| Canone ed Ostinato and Corale con Canto Chorale SATB Boosey and Hawkes
Choral (SATB Choir) SKU: HL.48021234 From Cantata academica, Carmen ba...(+)
Choral (SATB Choir)
SKU: HL.48021234
From Cantata
academica, Carmen
basiliense. Composed
by Benjamin Britten.
Boosey & Hawkes Sacred
Choral. Classical.
Octavo. 16 pages. Boosey
& Hawkes #M051482474.
Published by Boosey &
Hawkes (HL.48021234).
ISBN 9781458423542.
UPC: 884088642037.
6.75x10.5
inches. Text: in
Latin compiled from the
charter of the
University, and from
older orations in praise
of Basle by Bernhard
Wyss.
Publisher:
Boosey &
Hawkes
Difficulty
level: 4 (for
chorus)
Britten's
genius lifts this work
above being just a worthy
celebration of the 500th
anniversary of the
foundation of Basle
University. It is
tongue-in-cheek and
mockingly non-academic
while referring all the
time to academic musical
forms and formulae. It is
written in two parts
(everything is in the
statutory Latin including
the titles of the parts -
Pars I and Pars II). The
titles of the movements
show Britten's intention
to show off a wide
variety of techniques.
Here are some examples:
Chorale/Alla Rovescio
(the theme is given and
responded to with the
same melody upside
down)/Recitativo/Tema
seriale con fuga/Canone
ed ostinato. There is a
good deal of humour
here.
There are
seven movements in Pars I
and six in Pars II. The
tenor soloist is given
three florid recitatives,
accompanied only by a
piano, which act as
bridges between other
orchestrally accompanied
movements. Of these the
most noteworthy are the
Arioso con canto popolare
for soprano solo with
tenors and basses who hum
a student song; another
terrific Britten scherzo;
and a wonderfully raucous
final pair of movements
(Canon ed ostinato and
Corale con canto) where
Britten seems to be aping
the Vivat Regina! cries
in Parry's I was glad or
encouraging the kind of
noisy 'I'm from the best
university' kind of
student touchline shout.
This has outrageously
high notes for the tenors
(top B) which further
endorse this feeling.
There are real echoes of
the Spring Symphony (see
separate entry) final
movement here which are
further underlined by the
last section of the
Cantata which brings in
the bells, piano, huge
percussion and the
inevitable chorale in
which the choir sings
'that a free academy may
thrive in a free
community, for ever the
ornament and treasure of
illustrious
Basle'.
This may
not be Britten at his
most soul-searching but,
as always, there is
plenty here to enjoy,
especially if the work is
not taken too seriously.
It is a celebratory,
occasional piece and it
could be well taken up by
other academic
establishments
celebrating big
anniversaries. The chorus
parts are not very
difficult, though they do
present challenges for
the choir - not least in
having tenors capable of
those very high notes at
the end. The Tema seriale
con fuga is sinewy and
needs careful tuning. It
also has the subject
regularly given upside
down after its initial
sounding by the basses.
All good
fun.
Duration: 21
minutes
Paul
Spicer, Lichfield,
2011. $2.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Blues Des Bacs A Sable Quatuor de Flûtes : 4 flûtes [Conducteur et Parties séparées] - Facile FLEX Editions
Flute Quartet 4 Flutes - Grade 3 SKU: FL.FX070762 Composed by Alain Lopez...(+)
Flute Quartet 4 Flutes -
Grade 3 SKU:
FL.FX070762 Composed
by Alain Lopez.
Classical, Chamber Music.
Score and Set of Parts.
FLEX Editions #FX070762.
Published by FLEX
Editions (FL.FX070762).
Blues des bacs
a sable allows young
players to play as the
big ones: a constant
harmonic formula, a slow
tempo and of course...
choruses! The blues
theme is traveling in
between the 4 flutists:
a nice way to learn
how to swing. $15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Blues Des Bacs A Sable [Conducteur et Parties séparées] - Facile FLEX Editions
Brass Quartet Bb Trumpet, Horn, Trombone, Tuba - Grade 3 SKU: FL.FX070763 ...(+)
Brass Quartet Bb Trumpet,
Horn, Trombone, Tuba -
Grade 3 SKU:
FL.FX070763 Composed
by Alain Lopez.
