| Balancing the Scales Chorale 3 parties SAB, Piano Hal Leonard
From The Unofficial Bridgerton Musical. Composed by Abigail Barlow and Emily B...(+)
From The Unofficial
Bridgerton
Musical. Composed by
Abigail
Barlow and Emily Bear.
Arranged by Mac Huff. Pop
Choral Series. Ballad,
Musicals, Pop, Tv.
Octavo. 8
pages. Duration 140
seconds.
Published by Hal Leonard
$2.30 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Balancing the Scales Chorale 3 parties SSA Hal Leonard
From The Unofficial Bridgerton Musical. Composed by Abigail Barlow and Emily B...(+)
From The Unofficial
Bridgerton
Musical. Composed by
Abigail
Barlow and Emily Bear.
Arranged by Mac Huff. Pop
Choral Series. Ballad,
Musicals, Pop, Tv.
Octavo. 8
pages. Duration 140
seconds.
Published by Hal Leonard
$2.30 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Requiem Orchestre [Conducteur d'étude / Miniature] Schott
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra (St...(+)
Soprano, tenor,
Knabensoprano,
flugelhorn, mixed choir
and chamber orchestra
(Study Score) SKU:
HL.49018099 Boy
Soprano, Soprano, Tenor,
Flugelhorn, Mixed Chorus,
and Chamber Orchestra
Study Score. Composed
by Harald Weiss. This
edition: Paperback/Soft
Cover. Sheet music. Study
Score. Classical.
Softcover. Composed
2008/2009. 188 pages.
Duration 100'. Schott
Music #ED20619. Published
by Schott Music
(HL.49018099). ISBN
9790001158428. UPC:
884088567347.
8.25x11.75x0.457 inches.
Latin - German. On
letting go(Concerning the
selection of the texts)
In the selection of the
texts, I have allowed
myself to be motivated
and inspired by the
concept of 'letting go'.
This appears to me to be
one of the essential
aspects of dying, but
also of life itself. We
humans cling far too
strongly to successful
achievements, whether
they have to do with
material or ideal values,
or relationships of all
kinds. We cannot and do
not want to let go,
almost as if our life
depended on it. As we
will have to practise the
art of letting go at the
latest during our hour of
death, perhaps we could
already make a start on
this while we are still
alive. Tagore describes
this farewell with very
simple but strikingly
vivid imagery: 'I will
return the key of my
door'. I have set this
text for tenor solo. Here
I imagine, and have
correspondingly noted in
a certain passage of the
score, that the
protagonist finds himself
as though 'in an ocean'
of voices in which he is
however not drowning, but
immersing himself in
complete relaxation. The
phenomenon of letting go
is described even more
simply and tersely in
Psalm 90, verse 12: 'So
teach us to number our
days, that we may apply
our hearts unto wisdom'.
This cannot be expressed
more plainly.I have begun
the requiem with a solo
boy's voice singing the
beginning of this psalm
on a single note, the
note A. This in effect
says it all. The work
comes full circle at the
culmination with a repeat
of the psalm which
subsequently leads into a
resplendent 'lux
aeterna'. The
intermediate texts of the
Requiem which highlight
the phenomenon of letting
go in the widest spectrum
of colours originate on
the one hand from the
Latin liturgy of the
Messa da Requiem (In
Paradisum, Libera me,
Requiem aeternam, Mors
stupebit) and on the
other hand from poems by
Joseph von Eichendorff,
Hermann Hesse,
Rabindranath Tagore and
Rainer Maria Rilke.All
texts have a distinctive
positive element in
common and view death as
being an organic process
within the great system
of the universe, for
example when Hermann
Hesse writes: 'Entreiss
dich, Seele, nun der
Zeit, entreiss dich
deinen Sorgen und mache
dich zum Flug bereit in
den ersehnten Morgen'
['Tear yourself way , o
soul, from time, tear
yourself away from your
sorrows and prepare
yourself to fly away into
the long-awaited
morning'] and later: 'Und
die Seele unbewacht will
in freien Flugen
schweben, um im
Zauberkreis der Nacht
tief und tausendfach zu
leben' ['And the
unfettered soul strives
to soar in free flight to
live in the magic sphere
of the night, deep and
thousandfold']. Or Joseph
von Eichendorff whose
text evokes a distant
song in his lines: 'Und
meine Seele spannte weit
ihre Flugel aus. Flog
durch die stillen Lande,
als floge sie nach Haus'
['And my soul spread its
wings wide. Flew through
the still country as if
homeward bound.']Here a
strong romantically
tinged occidental
resonance can be detected
which is however also
accompanied by a
universal spirit going
far beyond all cultures
and religions. In the
beginning was the sound
Long before any sort of
word or meaningful phrase
was uttered by vocal
chords, sounds,
vibrations and tones
already existed. This
brings us back to the
music. Both during my
years of study and at
subsequent periods, I had
been an active
participant in the world
of contemporary music,
both as percussionist and
also as conductor and
composer. My early scores
had a somewhat
adventurous appearance,
filled with an abundance
of small black dots: no
rhythm could be too
complicated, no register
too extreme and no
harmony too dissonant. I
devoted myself intensely
to the handling of
different parameters
which in serial music
coexist in total
equality: I also studied
aleatory principles and
so-called minimal music.I
subsequently emigrated
and took up residence in
Spain from where I
embarked on numerous
travels over the years to
India, Africa and South
America. I spent repeated
periods during this time
as a resident in
non-European countries.
