparent, floating
over the top in softer
passages, and singing
with vibrancy and forward
focus throughout.Z.
Randall StroopeA
definitive recording was
made by the New American
Voices, with Randall
conducting. This can be
found on Spotify,
YouTube, his website
(www.zrstroope), and
other social media.About
the composer ...Z.
Randall Stroope is an
American composer and
conductor. His
composition teachers were
Normand Lockwood and
Cecil Effinger, both
students of the Nadia
Boulanger, the famous
French teacher (and
student of Gabriel
FaureÌ). He is the
artistic director of two
international summer
music festivals, is an
Honorary Member of the
National Association of
Italian Choral Directors,
and has conducted in 25
countries. He has
directed over 40 times at
Carnegie Hall, and is a
frequent conductor at
other prestigious concert
venues. Randall has 190
published works, and his
music can be heard on
Spotify, YouTube and
other platforms,
including his website
(www.zrstroope.com). $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Best Rock Pop Fake Book Instruments en Do [Fake Book] Hal Leonard
(For C Instruments). By Various. For C Instruments. Fake Book. Softcover. 576 pa...(+)
(For C Instruments). By
Various. For C
Instruments. Fake Book.
Softcover. 576 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Give Me Oil in My Lamp Chorale 3 parties SAB, Piano - Intermédiaire Walton Music
Composed by Traditional American. Arranged by Kyle Pederson. School, Church. ...(+)
Composed by Traditional
American. Arranged by
Kyle
Pederson. School, Church.
Walton Choral. Octavo.
Walton
Music #WW1813. Published
by
Walton Music
$2.80 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Musician's Spirit GIA Publications
SKU: GI.G-5866 Connecting to Others through Story. Composed by Jam...(+)
SKU: GI.G-5866
Connecting to Others
through Story.
Composed by James Jordan.
Evoking Sound. Music
Education. Book. 228
pages. GIA Publications
#5866. Published by GIA
Publications (GI.G-5866).
ISBN 9781579991913.
English. Text by: James
Jordon. ...from the
author of The
Musician’s Soul In
The Musician’s
Soul, author James Jordan
sets readers on a journey
beyond the precise
techniques of artistry
and into a place of
selfexploration, where
music can be created with
new heartfelt honesty and
beauty. With The
Musician’s Spirit,
a companion book to The
Musician’s Soul,
and The Musician’s
Walk, Jordan takes us to
the next level of
creating a more powerful
art form. The
Musician’s Spirit
focuses not on the self,
but on others and the
stories each artist is
able to share through his
or her work. Using
thought-provoking
quotations, real-life
stories, and visual art,
Jordan challenges all
artists to share
themselves with their
audience and fellow
artists, thereby creating
a more personal and
beautiful body of work.
This book offers
practical and
inspirational words on
courage and vision, the
arts of listening and
trust, conquering the
fear of looking foolish,
and the importance of
story in teaching. Jordan
also includes a Storying
Guide to help the reader
bring out his or her own
story as well as space
for personal notes,
stories, and reflections.
Though written with
musicians in mind, this
beautiful illustrated
book offers tremendous
insight for any artist
wanting to share his or
her vision and story with
the world.
“Although written
for musicians, this
stunningly crafted book
offers tremendous insight
for any artist wanting to
share their story and
gifts with others.â€
“Communicating
music is not academic,
nor is Jordan’s
book. The
Musician’s Spirit
is a guide to help us
step out and experience
music in the right
place.†—
Thomas R. Vozzella
(Choral Journal, Volume
44, Number 9) Â Those
of us who have studied
with inspiring teachers
know how we looked
forward to each lesson.
The Musician’s
Spirit opens such doors
again, and reminds us why
we are musicians.
— Kathleen
Thomerson (The American
Organist, November
2004). $32.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Singin' in the Spirit Hope Publishing Company
Choir; rhythm SKU: HP.8425 Arranged by Lloyd Larson. This edition: Comple...(+)
Choir; rhythm SKU:
HP.8425 Arranged by
Lloyd Larson. This
edition: Complete.
Collection. School
Musicals. Spirituals &
Gospel, General Worship,
Sacred. Value Pack (10
listening CDs). Hope
Publishing Company #8425.
Published by Hope
Publishing Company
(HP.8425). UPC:
763628184254. Sacre
d Musical for Adult
Choirs From arranger,
Lloyd Larson, here is an
impressive musical
celebration of the
African American
spiritual. The
adaptability and
endurance of these songs
passed down to us from
the African American
slaves reveals the
universality of their
themes and their ability
to carry forward a
message that transcends
race, cultural
differences and
socio-economic classes.
Performed in its
entirety, this is a
dramatic 30-minute
musical filled with
unforgettable emotion.
The narration tells of
the stories behind and
meanings within the
spirituals, and the
struggles of the people
who created and passed on
this whole body of music
so essential to our
American heritage. Each
arrangement can also be
performed alone as
individual choral anthems
suitable for worship and
concerts. Separate rhythm
chart accompaniments and
CD tracks are available.
The Rhythm packet
contains parts for:
Guitar, Bass, Drums &
Synthesizer. $79.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
| Singin' in the Spirit Hope Publishing Company
Choir; rhythm SKU: HP.8423 Arranged by Lloyd Larson. This edition: Comple...(+)
Choir; rhythm SKU:
HP.8423 Arranged by
Lloyd Larson. This
edition: Complete.
Collection. School
Musicals. Spirituals &
Gospel, General Worship,
Sacred. Accompaniment CD.
Hope Publishing Company
#8423. Published by Hope
Publishing Company
(HP.8423). UPC:
763628184230. Sacre
d Musical for Adult
Choirs From arranger,
Lloyd Larson, here is an
impressive musical
celebration of the
African American
spiritual. The
adaptability and
endurance of these songs
passed down to us from
the African American
slaves reveals the
universality of their
themes and their ability
to carry forward a
message that transcends
race, cultural
differences and
socio-economic classes.
Performed in its
entirety, this is a
dramatic 30-minute
musical filled with
unforgettable emotion.
The narration tells of
the stories behind and
meanings within the
spirituals, and the
struggles of the people
who created and passed on
this whole body of music
so essential to our
American heritage. Each
arrangement can also be
performed alone as
individual choral anthems
suitable for worship and
concerts. Separate rhythm
chart accompaniments and
CD tracks are available.
The Rhythm packet
contains parts for:
Guitar, Bass, Drums &
Synthesizer. $89.95 - Voir plus => AcheterDélais: 4 to 6 business days | | |
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