| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.416415760 For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760). UPC:
680160636532. 9 x 12
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $39.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.41641576L For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L). UPC:
680160636549. 11 x 17
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Armed Forces The Pride of America! Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Carl Fischer
Composed by Captian Francis Saltus Van Boskerck / Capt. Alfred H. Miles / Charle...(+)
Composed by Captian
Francis Saltus Van
Boskerck / Capt. Alfred
H. Miles / Charles A.
Zimmerman / Edmund L.
Gruber / Lt. Col.Robert
Crawford. Arranged by
Larry Clark / Greg
Gilpin. Flexible Band
Series. Score and
part(s). With Standard
notation. Duration 7
minutes, 7 seconds. Carl
Fischer #XPS13. Published
by Carl Fischer
(CF.XPS13).
$150.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Karl Jenkins Vocal Album Piano, Voix Boosey and Hawkes
For Voice and Piano. By Karl Jenkins. Boosey and Hawkes Voice. 51 pages. Publish...(+)
For Voice and Piano. By
Karl Jenkins. Boosey and
Hawkes Voice. 51 pages.
Published by Boosey and
Hawkes.
$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Armed Man (from The Armed Man: A Mass for Peace) Orchestre d'harmonie - Intermédiaire Boosey and Hawkes
Composed by Karl Jenkins. Arranged by Robert Longfield. Boosey and Hawkes Con...(+)
Composed by Karl Jenkins.
Arranged by Robert
Longfield. Boosey and
Hawkes
Concert Band. Softcover.
Published by Boosey and
Hawkes
$85.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Karl Jenkins Piano Album Piano seul [Partition] Boosey and Hawkes
By Karl Jenkins. Boosey and Hawkes Piano. Softcover. 42 pages. Published by Boos...(+)
By Karl Jenkins. Boosey
and Hawkes Piano.
Softcover. 42 pages.
Published by Boosey &
Hawkes.
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| At Her Ladyship's Request Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Clarinet 3, Co...(+)
Band Bass Clarinet,
Bassoon 1, Bassoon 2,
Clarinet 1, Clarinet 2,
Clarinet 3, Contrabass
Clarinet, Contrabassoon,
Flute 1, Flute 2, Flute
3, Horn 1, Horn 2, Horn
3, Horn 4, Oboe 1, Oboe
2, Piccolo, Trombone 1,
Trombone 2, Trumpet 1,
Trumpet 2 and more.
SKU: PR.115402330
A Period Piece for
Bands of Winds.
Composed by Carter Pann.
Folio. Set of Score and
Parts.
16+16+16+8+16+16+24+24+24
+16+8+8+8+8+16+16+16+16+1
6+16+16+8+8+8+8+16+16+16+
16+32+20+8+8+8+4+4+60
pages. Duration 12:30.
Theodore Presser Company
#115-40233. Published by
Theodore Presser Company
(PR.115402330). ISBN
9781491129555. UPC:
680160667727. 9 x 12
inches. Armed with
a prodigious gift for
forging musical
identities, “Lord
Carter Nicholas
Pann†presents an
offering inspired by the
Elizabethan Era and an
appreciation for the
works of Percy Grainger.
Pann’s suite tells
a story of palace
intrigue, outlined by the
movement titles:1.
Overture - Young Tom
Abel, Heir to Cecil
Abel’s Fortune2.
Sarabande - Father Daniel
Bennett from the Abbey at
Lockwood Cross3.
Pastorale - Joseph
Dimplesweet, His
Lordship’s Oldest
Farmhand4. Gallop - Lord
William H. Pettybone,
Duke of Bremingham. At
Her Ladyship’s
Request (2016) was an
idea born out of
admiration for the wind
works of Percy Grainger
– most notably his
Lincolnshire Posey.The
names and places here are
all fictitious. Four
countrymen have come
forward at Her
Ladyship’s request
as we commoners (and for
as long as I can
remember) have been led
to believe Her Highness
has grown complacent in
her aged betrothal to His
Lordship.I. It has long
been established in this
hill country that young,
svelte Tom Abel has
caught her fancy eye. He
knocks about with the
swagger of a visiting
dignitary, confident and
cocksure. And then there
is his father’s
fortune. Cecil Abel may
be the richest man in the
land save for His
Lordship. Tom, his only
son, will run his face
straight into that pile
the moment his old man
kicks.II. It is rare to
spy Father Daniel
Bennett, High Priest from
the Abbey at Lockwood
Cross, loitering in our
very own town
square…but not as
of late.III. Is Her
Ladyship so desperate as
to call upon Old Man
Dimplesweet? Were you to
confirm this, I would
have straightened my back
and spit the ground
before you. Then I saw
what could not possibly
be misconstrued. And
where is His Lordship
anyway?IV. Pettybone!
Conniving…
insidious. I don’t
believe there has been a
greater rivalry among men
for generations. The
Duke’s ego alone
could run our nation. The
grudges he grows are
notorious. His mount is
legendary. The day has
come to collect his
toll. $225.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Benedictus from The Armed Man: A Mass for Peace 1 Piano, 4 mains Boosey and Hawkes
(Piano Duet). By Karl Jenkins. For 1 Piano, 4 Hands, Piano Duet. BH Piano. Book ...(+)
(Piano Duet). By Karl
Jenkins. For 1 Piano, 4
Hands, Piano Duet. BH
Piano. Book only. 8
pages. Boosey and Hawkes
#M060123757. Published by
Boosey and Hawkes
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Karl Jenkins : The Armed Man
Chorale SATB SATB Boosey and Hawkes
A Mass for Peace. By Karl Jenkins. (SATB). Boosey and Hawkes Large Choral. Book ...(+)
A Mass for Peace. By Karl
Jenkins. (SATB). Boosey
and Hawkes Large Choral.
Book only. Size
7.25x10.25 inches. 122
pages. Published by
Boosey and Hawkes.
(3)$17.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Armed Forces- the Pride of America! Chorale TTBB Carl Fischer
(For TTBB Voices with Keyboard). Composed by Capt. Francis Saltus Van Boskerck C...(+)
(For TTBB Voices with
Keyboard). Composed by
Capt. Francis Saltus Van
Boskerck Charles A.
Zimmerman. Arranged by
Greg Gilpin Larry Clark.
