Easy Piano SKU: BT.MUSAM1010658 Really Easy Piano. Pop and Rock. Book wit...(+)
Easy Piano
SKU:
BT.MUSAM1010658
Really Easy Piano. Pop
and Rock. Book with
Online Audio. Composed
2015. 48 pages. Wise
Publications
#MUSAM1010658. Published
by Wise Publications
(BT.MUSAM1010658).
ISBN 9781783059829.
English.
With the
Really Easy Piano
Playalong songbook, you
can learn 19 Classic Hit
Songs with these
simplified arrangements
for Easy Piano, then use
the included download
card to hear
demonstrations and
backing tracks that you
can play along to.
Featuring a wealth of
some of the most famous
tunes of all time by the
greatest singers and
songwriters ever, these
Classic Hit Songs  are
essential playing for all
pianists, and the Really
Easy Piano Playalong book
lets beginners
immediately pick up these
wonderful melodies. From
classic pop songs like
All Shook Up, Downtown
and Waterloo to those
beautiful ballads like
Rocket Man, Hallelujah
 and Fields Of Gold,
this collection
offersamazing variety of
tunes that can be placed
right at beginner
pianist's fingertips.Â
With the accompanying
download card, you will
get instant online access
to fantastic-sounding
demonstration and backing
tracks for each tune.
This means you'll be able
to hear how each Classic
Hit Song  should
sound, then learn them
using the easy-to-read
sheet music, before
playing your own versions
along to the backing
tracks. With songs by
such bestselling artists
as Simon and Garfunkel,
The Beatles, David Bowie
and Louis Armstrong, this
is a fantastic book for
learning all of those
timeless tunes that
everyone loves, and with
the help of some
fingering hints,
performance tips, lyrics
and fascinating
background information,
the Really Easy Piano
Playalong really is the
perfect songbook for
pianists who love pop
hits. The fantastic
selection of brilliant
songs from these
wonderful musicians
places some of the
greatest tunes of all
time at any beginner
pianist's fingertips.
Your friends and family
will no doubt be wholly
impressed with how great
each of these songs sound
on the Piano, especially
when played along with
the backing tracks. For a
collection of 19 Classic
Hit Songs, Â look no
further than the Really
Easy Piano Playalong
 songbook.
(A Workbook for Examinations). Composed by Paul Harris. Book; Reference Textbook...(+)
(A Workbook for
Examinations). Composed
by Paul Harris. Book;
Reference Textbooks;
Textbook - General;
Theory. Faber Edition.
Grade 4. Published by
Faber Music
(A Workbook for Examinations). Composed by Paul Harris. Book; Reference Textbook...(+)
(A Workbook for
Examinations). Composed
by Paul Harris. Book;
Reference Textbooks;
Textbook - General;
Theory. Faber Edition.
Grade 3. Published by
Faber Music
Featuring: Traveling to Hogwarts / Newt and Leta / The Kelpie / Dumbledore / ...(+)
Featuring: Traveling to
Hogwarts / Newt and Leta
/
The Kelpie / Dumbledore /
Wands Into the Earth /
Fantastic Beasts: The
Crimes
of Grindelwald. Composed
by
James Newton Howard.
Arranged
by Douglas E. Wagner.
Concert
Band; Performance Music
Ensemble; Single Titles.
Pop
Young Band. Form: Medley.
Movie; Pop. Score and
Parts.
240 pages. Duration 4:00.
Alfred Music #00-47412.
Published by Alfred Music
Great Themes Of the Classical Era composed by Various. Arranged by Steven Paul. ...(+)
Great Themes Of the
Classical Era composed by
Various. Arranged by
Steven Paul. For easy
piano. This edition:
Paperback. Collection.
Classical. Book. Text
Language: English. 48
pages. Published by
Santorella Publications
Piano - Grade 7-8 SKU: ST.C463 Composed by Federico Ruiz. Edited by Clara...(+)
Piano - Grade 7-8
SKU:
ST.C463
Composed by
Federico Ruiz. Edited by
Clara Rodriguez. Piano
and keyboard music.
Collection. Clifton
Edition #C463. Published
by Clifton Edition
(ST.C463).
ISBN
9790570814633.
