| The Little Black Songbook: Cat Stevens Guitare [Partition] Amsco Wise Publications
For Guitar. The little book with all the BIG songs. Lyric and Chord book. Publis...(+)
For Guitar. The little
book with all the BIG
songs. Lyric and Chord
book. Published by Wise
Publications.
$19.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Coffeehouse Companion Instruments en Do [Fake Book] Hal Leonard
(The Best Blend of Contemporary & Classic Songs). Composed by Various. F...(+)
(The Best Blend of
Contemporary &
Classic Songs).
Composed by Various. For
C
Instruments. Fake Book.
Softcover. 432 pages.
Published by Hal Leonard
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Coffeehouse Companion Instruments en Do Hal Leonard
(The Best Blend of Contemporary and Classic Songs 9x12 Edition). Composed by Var...(+)
(The Best Blend of
Contemporary and Classic
Songs 9x12 Edition).
Composed by Various. For
C Instruments. Fake Book.
Softcover. 432 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.416415760 For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760). UPC:
680160636532. 9 x 12
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $39.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.41641576L For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L). UPC:
680160636549. 11 x 17
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Wing It! Hal Leonard
Choral (teacher/singer CD-rom) SKU: HL.144499 A Musical About Taking R...(+)
Choral (teacher/singer
CD-rom) SKU:
HL.144499 A
Musical About Taking
Risks and Taking
Flight!. Composed by
John Higgins and John
Jacobson. ExpressiveArts.
Elementary, Musicals. 52
pages. Published by Hal
Leonard (HL.144499).
ISBN 9781495017742.
UPC: 888680062439. 8.5x11
inches. By John Jacobson
and John
Higgins. The baby
birds are getting bigger
and it's time for them to
leave the nest and try to
fly. But not this little
batch of nesters! They
have decided they like
their snug little nest
and all of the amenities
it offers. Why leave home
when it's so nice and
safe right here? Through
the course of this
musical, all of the other
birds - including rapping
raptors, humming
hummingbirds, honking
geese and more - will
work to convince the
babies that eventually
everyone has to try to
fly and make it on their
own. And when you do, you
might just soar! This
charming 25-minute
musical features five
original songs and
easy-to-learn rhyming
dialog with over 30
speaking parts. The
enhanced Teacher Edition
includes piano/vocal
arrangements with
choreography, helpful
production guide with
staging and costume
suggestions, PLUS an
enclosed CD-ROM with
reproducible singer and
speaking parts.
ScorePlay -
click to view score with
recording. $39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Phillips Collection of Traditional American Fiddle Tunes Vol 1 Violon [Partition] Mel Bay
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For
fiddle. All styles,
fiddle tunes. Level:
Multiple Levels. Book.
Solos. Size 8.75x11.75.
268 pages. Published by
Mel Bay Pub., Inc.
(1)$39.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Folksongs of the British Isles Book 2 Flûte traversière et Piano Hummingbird Publishing
Composed by Traditional. Arranged by Edward Watson. Published by Hummingbird Pub...(+)
Composed by Traditional.
Arranged by Edward
Watson. Published by
Hummingbird Publishing
(HM.HB9807).
$14.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Classics for the Advancing Pianist: Edward MacDowell 1-3 (Value Pack) Piano seul - Intermédiaire/avancé Alfred Publishing
Edited by Nancy Bachus. Graded Standard Repertoire; Masterworks; Other; Pian...(+)
Edited by Nancy Bachus.
Graded Standard
Repertoire;
Masterworks; Other; Piano
Supplemental; Promotional
Packet. Classics for
Students. Baroque;
Classical. Published by
Alfred Music
$19.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Art of French Song, Volume 1 (For low voice, piano. ) Voix basse, Piano [Partition] Peters
Niedermeyer,Berlioz,Gouno d,Viardot,Franck, Masse,Lalo,Saint-Saens, Delibes, Biz...(+)
Niedermeyer,Berlioz,Gouno
d,Viardot,Franck,
Masse,Lalo,Saint-Saens,
Delibes, Bizet,Massenet,
Chabrier, Paladihle,
Faure, Duparc,
Chausson,Debussy, Satie,
de Severac, Dupont,
Poulenc(Fr). By Various.
Edited by Nichols. For
low voice, piano.
Photoprint edition -
publisher prints this
title after order is
received. Published by
C.F. Peters.
$37.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Art of French Song, Volume 1 (For high voice, piano) Voix haute, Piano [Partition] Peters
Niedermeyer, Berlioz, Gounod, Viradot, Franck, Masse, Lalo, Saint-Saens, Delibes...(+)
Niedermeyer, Berlioz,
Gounod, Viradot, Franck,
Masse, Lalo, Saint-Saens,
Delibes,Bizet, Massenet,
Chabrier, Paladihle,
Faure, Duparc, Chausson,
Debussy, Satie,de
Severac, Dupont,
Poulenc(Fr). By Various.
