A Musical Revue Celebrating the Importance of Music in Our Lives. Par JACOBSON JOHN / BRINCKMEYER LYNN. Who are the very best advocates for your school's music programs? The kids! Advocacy is a continuous process of diligent education to bring awareness about the benefits of music learning to the general public. And, kids can expertly share the joy of music making and learning in a variety of different ways. The authors worked together to develop a musical revue about the wonder of music. Each of the seven original songs can be performed together as a complete program, or they can be sung in other contexts as well. The 30-minute revue includes piano/vocal arrangements with choreography, short narrations for up to 65 speaking parts and digital access to student PDFs. To perform with recordings, the Performance Kit includes the Teacher Edition and digital access to student PDFs and performance/accompaniment audio recordings. Songs include: Music Is an Everyday Thing, Many Things I Learned I Learned Through Music, Playing Music Is Hard Work, A Song in My Heart, Working Together, If I Didn't Have Music, Our Place in the Choir. In addition to a musical revue, the second half of the book is focused on strategies, ideas and conversations about the importance of music study in children's and adolescents' lives. There are even writing and advocacy activities to engage students in the promotion of the critical role that music plays in their lives. The ten chapters concentrate on attributes of music education and how children benefit from music study highlighted in the Broader Minded Campaign put forth by the National Association for Music Education (NAfME): Decision Making, Grit, Multiple Ways of Knowing, Creativity, Collaboration, Communication, Critical Thinking, Emotional Awareness, Reflective Learning, and Process Orientation. Suggested for grades 2-6. / TV, Film, Comédie musicale / Recueil / Voix

The best in contemporary jazz from Europe. 430 pages of new, intriguing sounds from virtually every country in Europe. Available in C, Bb and Eb versions. Accurate, composer-approved charts plus sample bass lines, sample chord voicings, horn harmony lines, drum appendix, lyrics, and more! Over 100 of Europe's best jazz writers, including Claus Ogerman, Enrico Pieranunzi, Didier Lockwood, Amina Figarova, Victor Feldman, Nguyen Le, George Robert, Rene Thomas, Michel Petrucciani, Tim Garland, John Taylor, Philip Catherine, Richard Galliano, David Linx, Jesse van Ruller, Lars Jansson, Kenny Wheeler, Hendrik Meurkens, Enrico Rava, NHOP, Rosario Giuliani, Florian Ross, Antonio Farao, Ulf Wakenius, Joe Zawinul, Django Reinhardt, Barbara Dennerlein, Allan Holdsworth, Christian Jacob, Valery Ponomarev, Stefan Karlsson, Jacob Karlzon, Toots Thielmans, Bill Bruford, Niels Lan Doky, George Shearing, Bobo Stenson, Michiel Borstlap, Larry Vuckovich. / Ensemble Music, Instrumental Music / Recueil / Instruments en Sib

Bb Instruments. This is the only professional-level Latin fake book ever published! It features nearly 600 pages of the best in contemporary and classic salsa, Latin jazz and Brazilian music, with detailed arrangements, exactly as recorded, to help bands play in authentic Latin styles. Many tunes include bass lines for each section, piano montunos, and horn counter-lines. Includes a bilingual preface, song lyrics in Spanish, Portuguese and/or English, a drum and percussion appendix, and convenient spiral binding. Outstanding artists represented include: Ray Barretto, Eddie Palmieri, Ruben Blades, Puerto Rico All-Stars, Tito Puente, Irakere, Los Van Van, Ivan Lins, Tom Jobim, Joao Bosco, Milton Nascimento, Airto, Mario Bauza, Dizzy Gillespie, Daniel Ponce, Seis Del Solar, Chick Corea, Arsenio Rodriguez, Celia Cruz, Perez Prado, Orquesta Sensacion, and many more!/ Recueil / Instruments en Sib