This
volume contains
contrasting works by
Federico Ruiz spanning
quite a large and rich
period of his
compositional output that
goes from his early
Micro-Suite (1971), to
lilting, sweet and
rhythmic Venezuelan
waltzes passing by the
mysterious, intimate, and
intense Nocturno (1994)
plus pieces originally
composed for film, and
theatre. Real eclecticism
in styles, moods and
atmospheres that show
Ruizâ??s talents and
scope.
The
Nocturno is a deep,
intriguing, substantial
piece presenting a
satisfying length which
moves from different
paths of the mind and the
heart written in an
abstract, chromatic
idiom, that does not
dissociate itself from
the Venezuelan waltz and
the joropo. One could
perhaps say that there is
a deconstruction of the
latter. For the
interpretation, the
composer has suggested to
me that it is allowed to
have some flexibility in
the tempo. Ruiz kindly
dedicated it to me, and I
have had the pleasure of
performing it in many
concerts.
Although
all highly expressive,
the Three Venezuelan
Waltzes present in this
collection as well as the
piece titled Aliseo, are
works that are close to
the colourful Venezuelan
folk tradition. Federico
Ruiz had given me two of
them when we first met:
â??Tu Presenciaâ??
(1981) and
â??EloÃsaâ?? (1989)
and then I attended a
performance of the play
â??Office Number Oneâ??
by Miguel Otero Silva
with a fantastic actor,
Elba Escobar in the role
of Carmen Rosa and, I
just fell in love and was
very moved by the
incidental music that I
later discovered, by
reading the programme,
had been written by
Federico Ruiz. Later that
evening, I called him and
asked to please make a
piano score of the
composition, so I could
have the desired piece in
my hands. That is how
â??Carmen Rosaâ?
waltz (1987) came to
exist in a piano
version.
â??Elois
aâ?? is another
Venezuelan waltz with
more jazzy harmonies
where precision in the
rhythm and elegant
playing is also
essential, as it is in
most of his
pieces.
â??Tu
Presenciaâ?? was
dedicated to his mother,
Margarita. It is written
with the structure of the
Venezuelan waltz, which
consists of a nostalgic
subject that leads to a
faster, happier middle
section where the typical
graceful rhythm is given
by the left-hand
accompaniment figure of a
dotted crotchet followed
by a quaver and a
crotchet.
The
craft and magic found in
the five movements of the
Micro-Suite is based on a
dodecaphonic row by Ernst
Krenek. They remind us of
the idiom of the Second
Viennese School. These
real miniatures seem to
tell short stories. The
â??Preludioâ?? is full
of humour. I imagine
dancing figures given by
the jumps all over the
keyboard and extreme
dynamics; the phrases
give the impression of a
conversation with many
questions and answers.
The â??Invenciónâ??
is a kaleidoscopic piece
where the hands mirror
each other. The
â??Passacagliaâ?? is
the longest movement, at
just over a minute where
the prime motif is
repeated three times on
the bass line. For its
construction Federico
Ruiz uses as well the
retrograde and the
retrograde inversion of
the twelve-tone series.
It must be played
expressively with dynamic
contrasts between
pianissimo and louder
events. The
â??Scherzoâ?? has
repetitive motifs of a
minor third in both hands
and the â??Finalâ??
displays virtuosic
passages for the
pianist.
Opera, Lyrics Only SKU: HL.14020975 Composed by Sir Peter Maxwell Davies....(+)
Opera, Lyrics Only
SKU: HL.14020975
Composed by Sir Peter
Maxwell Davies. Music
Sales America. Opera or
Operetta. Book
[Softcover]. Composed
1999. 24 pages. Chester
Music #CH55304. Published
by Chester Music
(HL.14020975).
UPC:
884088860066. 8.75x8.25
inches.