This meant that the
currents of contemporary
music swept past me
vaguely and at a great
distance. What I instead
absorbed during this
period were other
completely new cultures
in which I attempted to
immerse myself as
intensively as possible.I
learned foreign languages
and came into contact
with musicians of all
classes and styles who
had a different cultural
heritage than my own: I
was intoxicated with the
diversity of artistic
potential.Nevertheless,
the further I distanced
myself from my own
Western musical heritage,
the more this returned
insistently in my
consciousness.The scene
can be imagined of
sitting somewhere in the
middle of the Brazilian
jungle surrounded by the
wailing of Indians and
out of the blue being
provided with the
opportunity to hear
Beethoven's late string
quartets: this can be a
heart-wrenching
experience, akin to an
identity crisis. This
type of experience can
also be described as
cathartic. Whatever the
circumstances, my
'renewed' occupation with
the 'old' country would
not permit me to return
to the point at which I
as an audacious young
student had maltreated
the musical parameters of
so-called contemporary
music. A completely
different approach would
be necessary: an
extremely careful
approach, inching my way
gradually back into the
Western world: an
approach which would
welcome tradition back
into the fold, attempt to
unfurl the petals and
gently infuse this
tradition with a breath
of contemporary
life.Although I am aware
that I will not unleash a
revolution or scandal
with this approach, I am
nevertheless confident
as, with the musical
vocabulary of this
Requiem, I am travelling
in an orbit in which no
ballast or complex
structures will be
transported or intimated:
on the contrary, I have
attempted to form the
message of the texts in
music with the naivety of
a 'homecomer'. Harald
WeissColonia de San
PedroMarch 2009. $93.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Child's Garden of Jazz for Brass Quintet Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba [Conducteur et Parties séparées] - Avancé Cherry Classics
By Henry Wolking. For Brass Quintet. Contemporary jazz. Advanced. Score and part...(+)
By Henry Wolking. For
Brass Quintet.
Contemporary jazz.
Advanced. Score and
parts. Published by
Cherry Classics
$32.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Really Easy Piano Playalong: Chart Hits Piano Facile [Partition + Accès audio] Amsco Wise Publications
Easy Piano SKU: BT.MUSAM1010647 Really Easy Piano. Pop and Rock. Book wit...(+)
Easy Piano SKU:
BT.MUSAM1010647
Really Easy Piano. Pop
and Rock. Book with
Online Audio. Composed
2015. 48 pages. Wise
Publications
#MUSAM1010647. Published
by Wise Publications
(BT.MUSAM1010647).
ISBN 9781783059812.
English. The Really
Easy Piano Playalong
series provides you with
Easy Piano arrangements
of hit songs by the most
popular artists of today,
with online audio that
gives you demonstration
and playalong tracks for
each tune. With this
edition of the
bestselling series, you
can learn 17 Chart Hits
then play along to
professionally-recorded
backing tracks. Featuring
many of the top tunes of
today, Chart Hits
 includes simplified
arrangements for solo
Piano, so these massively
famous songs can be
played by all abilities.
With songs like Best Song
Ever by One Direction,
Happy by Pharrell
Williams, Roar by Katy
Perry and Ed Sheeran's
Thinking Out Loud , these
pop chart-topperswill
impress anyone and
everyone when played on
the Piano. Each tune is
arranged for Easy Piano,
meaning the chords and
tune can be picked up by
beginners to the Piano,
letting them play famous
songs quickly and easily.
Using the accompanying
download card, you can
get instant online access
to demonstration and
backing tracks of each
song, letting you first
hear how it's meant to be
played, then learn the
song using the sheet
music, and finally play
along to a
professionally-recorded
backing track, ensuring
you sound great and just
like the original! Also
included in this Really
Easy Piano Playalong
 sheet music songbook
is some very helpful and
useful fingering tips, as
well as lyrics,
fascinating background
information and
invaluable performance
hints, all contributing
to make this a really
great way for beginning
pianists to learn all the
best tunes of today.Â
With songs by Miley
Cyrus, Passenger,
Coldplay, Adele, Taylor
Swift and Rihanna, Really
Easy Piano Playalong
presents a great number
of today's bestselling,
radio-conquering Chart
Hits  along with some
demonstrations and
backing tracks that will
enable beginning pianists
to play 17 brilliant pop
songs with ease. The
Really Easy Piano
Playalong series
provides you with Easy
Piano arrangements of hit
songs by the most popular
artists of today, with a
unique download card that
gives you demonstration
and playalong tracks
foreach tune. With this
edition of the
bestselling series, you
can learn 17
Chart
Hits then play
along to
professionally-recorded
backing tracks.