Male chorus. For Tenor I,
Tenor II, Bass I, Bass
II, Keyboard. Choral.
Piano reduction/vocal
score. Standard notation.
24 pages. Published by
Carl Fischer
$3.25 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Karl Jenkins: Piano Piano seul Boosey and Hawkes
Composed by Karl Jenkins. BH Piano. Classical. Softcover. 60 pages. Boosey &...(+)
Composed by Karl Jenkins.
BH
Piano. Classical.
Softcover.
60 pages. Boosey &
Hawkes
#M060136122. Published by
Boosey & Hawkes
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Miserere: Songs of Mercy and Redemption Boosey and Hawkes
Chamber Ensemble; Choral; Percussion (Vocal Score) SKU: HL.48024826 Vo...(+)
Chamber Ensemble; Choral;
Percussion (Vocal Score)
SKU: HL.48024826
Vocal Score.
Composed by Karl Jenkins.
Boosey & Hawkes Sacred
Choral. Classical,
General Worship, Sacred.
Softcover. 120 pages.
Boosey & Hawkes
#M060136771. Published by
Boosey & Hawkes
(HL.48024826). ISBN
9781784545673. UPC:
840126902464.
7.25x10.25x0.302 inches.
Psalm 51. Miserere:
Songs of Mercy and
Redemption is a sequence
of reflections on the
theme of mercy, in
response to the recent
and ongoing tragic
conflicts in the Middle
East and other regions.
Woven around verses
selected from Psalm 51,
the inspiration for
composers from Allegri to
Part, the work features
an eclectic range of
settings of Rumi, St
Thomas Aquinas, Isaac
Watts, Carol Barratt and
Dylan Thomas. Scored for
countertenor (or
mezzo-soprano), solo
cello, mixed chorus,
strings, harp and
percussion, Miserere:
Songs of Mercy and
Redemption is a profound
meditation on humanity
and atonement, from the
composer of The Armed
Man: A Mass for Peace,
Requiem, The Peacemakers
and Stabat Mater. $20.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| One World Chorale SATB SATB, Piano Boosey and Hawkes
Baritone; Mezzo-Soprano; Mixed Choir; Piano Accompaniment; Soprano (SATB with Pi...(+)
Baritone; Mezzo-Soprano;
Mixed Choir; Piano
Accompaniment; Soprano
(SATB with Piano) SKU:
HL.48025302
Soloists (Soprano,
Mezzo-Soprano, Baritone),
Choir, and Piano
Reduction. Composed
by Karl Jenkins. BH Large
Choral. Choral,
Classical. Softcover. 144
pages. Boosey & Hawkes
#M060140365. Published by
Boosey & Hawkes
(HL.48025302). UPC:
196288174806.
7.25x10.25x0.413
inches. One World
deals with a fractured
world (populist
governments, plagues,
climate change, human
trafficking, disrespect
for basic humanrights,
terrorism, war) and
heralds a vision of a
peaceful and egalitarian
planet. The work is best
encapsulated by one of
the textsset:
“Tikkun
Olamâ€, Hebrew for
“repair the
worldâ€, a Jewish
concept of stewardship
over GodÂ’s creation.
Scored for soloists,
chorus and orchestra in
Jenkins's inimitable
style familiar from such
works as Adiemus: Songs
of Sanctuary, The Armed
Man: A Mass for Peace,
Requiem and The
Peacemakers. His vision
for One World takes
inspiration from diverse
texts including the
Bible, the Hindu Gayatri
Mantra, the poetry of the
English Romantic Percy
Bysshe Shelley,
African-American
abolitionist Frances
Harper (c1850) and
Lebanese-American writer
Kahlil Gibran. As in many
of Jenkins's works, Carol
Barratt contributes
impactful text and
adaptations. Recorded on
Decca by Lucy Crowe
soprano, Kathryn Rudge
mezzo-soprano, Roderick
Williams baritone, the
World Choir for Peace,
The Stay At Home Choir
and the World Orchestra
for Peace, conducted by
Karl Jenkins. $26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sacred Songs Chorale SATB SATB, Piano Boosey and Hawkes
(SATB and Organ/Piano). By Karl Jenkins. SATB. BH Sacred Choral. Book only. 64 p...(+)
(SATB and Organ/Piano).
By Karl Jenkins. SATB. BH
Sacred Choral. Book only.
64 pages
$21.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Wings Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Alfred Publishing
From the Armed Forces Suite. Composed by Vince Gassi. Concert Band...(+)
From the Armed
Forces Suite.
Composed by Vince Gassi.
Concert Band; Part(s);
Score; SmartMusic. Young
Symphonic. 254 pages.
Published by Alfred Music
(AP.37820).
$55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 24 Varied Scales And Exercises For Clarinet
Clarinette Carl Fischer
In All Major and Minor Keys. Composed by J. B. Albert. Edited by Julie DeRoche...(+)
In All Major and Minor
Keys.
Composed by J. B. Albert.
Edited by Julie DeRoche.
Book.
With Standard notation.
32
pages. Carl Fischer Music
#O99X. Published by Carl
Fischer Music
$12.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Armed Man (from The Armed Man: A Mass for Peace) Full Score Orchestre d'harmonie [Conducteur] Boosey and Hawkes
Boosey and Hawkes Concert Band. 24 pages. Boosey and Hawkes #M051663385. Publish...(+)
Boosey and Hawkes Concert
Band. 24 pages. Boosey
and Hawkes #M051663385.
Published by Boosey and
Hawkes (HL.48023726).
$10.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Three (3) Musketeers Concert Band Score - Avancé De Haske Publications
Low Brass Quartet and Concert Band (Full Score) - Grade 5 SKU: HL.44012052(+)
Low Brass Quartet and
Concert Band (Full Score)
- Grade 5 SKU:
HL.44012052 Les
Trois Mousquetaires.
Composed by Maxime Aulio.
De Haske Concert Band.
Concert Piece. Softcover.
Composed 2009. De Haske
Publications
#1094490-140. Published
by De Haske Publications
(HL.44012052). 9x12
inches.
