| Three Occasional Odes [Conducteur] Stainer and Bell
SKU: ST.PE1 Composed by Henry Purcell. Edited by Bruce Wood. Library Volu...(+)
SKU: ST.PE1
Composed by Henry
Purcell. Edited by Bruce
Wood. Library Volumes.
Edited Bruce Wood. First
published in 2008. Pages:
184. Format: Hardback.
Dimensions (mm): 303 x
213 x 17. Score. Stainer
& Bell Ltd. #PE1.
Published by Stainer &
Bell Ltd. (ST.PE1).
ISBN
9790220222184. In
addition to Celestial
music and Great
Parent, hail!,
formerly in
Miscellaneous Odes
and Cantatas which
is now replaced by PE27
Symphony
Songs, PE1 contains
The Yorkshire Feast Song,
Of old, when heroes
thought it base,
which was the inaugural
volume of the series,
published in 1878 and
edited by a
founder-member of the
society, W. H. Cummings.
The first English score
with full Baroque
instrumentation,
including trumpets and
oboes, it is a consummate
display of orchestral
mastery, and represents
the composer's first
response to Giovanni
Battista Draghi's 1687
setting of Dryden's
Cecilian Ode From
Harmony.
CONTENTS Celestial
music did the gods
inspire Great parent,
hail! Of old, when
heroes thought it base
(The Yorkshire Feast
Song). $70.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Serenade for Wind Instruments in E-flat Major, Op. 7 G. Henle
Chamber Ensemble (Study Score) SKU: HL.51487261 E-flat Major Study Sco...(+)
Chamber Ensemble (Study
Score) SKU:
HL.51487261 E-flat
Major Study Score.
Composed by Richard
Strauss. Edited by
Norbert Gertsch. Henle
Study Scores. Classical.
Softcover. 38 pages. G.
Henle #HN7261. Published
by G. Henle
(HL.51487261). UPC:
840126932874.
6.75x9.5x0.168
inches. When he was
a mere 18 years old,
Richard Strauss composed
the highly Romantic,
one-movement Serenade for
Wind Instruments, op. 7.
Extremely popular among
wind players to this day,
this work recalls in
instrumentation and
structure Mozart's
“Gran
Partita,†which
certainly served as a
model for Strauss. The
serenade was not
premiered in its Bavarian
homeland as might have
been expected, but rather
in Dresden, in 1882,
under the direction of
the then much-esteemed
conductor Franz
Wüllner, who had also
given the inaugural
performances of Richard
Wagner's Rheingold and
Die Walküre and later
premiered Strauss' tone
poems Till Eulenspiegel
and Don Quixote. So it
was a great honour for
the young Bavarian!
Editor Norbert Gertsch
presents this little
masterwork here for the
first time in Urtext
quality - in full score
and instrumental parts -
for which not just the
first edition but also
the autograph manuscript
was scrutinised
fastidiously.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the work
- Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
- most beautiful music
engraving
- page-turns, fold-out
pages, and cues where you
need them
- excellent print
quality and
binding
- largest Urtext
catalogue
world-wide
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$21.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Serenade for Wind Instruments in E-flat Major, Op. 7 G. Henle
Woodwind Ensemble (Score & Parts) SKU: HL.51481261 Set of Parts. C...(+)
Woodwind Ensemble (Score
& Parts) SKU:
HL.51481261 Set of
Parts. Composed by
Richard Strauss. Edited
by Norbert Gertsch. Henle
Music Folios. Classical.
Softcover. 55 pages. G.
Henle #HN1261. Published
by G. Henle
(HL.51481261). UPC:
840126933031.
9.0x12.0x0.202
inches. For flute,
2 oboes, 2 clarinets (B
flat), 2 bassoons, double
bassoon or bass tuba, 4
horns (E flat major/B
flat) with additional
parts for horns in F.
When he was a mere 18
years old, Richard
Strauss composed the
highly Romantic,
one-movement Serenade for
Wind Instruments, op. 7.
Extremely popular among
wind players to this day,
this work recalls in
instrumentation and
structure Mozart's
“Gran
Partitaâ€, which
certainly served as a
model for Strauss. The
serenade was not
premiered in its Bavarian
homeland as might have
been expected, butrather
in Dresden, in 1882,
under the direction of
the then much-esteemed
conductor Franz
Wüllner, who had also
given the inaugural
performances of Richard
Wagner's Rheingold and
Die Walküre and later
premiered Strauss' tone
poems Till Eulenspiegel
and Don Quixote. So it
was a great honour for
the young Bavarian!