$17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Together Apart/Apart Together [Conducteur] Music Sales
Saxophone, Accordion, Double Bass SKU: HL.14033723 Composed by Karsten Fu...(+)
Saxophone, Accordion,
Double Bass SKU:
HL.14033723 Composed
by Karsten Fundal. Music
Sales America. Classical.
Score. 15 pages. Music
Sales #KP01526. Published
by Music Sales
(HL.14033723). ISBN
9788759891322.
Danish. Together
Apart/Apart Together for
Saxophone, Accordion and
Double Bass was composed
by Karsten Fundal in
2004. Written for and
commissioned by Poing.
Programme note: This
piece is the 3rd in a row
of pieces, which
concentrates on a
rhythmical relationship
that continues to puzzle
me. It is actually two
relationships embedded.
The 1st is a pattern that
is very inspired by the
composer Per Norgard, who
in the beginning of the
90's got very preoccupied
with the idea that you
can have rhythms that
never meet. This happens
if you start a rhythm,
like a quintuplet, on the
beat and one, like a
triplet, off beat. This
can, with different
rhythms, give very
intricate interwoven
patterns, that gives the
illusion that they are
not cyclic. In my case I
use the two ratio five to
seven, in the described
way. This rythms have the
strange property that if
you take each 5th note of
the seven and each 7 note
of the five you get a
ratio almost identical:
49:50. This is very
intriguing, as you can
use the possibility of
letting them be equal or
the possibility of
letting them interfere.
In the first case you get
an interlocking rhythm
which is smooth: an equal
rhythmic pattern. In the
second case you get a
similar situation, but
where one of them is one
short after 50 of the
other ones, which results
in a disturbing almost
equality, but not quite.
Therefore the title:
because when I use the
unequal rhythm I put the
two layers in a similar
tone register, or a
similar way of playing,
and when I use the equal
one I put them a part
tone wise speaking. This
is a very technical
description, but it is
very hard to put it in
more wide terms, but you
might compare it with
driving in a train and
looking at two fence rows
behind each other: if the
poles are placed exactly
halfway between each
other you will experience
an illusion of a fast
jump if there is enough
distance between them, as
a result of the
perspective. If they are
placed in a way that
there are almost the same
numbers of poles, like
49:50, you will
experience a very complex
pattern, which seems
unpredictable. But of
course when using it in
music the whole thing is
somewhat different, but
even then it gives an
idea of my preoccupation.
What also intrigues me is
that the relations are
very hard to use in a
musical way, and that is
also quire a challenge.'
Finally I have to say
that I enjoyed very much
writing for Poing, as
these crazy guys are
capable of doing almost
anything you want in an
nearly literal sense. -
Karsten Fundal summer
2004. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Esperanza (Eremitkrebsetango) Piano seul Music Sales
Piano SKU: HL.14010480 Piano Solo. Composed by Per Norgard. Music ...(+)
Piano SKU:
HL.14010480 Piano
Solo. Composed by Per
Norgard. Music Sales
America. Classical. Book
[Softcover]. 7 pages.
Music Sales #KP00717.
Published by Music Sales
(HL.14010480). ISBN
9788759870082.
Danish. Esperanza -
Eremitkrebs-Tango (1997)
Hermit Crab Tango,
Esperanza is part of
Norgard's Animals in
Concert, a suite of piano
pieces, so far comprised
of: 1. A Tortoise's
Tango (1984) - dur.:
4' 2. Light of a
Night - Paul meets bird
(1989) - dur.: 6'
3. Hermit Crab Tango -
Esperanza (1997) - dur.:
5' The pieces can
be performed together or
one by one. In
the1980s, quite a few
“finds”
turned up in Per
Norgard's music. The
material could be, say, a
number of song birds'
equilibrist melodic
lines, the overtones of
the ocean surf, or
waltzing themes by the
schizophrenic artist
Adolf Wolfli (1864-1930).
Or again, as heard here,
it can be the rhythms and
motifs of the tango and a
Beatles song (with bird),
explored in three
independent piano pieces
that form the Animals in
Concert suite, about
which the composer
writes: Programme
note for Animals in
Concert: 1. A
Tortoise's Tango (1984) -
dur.: 4' 2. Light
of a Night - Paul meets
bird (1989) - dur.:
6' 3. Hermit Crab
Tango - Esperanza (1997)
- dur.: 5' The
pieces can be performed
together or one by
one. In the1980s,
quite a few
“finds”
turned up in Per
Norgard's music. The
material could be, say, a
number of song birds'
equilibrist melodic
lines, the overtones of
the ocean surf, or
waltzing themes by the
schizophrenic artist
Adolf Wolfli (1864-1930).