Chamber
opera in a prologue and
one act. A ghost story
telling of the mysterious
disappearance of three
lighthouse keepers in the
Hebrides. This is a
mystery story in the form
of a chamber opera. The
prologue is set as a
court of enquiry into the
unexplained disappearance
of the three keepers from
a lighthouse. Questions
are posed by a solo horn,
which may sound from
among the audience, and
three officers give
answer. Gradually, they
move from straight
testimony into
fantastical imaginings of
evil during a 'flashback'
to the lighthouse; but
then we snap back to the
courtroom. In the main
act the three singers
become the vanished
keepers. They have been
together for months, long
enough to be fully aware
of each other's
weaknesses; petty
bickerings suggest a
relationship which is
stable, but liable to
become highly unstable at
any moment. They sing
songs to reduce the
tension, Blazes beginning
with a rough ballad of
street violence,
accompanied by violin and
banjo. Sandy's song, with
cello and out-of-tune
upright piano, is a
thinly disguised
description of sexual
bliss, and Arthur's with
brass and clarinet, is a
tub-thumping hymn. But
the songs serve only to
resurrect in their minds
ghosts from the past, and
as the fog descends each
of the keepers becomes
convinced that he is
being claimed by the
Beast. They prepare to
meet its dazzling eyes,
which become the lights
of the relief vessel, and
the three men reappear as
officers, met at the
lighthouse only by an
infestation of rats. They
leave, and at the end the
last hours of Blazes,
Sandy and Arthur begin to
play over again. Libretto
only. Duration c. 1h
25mins.
Vocal Score Chamber Opera SKU: HL.14008404 Chamber Opera in a Prologue...(+)
Vocal Score Chamber Opera
SKU: HL.14008404
Chamber Opera in a
Prologue and One Act
Vocal Score. Composed
by Sir Peter Maxwell
Davies. Music Sales
America. 20th Century,
Opera. Study Score.
Composed 1999. 152 pages.
Chester Music #CH55426.
Published by Chester
Music (HL.14008404).
UPC: 884088435356.
8.75x11.75x0.406
inches.
Chamber
opera in a prologue and
one act. A ghost story
telling of the mysterious
disappearance of three
lighthouse keepers in the
Hebrides. This is a
mystery story in the form
of a chamber opera. The
prologue is set as a
court of enquiry into the
unexplained disappearance
of the three keepers from
a lighthouse. Questions
are posed by a solo horn,
which may sound from
among the audience, and
three officers give
answer. Gradually, they
move from straight
testimony into
fantastical imaginings of
evil during a 'flashback'
to the lighthouse; but
then we snap back to the
courtroom. In the main
act the three singers
become the vanished
keepers. They have been
together for months, long
enough to be fully aware
of each other's
weaknesses; petty
bickerings suggest a
relationship which is
stable, but liable to
become highly unstable at
any moment. They sing
songs to reduce the
tension, Blazes beginning
with a rough ballad of
street violence,
accompanied by violin and
banjo. Sandy's song, with
cello and out-of-tune
upright piano, is a
thinly disguised
description of sexual
bliss, and Arthur's with
brass and clarinet, is a
tub-thumping hymn. But
the songs serve only to
resurrect in their minds
ghosts from the past, and
as the fog descends each
of the keepers becomes
convinced that he is
being claimed by the
Beast. They prepare to
meet its dazzling eyes,
which become the lights
of the relief vessel, and
the three men reappear as
officers, met at the
lighthouse only by an
infestation of rats. They
leave, and at the end the
last hours of Blazes,
Sandy and Arthur begin to
play over again. Study
Score. Duration c. 1h
25mins.
Chamber Ensemble SKU: BT.MUSM570209088 On Track. By Sadie Harrison...(+)
Chamber Ensemble
SKU:
BT.MUSM570209088
On Track. By Sadie
Harrison. Set (Score &
Parts). 15 pages.
University of York Music
Press #MUSM570209088.
Published by University
of York Music Press
(BT.MUSM570209088).
English.
13
specially commissioned
pieces which aim to
breathe new life into a
largely neglected
component of the GCSE/Key
Stage 4 Music syllabus,
Ensemble Performance. On
Track comes complete with
a CD-Rom containing all
the parts for all the
pieces and transpositions
for any instrument, and
these parts come with a
licence for printing as
many copies as needed,
directly from the CD-Rom.
A separate 'audio' CD
also contains recordings
of every piece. The book
contains scores for each
piece and extended notes
by the composers to aid
in the preparation of the
music: there are 5 pieces
for fixed ensembles and 8
pieces for flexible
ensembles. The editor of
the compilation, Sadie
Harrison, comments:
Playing in an ensemble
with one's peers is
perhaps the most
rewarding and satisfying
thing to do as a young
performer, and it is
crucial to nurture this
element of GCSE courses
to reflect this. On Track
is a fantastic collection
of many different styles,
approaches and sounds.