Editor Norbert Gertsch
presents this little
masterwork here for the
first time in Urtext
quality - in full score
and instrumental parts -
for which not just the
first edition but also
the autograph manuscript
was scrutinised
fastidiously.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
- error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
- preface in 3
languages with
information on the
genesis and history of
the work
- Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
- most beautiful music
engraving
- page-turns, fold-out
pages, and cues where you
need them
- excellent print
quality and
binding
- largest Urtext
catalogue
world-wide
- longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
$32.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Empuries (Partitura) Editorial de Musica Boileau
Orchestra and Cobla SKU: BO.B.3260 Composed by Josep Ma Ruera. Instrument...(+)
Orchestra and Cobla
SKU: BO.B.3260
Composed by Josep Ma
Ruera. Instrumental Sets.
Duration 40:52. Published
by Editorial de Musica
Boileau (BO.B.3260).
ISBN
9788480207584. Engl
ish comments:
Empuries is the result of
the interest Ruera showed
throughout his life for
the culture and music of
ancient Greece. As he
himself writes in the
introduction to the
composition: The motives
behind this work were
inspired by contemplating
and analysing the melos
of ancient Greece. The
few melodies that have
been discovered from
those far-off times
inspired the composer of
Empuries to create this
work, conceived with the
Greek modal system in
mind, and adapted to
modern instruments and
tastes. The tetrachord
and pentachords of these
forms are the very bases
of this work. The
descending drift of the
cadence, the harmonic
priority of the upper and
lower notes of the
tetrachords and the
displacement of these
chords to different
acoustic levels, make it
impossible to specify the
classic concept of a set
tonality which, within
the improvised musical
working of the piece,
leads to a naturally
intertonal or atonal
piece of music. Empuries
came to light in 1971,
when it won group A of
the Ciutat de Barcelona
prize. But one must, in
fact, go back to the
1930s to find its true
origins. Ruera made his
first foray into the
theme of ancient Greece
with the sardana,
Empuries, la grega, with
which he won first prize
in the Jocs Florals in
Girona, in 1931. Shortly
afterwards, he wrote a
piece of organ music
entitled Bucolics, in the
Greek modal style, which
was destroyed during the
Spanish civil war. Ruera
continued to work on the
theme and in 1936 he
presented his work Tres
moviments simfonics, for
a big band, inspired by
the ancient Greek modes,
at the XIV International
Festival of the ISCM held
in Barcelona. The work
was chosen to debut in
the festival's opening
concert on 19 April 1936
at Palacio de Bellas
Artes in Barcelona. In
1959, Ruera won the Pau
Casals Prize at the Jocs
Florals de la Llengua
Catalana, held at the
Sorbonne in Paris, for
his work, Empuries: poema
per a cobla i orquestra,
which would later become
the fourth movement of
Empuries. Nine years
later, in 1968, Barcelona
City Orchestra, conducted
by Antoni Ros Marba, gave
the first ever
performance of the
symphonic poem Pastoral,
written to be the first
movement of Empuries, in
Granollers. The final
step was when he finally
completed the work, won
the Ciutat de Barcelona
prize, opened in
Granollers on 2 May 1976
and recorded it for the
Columbia de Barcelona
label in 1977. Anna Maria
Piera
Comentario
s del Espanol: La
obra Empuries es fruto
del interes que el
maestro Ruera demostro a
lo largo de su vida por
la cultura y la musica de
la antigua Grecia. Como
el mismo escribe en la
cabecera de la
composicion: Los motivos
generadores de esta obra
estan inspirados en la
contemplacion y en el
analisis del melos de la
antigua Grecia. Las pocas
melodias que hasta el
momento se han podido
descubrir de aquellos
tiempos remotos sugieren
al autor de Empuries la
realizacion de esta obra,
concebida pensando en el
sistema modal griego,
adaptado a los
instrumentos y gustos
modernos. Los tetracordes
y pentacordes de dichas
modalidades son las
celulas en las que se
basa la obra. El sentido
descendiente de la
cadencia, la prioridad
armonica de la notas
extremas de los
tetracordes y el
desplazamiento de estos
acordes a varias alturas
acusticas, hacen que no
sea posible precisar el
clasico concepto de una
tonalidad determinada y
que lleven, dentro del
funcionamiento
contrapuntistico, a una
musica naturalmente
intertonal o atonal.