Or again, as heard here,
it can be the rhythms and
motifs of the tango and a
Beatles song (with bird),
explored in three
independent piano pieces
that form the Animals in
Concert suite, about
which the composer
writes: “A
Tortoise's Tango”:
The tortoise as tango
dancer must presumably
possess certain rhythmic
peculiarities, which I
have chosen to express by
letting the tune of the
tortoise shuffle broadly,
tripartite through the
strict four partite time
of tango. Tortoise
Tango was the original
title of this piece,
“written for
Achilles” (the
pianist Yvar Mikhashoff),
for his so called tango
project”, including
new tangos for piano by
composers from all over
the world.
“Light of a Night
(Paul meets bird)”
was commissioned by
pianist Aki Takahashi. It
is a
“reworked”
arrangement for piano of
the Beatles song
”Blackbird”.
As some of us will
recall, the Beatles on
“The White
Album” let the
beautiful song to the
blackbird be accompanied
by an (apparently) live
blackbird song. It is
this authentic bird-motif
world that in
“Light of a
Night” weaves
itself into the Beatles
melody and in turn is
gradually infected by it,
so that a completely new
third entity ensues: a
kind of Bird-rock ballad
(or maybe it is a
Beatle-bird?).
“Hermit Crab Tango
(Esperanza)”: The
tango situation is quite
special for a Hermit
Crab. It is a well-known
fact that the hermit crab
- this soft animal - must
run the gauntlet among
the many perils at the
bottom of the sea when it
must move hose. I have
chosen to express the
angers by a. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let Me Be a Light in the Darkness Chorale SATB SATB, Piano [Octavo] Hope Publishing Company
By John Carter. (SATB). Scripture Reference: Matthew 5:16. Christ's Presence, E...(+)
By John Carter. (SATB).
Scripture Reference:
Matthew 5:16. Christ's
Presence, Encouragement,
Guidance, Renewal and
Sacred. Print Music
Single (SATB). 8 pages.
Published by Hope
Publishing Company.
$2.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Steven Reineke: Goddess of Fire Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire C.L. Barnhouse
By Steven Reineke. Concert Band. Level: Grade 4.5. Score and set of parts. Compo...(+)
By Steven Reineke.
Concert Band. Level:
Grade 4.5. Score and set
of parts. Composed 2006.
Duration 0:09:59.
Published by C.L.
Barnhouse.
(2)$98.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Sun Is Love Voix haute, Piano - Intermédiaire Schirmer
By Gwyneth W. Walker. Text: Jelaluddin Rumi, translated by C. Barks. For High vo...(+)
By Gwyneth W. Walker.
Text: Jelaluddin Rumi,
translated by C. Barks.
For High voice and piano.
Vocal Music. Published by
E.C. Schirmer Publishing.
$15.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Acoustic Guitar Method - Complete Edition
Guitare notes et tablatures [Partition + CD] Hal Leonard
Learn to Play Using the Techniques and Songs of American Roots Music. Hal Leonar...(+)
Learn to Play Using the
Techniques and Songs of
American Roots Music. Hal
Leonard Guitar Method.
Book and CD package. With
notes and tablature. Size
9x12 inches. 120 pages.
(1)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rain Shadow Piano Quatuor: piano, violon, alto, violoncelle [Conducteur] Theodore Presser Co.
Chamber Music Violin, Viola, cello, Piano SKU: PR.14440587S Composed by S...(+)
Chamber Music Violin,
Viola, cello, Piano
SKU: PR.14440587S
Composed by Steven
Stucky. Premiered by Opus
One, Music from Angel
Fire, NM. Contemporary.
Score. With Standard
notation. Composed 2012.
44 pages. Duration 12
minutes. Theodore Presser
Company #144-40587S.
Published by Theodore
Presser Company
(PR.14440587S). UPC:
680160616497. 9x12
inches. As
composer-in-residence at
the Music from Angel Fire
festival in New Mexico,
Stucky was commissioned
for a new chamber work,
Rain Shadow, written for
Opus One. For
inspiration, Stucky
looked to the incredible
works of Scottish
sculptor Andy
Goldsworthy. Much of the
piece underscores
contrasts between the
piano and the violin,
viola, and cello, with
the strings working
largely as a unit,
frequently intoning their
unpredictable harmonies
in homophonic rhythms...
Rain Shadow is big on
clarity, easy to follow,
and attractive to the
ear, even letting loose
(near the end) a big ol'
Romantic theme that
wouldn't be out of place
in a cinematic epic set
in outer space. (James M.