Edited by Nichols. For
high voice, piano.
Photoprint edition -
publisher prints this
title after order is
received. Published by
C.F. Peters.
$37.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Rise Up, Shepherd! Carl Fischer
Choral Bass 1, Bass 2, baritone voice tenor 1, tenor 2 SKU: CF.CM9634 Com...(+)
Choral Bass 1, Bass 2,
baritone voice tenor 1,
tenor 2 SKU:
CF.CM9634 Composed by
Traditional Christmas
Spiritual. Arranged by
Ken Berg. Sws.
Performance Score. 16
pages. Duration 3
minutes, 40 seconds. Carl
Fischer Music #CM9634.
Published by Carl Fischer
Music (CF.CM9634).
ISBN 9781491157060.
UPC: 680160915620. 6.875
x 10.5 inches. Key: G
major. English, English.
Traditional Christmas
Spiritual. Berg's
fantastic setting of this
beloved American
Christmas spiritual for
advanced tenor-bass
choirs tells a story of
hope and meaning. The
various textures
throughout the a cappella
arrangement with solos
add much variety and
musical interest. A
holiday programming
must!. This beloved
American Christmas
Spiritual, like all
spirituals and/or folk
songs, tells a story.
This is a story of hope
and meaning. The
introductory solo call
and response (mm. 1-7) is
hymnic in nature, just to
get us started. (Think of
it as an effective head
fake!) The entrance at m.
8 from the upper three
voices (we'll call them
the trio part henceforth)
is pivotal. They set the
stage for the
conversation between the
singers and the soloist
for the rest of the song.
From this point, the song
is basically a Jazz Trio
in vocal form. The bass
singers take on the role
of the cool dude in the
back wearing dark glasses
and a beret playing the
string bass. They provide
the driving force for the
forward movement of the
entire song. The trio
part, basically tenors 1
& 2 and baritones,
take on the role of the
keyboard providing
chordal structure and
syncopation. Their job is
to fill the listener's
ear with sound and
rhythm. The soloist tells
the story using the known
melody and text with
appropriate improv
opportunities to keep the
listeners focused on the
message of the song.
There is enough
repetition to make for
easy learning, but this
also means that the
chords need to snap into
position cleanly every
time. The Verses are
easily identified (there
are three) and presented
with some small
variations in Verse 3
(see mm. 56-58...this
only happens once). The
Refrain (mm. 30-37) is
the part of the song
where the singers switch
from the Jazz Trio role
and actually become a
Men's Choral Ensemble.
This Refrain is repeated
after Verse 3 at mm.
66-71. Between verses 2
& 3, there is not a
refrain. Instead, there
is a bridge repeated from
the introductory
material, but used this
time to move us into a
new key signature. This
can be a very exciting
moment for the singers as
well as the listeners!
Measures 72-75 is known
in the business as a
vamp. It can be repeated
once and then move on, OR
it can be repeated
multiple times, depending
on the comfort level of
the soloist and the
response of the audience.
It is important that
there be a clear signal
from the conductor as to
how to end the vamp and
move effectively to the
actual coda of the song.
The ending should be sung
with tight control that
only looks like reckless
abandon! Faces bright;
words clean; melody
clear; rhythms precise!
Enjoy. This beloved
American Christmas
Spiritual, like all
spirituals and/or folk
songs, tells a story.
This is a story of hope
and meaning. The
introductory solo call
and response (mm. 1-7) is
hymnic in nature, just to
get us started. (Think of
it as an effective head
fake!)The entrance at m.
8 from the upper three
voices (we’ll call
them the “trio
part†henceforth)
is pivotal. They set the
stage for the
conversation between the
singers and the soloist
for the rest of the song.
From this point, the song
is basically a Jazz Trio
in vocal form. The bass
singers take on the role
of the cool dude in the
back wearing dark glasses
and a beret playing the
string bass. They provide
the driving force for the
forward movement of the
entire song.The
“trio partâ€,
basically tenors 1 & 2
and baritones, take on
the role of the keyboard
providing chordal
structure and
syncopation. Their job is
to fill the
listener’s ear
with sound and rhythm.The
soloist tells the story
using the known melody
and text with appropriate
improv opportunities to
keep the listeners
focused on the message of
the song.There is enough
repetition to make for
easy learning, but this
also means that the
chords need to
“snap into
position†cleanly
every time. The Verses
are easily identified
(there are three) and
presented with some small
variations in Verse 3
(see mm. 56-58…this
only happens once).The
Refrain (mm. 30-37) is
the part of the song
where the singers switch
from the “Jazz
Trio†role and
actually become a
“Men’s
Choral Ensembleâ€.