Classical, Chamber Music.
Score and Set of Parts.
FLEX Editions #FX070763.
Published by FLEX
Editions (FL.FX070763).
Blues des bacs
a sable allows young
players to play as the
big ones: a constant
harmonic formula, a slow
tempo and of course...
choruses! The blues
theme is traveling in
between the 4 players:
a nice way to learn
how to swing. $15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Blues Des Bacs A Sable Quatuor de Saxophones: 4 saxophones [Conducteur et Parties séparées] - Facile FLEX Editions
Saxophone Quartet 2 Altos, Tenor, Baritone Saxophones - Grade 3 SKU: FL.FX070...(+)
Saxophone Quartet 2
Altos, Tenor, Baritone
Saxophones - Grade 3
SKU: FL.FX070761
Composed by Alain Lopez.
Classical, Chamber Music.
Score and Set of Parts.
FLEX Editions #FX070761.
Published by FLEX
Editions (FL.FX070761).
Blues des bacs
a sable allows young
players to play as the
big ones: a constant
harmonic formula, a slow
tempo and of course...
choruses! The blues
theme is traveling in
between the 4
saxophonists: a nice
way to learn how to
swing. $15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Blues Des Bacs A Sable Quatuor de Clarinettes: 4 clarinettes [Conducteur et Parties séparées] - Facile FLEX Editions
Clarinet Quartet 3 Bb Clarinets, 1 Bass Clarinet - Grade 3 SKU: FL.FX070764(+)
Clarinet Quartet 3 Bb
Clarinets, 1 Bass
Clarinet - Grade 3
SKU: FL.FX070764
Composed by Alain Lopez.
Classical, Chamber Music.
Score and Set of Parts.
FLEX Editions #FX070764.
Published by FLEX
Editions (FL.FX070764).
Blues des bacs
a sable allows young
players to play as the
big ones: a constant
harmonic formula, a slow
tempo and of course...
choruses! The blues
theme is traveling in
between the 4
clarinetists: a nice
way to learn how to
swing. $15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| 3 Ricercare on the Theme Orgue [Conducteur] Breitkopf & Härtel
Organ SKU: BR.EB-8041 Of the 'Musical Offering' by J.S. Bach. Comp...(+)
Organ SKU:
BR.EB-8041 Of the
'Musical Offering' by
J.S. Bach. Composed
by Jurg Baur. Solo
instruments; Softcover.
Edition Breitkopf.
World premiere:
Dusseldorf, May 20,
1978 Music post-1945.
Score. Composed 1977. 24
pages. Duration 13'.
Breitkopf and Haertel #EB
8041. Published by
Breitkopf and Haertel
(BR.EB-8041). ISBN
9790004174401. 9 x 12
inches. During the
intensive study of Johann
Sebastian Bach's Musical
Offering for the creation
of a commissioned
composition for wind
trio, I had the idea of
writing a larger organ
work on the Royal Theme
at the same time. This is
how the Three Ricercare
came into being. They are
multi-part fantasies for
organ, which - connected
by the frequently
transformed thematic
material of the Musical
Offering and the
manifoldly reshaped
B-A-C-H motif - alternate
between free, rapsodic
parts on the one hand and
strictly structured parts
on the other. For my 60th
birthday, W. E. v.
Lewinski wrote an
appreciation under the
title: Music in the span
between constraint and
freedom. This formulation
aptly characterizes the
new organ work. (Jurg
Baur) CD: Martin
Herchenroder CD Koch
3-1846-3 H1 Bibliography:
Semrau , Arno: Polpyhone
Orgelmusik von Johann
Sebastian Bach bis Jurg
Baur, Augsburg: Wissner
2001, darin besonders pp.