English-German-French-Dut
ch. Les Trois
Mousquetaires (The
Three Musketeers) was
commissioned by the
Miraphone company for the
Miraphone Tuba Quartett
and the Musique des
Gardiens de la Paix
(Paris, France). It was
premiered in Guebwiller
(France), on 28 June 2003
by its dedicatees.Even if
you have never read a
line of the mythical
novel The Three
Musketeers (1844) by
Alexandre Dumas, father,
you will at least have
heard of the four
invincibles; four
extraordinary names -
D'Artagnan, Athos,
Porthos, and Aramis - and
one unique motto All for
one, and one for all. The
musical texture of Les
Trois Mousquetaires
is focused on specific
elements of a character's
personality rather thanon
its influence on the
book's plot. Maxime Aulio
has largely turned his
attention on D'Artagnan,
the sensitive, romantic
and perfect gentleman who
is easily charmed by
women such as the gentle
Constance Bonacieux and
the perfidious Milady de
Winter whose beguiling
beauty seduced him. The
first movement -
D'Artagnan - is
true to the character of
the young provincial
noble of the Gascony
region: heroic and
enthusiastic in all
circumstances. The second
movement entitled
Constance
Bonacieux, is
romantic, delicate and
passionate. The third and
last movement is as
duplicitous as the
bewitching femme fatale
its reveals: Milady de
Winter.
Les Trois
Mousquetaires (De
drie musketiers) is
geschreven in opdracht
van de firma Miraphone,
voor het Miraphone Tuba
Quartett en de Musique
des Gardiens de la Paix
(Parijs). De premiere
vond op 28 juni 2003
plaats in Guebwiller
(Frankrijk).Ook wie nooit
een zin heeft gelezen van
de mythische roman De
drie musketiers
(1844) van Alexandre
Dumas pere, heeft in elk
geval gehoord van de vier
onoverwinnelijken -
D'Artagnan, Athos,
Porthos en Aramis - en
hun unieke lijfspreuk Een
voor allen, allen voor
een. Dumas' roman is vaak
bewerkt en blijft tot de
verbeelding preken. De
muzikale structuur van
Les Trois
Mousquetaires is
gebaseerd op specifieke
elementenvan de karakters
en niet zozeer op de plot
van het boek. Maxime
Aulio heeft zich vooral
geconcentreerd op
D'Artagnan, de gevoelige,
romantische gentleman die
zich gemakkelijk laat
verleiden door vrouwen
als de mooie Constance
Bonacieux en de valse
femme fatale Milady de
Winter. Het eerste deel,
D'Artagnan,
verklankt de
persoonlijkheid van deze
jonge edelman uit de
Gascogne: heroisch en
bezield onder elke
omstandigheid. Deel twee,
met de titel Constance
Bonacieux, is
romantisch, bekoorlijk en
hartstochtelijk. Het
derde en laatste deel is
net zo bedrieglijk
betoverend als de dame
die erin wordt
beschreven: Milady de
Winter.
Les Trois
Mousquetaires (Die
drei Musketiere) wurde
von der Firma Miraphone
fur das Miraphone Tuba
Quartett und die Musique
des Gardiens de la Paix
(Musik der Friedensgarde)
in Paris in Auftrag
gegeben. Von diesen
Ensembles wurde das Stuck
am 28. Juni 2003 im
franzosischen Guebwiller
uraufgefuhrt.Auch wer nie
eine Zeile des
geheimnisvollen Romans
Die drei
Musketiere (1844) von
Alexandre Dumas, Vater,
gelesen hat, hat doch
zumindest schon von den
vier Unbesiegbaren gehort
- von den vier
aussergewohnlichen Namen
D'Artagnan, Athos, Portos
und Aramis und von ihrem
einzigartigen Motto Alle
fur einen und einer fur
alle. Die musikalische
Struktur von Les
TroisMousquetaires
konzentriert sich mehr
auf besondere
Charakterzuge einer
Person, denn auf deren
Einfluss auf die Handlung
des Buches. Maxime
richtete sein
Hauptaugenmerk auf
D'Artagnan, den
sensiblen, romantischen
und perfekten Gentleman,
der sich leicht von
Frauen bezaubern lasst,
wie zum Beispiel der
liebreizenden Constance
Bonacieux und der
perfiden Lady de Winter,
deren betorende Schonheit
ihn verfuhrt. Der erste
Satz - D'Artagnan
- halt sich eng an den
Charakter des jungen
Landadligen aus der
Gascogne, der sich unter
allen Umstanden als
heroisch und
enthusiastisch erweist.
Der zweite Satz mit dem
Titel Constance
Bonacieux ist
romantisch, zart und
leidenschaftlich. Der
dritte und letzte Satz
ist so doppelzungig wie
die bezaubernde Femme
fatale Milady de
Winter.
Les Trois
Mousquetaires est une
commande de la societe
Miraphone pour le
Miraphone Tuba Quartett
et la Musique des
Gardiens de la Paix, qui
en assurerent la creation
a Guebwiller (France), le
28 juin 2003. / Meme si
l'on n'a jamais lu une
seule ligne du roman
mythique d'Alexandre
Dumas, Les Trois
Mousquetaires (1844),
on connait necessairement
le quatuor parfait (avec
sa celebre devise << Tous
pour un, un pour tous >>)
que forment D'Artagnan,
Athos, Porthos, et
Aramis. Aussi ne
compte-t-on plus les
nombreuses adaptations du
roman, ni les nombreux
historiens qui
s'interessent au tres
reel Charles de Batz de
Castelmore d'Artagnan,
mort au siege de
Maastricht en 1673.
Letissu musical des
Trois Mousquetaires
(The Three
Musketeers)
s'interesse davantage aux
elements de la
personnalite d'un
personnage, qu'au role
qu'il joue dans
l'intrigue. La trame est
vivante, on y vit
intensement. Maxime Aulio
a oriente son choix sur
D'Artagnan, le parfait
gentilhomme, sensible et
romantique, qui se laisse
facilement seduire par
les femmes, a l'image de
la douce Constance
Bonacieux dont il
s'eprend et de la perfide
Milady de Winter dont la
beaute l'envoute. Le
premier mouvement -
D'Artagnan - est
fidele au caractere du
jeune noble provincial
venu de Gascogne :
enthousiaste et heroique
en toutes circonstances.