There is something in
here for everybody, at
whatever level, and on
whatever instrument. This
is what GCSE Music
teachers are crying out
for, and finally here is
something that really
hits the mark. Harrison's
comments are echoed by
recent examiners' reports
from EdExcel, one of the
largest examiners of GCSE
music. They describe how
the music they heard in
examinations demonstrated
'an extreme range of
standards and revealed
evidence of the very wide
range of instruments in
use'. The AQA (Assessment
and Qualification
Alliance) Examiners'
report in 2004 warns
schools against allowing
their students to present
solo music with a piano
accompaniment played by a
teacher or with a CD
accompaniment for the
ensemble performance
component. It continues,
saying that it is of
utmost importance that
the chosen ensemble
allows the candidate to
show rapport with the
other player(s). This is
a significant requirement
with which many
[examination] centres did
NOT comply. Fixed
Ensembles Sadie Harrison
— On the run!for
clarinet in Bb, violin,
'cello, piano Ed Hughes
— Matthew's Mazurkafor
piano duet Jeremy Dale
Roberts — 'Takes
three...' for trumpet,
'cello, piano Matthew
Roddie — Gone Clubbin'
for violin, 'cello Thomas
Simaku — From Across
the Sea for 2 flutes,
clarinet in Bb Flexible
Ensembles David Blake —
Piece for Luis and Justin
for four instruments
Anthony Gilbert — U-GO
for Arirang for four
instruments Jo Kondo —
A Birthday Toast for any
number of instruments
David Lumsdaine — A
tree dances for Orpheus
for three instruments
Paul Mealor — Swing
Slow for two instruments
Robert Saxton — There
and Back for three
instruments John Stringer
— Duo for two
instruments Lu s Tinoco
— Diversion for four
instruments.
For Horn And Piano. Composed by Eric Ewazen. Contemporary. Solo part with...(+)
For Horn And
Piano. Composed by
Eric Ewazen.
Contemporary. Solo part
with piano reduction.
With Standard notation.
Composed 2005. 16 pages.
Duration 2 minutes, 40
seconds. Theodore Presser
Company #114-41728.
Published by Theodore
Presser Company
(PR.114417280).
Featuring: Hedwig's
Theme / Main Titles /
Macusa Headquarters /
Newt's Friend / End
Titles. Composed by
James Newton Howard.
Arranged by Patrick
Roszell (contains
Hedwig's Theme by John
Williams). Full
Orchestra; Score. Pop
Concert Full Orchestra.
Movie. 36 pages.
Published by Alfred Music
(AP.45859S).
Featuring: Hedwig's Theme
/
Main Titles / Macusa
Headquarters / Newt's
Friend
/ End Titles. Composed by
James Newton Howard.
Arranged by Patrick
Roszell
(contains "Hedwig's
Theme"
by John Williams). Full
Orchestra; Part(s);
Score.
Pop Concert Full
Orchestra.
Movie. 240 pages.
Published
by Alfred Music
Composed by James Newton Howard. This edition: Piano Solo/Vocal. Piano Collect...(+)
Composed by James Newton
Howard. This edition:
Piano
Solo/Vocal. Piano
Collection;
Piano Supplemental; Solo.
Movie. Book. 20 pages.
Alfred
Music #00-47836.
Published by
Alfred Music
Chamber Music Piano, Trombone, Voice SKU: PR.111402650 A Song Cycle fo...(+)
Chamber Music Piano,
Trombone, Voice
SKU:
PR.111402650
A
Song Cycle for Baritone
(or Mezzo-soprano),
Trombone, and Piano.
Composed by Eric Ewazen.
Set of Score and Parts.
With Standard notation.
52+16 pages. Duration 24
minutes. Theodore Presser
Company #111-40265.
Published by Theodore
Presser Company
(PR.111402650).
Angel of
Dreamers is a song cycle
for bass-baritone (or
mezzo-soprano) singer,
trombone, and either
string orchestra, string
quintet, or piano. It is
based on the
extraordinary poetry of
the Jamaican-American
poet, Lorna Goodison,
whom I have had the great
pleasure of getting to
know in the course of
writing this piece. The
work was commissioned by
a friend from my
undergraduate college
years at The Eastman
School of Music, Maury
Okun, trombonist and
director of the Detroit
Chamber Winds And
Strings. The work was
premiered in 2011 by
bass-baritone Daniel
Washington, trombonist
and U. of Michigan
faculty member David
Jackson, and the string
section of the Detroit
Chamber Winds and
Strings. Daniel and David
gave the second
performance of the work
with Lorna Goodison and
Maury Okun in attendance
at The Juilliard School
the following year. I was
approached by Maury Okun
and David Jackson to
write this piece as a
tribute to Maury's father
who had recently passed
away. They also
introduced me to their
colleague and friend
Lorna Goodison,
suggesting her poetry.