259-304 und 510-532.
Richter , Reinhold:
Zwischen Tradition und
Avantgarde zwischen
Zweifel und Hoffnung.
Einige Notizen zur Chor-
und Orgelmusik von Jurg
Baur anlasslich des 85.
Geburtstages im
vergangenen November, in:
Forum Kirchenmusik 54
(2003), Heft 6, pp.
23-31.
World
premiere: Dusseldorf, May
20, 1978. $46.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| La 6a Noche. Concierto-Fantasia Editorial de Musica Boileau
Guitarra (Guitar) y Piano SKU: BO.B.3106 Composed by Jordi Cervello. Pluc...(+)
Guitarra (Guitar) y Piano
SKU: BO.B.3106
Composed by Jordi
Cervello. Plucked
Instruments. Duration
21:00. Published by
Editorial de Musica
Boileau (BO.B.3106).
ISBN
9788480201940. Engl
ish comments: With
reference to the melody
used to write the
Fanstasia-Concerto, the
composer Jordi Cervello
says: A few years ago, a
friend of mine, Jorge
Wagensberg sang me a
beautiful old Jewish
melody inspired by the
hymn Leja Dodi (Come, my
beloved) by the Sefardie
cabbalist Solomon Alkabez
(1505-1576), who is
buried in Israel. I was
immediately entranced by
its two extensive
thematic ideas which
complement each other
perfectly. Its melodic
and folk qualities seemed
to me to make it an ideal
theme for a work for
guitar and orchestra. The
orchestration is a fine
thread of metallic
timbres, which are
present both in the very
delicate subtleties of
the pianissimi passages
and the brilliant tutti.
Moreover, the cler tonal
definition of the melody
contrasts with audacious
harmonic contrapunctual
textures, characteristic
of the most advanced
musical styles of our
times. The solo guitar
part is a model piece of
compositon for the
guitar, both for its
melody and harmony. It
puts forward extremely
original formulas which
are very effective from
an instrumental point of
view. Its abundant use of
arpeggios, chords,
harmonic pedals and other
instrumental resources
ensure that the dialogue
with the orchestra is
based completely on
guitar-playing
techniques, putting the
guitarist's expressive
skill and mastery to the
test. This work was first
performed on December 3
1997 in Sabadell's La
Farandula Theatre
performed by the Valles
Symphonic Orchestra
conducted by its
permanent conductor
Salvador Brotons. The
guitar solo part was
played by Jaume Torrent,
to whom the work is
dedicated.
Comen
tarios del
Espanol: En relacion
al origen de la melodia
utilizada en este
Concierto-Fantasia, el
compositor Jordi Cervello
comenta: Hace ya algunos
anos, mi amigo Jorge
Wagensberg me canto una
antigua y deliciosa
melodia judia compuesta
sobre el himno Leja Dodi
(Ven mi bien amada) del
cabalista sefardi Solomon
Alkabez (1505-1576), cuya
tumba se encuentra en
Israel. En seguida me
cautivo por las dos
amplias ideas tematicas
que contiene, las cuales
se complementan muy
armoniosamente. Por sus
caracteristicas melodicas
y por su caracter popular
me parecio un tema ideal
para una obra de guitarra
y orquesta. La
orquestacion de este
concierto es una
filigrana de sugerencias
timbricas, presentes
tanto en las mas
delicadas sutilezas de
los pianissimi como en
los efusivos tutti.