Le second mouvement -
Constance
Bonacieux - est
galant, prevenant et
passionne. Le troisieme
et dernier tableau est,
quant a lui, aussi
ensorceleur et sournois
que la femme fatale qu'il
depeint, Milady de
Winter. $74.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Three (3) Musketeers Concert Band Set Score And Parts - Avancé De Haske Publications
Low Brass Quartet and Concert Band (Score & Parts) - Grade 5 SKU: HL.44012051...(+)
Low Brass Quartet and
Concert Band (Score &
Parts) - Grade 5 SKU:
HL.44012051 Les
Trois Mousquetaires.
Composed by Maxime Aulio.
De Haske Concert Band.
Concert Piece. Softcover.
Composed 2009. De Haske
Publications
#1094490-010. Published
by De Haske Publications
(HL.44012051). 9x12
inches.
English-German-French-Dut
ch. Les Trois
Mousquetaires (The
Three Musketeers) was
commissioned by the
Miraphone company for the
Miraphone Tuba Quartett
and the Musique des
Gardiens de la Paix
(Paris, France). It was
premiered in Guebwiller
(France), on 28 June 2003
by its dedicatees.Even if
you have never read a
line of the mythical
novel The Three
Musketeers (1844) by
Alexandre Dumas, father,
you will at least have
heard of the four
invincibles; four
extraordinary names -
D'Artagnan, Athos,
Porthos, and Aramis - and
one unique motto All for
one, and one for all. The
musical texture of Les
Trois Mousquetaires
is focused on specific
elements of a character's
personality rather thanon
its influence on the
book's plot. Maxime Aulio
has largely turned his
attention on D'Artagnan,
the sensitive, romantic
and perfect gentleman who
is easily charmed by
women such as the gentle
Constance Bonacieux and
the perfidious Milady de
Winter whose beguiling
beauty seduced him. The
first movement -
D'Artagnan - is
true to the character of
the young provincial
noble of the Gascony
region: heroic and
enthusiastic in all
circumstances. The second
movement entitled
Constance
Bonacieux, is
romantic, delicate and
passionate. The third and
last movement is as
duplicitous as the
bewitching femme fatale
its reveals: Milady de
Winter.
Les Trois
Mousquetaires (De
drie musketiers) is
geschreven in opdracht
van de firma Miraphone,
voor het Miraphone Tuba
Quartett en de Musique
des Gardiens de la Paix
(Parijs). De premiere
vond op 28 juni 2003
plaats in Guebwiller
(Frankrijk).Ook wie nooit
een zin heeft gelezen van
de mythische roman De
drie musketiers
(1844) van Alexandre
Dumas pere, heeft in elk
geval gehoord van de vier
onoverwinnelijken -
D'Artagnan, Athos,
Porthos en Aramis - en
hun unieke lijfspreuk Een
voor allen, allen voor
een. Dumas' roman is vaak
bewerkt en blijft tot de
verbeelding preken. De
muzikale structuur van
Les Trois
Mousquetaires is
gebaseerd op specifieke
elementenvan de karakters
en niet zozeer op de plot
van het boek. Maxime
Aulio heeft zich vooral
geconcentreerd op
D'Artagnan, de gevoelige,
romantische gentleman die
zich gemakkelijk laat
verleiden door vrouwen
als de mooie Constance
Bonacieux en de valse
femme fatale Milady de
Winter. Het eerste deel,
D'Artagnan,
verklankt de
persoonlijkheid van deze
jonge edelman uit de
Gascogne: heroisch en
bezield onder elke
omstandigheid. Deel twee,
met de titel Constance
Bonacieux, is
romantisch, bekoorlijk en
hartstochtelijk. Het
derde en laatste deel is
net zo bedrieglijk
betoverend als de dame
die erin wordt
beschreven: Milady de
Winter.
Les Trois
Mousquetaires (Die
drei Musketiere) wurde
von der Firma Miraphone
fur das Miraphone Tuba
Quartett und die Musique
des Gardiens de la Paix
(Musik der Friedensgarde)
in Paris in Auftrag
gegeben. Von diesen
Ensembles wurde das Stuck
am 28. Juni 2003 im
franzosischen Guebwiller
uraufgefuhrt.Auch wer nie
eine Zeile des
geheimnisvollen Romans
Die drei
Musketiere (1844) von
Alexandre Dumas, Vater,
gelesen hat, hat doch
zumindest schon von den
vier Unbesiegbaren gehort
- von den vier
aussergewohnlichen Namen
D'Artagnan, Athos, Portos
und Aramis und von ihrem
einzigartigen Motto Alle
fur einen und einer fur
alle. Die musikalische
Struktur von Les
TroisMousquetaires
konzentriert sich mehr
auf besondere
Charakterzuge einer
Person, denn auf deren
Einfluss auf die Handlung
des Buches. Maxime
richtete sein
Hauptaugenmerk auf
D'Artagnan, den
sensiblen, romantischen
und perfekten Gentleman,
der sich leicht von
Frauen bezaubern lasst,
wie zum Beispiel der
liebreizenden Constance
Bonacieux und der
perfiden Lady de Winter,
deren betorende Schonheit
ihn verfuhrt. Der erste
Satz - D'Artagnan
- halt sich eng an den
Charakter des jungen
Landadligen aus der
Gascogne, der sich unter
allen Umstanden als
heroisch und
enthusiastisch erweist.
Der zweite Satz mit dem
Titel Constance
Bonacieux ist
romantisch, zart und
leidenschaftlich. Der
dritte und letzte Satz
ist so doppelzungig wie
die bezaubernde Femme
fatale Milady de
Winter.
Les Trois
Mousquetaires est une
commande de la societe
Miraphone pour le
Miraphone Tuba Quartett
et la Musique des
Gardiens de la Paix, qui
en assurerent la creation
a Guebwiller (France), le
28 juin 2003. / Meme si
l'on n'a jamais lu une
seule ligne du roman
mythique d'Alexandre
Dumas, Les Trois
Mousquetaires (1844),
on connait necessairement
le quatuor parfait (avec
sa celebre devise << Tous
pour un, un pour tous >>)
que forment D'Artagnan,
Athos, Porthos, et
Aramis. Aussi ne
compte-t-on plus les
nombreuses adaptations du
roman, ni les nombreux
historiens qui
s'interessent au tres
reel Charles de Batz de
Castelmore d'Artagnan,
mort au siege de
Maastricht en 1673.