Empuries vio la luz en el
ano 1971, ganando el
Premio Ciutat de
Barcelona, grupo A, pero
en realidad tenemos que
retroceder hasta los anos
30 para encontrar sus
verdaderos origenes. La
primera incursion en el
tema de la antigua Gracia
la hizo con la sardana
Empuries, la grega, con
la que gano el primer
premio en los Jocs
Florals de Gerona del ano
1931. Poco despues
escribio una pieza para
organo titulada Bucolics,
en el estilo modal
griego, que fue destruida
durante la Guerra Civil
espanola. Ruera continuo
trabajando en el tema y
en el ano 1936 presento
su obra Tres moviments
simfonics, en version
para gran banda,
inspirada en las antiguas
modalidades griegas, en
el XIV Festival
Internacional de la SIMC
que se celebro en
Barcelona. La obra fue
escogida para ser
estrenada en el concierto
inaugural de dicho
festival, el 19 de abril
de 1936, en el Palacio de
Bellas Artes de
Barcelona. En el 1959,
Ruera gano el Premio Pau
Casals en los Jocs
Florals de la Llengua
Catalana celebrados en la
Sorbona de Paris con la
obra Empuries: poema per
a cobla i orquestra, que
sera con el paso del
tiempo el cuarto
movimiento de Empuries.
Nueve anos mas tarde, en
1968, la Orquestra Ciutat
de Barcelona, bajo la
direccion de Antoni Ros
Marba, interpreto en
Granollers la primera
audicion del poema
sinfonico Pastoral,
pensado como primer
movimiento de Empuries.
El ultimo eslabon fue
terminar definitivamente
la obra, ganar el Premio
Ciutat de Barcelona,
estrenarla en Granollers
el 2 de mayo de 1976 y
grabarla para la casa
discografica Columbia de
Barcelona, en 1977. $42.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Le Lion de Belfort Chorale SATB SATB, Piano - Intermédiaire De Haske Publications
SAT/B choir and piano - Grade 4 SKU: BT.DHP-1115071-050 Un hommage au ...(+)
SAT/B choir and piano -
Grade 4 SKU:
BT.DHP-1115071-050
Un hommage au
sculpture Frédéric
Auguste Bartholdi.
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score and
Parts). Composed 2012. De
Haske Publications #DHP
1115071-050. Published by
De Haske Publications
(BT.DHP-1115071-050).
9x12 inches.
English-German-French-Dut
ch. Le Lion de
Belfort was composed
for the official
inauguration of the
sculpture Le Lion de
Belfort: an enormous
red sandstone lion that
dominates the landscape
of the French city of
Belfort. This 22 metre
long and 11 metre high
lion symbolises the
heroic French resistance
during the Prussian siege
of Belfort in 1870-1871.
The composer added a
narrator and three-part
choir to the concert band
instrumentation, who
utilise texts written
specially for the
occasion by Jean
Ehret.The workâ??s
première took place at
the inauguration of Le
Lion de Belfort on 28
November 2010, 130 years
after sculptor
Frédéric Auguste
Bartholdi (1834-1904)
completed the
statue.
Dit werk
is geschreven voor de
officiële inwijding
van het beeldhouwwerk Le
Lion de Belfort: een
enorme uit rodezandsteen
gebeeldhouwde leeuw die
het gezicht van de Franse
stad Belfort bepaalt. De
22 meter lange en 11
meterhoge
leeuwsymboliseert het
heldhaftige Franse verzet
tijdens het beleg van
Belfort door de Pruisen
in 1870-1871. De
componist voegde aan het
harmonieorkest een
verteller en driestemmig
koor toe, waarbij hij
gebruikmaakte van
despeciaalvoor deze
gelegenheid geschreven
teksten van Jean Ehret.De
première van de
compositie vond - ter
gelegenheid van die
inwijding - plaats op 28
november 2010, maar
liefst 130jaar nadat het
standbeeld door de Franse
beeldhouwer
FrédéricAuguste
Bartholdi (1834-1904)
werd
voltooid.