Asimismo, la clara
definicion tonal de la
melodia contrasta con
audaces texturas
armonicas y
contrapuntisticas propias
de la estetica musical de
nuestros dias. La parte
del instrumento solista
en un modelo de escritura
guitarristica, tanto
desde el punto de vista
melodico como del
armonico y propone
formulas que resultan de
una gran originalidad y
eficacia instrumental. La
prodigalidad de arpegios,
acordes, pedales
armonicos y otros
recursos instrumentales,
garantizan un dialogo con
la orquesta desde un
lenguaje plenamente
guitarristico, a traves
del cual, el interprete
pone a prueba tanto su
capacidad expresiva como
la vituosistica. El
estreno de esta obra tuvo
lugar el dia 3 de octubre
de 1997 en el Teatro La
Farandula de Sabadell,
interpretada por la
Orquesta Sinfonica del
Valles bajo la direccion
de su director titular
Salvador Brotons, y
actuando como solista el
guitarrista Jaume Torrent
a quien esta dedicada la
obra. $23.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| La 6 Noche: Concierto-Fantasia Guitare, Orchestre Editorial de Musica Boileau
Guitar and orchestra SKU: BO.B.3105 Composed by Jordi Cervello. Plucked I...(+)
Guitar and orchestra
SKU: BO.B.3105
Composed by Jordi
Cervello. Plucked
Instruments. Duration
21:00. Published by
Editorial de Musica
Boileau (BO.B.3105).
ISBN
9788480202350. Engl
ish comments: With
reference to the melody
used to write the
Fanstasia-Concerto, the
composer Jordi Cervello
says: A few years ago, a
friend of mine, Jorge
Wagensberg sang me a
beautiful old Jewish
melody inspired by the
hymn Leja Dodi (Come, my
beloved) by the Sefardie
cabbalist Solomon Alkabez
(1505-1576), who is
buried in Israel. I was
immediately entranced by
its two extensive
thematic ideas which
complement each other
perfectly. Its melodic
and folk qualities seemed
to me to make it an ideal
theme for a work for
guitar and orchestra. The
orchestration is a fine
thread of metallic
timbres, which are
present both in the very
delicate subtleties of
the pianissimi passages
and the brilliant tutti.
Moreover, the cler tonal
definition of the melody
contrasts with audacious
harmonic contrapunctual
textures, characteristic
of the most advanced
musical styles of our
times. The solo guitar
part is a model piece of
compositon for the
guitar, both for its
melody and harmony. It
puts forward extremely
original formulas which
are very effective from
an instrumental point of
view. Its abundant use of
arpeggios, chords,
harmonic pedals and other
instrumental resources
ensure that the dialogue
with the orchestra is
based completely on
guitar-playing
techniques, putting the
guitarist's expressive
skill and mastery to the
test. This work was first
performed on December 3
1997 in Sabadell's La
Farandula Theatre
performed by the Valles
Symphonic Orchestra
conducted by its
permanent conductor
Salvador Brotons. The
guitar solo part was
played by Jaume Torrent,
to whom the work is
dedicated.
Comen
tarios del
Espanol: En relacion
al origen de la melodia
utilizada en este
Concierto-Fantasia, el
compositor Jordi Cervello
comenta: Hace ya algunos
anos, mi amigo Jorge
Wagensberg me canto una
antigua y deliciosa
melodia judia compuesta
sobre el himno Leja Dodi
(Ven mi bien amada) del
cabalista sefardi Solomon
Alkabez (1505-1576), cuya
tumba se encuentra en
Israel. En seguida me
cautivo por las dos
amplias ideas tematicas
que contiene, las cuales
se complementan muy
armoniosamente. Por sus
caracteristicas melodicas
y por su caracter popular
me parecio un tema ideal
para una obra de guitarra
y orquesta. La
orquestacion de este
concierto es una
filigrana de sugerencias
timbricas, presentes
tanto en las mas
delicadas sutilezas de
los pianissimi como en
los efusivos tutti.