Letissu musical des
Trois Mousquetaires
(The Three
Musketeers)
s'interesse davantage aux
elements de la
personnalite d'un
personnage, qu'au role
qu'il joue dans
l'intrigue. La trame est
vivante, on y vit
intensement. Maxime Aulio
a oriente son choix sur
D'Artagnan, le parfait
gentilhomme, sensible et
romantique, qui se laisse
facilement seduire par
les femmes, a l'image de
la douce Constance
Bonacieux dont il
s'eprend et de la perfide
Milady de Winter dont la
beaute l'envoute. Le
premier mouvement -
D'Artagnan - est
fidele au caractere du
jeune noble provincial
venu de Gascogne :
enthousiaste et heroique
en toutes circonstances.
Le second mouvement -
Constance
Bonacieux - est
galant, prevenant et
passionne. Le troisieme
et dernier tableau est,
quant a lui, aussi
ensorceleur et sournois
que la femme fatale qu'il
depeint, Milady de
Winter. $330.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Three Musketeers, Op. 8 - Avancé De Haske Publications
Concert Band and Brass Quartet - Grade 5 SKU: BT.DHP-1094490-140 Les T...(+)
Concert Band and Brass
Quartet - Grade 5 SKU:
BT.DHP-1094490-140
Les Trois
Mousquetaires.
Composed by Maxime Aulio.
Solo Spectrum. Concert
Piece. Score Only.
Composed 2009. 50 pages.
De Haske Publications
#DHP 1094490-140.
Published by De Haske
Publications
(BT.DHP-1094490-140).
9x12 inches.
English-German-French-Dut
ch. Les Trois
Mousquetaires (The
Three Musketeers) was
commissioned by the
Miraphone company for the
Miraphone Tuba Quartett
and the Musique des
Gardiens de la Paix
(Paris, France). It was
premièred in
Guebwiller (France), on
28 June 2003 by its
dedicatees.Even if you
have never read a line of
the mythical novel The
Three Musketeers
(1844) by Alexandre
Dumas, father, you will
at least have heard of
the “four
invinciblesâ€; four
extraordinary names -
D’Artagnan, Athos,
Porthos, and Aramis - and
one unique motto
“All for one, and
one for all.†The
musical texture of Les
Trois Mousquetaires
is focused on specific
elements of a
character’s
personality rather thanon
its influence on the
book's plot. Maxime Aulio
has largely turned his
attention on
D’Artagnan, the
sensitive, romantic and
perfect gentleman who is
easily charmed by women
such as the gentle
Constance Bonacieux and
the perfidious Milady de
Winter whose beguiling
beauty seduced him. The
first movement -
D’Artagnan
- is true to the
character of the young
provincial noble of the
Gascony region: heroic
and enthusiastic in all
circumstances. The second
movement entitled
Constance
Bonacieux, is
romantic, delicate and
passionate. The third and
last movement is as
duplicitous as the
bewitching femme fatale
its reveals: Milady de
Winter.
Les Trois
Mousquetaires (De
drie musketiers) is
geschreven in opdracht
van de firma Miraphone,
voor het Miraphone Tuba
Quartett en de Musique
des Gardiens de la Paix
(Parijs). De première
vond op 28 juni 2003
plaats in Guebwiller
(Frankrijk).Ook wie nooit
één zin heeft
gelezen van de mythische
roman De drie
musketiers (1844) van
Alexandre Dumas père,
heeft in elk geval
gehoord van de vier
onoverwinnelijken -
D’Artagnan, Athos,
Porthos en Aramis - en
hun unieke lijfspreuk
“Eén voor allen,
allen voor
éénâ€.
Dumas’ roman is
vaak bewerkt en blijft
tot de verbeelding
preken. De muzikale
structuur van Les
Trois Mousquetaires
is gebaseerd op
specifieke elementenvan
de karakters en niet
zozeer op de plot van het
boek. Maxime Aulio heeft
zich vooral
geconcentreerd op
D’Artagnan, de
gevoelige, romantische
gentleman die zich
gemakkelijk laat
verleiden door vrouwen
als de mooie Constance
Bonacieux en de valse
femme fatale Milady de
Winter. Het eerste deel,
D’Artagnan,
verklankt de
persoonlijkheid van deze
jonge edelman uit de
Gascogne: hero sch en
bezield onder elke
omstandigheid. Deel twee,
met de titel Constance
Bonacieux, is
romantisch, bekoorlijk en
hartstochtelijk. Het
derde en laatste deel is
net zo bedrieglijk
betoverend als de dame
die erin wordt
beschreven: Milady de
Winter.
Les Trois
Mousquetaires (Die
drei Musketiere) wurde
von der Firma Miraphone
für das Miraphone Tuba
Quartett und die Musique
des Gardiens de la Paix
(Musik der Friedensgarde)
in Paris in Auftrag
gegeben. Von diesen
Ensembles wurde das
Stück am 28. Juni 2003
im französischen
Guebwiller
uraufgeführt.Auch wer
nie eine Zeile des
geheimnisvollen Romans
Die drei
Musketiere (1844) von
Alexandre Dumas, Vater,
gelesen hat, hat doch
zumindest schon von den
vier Unbesiegbaren“
gehört - von den vier
außergewöhnlichen
Namen D’Artagnan,
Athos, Portos und Aramis
und von ihrem
einzigartigen Motto Alle
für einen und einer
für alle“. Die
musikalische Struktur von
Les
TroisMousquetaires
konzentriert sich mehr
auf besondere
Charakterzüge einer
Person, denn auf deren
Einfluss auf die Handlung
des Buches. Maxime
richtete sein
Hauptaugenmerk auf
D’Artagnan, den
sensiblen, romantischen
und perfekten Gentleman,
der sich leicht von
Frauen bezaubern
lässt, wie zum
Beispiel der
liebreizenden Constance
Bonacieux und der
perfiden Lady de Winter,
deren betörende
Schönheit ihn
verführt. Der erste
Satz -
D’Artagnan
- hält sich eng an den
Charakter des jungen
Landadligen aus der
Gascogne, der sich unter
allen Umständen als
heroisch und
enthusiastisch erweist.
Der zweite Satz mit dem
Titel Constance
Bonacieux ist
romantisch, zart und
leidenschaftlich. Der
dritte und letzte Satz
ist so doppelzüngig
wie die bezaubernde Femme
fatale Milady de
Winter.