This Refrain is repeated
after Verse 3 at mm.
66-71. Between verses 2 &
3, there is not a
refrain. Instead, there
is a bridge repeated from
the introductory
material, but used this
time to move us into a
new key signature. This
can be a very exciting
moment for the singers as
well as the
listeners!Measures 72-75
is known in the business
as a “vampâ€.
It can be repeated once
and then move on, OR it
can be repeated multiple
times, depending on the
comfort level of the
soloist and the response
of the audience.It is
important that there be a
clear signal from the
conductor as to how to
end the
“vamp†and
move effectively to the
actual coda of the song.
The ending should be sung
with tight control that
only looks like reckless
abandon!Faces bright;
words clean; melody
clear; rhythms precise!
Enjoy. $2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Classics for the Advancing Pianist -- Edward MacDowell, Book 1 Piano seul - Intermédiaire/avancé Alfred Publishing
(Intermediate to Late Intermediate Repertoire). Composed by Edward MacDowell (18...(+)
(Intermediate to Late
Intermediate Repertoire).
Composed by Edward
MacDowell (1861-1908).
Edited by Nancy Bachus.
For Piano. Book; Graded
Standard Repertoire;
Masterworks; Piano
Collection. The Classics
for the Advancing Pianist
series provides
motivating, enjoyable
literature of substantial
quality for developing
keyboard artists.
Masterwork; Recital;
Romantic. Intermediate;
Late Intermediate. 32
pages. Published by
Alfred Music
$8.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Piano Adventures Technique Artistry Book, Level 2A
Piano seul [Partition] - Facile Faber Music Limited
By Nancy Faber, Randall Faber. For Piano. Level: 2A. Book. Published by The FJH ...(+)
By Nancy Faber, Randall
Faber. For Piano. Level:
2A. Book. Published by
The FJH Music Company,
Inc.
(2)$8.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Jazz And Blues [Conducteur] - Facile Lemoine, Henry
2 flutes - Level 2 SKU: LM.26242 Composed by Kate Cuzner. Pop, jazz. Scor...(+)
2 flutes - Level 2
SKU: LM.26242
Composed by Kate Cuzner.
Pop, jazz. Score.
Editions Henry Lemoine
#26242. Published by
Editions Henry Lemoine
(LM.26242). ISBN
9790230962421. Phar
oe's Cats - Bean Bag
Blues - Hummingbird -
Monday Morning Blues -
Feather Brained -
Bananacubana - Billy's
Waltz - Puffin' the
Mule. $19.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Cat Stevens: Complete Chord Songbook Paroles et Accords [Partition] Amsco Wise Publications
By Cat Stevens. For Guitar. Folk, Pop, Rock. Sheet Music. 304 pages. Published b...(+)
By Cat Stevens. For
Guitar. Folk, Pop, Rock.
Sheet Music. 304 pages.
Published by Wise
Publications.
$29.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| String Quartet No. 3 "in Flight Music" Score And Parts Quatuor à cordes: 2 violons, alto, violoncelle Schott
String quartet (String Quartet) - difficult SKU: HL.49043938 'In Fligh...(+)
String quartet (String
Quartet) - difficult
SKU: HL.49043938
'In Flight Music'.
Composed by Edward Cowie.
This edition: Saddle
stitching. Sheet music.
String Ensemble.
Softcover. Composed
1982-1983. 122 pages.
Duration 15'. Schott
Music #ED13390. Published
by Schott Music
(HL.49043938). ISBN
9790220133923.
9.25x12.0x0.494
inches. The 3rd
String Quartet was
originally composed in
1982-3 to a commission
from The Adelaide
Festival, and premiered
by The Petra Quartet in
1983. Subsequent to this
quartet, I have composed
two more; No. 4 in 1986
and No. 5 in 2002.The
offer to re-publish this
work, led me to begin by
a process of amendment,
but ended in the
composition of a
virtually new quartet!
Only parts of the
original quartet have
been retained. I also
chose to 'frame' (in my
case this means an
inspirational focus and
filter), the quartet in a
new way too.In Flight
Music keeps the
4-movement format of the
original quartet, but is
now directly linked to a
life-long interest in
flight. The first two
movements are concerned
with aspects of humans in
flight, whilst the last
two deal with insects and
birds respectively.Since
all my music is these
days preceded by
visualisations in the
form of drawings,
wherever possible, this
quartet might be
performed with the four
drawings, one for each
movement, back-projected
behind the
players.Digital copies of
these drawings may be
obtained from Schott
Music.Edward
Cowie.Maurens. France.