Asimismo, la clara
definicion tonal de la
melodia contrasta con
audaces texturas
armonicas y
contrapuntisticas propias
de la estetica musical de
nuestros dias. La parte
del instrumento solista
en un modelo de escritura
guitarristica, tanto
desde el punto de vista
melodico como del
armonico y propone
formulas que resultan de
una gran originalidad y
eficacia instrumental. La
prodigalidad de arpegios,
acordes, pedales
armonicos y otros
recursos instrumentales,
garantizan un dialogo con
la orquesta desde un
lenguaje plenamente
guitarristico, a traves
del cual, el interprete
pone a prueba tanto su
capacidad expresiva como
la vituosistica. El
estreno de esta obra tuvo
lugar el dia 3 de octubre
de 1997 en el Teatro La
Farandula de Sabadell,
interpretada por la
Orquesta Sinfonica del
Valles bajo la direccion
de su director titular
Salvador Brotons, y
actuando como solista el
guitarrista Jaume Torrent
a quien esta dedicada la
obra. $43.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Symphony No. 5 in D minor [Op. 107] MWV N 15 (Reformation Symphony) Orchestre [Conducteur] Breitkopf & Härtel
Orchestra (2.2.2.2.dble bsn.serp - 2.2.3.0 - timp - str) SKU: BR.PB-5581 ...(+)
Orchestra (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str) SKU:
BR.PB-5581 Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Thomas Schmidt.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Symphony; Romantic. Full
score. 140 pages.
Duration 30'. Breitkopf
and Haertel #PB 5581.
Published by Breitkopf
and Haertel (BR.PB-5581).
ISBN 9790004213919. 10
x 12.5 inches. A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830. $96.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Symphony No. 5 in D minor [Op. 107] MWV N 15 (Reformation Symphony) Breitkopf & Härtel
Violin 2 (2.2.2.2.dble bsn.serp - 2.2.3.0 - timp - str) SKU: BR.OB-5581-16(+)
Violin 2 (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str) SKU:
BR.OB-5581-16
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Part.
20 pages. Duration 30'.
Breitkopf and Haertel #OB
5581-16. Published by
Breitkopf and Haertel
(BR.OB-5581-16). ISBN
9790004343210. 10 x 12.5
inches. A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830. $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Symphony No. 5 in D minor [Op. 107] MWV N 15 (Reformation Symphony) Breitkopf & Härtel
Violoncello (2.2.2.2.dble bsn.serp - 2.2.3.0 - timp - str) SKU: BR.OB-5581-23...(+)
Violoncello (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str) SKU:
BR.OB-5581-23
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Part.
16 pages. Duration 30'.
Breitkopf and Haertel #OB
5581-23. Published by
Breitkopf and Haertel
(BR.OB-5581-23). ISBN
9790004343234. 10 x 12.5
inches. A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830. $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Symphony No. 5 in D minor [Op. 107] MWV N 15 (Reformation Symphony) Orchestre Breitkopf & Härtel
Orchestra (2.2.2.2.dble bsn.serp - 2.2.3.0 - timp - str) SKU: BR.PB-5598-07(+)
Orchestra (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str) SKU:
BR.PB-5598-07
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Orchestra; Softbound.
Partitur-Bibliothek
(Score Library).
Symphony; Romantic. Study
Score. 132 pages.
Duration 30'. Breitkopf
and Haertel #PB 5598-07.
Published by Breitkopf
and Haertel
(BR.PB-5598-07). ISBN
9790004214954. 6.5 x 9
inches. A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830. $30.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Symphony No. 5 in D minor [Op. 107] MWV N 15 (Reformation Symphony) Breitkopf & Härtel
Double bass (2.2.2.2.dble bsn.serp - 2.2.3.0 - timp - str) SKU: BR.OB-5581-27...(+)
Double bass (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str) SKU:
BR.OB-5581-27
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Part.
16 pages. Duration 30'.
Breitkopf and Haertel #OB
5581-27. Published by
Breitkopf and Haertel
(BR.OB-5581-27). ISBN
9790004343241. 10 x 12.5
inches. A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830. $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Symphony No. 5 in D minor [Op. 107] MWV N 15 (Reformation Symphony) Breitkopf & Härtel
Viola (2.2.2.2.dble bsn.serp - 2.2.3.0 - timp - str) SKU: BR.OB-5581-19 <...(+)
Viola (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str) SKU:
BR.OB-5581-19
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Part.
16 pages. Duration 30'.