Live At The Smithsonian Jazz Cafe. Par CHRISTIANSEN COREY. Recorded in concert at the Smithsonian Jazz Café - November 11, 2005 Vic Juris and Corey Christiansen, two of the first guitarists on Mel Bay Records, joined bassist Bill Moring and drummer Tim Horner on this remarkable set of standards and originals. Awakening, Corey's first CD as well as the first release on Mel Bay Records, was hailed by jazz critics and radio programmers as an unusually impressive debut recording. Widely recognized as a brilliant musician and composer, Vic has worked with an extensive roster of jazz legends since the early 1970s. A Second Look, his first CD on Mel Bay Records, was released in April of 2005 to great critical acclaim. As senior editor for Mel Bay Publications, Corey was given the opportunity to produce Vic's CD. In the process, they discovered their musical styles compliment each other so well that it was only natural for them to record together. Live at the Smithsonian Jazz Café clearly demonstrates the wisdom of that decision. / Niveau : Tous Niveaux / Jazz - Concert/Documentary / Accessoire / Guitare

The pieces in Baroque Real Repertoire have been selected to provide intermediate pianists (Grades 5-7) with enjoyable music for private study or for performance in concerts, festivals and examinations. There is a wide choice as the pieces vary in technical difficulty, length, tempo, key, character and mood. The fingering has been chosen with great care to produce good technical and musical results. The metronome marks, which are editorial, have been given as a guide but are not obligatory. The realisation of the ornaments is based on contemporary sources, frequently from the composer’s own instructions. Editorial suggestions for dynamics and phrasing are shown either in brackets or, in a few places to aid clarity, by dotted lines. The collection is not intended to be an urtext edition. As players progress they may wish to extend their knowledge of the music of this period by consulting urtext editions and making decisions for themselves. In this publication the editor has taken decisions with the intention of helping less experienced players to achieve a convincing performance in an authentic style. **Trinity selected piece (Piano 2012-2014): Solo for the Cembalo (CPE Bach) / Instrumental Music / Recueil / Piano

por Claude WormsTHE WORLD OF THE FLAMENCO GUITAR AND ITS FORMS IIThe decision to publish the transcription of The World of the Flamenco Guitar and its Forms is the decision to disseminate a major work. Now, all those who wish to learn about and explore this gem ofh music that has laid unnoticed for too long are able to do so. Manolo Sanlúcar's album trilogy is not only apt for flamenco or Spanish musicians but for guitarists worldwide since it constitutes the greatest of the many master classes this maestro hen in his long career. The original, authentic and unmistakably flamenco music in your hands today has stood the test of time, transcending fashion and trends. Immersing oneself in this magical document is to cross the erstwhile unreachable thresholde of the most dazzling chapters in the history of the flamenco guitar. / Guitare

A great resource for wedding musicians or those planning a wedding! The book features piano solo arrangements of 10 popular pieces often used for wedding processionals, lighting of the unity candle ceremonies, and recessionals. The CD features full performance tracks so that couples can hear what they sound like to help with their decision. / Piano

Par GRUNDMAN JORGEN. Jorgen Grundman's Isla Piano Quintet ('The Toughest Decision Of God'). Duration: 18 minutes Jorgen Grundman's Isla Piano Quintet ('The Toughest Decision Of God'). Duration: 18 minutes/ Répertoire / Piano et Quatuor à Cordes

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem - some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the 'Liber scriptus?, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the 'Liber scriptus? for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.- Verdi's monumental work in a Bärenreiter Urtext edition- Trilingual preface (Ital/Eng/Ger)- Critical Commentary (Eng) in the score- Idiomatic well-presented piano reduction / Ensemble A Vent

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem - some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the 'Liber scriptus?, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the 'Liber scriptus? for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.- Verdi's monumental work in a Bärenreiter Urtext edition- Trilingual preface (Ital/Eng/Ger)- Critical Commentary (Eng) in the score- Idiomatic well-presented piano reduction / Orchestre