Les Trois
Mousquetaires est une
commande de la
société Miraphone
pour le Miraphone Tuba
Quartett et la Musique
des Gardiens de la Paix,
qui en assurèrent la
création Guebwiller
(France), le 28 juin
2003. / Même si
l’on n’a
jamais lu une seule ligne
du roman mythique
d’Alexandre Dumas,
Les Trois
Mousquetaires (1844),
on connaît
nécessairement le
quatuor parfait (avec sa
célèbre devise «
Tous pour un, un pour
tous ») que forment
D’Artagnan, Athos,
Porthos, et Aramis. Aussi
ne compte-t-on plus les
nombreuses adaptations du
roman, ni les nombreux
historiens qui
s’intéressent
au très réel
Charles de Batz de
Castelmore
d’Artagnan, mort
au siège de Maastricht
en 1673. Letissu musical
des Trois
Mousquetaires (The Three
Musketeers)
s’intéresse
davantage aux
éléments de la
personnalité
d’un personnage,
qu’au rôle
qu’il joue dans
l’intrigue. La
trame est vivante, on y
vit intensément.
Maxime Aulio a orienté
son choix sur
D’Artagnan, le
parfait gentilhomme,
sensible et romantique,
qui se laisse facilement
séduire par les
femmes, l'image de la
douce Constance Bonacieux
dont il s'éprend et de
la perfide Milady de
Winter dont la beauté
l’envo te. Le
premier mouvement -
D’Artagnan
- est fidèle au
caractère du jeune
noble provincial venu de
Gascogne : enthousiaste
et héro que en toutes
circonstances. Le second
mouvement - Constance
Bonacieux - est
galant, prévenant et
passionné. Le
troisième et dernier
tableau est, quant lui,
aussi ensorceleur et
sournois que la femme
fatale qu’il
dépeint, Milady de
Winter. $70.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Three Musketeers, Op. 8 - Avancé De Haske Publications
Concert Band and Brass Quartet - Grade 5 SKU: BT.DHP-1094490-010 Les T...(+)
Concert Band and Brass
Quartet - Grade 5 SKU:
BT.DHP-1094490-010
Les Trois
Mousquetaires.
Composed by Maxime Aulio.
Solo Spectrum. Concert
Piece. Set (Score &
Parts). Composed 2009. De
Haske Publications #DHP
1094490-010. Published by
De Haske Publications
(BT.DHP-1094490-010).
9x12 inches.
English-German-French-Dut
ch. Les Trois
Mousquetaires (The
Three Musketeers) was
commissioned by the
Miraphone company for the
Miraphone Tuba Quartett
and the Musique des
Gardiens de la Paix
(Paris, France). It was
premièred in
Guebwiller (France), on
28 June 2003 by its
dedicatees.Even if you
have never read a line of
the mythical novel The
Three Musketeers
(1844) by Alexandre
Dumas, father, you will
at least have heard of
the “four
invinciblesâ€; four
extraordinary names -
D’Artagnan, Athos,
Porthos, and Aramis - and
one unique motto
“All for one, and
one for all.†The
musical texture of Les
Trois Mousquetaires
is focused on specific
elements of a
character’s
personality rather thanon
its influence on the
book's plot. Maxime Aulio
has largely turned his
attention on
D’Artagnan, the
sensitive, romantic and
perfect gentleman who is
easily charmed by women
such as the gentle
Constance Bonacieux and
the perfidious Milady de
Winter whose beguiling
beauty seduced him. The
first movement -
D’Artagnan
- is true to the
character of the young
provincial noble of the
Gascony region: heroic
and enthusiastic in all
circumstances. The second
movement entitled
Constance
Bonacieux, is
romantic, delicate and
passionate. The third and
last movement is as
duplicitous as the
bewitching femme fatale
its reveals: Milady de
Winter.
Les Trois
Mousquetaires (De
drie musketiers) is
geschreven in opdracht
van de firma Miraphone,
voor het Miraphone Tuba
Quartett en de Musique
des Gardiens de la Paix
(Parijs). De première
vond op 28 juni 2003
plaats in Guebwiller
(Frankrijk).Ook wie nooit
één zin heeft
gelezen van de mythische
roman De drie
musketiers (1844) van
Alexandre Dumas père,
heeft in elk geval
gehoord van de vier
onoverwinnelijken -
D’Artagnan, Athos,
Porthos en Aramis - en
hun unieke lijfspreuk
“Eén voor allen,
allen voor
éénâ€.
Dumas’ roman is
vaak bewerkt en blijft
tot de verbeelding
preken. De muzikale
structuur van Les
Trois Mousquetaires
is gebaseerd op
specifieke elementenvan
de karakters en niet
zozeer op de plot van het
boek. Maxime Aulio heeft
zich vooral
geconcentreerd op
D’Artagnan, de
gevoelige, romantische
gentleman die zich
gemakkelijk laat
verleiden door vrouwen
als de mooie Constance
Bonacieux en de valse
femme fatale Milady de
Winter. Het eerste deel,
D’Artagnan,
verklankt de
persoonlijkheid van deze
jonge edelman uit de
Gascogne: hero sch en
bezield onder elke
omstandigheid. Deel twee,
met de titel Constance
Bonacieux, is
romantisch, bekoorlijk en
hartstochtelijk. Het
derde en laatste deel is
net zo bedrieglijk
betoverend als de dame
die erin wordt
beschreven: Milady de
Winter.
Les Trois
Mousquetaires (Die
drei Musketiere) wurde
von der Firma Miraphone
für das Miraphone Tuba
Quartett und die Musique
des Gardiens de la Paix
(Musik der Friedensgarde)
in Paris in Auftrag
gegeben. Von diesen
Ensembles wurde das
Stück am 28. Juni 2003
im französischen
Guebwiller
uraufgeführt.Auch wer
nie eine Zeile des
geheimnisvollen Romans
Die drei
Musketiere (1844) von
Alexandre Dumas, Vater,
gelesen hat, hat doch
zumindest schon von den
vier Unbesiegbaren“
gehört - von den vier
außergewöhnlichen
Namen D’Artagnan,
Athos, Portos und Aramis
und von ihrem
einzigartigen Motto Alle
für einen und einer
für alle“. Die
musikalische Struktur von
Les
TroisMousquetaires
konzentriert sich mehr
auf besondere
Charakterzüge einer
Person, denn auf deren
Einfluss auf die Handlung
des Buches. Maxime
richtete sein
Hauptaugenmerk auf
D’Artagnan, den
sensiblen, romantischen
und perfekten Gentleman,
der sich leicht von
Frauen bezaubern
lässt, wie zum
Beispiel der
liebreizenden Constance
Bonacieux und der
perfiden Lady de Winter,
deren betörende
Schönheit ihn
verführt. Der erste
Satz -
D’Artagnan
- hält sich eng an den
Charakter des jungen
Landadligen aus der
Gascogne, der sich unter
allen Umständen als
heroisch und
enthusiastisch erweist.