Breitkopf and Haertel #OB
5581-19. Published by
Breitkopf and Haertel
(BR.OB-5581-19). ISBN
9790004343227. 10 x 12.5
inches. A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830. $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Symphony No. 5 in D minor [Op. 107] MWV N 15 (Reformation Symphony) Breitkopf & Härtel
Woodwinds (2.2.2.2.dble bsn.serp - 2.2.3.0 - timp - str) SKU: BR.OB-5581-30(+)
Woodwinds (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str) SKU:
BR.OB-5581-30
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; Folder.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Set
of parts. 168 pages.
Duration 30'. Breitkopf
and Haertel #OB 5581-30.
Published by Breitkopf
and Haertel
(BR.OB-5581-30). ISBN
9790004343258. 10 x 12.5
inches. A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830. $122.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Symphony No. 5 in D minor [Op. 107] MWV N 15 (Reformation Symphony) Breitkopf & Härtel
Violin 1 (2.2.2.2.dble bsn.serp - 2.2.3.0 - timp - str) SKU: BR.OB-5581-15(+)
Violin 1 (2.2.2.2.dble
bsn.serp - 2.2.3.0 - timp
- str) SKU:
BR.OB-5581-15
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Thomas Schmidt.
Orchestra; stapled.
Orchester-Bibliothek
(Orchestral Library).
Symphony; Romantic. Part.
20 pages. Duration 30'.
Breitkopf and Haertel #OB
5581-15. Published by
Breitkopf and Haertel
(BR.OB-5581-15). ISBN
9790004343203. 10 x 12.5
inches. A
Programmatic Declaration
of BeliefFelix
Mendelssohn Bartholdy
composed his Reformation
Symphony for the
celebrations marking the
300th anniversary of the
Confessio Augustana, the
Protestant declaration of
faith. Owing to various
and only partially
explained reasons, there
was no performance in
1830, the year in
question; it was only two
years later that the
composer conducted the
premiere of his work, now
heavily revised, in
Berlin. There was only
one more performance in
Mendelssohn's lifetime,
this one conducted by
Julius Rietz in
Dusseldorf; the composer
had since distanced
himself from his
opus.Conceived for the
concert hall, the
symphony formulates its
theological references
through the integration
of various motives. This
occurs in the finale, for
example, in which
Mendelssohn quotes the
Luther chorale Ein feste
Burg in the flute, from
where it builds up to a
triumphant principal
theme. The strong
extra-musical aspect must
have been one of the
reasons for the
composer's later
avoidance of this score,
especially since
Mendelssohn was becoming
increasingly skeptical
about explicitly
programmatic music in the
instrumental domain. Next
to the Dusseldorf
performance material of
1837, two scribal copies
have been examined for
the first time; they
transmit the main stages
of the version of
1830. $10.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Concert de Rialp Guitare, Orchestre Editorial de Musica Boileau
Guitar and orchestra SKU: BO.B.3610 Composed by Jaume Torrent. Published ...(+)
Guitar and orchestra
SKU: BO.B.3610
Composed by Jaume
Torrent. Published by
Editorial de Musica
Boileau (BO.B.3610).
The concerto
establishes a dialogue
which alternates
constantly between the
guitar and the symphony
orchestra, with the two
sound worlds being
maintained in perfect
balance while also
exploring the unique
possibilities presented
by each: the guitar
develops a surprising
array of resources which
enhance its expressive
capacity to the utmost,
while the orchestra
envelops it in an
extensive range of
textures which at times
give rise to subtle
tones, and at others, all
the tonal vigour of the
tutti.
The
language I employ is
intended as a means of
achieving an efficient
symbiosis between
modernity and tradition,
continuing in the line of
my previous works as a
composer. It contains no
references to popular
music and at all times
veers away from the
expectations created by
the language of folklore
exploited in concertos of
this kind by the majority
of recognised composers.