Keller, Listen Up, Santa
Fe New Mexican). $32.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| By the River Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band (Score & Parts) - Grade 4 SKU: HL.44011061 Composed by Jan V...(+)
Concert Band (Score &
Parts) - Grade 4 SKU:
HL.44011061 Composed
by Jan Van der Roost. De
Haske Concert Band.
Concert Piece. Set (Score
& Parts). Composed 2011.
De Haske Publications
#1115063010. Published by
De Haske Publications
(HL.44011061). UPC:
884088640064. 9x12
inches. Jan Van der
Roost and the
commissioner of this work
have strong personal
ties, making By the
River a very personal
work for both of them.
The first part is
pastoral and describes
the rural character of
what is actually an
industrial region.The
next movement, a dynamic
allegro that creates an
exciting contrast to the
first. All instruments
are put to good use,
letting everyone have
their moment in the
limelight. All the
interesting thematic and
melodic elements Van der
Roost createswill keep
the audience engaged
through to the very last
note!
De
opdrachtgever van dit
werk is op meerdere wijze
verbonden aan de
componist. Hierdoor is
By the River een
zeer persoonlijk en
indrukwekkend werk
geworden. Het eerste deel
heeft het karakter van
een pastorale en
beschrijfthet landelijke
karakter van een - in
basis - industrieel
gebied. In sterk contrast
daarop volgt een
dynamisch allegro met
toespelingen op Leonard
Bernstein. Alle registers
van het moderne
blaasorkest komen aan hun
trekken in Bythe
River. Maar ook het
publiek wordt flink op de
proef gesteld, wil het
alle thematische en
melodische elementen van
dit afwisselende werk
doorgronden..!
Dem
Auftraggeber dieses
Werkes ist der Komponist
in mehrfacher Weise sehr
verbunden, wodurch By
the River ein sehr
personliches und
eindringliches Werk
geworden ist. Der erste
Teil ist von pastoralem
Charakter und beschreibt
den landlichenCharakter
einer eigentlichen
Industrieregion. Stark
kontrastiv folgt darauf
ein dynamisches Allegro
mit einer Anspielung auf
Leonard Bernstein. Alle
Register des modernen
Blasorchesters sind in
By the River
gefordert, genau wie
dieAufmerksamkeit des
Publikums, wenn es alle
thematischen und
melodischen Elemente
dieses
abwechslungsreichen
Werkes erfassen
will.
By the
River (Pres de la
rivere) est une oeuvre
que Jan van der Roost
affectionne tout
particulierement. La
premiere partie s'ouvre
sur motif plutot pastoral
et decrit le caractere
assez rural des gens du
paysvivant dans une
certaine region
industrielle. Un
dynamique allegro amene
en contraste un bref clin
d'oeil a Leonard
Berstein. Afin de pouvoir
restituer cette
composition dans toute sa
diversite, l'ensemble des
registres del'orchestre
d'harmonie contemporain
sera sollicite. Votre
attentif auditoire en
restera epoustoufle
!
By the
River e un'opera alla
quale Jan Van der Roost e
particolarmente
affezionato. La prima
parte si apre su un
motivo pastorale e
descrive il carattere
rimasto rurale di alcuni
popoli che vivono in
regioni
ormaiindustrializzate.
Segue un dinamico
allegro, breve ma che
ricorda la musica di
Leonard Bernstein. Una
composizione che
sollecita tutti i
registri della banda e
che entusiasmera il
pubblico! $233.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| By the River Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1115063-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1115063-010
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Set (Score
& Parts). Composed 2011.
De Haske Publications
#DHP 1115063-010.
Published by De Haske
Publications
(BT.DHP-1115063-010).
9x12 inches. Jan
Van der Roost and the
commissioner of this work
have strong personal
ties, making By the
River a very personal
work for both of them.
The first part is
pastoral and describes
the rural character of
what is actually an
industrial region.The
next movement, a dynamic
allegro that creates an
exciting contrast to the
first. All instruments
are put to good use,
letting everyone have
their moment in the
limelight. All the
interesting thematic and
melodic elements Van der
Roost createswill keep
the audience engaged
through to the very last
note!
De
opdrachtgever van dit
werk is op meerdere wijze
verbonden aan de
componist. Hierdoor is
By the River een
zeer persoonlijk en
indrukwekkend werk
geworden. Het eerste deel
heeft het karakter van
een pastorale en
beschrijfthet landelijke
karakter van een - in
basis - industrieel
gebied. In sterk contrast
daarop volgt een
dynamisch allegro met
toespelingen op Leonard
Bernstein. Alle registers
van het moderne
blaasorkest komen aan hun
trekken in Bythe
River. Maar ook het
publiek wordt flink op de
proef gesteld, wil het
alle thematische en
melodische elementen van
dit afwisselende werk
doorgronden..!