Le
Lion de Belfort (Der
Löwe von Belfort)
wurde fu?r die offizielle
Einweihung der
gleichnamigen Skulptur
geschrieben: Diese ist
ein riesiger Löwe aus
Sandstein, der das Bild
der französischen
Stadt Belfort prägt.
Der 22 Meter lange und 11
Meter hohe Löwe
symbolisiert den
heldenhaften Widerstand
der Franzosen während
der preuÃ?ischen
Belagerung Belforts
1870-1871. Der Komponist
ergänzte die
Blasorchesterbesetzung um
einen Erzähler und
einen dreistimmigen Chor,
die speziell fu?r diesen
Anlass von Jean Ehret
verfasste Texte
vortragen.Die Premiere
dieses Werke fand bei der
Einweihung des Lion de
Belfort am 28.
November 2010 statt - 130
Jahre nachdem
derBildhauer
Frédéric Auguste
Bartholdi (1834-1904) die
Statue vollendet hatte.
an de Haan a
composé ce morceau
pour lâ??inauguration
officielle du Lion de
Belfort, une
sculpture monumentale en
grès rose dominant la
ville de Belfort
(France). 22 m de long et
11 m de haut, ce lion
symbolise la
résistance héro que
de la ville,
assiégée par
lâ??armée prussienne
pendant la guerre de
1870-1871. Cette pièce
est interpréter avec
un Choeur mixte trois
voix et un Récitant
(Textes écrits
spécialement par Jean
Ehret).La première
mondiale de lâ??oeuvre a
eu lieu le 28 novembre
2010, dans le cadre de la
cérémonie
officielle inaugurant le
Lion, cent trente ans
après sa livraison par
le sculpteur français,
Frédéric Auguste
Bartholdi
(1834-1904).
Le
Lion de Belfort è
un brano commissionato
dallâ??Orchestra di
Fiati della citt di
Belfort in Francia. Jan
de Haan ha composto
questo brano per
lâ??inaugurazione
ufficiale del Leone di
Belfort, una scultura
monumentale in ceramica
rosa che domina la citt .
Questo brano può
essere eseguito con coro
misto a tre voci e una
voce recitante (testi
scritti da Jean
Ehret). $52.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Le Lion de Belfort Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-1115071-010 Un hommage au ...(+)
Concert Band/Harmonie -
Grade 4 SKU:
BT.DHP-1115071-010
Un hommage au
sculpture Frédéric
Auguste Bartholdi.
Composed by Jan de Haan.
Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2012. De
Haske Publications #DHP
1115071-010. Published by
De Haske Publications
(BT.DHP-1115071-010).
9x12 inches.
English-German-French-Dut
ch. Le Lion de
Belfort was composed
for the official
inauguration of the
sculpture Le Lion de
Belfort: an enormous
red sandstone lion that
dominates the landscape
of the French city of
Belfort. This 22 metre
long and 11 metre high
lion symbolises the
heroic French resistance
during the Prussian siege
of Belfort in 1870-1871.
The composer added a
narrator and three-part
choir to the concert band
instrumentation, who
utilise texts written
specially for the
occasion by Jean
Ehret.The work’s
première took place at
the inauguration of Le
Lion de Belfort on 28
November 2010, 130 years
after sculptor
Frédéric Auguste
Bartholdi (1834-1904)
completed the
statue.
Dit werk
is geschreven voor de
officiële inwijding
van het beeldhouwwerk Le
Lion de Belfort: een
enorme uit rodezandsteen
gebeeldhouwde leeuw die
het gezicht van de Franse
stad Belfort bepaalt. De
22 meter lange en 11
meterhoge
leeuwsymboliseert het
heldhaftige Franse verzet
tijdens het beleg van
Belfort door de Pruisen
in 1870-1871. De
componist voegde aan het
harmonieorkest een
verteller en driestemmig
koor toe, waarbij hij
gebruikmaakte van
despeciaalvoor deze
gelegenheid geschreven
teksten van Jean Ehret.De
première van de
compositie vond - ter
gelegenheid van die
inwijding - plaats op 28
november 2010, maar
liefst 130jaar nadat het
standbeeld door de Franse
beeldhouwer
FrédéricAuguste
Bartholdi (1834-1904)
werd
voltooid.
Le
Lion de Belfort (Der
Löwe von Belfort)
wurde für die
offizielle Einweihung der
gleichnamigen Skulptur
geschrieben: Diese ist
ein riesiger Löwe aus
Sandstein, der das Bild
der französischen
Stadt Belfort prägt.