In Concerto de Rialp,
modernity is reflected
through a search for
unique expressive forms,
experimentation with new
means of thematic
development and a unique
presentation of formal
solutions, all the while,
however, respecting
expressiveness and
lyricism as the
foundations of
communicating with the
audience.
The
concerto also explores
the guitar's new
technical resources.
Thanks to specific work
on left hand extensions,
mechanical formulas have
been developed which
allow certain scales to
be played at
unprecedented speeds. In
the cadenza of the first
movement, the guitar
develops the main theme
in the form of an
instrumental motif that
has never been used
before in guitar scores,
producing a polyphonic
effect of new
dimensions.
I have
worked to exploit the
distinctive sound
differences existing
between the guitar and
the orchestra -both from
the dynamic and the tonal
points of view- in order
to really develop the
dramatic effect that
their being brought
together affords. In the
second movement -calmo
assai- this dramatic
quality is expressed in a
way that is particularly
powerful by means of a
tension never before
achieved in a concerto
for guitar and
orchestra. $55.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cube 1-2-3... Trompette, Piano [Conducteur et Parties séparées] - Facile FLEX Editions
Bb Trumpet, Piano - Grade 2 SKU: FL.FX071170 Composed by Alain Lopez. Cla...(+)
Bb Trumpet, Piano - Grade
2 SKU: FL.FX071170
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071170.
Published by FLEX
Editions (FL.FX071170).
The title of
this Piece is a pun on
Cubans rhythms. The
opposition between the
tone and used homonymous
tone, as well as the
rhythmic formula chosen
on theme B are a typical
feature of South America
music. Concerning the
melody, it is a
stylistics composition on
quarter note
triplets! $9.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cube 1-2-3... Euphonium, Piano (duo) [Conducteur et Parties séparées] - Facile FLEX Editions
Euphonium, Piano - Grade 3 SKU: FL.FX071172 Composed by Alain Lopez. Clas...(+)
Euphonium, Piano - Grade
3 SKU: FL.FX071172
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071172.
Published by FLEX
Editions (FL.FX071172).
The title of
this Piece is a pun on
Cubans rhythms. The
opposition between the
tone and used homonymous
tone, as well as the
rhythmic formula chosen
on theme B are a typical
feature of South America
music. Concerning the
melody, it is a
stylistics composition on
quarter note
triplets! $9.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cube 1-2-3... Clarinette [Conducteur et Parties séparées] - Facile FLEX Editions
Clarinet, Piano - Grade 2 SKU: FL.FX071171 Composed by Alain Lopez. Class...(+)
Clarinet, Piano - Grade 2
SKU: FL.FX071171
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071171.
Published by FLEX
Editions (FL.FX071171).
The title of
this Piece is a pun on
Cubans rhythms. The
opposition between the
tone and used homonymous
tone, as well as the
rhythmic formula chosen
on theme B are a typical
feature of South America
music. Concerning the
melody, it is a
stylistics composition on
quarter note
triplets! $9.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cube 1-2-3. . . Quatuor de Saxophones: 4 saxophones [Conducteur et Parties séparées] - Intermédiaire FLEX Editions
Composed by Alain Lopez. Saxophone quartet. For SATB Saxophones. Classical, Cham...(+)
Composed by Alain Lopez.
Saxophone quartet. For
SATB Saxophones.
Classical, Chamber Music.
Grade 3. Score and set of
parts. 5 pages (score); 6
pages (parts). Published
by FLEX Editions
$14.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cube 1-2-3... Flûte traversière et Piano [Conducteur et Parties séparées] - Facile FLEX Editions
Flute, Piano - Grade 2 SKU: FL.FX071173 Composed by Alain Lopez. Classica...(+)
Flute, Piano - Grade 2
SKU: FL.FX071173
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071173.
Published by FLEX
Editions (FL.FX071173).