Dem
Auftraggeber dieses
Werkes ist der Komponist
in mehrfacher Weise sehr
verbunden, wodurch By
the River ein sehr
persönliches und
eindringliches Werk
geworden ist. Der erste
Teil ist von pastoralem
Charakter und beschreibt
den
ländlichenCharakter
einer eigentlichen
Industrieregion. Stark
kontrastiv folgt darauf
ein dynamisches Allegro
mit einer Anspielung auf
Leonard Bernstein. Alle
Register des modernen
Blasorchesters sind in
By the River
gefordert, genau wie
dieAufmerksamkeit des
Publikums, wenn es alle
thematischen und
melodischen Elemente
dieses
abwechslungsreichen
Werkes erfassen
will.
By the
River (Prés de la
rivére) est une oeuvre
que Jan van der Roost
affectionne tout
particuliérement. La
premiére partie
s'ouvre sur motif
plutôt pastoral et
décrit le caractére
assez rural des gens du
paysvivant dans une
certaine région
industrielle. Un
dynamique allegro
améne en contraste un
bref clin d'oeil Leonard
Berstein. Afin de pouvoir
restituer cette
composition dans toute sa
diversité, l'ensemble
des registres
del'orchestre d'harmonie
contemporain sera
sollicité. Votre
attentif auditoire en
restera époustouflé
!
By the
River é un'opera
alla quale Jan Van der
Roost é
particolarmente
affezionato. La prima
parte si apre su un
motivo pastorale e
descrive il carattere
rimasto rurale di alcuni
popoli che vivono in
regioni
ormaiindustrializzate.
Segue un dinamico
allegro, breve ma che
ricorda la musica di
Leonard Bernstein. Una
composizione che
sollecita tutti i
registri della banda e
che entusiasmer il
pubblico! $266.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| By the River Fanfare [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1115063-020 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1115063-020
Composed by Jan Van der
Roost. Concert and
Contest Collection Brass
Band en Fanfare. Concert
Piece. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1115063-020. Published by
De Haske Publications
(BT.DHP-1115063-020).
9x12 inches.
English-German-French-Dut
ch. Jan Van der
Roost and the
commissioner of this work
have strong personal
ties, making By the
River a very personal
work for both of them.
The first part is
pastoral and describes
the rural character of
what is actually an
industrial region. The
next movement, a dynamic
allegro that creates an
exciting contrast to the
first. All instruments
are put to good use,
letting everyone have
their moment in the
limelight. All the
interesting thematic and
melodic elements Van der
Roost creates will keep
the audience engaged
through to the very last
note!
De
opdrachtgever van dit
werk is op meerdere wijze
verbonden aan de
componist. Hierdoor is
By the River een
zeer persoonlijk en
indrukwekkend werk
geworden. Het eerste deel
heeft het karakter van
een pastorale en
beschrijfthet landelijke
karakter van een - in
basis - industrieel
gebied. In sterk contrast
daarop volgt een
dynamisch allegro met
toespelingen op Leonard
Bernstein. Alle registers
van het moderne
blaasorkest komen aan hun
trekken in Bythe
River. Maar ook het
publiek wordt flink op de
proef gesteld, wil het
alle thematische en
melodische elementen van
dit afwisselende werk
doorgronden..!
Dem
Auftraggeber dieses
Werkes ist der Komponist
in mehrfacher Weise sehr
verbunden, wodurch By
the River ein sehr
persönliches und
eindringliches Werk
geworden ist. Der erste
Teil ist von pastoralem
Charakter und beschreibt
den ländlichen
Charakter einer
eigentlichen
Industrieregion. Stark
kontrastiv folgt darauf
ein dynamisches Allegro
mit einer Anspielung auf
Leonard Bernstein. Alle
Register des modernen
Blasorchesters sind in
By the River
gefordert, genau wie die
Aufmerksamkeit des
Publikums, wenn es alle
thematischen und
melodischen Elemente
dieses
abwechslungsreichen
Werkes erfassen
will.
By the
River (Près de la
rivière) est une
oeuvre que Jan van der
Roost affectionne tout
particulièrement. La
première partie
s’ouvre sur motif
plutôt pastoral et
décrit le caractère
assez rural des gens du
pays vivant dans une
certaine région
industrielle. Un
dynamique allegro
amène en contraste un
bref clin d’oeil
Leonard Berstein. Afin de
pouvoir restituer cette
composition dans toute sa
diversité,
l’ensemble des
registres de
l’orchestre
d’harmonie
contemporain sera
sollicité. Votre
attentif auditoire en
restera époustouflé
!