August, 2010. $73.00 - Voir plus => Acheter | | |
| The Best of B.B. King Piano, Voix et Guitare [Partition] Hal Leonard
By B.B. King. Piano/Vocal/Guitar Artist Songbook. Softcover. 96 pages. Published...(+)
By B.B. King.
Piano/Vocal/Guitar Artist
Songbook. Softcover. 96
pages. Published by Hal
Leonard
(1)$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Keys to Success, Book 1 Piano seul [Partition] FJH
By Kevin Olson. For Piano. Teaching Material. This book is arranged in 15 units,...(+)
By Kevin Olson. For
Piano. Teaching Material.
This book is arranged in
15 units, one for each
major key. (Enharmonic
keys are also included.)
This book is sure to make
learning pentascales fun
for any elementary
students. Level: All
levels. Book. Published
by The FJH Music Company
Inc.
$8.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Selected Works, vol. 1 Guitare Guitare classique [Conducteur] Productions OZ
Guitar - Advanced SKU: DZ.DZ-4314 Composed by Ramsés CalderÃÂ...(+)
Guitar - Advanced SKU:
DZ.DZ-4314 Composed
by Ramsés
Calderón. Score.
Les Productions d'OZ #DZ
4314. Published by Les
Productions d'OZ
(DZ.DZ-4314). ISBN
9782898522314. The
present collection is
around the idea of paying
homage to the people that
each piece is dedicated
to. El ColibrÃÂ
(Hummingbird): A
meaningful bird within
Central American
indigenous mythology.
Dedicated to my good
friend and co-author
Federico Sheppard, a very
special human being with
whom I have walked a long
journey in a short time,
to produce and publish
the work of the great
AgustÃÂn Barrios
Mangoré. El
Faro refers to the
guidance of a lighthouse
for the those navigating
the sea, the light to
point travellers in the
right direction. This
piece is dedicated to
maestro Antonio
RodrÃÂguez Delgado,
for his unconditional
friendship, light, and
guidance with the complex
journey of our beloved
instrument, so that it be
used as a tool for self
realization. Gratitude
is dedicated to maestro
Elias Barreiro for his
tireless work and
contribution to the
global guitar practices,
additionally, for his
genuine
friendship. CanciÃ
³n de Cuna is a piece
that pretends to reflect
the awakening of a new
consciousness for
humanity, the title
(Lullaby) refers to the
little person we all have
inside.
La
présente
collection est
centrée sur
l'idée de rendre
hommage aux personnes
auxquelles chaque
pièce est
dédiée.
El ColibrÃÂ
(Colibri) : Un oiseau
significatif dans la
mythologie
indigène
d'Amérique
centrale.
Dédicacé
ÃÂ mon bon ami et
co-auteur Federico
Sheppard, un être
humain très
spécial avec qui
j'ai parcouru un long
chemin en peu de temps,
pour produire et publier
l'Ã
Âuvre du grand
AgustÃÂn Barrios
Mangoré. El
Faro fait
référence
ÃÂ la guidance d'un
phare pour ceux qui
naviguent en mer, la
lumière pour
orienter les voyageurs
dans la bonne direction.
Cette pièce est
dédiée au
maestro Antonio
RodrÃÂguez Delgado,
pour son amitié
inconditionnelle, sa
lumière et son
guidage dans le voyage
complexe de notre
instrument
bien-aimé, afin
qu'il soit utilisé
comme un outil de
réalisation de
soi. Gratitude est
dédiée au
maestro Elias Barreiro
pour son travail
inlassable et sa
contribution aux
pratiques mondiales de la
guitare, et en plus, pour
son amitié
sincère. Canci
³n de Cuna est une
pièce qui
prétend
refléter
l'éveil d'une
nouvelle conscience pour
l'humanité, le
titre (Berceuse) se
réfère
ÃÂ la petite
personne que nous avons
tous ÃÂ
l'intérieur de
nous. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Gilbert and Sullivan Piano, Voix [Vocal Score] Hal Leonard
The World's Great Classical Music. By Gilbert and Sullivan. World's Greatest Cla...(+)
The World's Great
Classical Music. By
Gilbert and Sullivan.
World's Greatest
Classical Music. Size
9x12 inches. 336 pages.
Published by Hal Leonard.
(2)$22.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| In Recital with Jazz, Blues, and Rags, Book 4 Piano seul [Partition] - Intermédiaire FJH
By Various. Edited by Helen Marlais. For Piano. The FJH Pianist's Curriculum. Ja...(+)
By Various. Edited by
Helen Marlais. For Piano.
The FJH Pianist's
Curriculum. Jazz, Blues,
and Rags. Level: Early
Intermediate. Collection
and Listening CD.
Published by The FJH
Music Company Inc.
$9.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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