Reading several volumes
of her work, I was
absolutely captivated by
the vivid imagery and
beautiful messages of her
words. I chose five of
the poems, forming a
cycle about life and
death and home and
parents. Lorna is
originally from Jamaica,
and the rich, vivid
imagery, language and
story lines of her poems
beautifully reflect her
roots. The work, in the
tradition of Brahms'
songs for voice, viola,
and piano, features a
singer with an obligato
lyric instrumental line,
which, in my piece, is
the trombone, an
instrument that blends so
beautifully with the
sound of a bass singer.
The first song, O Love
You So Fear the Dark is
hopeful and uplifting,
describing enduring love
throughout the twists and
turns of our lives. The
music is strong and
declamatory, but also
tender. The second song,
God A Me actually
portrays a fish in
Jamaica which is almost
amphibious, flying up out
of the water onto the
land, and somehow,
magically, returning to
the water! For me this
poem depicts the
enjoyment of seeing parts
of life that are fun and
enjoyable and almost
magical! The third song,
All Souls Day depicts a
holiday, somewhat
magical, but also full of
life and energy. The
final two songs are a
tribute to our parents --
My Mother's Sea Chanty,
recalling a dream of
seeing one's mother, with
lyrics of tender love and
remembrance, and finally,
This is my Father's
Country which is a
tribute to the life of a
loving father, recalling
his spirit, his love of
the music Harry
Belafonte, and his
enduring spirit. Angel of
Dreamers was a special
piece for me to write:
for and with friends, old
and new, collaborating
with a poet whose
beautiful, meaningful,
and touching words were
so inspiring, performed
by fantastic musicians
who poured themselves
into the music, and
commissioned by a dear
friend from years gone
by. THIS is why we write
and perform music!.
Featuring: Hedwig's Theme / Main Titles / Newt's Friend / End Titles. Composed...(+)
Featuring: Hedwig's Theme
/
Main Titles / Newt's
Friend
/ End Titles. Composed by
James Newton Howard.
Arranged by Patrick
Roszell
(contains "Hedwig's
Theme"
by John Williams).
Concert
Band; Part(s); Score. Pop
Young Band. Form: Medley;
Suite. Movie; Pop. 248
pages. Published by
Alfred
Music
Piano - Late Intermediate SKU: FJ.FJH2295 6. Composed by Helen Mar...(+)
Piano - Late Intermediate
SKU: FJ.FJH2295
6. Composed by
Helen Marlais. Piano
Collection; Piano
Supplemental. Solos at
Their Best. Masterwork.
Book. The FJH Music
Company Inc #98-FJH2295.
Published by The FJH
Music Company Inc
(FJ.FJH2295).
Score SKU: HL.50603530 For Orchestra Score. Composed by Britta Bys...(+)
Score
SKU:
HL.50603530
For
Orchestra Score.
Composed by Britta
Byströ and m. Score.
Softcover. Edition
Wilhelm Hansen #WH33249.
Published by Edition
Wilhelm Hansen
(HL.50603530).
UPC:
840126931136.
A
work for orchestra
commissioned by
Gothenburg Symphony
Orchestra. The composer
writes I have borrowed
the title 'Voyages
extraordinaires' from the
writer Jules Verne and
his famous novel series
depicting fantastic or in
reality impossible
journeys. The title
seemed fitting as my work
is intended as
fantastical musical
voyages on which the
listener encounters new
worlds of sound through
recurring orchestral
transformations. I see
the work somewhat as a
tribute to how art has
the abilities to
transcend the limits of
life. Some years ago I
composed a horn trio,
'Diagonal Musik' (2017),
inspired by the Swedish
artist Olle Baertling.
Baertling's paintings
consist of large, bright
triangular shapes, and
although the lines
gradually approach one
another, the intersecting
point is often placed
outside the frame.