By the
River è
un’opera alla
quale Jan Van der Roost
è particolarmente
affezionato. La prima
parte si apre su un
motivo pastorale e
descrive il carattere
rimasto rurale di alcuni
popoli che vivono in
regioni ormai
industrializzate. Segue
un dinamico allegro,
breve ma che ricorda la
musica di Leonard
Bernstein. Una
composizione che
sollecita tutti i
registri della banda e
che entusiasmer il
pubblico! $266.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Traumhafte Klaviermusik Piano seul - Facile Music Distribution Services
Piano - easy to intermediate SKU: M7.ART-42140 Romantische und gefü...(+)
Piano - easy to
intermediate SKU:
M7.ART-42140
Romantische und
gefühlvoll-moderne
Klavierstücke.
Composed by Renate
Hartnagel. Score with
online audio files. 60
pages. MDS (Music
Distribution Services)
#ART 42140. Published by
MDS (Music Distribution
Services) (M7.ART-42140).
ISBN 9783866421400.
German. Die in
'Traumhafte Klaviermusik'
enthaltenen 22
mittelleichten bis
mittelschweren
Klavierstücke
erzählen kurze
Geschichten aus dem
Leben, vermitteln
Stimmungen von heiter bis
bewölkt und verweben
bekannte und neue
Klangassoziationen mit
spannenden Harmonien,
Rhythmen und Motiven. Sie
eignen sich sehr gut, um
das expressive Spielen zu
entwickeln. Ziel ist es,
die Stimmung des
Stückes durch leichte
Veränderungen des
Anschlags, der Dynamik
und des Tempos
gefühlvoll und
ausdrucksstark
wiederzugeben. Zu den
Melodien der rechten Hand
spielt die linke Hand
wiederkehrende
Begleitmuster, welche
oftmals in traditioneller
und moderner
Klavierliteratur zu
finden sind und so dem
Lernenden eine gute
technische Grundlage
vermitteln. Die rechte
Hand ist betonter und
bewegter und übernimmt
die Rolle des
Erzählers.
Stilelemente aus der
klassischen und modernen
Musik, aus Filmmusik und
romantischen Pop-Balladen
sind kunstvoll verwoben,
um neue Klangerlebnisse
zu schaffen. Ton- und
Taktarten sind so
gewählt, dass die
Stücke leicht zu
erlernen sind und der
Spieler sich auf die
Interpretation der Musik,
sowie auf ein
flüssiges und
unabhängiges Spielen
beider Hände
konzentrieren kann. Das
spielerische Erlernen von
schnellen Läufen,
Synkopen und Sprüngen
wird zudem moderat
gefördert. Die
Fingersätze sind
sorgfältig gesetzt, um
ein flüssiges und
müheloses Legatospiel
zu ermöglichen. Der
Einsatz des Haltepedals
wird bei allen Stücken
empfohlen, jedoch klingen
die Kompositionen durch
das Legato auch ohne
diesen vollständig.
Viel Freude beim
Träumen! $25.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| By the River Fanfare [Conducteur] - Intermédiaire De Haske Publications
Fanfare Band - Grade 4 SKU: BT.DHP-1115063-120 Composed by Jan Van der Ro...(+)
Fanfare Band - Grade 4
SKU:
BT.DHP-1115063-120
Composed by Jan Van der
Roost. Concert and
Contest Collection Brass
Band en Fanfare. Concert
Piece. Score Only.
Composed 2012. 52 pages.
De Haske Publications
#DHP 1115063-120.
Published by De Haske
Publications
(BT.DHP-1115063-120).
9x12 inches.
English-German-French-Dut
ch. Jan Van der
Roost and the
commissioner of this work
have strong personal
ties, making By the
River a very personal
work for both of them.
The first part is
pastoral and describes
the rural character of
what is actually an
industrial region. The
next movement, a dynamic
allegro that creates an
exciting contrast to the
first. All instruments
are put to good use,
letting everyone have
their moment in the
limelight. All the
interesting thematic and
melodic elements Van der
Roost creates will keep
the audience engaged
through to the very last
note!
De
opdrachtgever van dit
werk is op meerdere wijze
verbonden aan de
componist. Hierdoor is
By the River een
zeer persoonlijk en
indrukwekkend werk
geworden. Het eerste deel
heeft het karakter van
een pastorale en
beschrijfthet landelijke
karakter van een - in
basis - industrieel
gebied. In sterk contrast
daarop volgt een
dynamisch allegro met
toespelingen op Leonard
Bernstein. Alle registers
van het moderne
blaasorkest komen aan hun
trekken in Bythe
River. Maar ook het
publiek wordt flink op de
proef gesteld, wil het
alle thematische en
melodische elementen van
dit afwisselende werk
doorgronden..!