The title of
this Piece is a pun on
Cubans rhythms. The
opposition between the
tone and used homonymous
tone, as well as the
rhythmic formula chosen
on theme B are a typical
feature of South America
music. Concerning the
melody, it is a
stylistics composition on
quarter note
triplets! $9.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cube 1-2-3... Saxophone Tenor et Piano [Conducteur et Parties séparées] - Facile FLEX Editions
Tenor Saxophone Solo and Piano Accompaniment Tenor Saxophone, Piano - Grade 2 (+)
Tenor Saxophone Solo and
Piano Accompaniment Tenor
Saxophone, Piano - Grade
2 SKU: FL.FX071174
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071174.
Published by FLEX
Editions (FL.FX071174).
The title of
this Piece is a pun on
Cubans rhythms. The
opposition between the
tone and used homonymous
tone, as well as the
rhythmic formula chosen
on theme B are a typical
feature of South America
music. Concerning the
melody, it is a
stylistics composition on
quarter note
triplets! $9.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cube 1-2-3... Saxophone Alto et Piano [Conducteur et Parties séparées] - Facile FLEX Editions
Alto Saxophone, Piano - Grade 2 SKU: FL.FX071175 Composed by Alain Lopez....(+)
Alto Saxophone, Piano -
Grade 2 SKU:
FL.FX071175 Composed
by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071175.
Published by FLEX
Editions (FL.FX071175).
The title of
this Piece is a pun on
Cubans rhythms. The
opposition between the
tone and used homonymous
tone, as well as the
rhythmic formula chosen
on theme B are a typical
feature of South America
music. Concerning the
melody, it is a
stylistics composition on
quarter note
triplets! $9.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cube 1-2-3... Violon et Piano [Conducteur et Parties séparées] - Facile FLEX Editions
Violin, Piano - Grade 3 SKU: FL.FX071177 Composed by Alain Lopez. Classic...(+)
Violin, Piano - Grade 3
SKU: FL.FX071177
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071177.
Published by FLEX
Editions (FL.FX071177).
The title of
this Piece is a pun on
Cubans rhythms. The
opposition between the
tone and used homonymous
tone, as well as the
rhythmic formula chosen
on theme B are a typical
feature of South America
music. Concerning the
melody, it is a
stylistics composition on
quarter note
triplets! $9.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cube 1-2-3... Trombone et Piano [Conducteur et Parties séparées] - Facile FLEX Editions
Trombone, Piano - Grade 3 SKU: FL.FX071176 Composed by Alain Lopez. Class...(+)
Trombone, Piano - Grade 3
SKU: FL.FX071176
Composed by Alain Lopez.
Classical, Educational.
Score and Set of Parts.
FLEX Editions #FX071176.
Published by FLEX
Editions (FL.FX071176).
The title of
this Piece is a pun on
Cubans rhythms. The
opposition between the
tone and used homonymous
tone, as well as the
rhythmic formula chosen
on theme B are a typical
feature of South America
music. Concerning the
melody, it is a
stylistics composition on
quarter note
triplets! $9.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Cube 1-2-3... [Conducteur et Parties séparées] - Facile FLEX Editions
Brass Quartet Bb Trumpet, Horn, Trombone, Tuba - Grade 3 SKU: FL.FX070745 ...(+)
Brass Quartet Bb Trumpet,
Horn, Trombone, Tuba -
Grade 3 SKU:
FL.FX070745 Composed
by Alain Lopez.
Classical, Chamber Music.
Score and Set of Parts.
FLEX Editions #FX070745.
Published by FLEX
Editions (FL.FX070745).
The title of
this Piece is a pun on
Cubans rhythms. The
opposition between the
tone and used homonymous
tone, as well as the
rhythmic formula chosen
on theme B are a typical
feature of South America
music. Concerning the
melody, it is a
stylistics composition on
quarter note
triplets! $14.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Inventions, BWV 772-786 Piano seul [Partition] - Facile Schott
Piano. Composed by Johann Sebastian Bach (1685-1750). Edited by Alfred Kreutz. T...(+)
Piano. Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Alfred Kreutz. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Softcover. 40
pages. Schott Music
#ED9002. Published by
Schott Music
$7.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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