Der zweite Satz mit dem
Titel Constance
Bonacieux ist
romantisch, zart und
leidenschaftlich. Der
dritte und letzte Satz
ist so doppelzüngig
wie die bezaubernde Femme
fatale Milady de
Winter.
Les Trois
Mousquetaires est une
commande de la
société Miraphone
pour le Miraphone Tuba
Quartett et la Musique
des Gardiens de la Paix,
qui en assurèrent la
création Guebwiller
(France), le 28 juin
2003. / Même si
l’on n’a
jamais lu une seule ligne
du roman mythique
d’Alexandre Dumas,
Les Trois
Mousquetaires (1844),
on connaît
nécessairement le
quatuor parfait (avec sa
célèbre devise «
Tous pour un, un pour
tous ») que forment
D’Artagnan, Athos,
Porthos, et Aramis. Aussi
ne compte-t-on plus les
nombreuses adaptations du
roman, ni les nombreux
historiens qui
s’intéressent
au très réel
Charles de Batz de
Castelmore
d’Artagnan, mort
au siège de Maastricht
en 1673. Letissu musical
des Trois
Mousquetaires (The Three
Musketeers)
s’intéresse
davantage aux
éléments de la
personnalité
d’un personnage,
qu’au rôle
qu’il joue dans
l’intrigue. La
trame est vivante, on y
vit intensément.
Maxime Aulio a orienté
son choix sur
D’Artagnan, le
parfait gentilhomme,
sensible et romantique,
qui se laisse facilement
séduire par les
femmes, l'image de la
douce Constance Bonacieux
dont il s'éprend et de
la perfide Milady de
Winter dont la beauté
l’envo te. Le
premier mouvement -
D’Artagnan
- est fidèle au
caractère du jeune
noble provincial venu de
Gascogne : enthousiaste
et héro que en toutes
circonstances. Le second
mouvement - Constance
Bonacieux - est
galant, prévenant et
passionné. Le
troisième et dernier
tableau est, quant lui,
aussi ensorceleur et
sournois que la femme
fatale qu’il
dépeint, Milady de
Winter. $314.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Thirty Famous Patriotic Songs for Piano Accompaniment (Winds) Piano seul - Intermédiaire Childrens Music Workshop
Piano - Intermediate SKU: CZ.9798396181786 Composed by Various. Edited by...(+)
Piano - Intermediate
SKU:
CZ.9798396181786
Composed by Various.
Edited by Larry Newman.
Arranged by Larry Newman.
Book. Children's Music
Workshop #9798396181786.
Published by Children's
Music Workshop
(CZ.9798396181786).
ISBN
9798396181786. Disc
over the spirit of
America with Thirty
Famous Patriotic Songs
for Piano Accompaniment
(Winds), a remarkable
collection of melodies
that celebrates the land
of the brave and the home
of the free. This
comprehensive book brings
together some of the most
beloved patriotic tunes
that honor the USA,
making it the perfect
companion for occasions
like July Fourth or any
time of the year when you
want to express your love
for your country. With
Thirty Famous Patriotic
Songs for Piano
Accompaniment (Winds),
you can immerse yourself
in the rich musical
heritage that has
resonated with Americans
throughout history while
providing accompaniment
for a number of different
woodwinds and brass. The
book features timeless
classics like Amazing
Grace, My Country Tis of
Thee, America the
Beautiful, and The
Star-Spangled Banner,
which will evoke a deep
sense of national pride
with every note. To
enhance your musical
experience, mp3
accompaniment tracks are
available online,
allowing you to perform
these iconic songs with
full instrumental
support. This
accompaniment book
ensures that pianists
have the sheet music they
need to master these
patriotic melodies and
provide musical
background for
instrumental
solos. From the
stirring Battle Cry of
Freedom to the
soul-stirring Eternal
Father, Strong to Save,
Thirty Famous Patriotic
Songs for Piano
Accompaniment
(Winds)encompasses a
diverse array of
compositions that capture
the essence of the
American spirit. Whether
you're commemorating the
sacrifices of the armed
forces with The Marine's
Hymn or embracing the
lively spirit of American
folk with Oh! Susanna and
Yankee Doodle, this
collection has it
all. Experience the
pride and joy of being an
American with Thirty
Famous Patriotic Songs
for Piano Accompaniment
(Winds). Immerse yourself
in the rich tapestry of
American history, as
reflected in the music
that has accompanied the
nation through triumph
and adversity. Let the
melodies of liberty,
unity, and patriotism
resonate within your
heart as you sing or play
these beloved songs.
Celebrate the legacy of a
nation with Thirty Famous
Patriotic Songs for Piano
Accompaniment (Winds) and
let the music of America
inspire you. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Thirty Famous Patriotic Songs for Piano Accompaniment (Strings) Piano seul - Intermédiaire Childrens Music Workshop
Piano - Intermediate SKU: CZ.9798396293144 Composed by Various. Edited by...(+)
Piano - Intermediate
SKU:
CZ.9798396293144
Composed by Various.
Edited by Larry Newman.
Arranged by Larry Newman.
Book. Children's Music
Workshop #9798396293144.
Published by Children's
Music Workshop
(CZ.9798396293144).