Dem
Auftraggeber dieses
Werkes ist der Komponist
in mehrfacher Weise sehr
verbunden, wodurch By
the River ein sehr
persönliches und
eindringliches Werk
geworden ist. Der erste
Teil ist von pastoralem
Charakter und beschreibt
den ländlichen
Charakter einer
eigentlichen
Industrieregion. Stark
kontrastiv folgt darauf
ein dynamisches Allegro
mit einer Anspielung auf
Leonard Bernstein. Alle
Register des modernen
Blasorchesters sind in
By the River
gefordert, genau wie die
Aufmerksamkeit des
Publikums, wenn es alle
thematischen und
melodischen Elemente
dieses
abwechslungsreichen
Werkes erfassen
will.
By the
River (Près de la
rivière) est une
oeuvre que Jan van der
Roost affectionne tout
particulièrement. La
première partie
s’ouvre sur motif
plutôt pastoral et
décrit le caractère
assez rural des gens du
pays vivant dans une
certaine région
industrielle. Un
dynamique allegro
amène en contraste un
bref clin d’oeil
Leonard Berstein. Afin de
pouvoir restituer cette
composition dans toute sa
diversité,
l’ensemble des
registres de
l’orchestre
d’harmonie
contemporain sera
sollicité. Votre
attentif auditoire en
restera époustouflé
!
By the
River è
un’opera alla
quale Jan Van der Roost
è particolarmente
affezionato. La prima
parte si apre su un
motivo pastorale e
descrive il carattere
rimasto rurale di alcuni
popoli che vivono in
regioni ormai
industrializzate. Segue
un dinamico allegro,
breve ma che ricorda la
musica di Leonard
Bernstein. Una
composizione che
sollecita tutti i
registri della banda e
che entusiasmer il
pubblico! $58.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| By the River Orchestre d'harmonie [Conducteur] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1115063-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1115063-140
Composed by Jan Van der
Roost. Concert and
Contest Collection CBHA.
Concert Piece. Score
Only. Composed 2011. 52
pages. De Haske
Publications #DHP
1115063-140. Published by
De Haske Publications
(BT.DHP-1115063-140).
9x12 inches. Jan
Van der Roost and the
commissioner of this work
have strong personal
ties, making By the River
a very personal work for
both of them. The first
part is pastoral and
describes the rural
character of what is
actually an industrial
region. The next
movement, a dynamic
allegro that creates an
exciting contrast to the
first. All instruments
are put to good use,
letting everyone have
their moment in the
limelight. All the
interesting thematic and
melodic elements Van der
Roost creates will keep
the audience engaged
through to the very last
note!
De
opdrachtgever van dit
werk is op meerdere wijze
verbonden aan de
componist. Hierdoor is
By the River een
zeer persoonlijk en
indrukwekkend werk
geworden. Het eerste deel
heeft het karakter van
een pastorale en
beschrijfthet landelijke
karakter van een - in
basis - industrieel
gebied. In sterk contrast
daarop volgt een
dynamisch allegro met
toespelingen op Leonard
Bernstein. Alle registers
van het moderne
blaasorkest komen aan hun
trekken in Bythe
River. Maar ook het
publiek wordt flink op de
proef gesteld, wil het
alle thematische en
melodische elementen van
dit afwisselende werk
doorgronden..!
Dem
Auftraggeber dieses
Werkes ist der Komponist
in mehrfacher Weise sehr
verbunden, wodurch By
the River ein sehr
persönliches und
eindringliches Werk
geworden ist. Der erste
Teil ist von pastoralem
Charakter und beschreibt
den ländlichen
Charakter einer
eigentlichen
Industrieregion. Stark
kontrastiv folgt darauf
ein dynamisches Allegro
mit einer Anspielung auf
Leonard Bernstein. Alle
Register des modernen
Blasorchesters sind in
By the River
gefordert, genau wie die
Aufmerksamkeit des
Publikums, wenn es alle
thematischen und
melodischen Elemente
dieses
abwechslungsreichen
Werkes erfassen
will.
By the
River (Près de la
rivière) est une
oeuvre que Jan van der
Roost affectionne tout
particulièrement. La
première partie
s’ouvre sur motif
plutôt pastoral et
décrit le caractère
assez rural des gens du
pays vivant dans une
certaine région
industrielle. Un
dynamique allegro
amène en contraste un
bref clin d’oeil
Leonard Berstein. Afin de
pouvoir restituer cette
composition dans toute sa
diversité,
l’ensemble des
registres de
l’orchestre
d’harmonie
contemporain sera
sollicité. Votre
attentif auditoire en
restera époustouflé
!
By the
River è
un’opera alla
quale Jan Van der Roost
è particolarmente
affezionato. La prima
parte si apre su un
motivo pastorale e
descrive il carattere
rimasto rurale di alcuni
popoli che vivono in
regioni ormai
industrializzate. Segue
un dinamico allegro,
breve ma che ricorda la
musica di Leonard
Bernstein. Una
composizione che
sollecita tutti i
registri della banda e
che entusiasmer il
pubblico! $58.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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