Consequently, the
spectator will try to
complete the angle in
their own head. In my
horn trio, I wanted to
transfer this to music:
the lines that gradually
approach each other but
rarely meet, except
perhaps in the listener's
head. In 'Voyage
Extraordinaires' I have
tried to develop these
techniques even further,
this time for orchestral
forces, and combine them
with the magical
transformations, an
important structural
element of the piece. The
fantastic journeys also
refer to travels in our
own imagination: what we
believe and picture in
our mind. The sudden
musical transformations
that occur are also
reminiscent of dream
logic and the dreamscape
itself. Here it is
possible to wander in and
out through worlds in a
way that feels consistent
within the framework of
the dream..
Composed by Alexandre Desplat, John Williams, Nicholas Hooper, and Patrick Doy...(+)
Composed by Alexandre
Desplat,
John Williams, Nicholas
Hooper, and Patrick
Doyle.
Collections; Piano
Collection;
Piano Supplemental.
Movie;
Pop. Book. Alfred Music
#00-
0571542964. Published by
Alfred Music
Make It Good Ensemble Jazz [Conducteur et Parties séparées] Jazz Lines Publications
By The Duke Pearson Big Band. Arranged by Duke Pearson. For Big Band. Swing. Dif...(+)
By The Duke Pearson Big
Band. Arranged by Duke
Pearson. For Big Band.
Swing. Difficult. Full
score and set of parts.
Published by Jazz Lines
Publications
Most Wonderful Day Of The Year, Up On The Housetop, I Heard The Bells On Christm...(+)
Most Wonderful Day Of The
Year, Up On The Housetop,
I Heard The Bells On
Christmas Day composed by
Various. Arranged by
Craig Stevens. For easy
piano solo. Solo. Best of
Christmas series.
Christmas. Easy. Sheet
Music. Text Language:
English. 8 pages.
Published by Santorella
Publications
O Come All Ye Faithful, Deck The Halls, The Snow Lay On The Ground composed by V...(+)
O Come All Ye Faithful,
Deck The Halls, The Snow
Lay On The Ground
composed by Various.
Arranged by Craig
Stevens. For easy piano
solo. Solo. Best of
Christmas series.
Christmas. Easy. Sheet
Music. Text Language:
English. 8 pages.
Published by Santorella
Publications
The Twelve Days Of Christmas composed by Various. Arranged by Craig Stevens. For...(+)
The Twelve Days Of
Christmas composed by
Various. Arranged by
Craig Stevens. For easy
piano solo. Solo. Best of
Christmas series.
Christmas. Easy. Sheet
Music. Text Language:
English. 8 pages.
Published by Santorella
Publications
Rockin' Around The Christmas Tree, Carol Of The Bells composed by Various. Arran...(+)
Rockin' Around The
Christmas Tree, Carol Of
The Bells composed by
Various. Arranged by
Craig Stevens. For easy
piano solo. Solo. Best of
Christmas series.
Christmas. Easy. Sheet
Music. Text Language:
English. 8 pages.
Published by Santorella
Publications
Folk * Love * Nostalgia * Wedding * Theater * Klezmer * Freylech * Humor. Arrang...(+)
Folk * Love * Nostalgia *
Wedding * Theater *
Klezmer * Freylech *
Humor. Arranged by Velvel
Pasternak. Tara Books
(Tara: The Best in Jewish
Music). Jewish. Size 9x12
inches. 112 pages.
Published by Tara
Publications.
Featuring: Hedwig's Theme / Main Titles / Newt's Friend / End Titl...(+)
Featuring: Hedwig's
Theme /
Main Titles / Newt's
Friend
/ End Titles. Composed by
James Newton Howard.
Arranged by Patrick
Roszell
(contains
"Hedwig's
Theme"
by John Williams).
Concert
Band; Score. Pop Young
Band.
Form: Medley; Suite.
Movie;
Pop. 28 pages. Published
by
Alfred Music
Rockin' Around The Christmas Tree and Up On The Housetop arranged by Jonathon Ro...(+)
Rockin' Around The
Christmas Tree and Up On
The Housetop arranged by
Jonathon Robbins. For
piano, voice, guitar
solo. Solo. Best of
Christmas series.
Christmas. Sheet Music.
Text Language: English. 8
pages. Published by
Santorella Publications