ISBN
9798396293144. Disc
over the spirit of
America with Thirty
Famous Patriotic Songs
for Piano Accompaniment
(Strings), a remarkable
collection of melodies
that celebrates the land
of the brave and the home
of the free. This
comprehensive book brings
together some of the most
beloved patriotic tunes
that honor the USA,
making it the perfect
companion for occasions
like July Fourth or any
time of the year when you
want to express your love
for your country. With
Thirty Famous Patriotic
Songs for Piano
Accompaniment (Strings),
you can immerse yourself
in the rich musical
heritage that has
resonated with Americans
throughout history while
providing accompaniment
for a number of different
woodwinds and brass. The
book features timeless
classics like Amazing
Grace, My Country Tis of
Thee, America the
Beautiful, and The
Star-Spangled Banner,
which will evoke a deep
sense of national pride
with every note. To
enhance your musical
experience, mp3
accompaniment tracks are
available online,
allowing you to perform
these iconic songs with
full instrumental
support. This
accompaniment book
ensures that pianists
have the sheet music they
need to master these
patriotic melodies and
provide musical
background for
instrumental
solos. From the
stirring Battle Cry of
Freedom to the
soul-stirring Eternal
Father, Strong to Save,
Thirty Famous Patriotic
Songs for Piano
Accompaniment (Strings)
encompasses a diverse
array of compositions
that capture the essence
of the American spirit.
Whether you're
commemorating the
sacrifices of the armed
forces with The Marine's
Hymn or embracing the
lively spirit of American
folk with Oh! Susanna and
Yankee Doodle, this
collection has it
all. Experience the
pride and joy of being an
American with Thirty
Famous Patriotic Songs
for Piano Accompaniment
(Strings). Immerse
yourself in the rich
tapestry of American
history, as reflected in
the music that has
accompanied the nation
through triumph and
adversity. Let the
melodies of liberty,
unity, and patriotism
resonate within your
heart as you sing or play
these beloved songs.
Celebrate the legacy of a
nation with Thirty Famous
Patriotic Songs for Piano
Accompaniment (Strings)
and let the music of
America inspire you. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Greatest Rock Guitar Fake Book Guitare notes et tablatures [Fake Book] Hal Leonard
Fakebook for voice and guitar. With vocal melody, lyrics, guitar tablature (exce...(+)
Fakebook for voice and
guitar. With vocal
melody, lyrics, guitar
tablature (excerpts only)
and chord names. Series:
Hal Leonard Fake Books.
496 pages. Published by
Hal Leonard.
(2)$45.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Little Violin Music in Memory of Elijah McClain Merion Music
Chamber Music Violin SKU: PR.144407380 Composed by Ellen Taaffe Zwilich. ...(+)
Chamber Music Violin
SKU: PR.144407380
Composed by Ellen Taaffe
Zwilich. Performance
Score. 4 pages. Duration
4 minutes. Merion Music
#144-40738. Published by
Merion Music
(PR.144407380). ISBN
9781491133903. UPC:
680160683475. 9 x 12
inches. In her
powerful Foreword to the
music, violinist Kelly
Hall-Tompkins has
written: “There are
great works which give
voice to important
moments for generations,
and this is one of
them.†The tragedy
of Elijah
McClain’s murder
has moved us all, and for
many musicians the image
of this gentle young man
playing his violin for
kittens at an animal
shelter has added a
poignant extra layer.
Zwilich was a
professional violinist
before turning
exclusively to composing,
and A LITTLE VIOLIN MUSIC
is a memorial from the
heart of one violinist to
another. [THESE NOTES
MAY NOT BE REPRODUCED
OUTSIDE OF THE
PUBLICATION; OK TO QUOTE
A BIT AND GIVE AUTHOR
CREDIT]We often research
important pieces of music
to gain some glimpse into
the mind of the composer
by understanding the
times in which a piece
was written. The times
that brought this piece
into being, 2020, has
been a year like no other
in our lifetimes.With the
suffering of a once in a
century pandemic raging
in ever higher waves, and
millions of people around
the world confined to
their homes with a shared
attention span for the
first time in
generations, we watched
in horror the 8 minute 46
second killing of George
Floyd, a man previously
unknown to us, but now
unwillingly joining a
long list of names of
unarmed African Americans
killed by police. The
anguished backlash of
citizens around the
world, from Japan to New
Zealand to Germany to the
United States, of every
age, color, and creed,
has rallied for weeks and
months on end to demand
enough and that
“Black Lives
Matter.â€And yet, in
the midst of it all is an
America starkly divided
against itself with some
defiantly pushing back,
emboldened by
authoritarian-style
government actions
against its own citizens
occurring all over the
country. It is against
this backdrop that we
ever had a chance to know
of Elijah McClain. Here
in quarantine I sometimes
practice my scales in
front of the news. And
one day the mirror image
looking back at me from
the screen was a slight
young man, warm, affable
brown eyes, and also a
violin under his chin.
The newsreel-style camera
pan so familiar now, I
knew the only reason we
were gazing upon his
unfamous face was that he
too had been killed by
police nearly a year
before. But the
revelation of it in the
broadcast hit me
particularly hard.Ellen
Taaffe Zwilich, who is
not only one of the great
composers of our time, is
also a dear friend, and
called me the next day,
also deeply saddened by
the news. It was from
Ellen that I learned that
Elijah used to play for
the kittens at the local
animal shelter so they
wouldn’t be
lonely. This kind, gentle
soul was aggressively
taken into police custody
while saying, “I am
an introvert. Please
respect the boundaries
that I am speaking...
I’m going
home.†He was never
seen alive again.Ellen
and I spoke of the
sadness and the injustice
of this several times.
She felt a powerful
calling to contribute
something in a statement
and the result is the
piece you now hold in
your hands. I am deeply
honored to be the
dedicatee of the piece,
to have worked together
with Ellen on some of the
final details, and to pen
this score note. As an
invited alumna of the
Eastman School of Music,
I premiered the work for
their virtual event on
Diversity and Inclusion.
Each time I play it,
there is a persistent
lump in my throat because
Ellen has captured
something poignant and
powerful here.There are
great works which give
voice to important
moments for generations,
and this is one of them.
We humbly offer this
piece in memory of Elijah
McClain.Foreword ©
2021 by Kelly
Hall-Tompkins. Used by
permission. $9.50 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Thyellene Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
The Battle on the Heath. Composed by Kevin Houben. Set (Score & Parts). ...(+)
The Battle on the Heath.
Composed by Kevin Houben.
Set
(Score & Parts).
Composed
2020. Hal Leonard Europe
#HBE002-007. Published by
Hal
Leonard Europe
$162.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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