Der 22 Meter lange und 11
Meter hohe Löwe
symbolisiert den
heldenhaften Widerstand
der Franzosen während
der preußischen
Belagerung Belforts
1870-1871. Der Komponist
ergänzte die
Blasorchesterbesetzung um
einen Erzähler und
einen dreistimmigen Chor,
die speziell für
diesen Anlass von Jean
Ehret verfasste Texte
vortragen.Die Premiere
dieses Werke fand bei der
Einweihung des Lion de
Belfort am 28.
November 2010 statt - 130
Jahre nachdem
derBildhauer
Frédéric Auguste
Bartholdi (1834-1904) die
Statue vollendet hatte.
Jan de Haan a
composé ce morceau
pour
l’inauguration
officielle du Lion de
Belfort, une
sculpture monumentale en
grès rose dominant la
ville de Belfort
(France). 22 m de long et
11 m de haut, ce lion
symbolise la
résistance héro que
de la ville,
assiégée par
l’armée
prussienne pendant la
guerre de 1870-1871.
Cette pièce est
interpréter avec un
Choeur mixte trois voix
et un Récitant (Textes
écrits spécialement
par Jean Ehret).La
première mondiale de
l’oeuvre a eu lieu
le 28 novembre 2010, dans
le cadre de la
cérémonie
officielle inaugurant le
Lion, cent trente ans
après sa livraison par
le sculpteur français,
Frédéric Auguste
Bartholdi
(1834-1904).
Le
Lion de Belfort è
un brano commissionato
dall’Orchestra di
Fiati della citt di
Belfort in Francia. Jan
de Haan ha composto
questo brano per
l’inaugurazione
ufficiale del Leone di
Belfort, una scultura
monumentale in ceramica
rosa che domina la citt .
Questo brano può
essere eseguito con coro
misto a tre voci e una
voce recitante (testi
scritti da Jean
Ehret). $229.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Cantata BWV 71 "God, the Lord my King is" Breitkopf & Härtel
Chorus (with soloists) and piano (solos: SATB - choir: SATB - 0.2rec.2.0.1. - 0....(+)
Chorus (with soloists)
and piano (solos: SATB -
choir: SATB -
0.2rec.2.0.1. - 0.3.0.0.
- timp - str - bc)
SKU: BR.EB-7071
Town Council
Inauguration.
Composed by Johann
Sebastian Bach. Edited by
Otto Schroder. Arranged
by Otto (KA) Schroder.
Choir; stapled. Edition
Breitkopf. Cantata;
Baroque. Piano/Vocal
Score. 40 pages. Duration
19'. Breitkopf and
Haertel #EB 7071.
Published by Breitkopf
and Haertel (BR.EB-7071).
ISBN 9790004172254.
7.5 x 10.5 inches. German
/ English. $12.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Vox Angelica, Vox Humana Chorale SATB - Avancé Peters
Choir Sacred (SATB choir) - Advanced SKU: PE.EP73732 For SATB and Orga...(+)
Choir Sacred (SATB choir)
- Advanced SKU:
PE.EP73732 For
SATB and Organ.
Composed by Roderick
Williams. Choral Extended
Work; Larger Works;
Performance Music
Ensemble. Contemporary;
Sacred. Book. Edition
Peters #98-EP73732.
Published by Edition
Peters (PE.EP73732).
ISBN 9790577023984.
Lat. Written for
the inauguration of the
organ in Peterhouse,
Cambridge, and featuring
a prominent organ part,
this 8.5 minute work for
choir and organ sets, in
Latin, three biblical
stories featuring angels.
The choral writing
features unison, organum,
and chordal sections,
suggesting the contrasts
between the sound of
angels and of
humankind. $6.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Toccata and Lament for organ (2008/2013) Orgue - Intermédiaire/avancé Barenreiter
Organ - Level 4 SKU: BA.BA11093 Composed by Martin Herchenroder. Stapled....(+)
Organ - Level 4 SKU:
BA.BA11093 Composed
by Martin Herchenroder.
Stapled. Performance
score. Composed
2008/2013. 19 pages.
Duration 12 hours.
Baerenreiter Verlag
#BA11093_00. Published by
Baerenreiter Verlag
(BA.BA11093). ISBN
9790006565269. 30 x 23 cm
inches. Preface:
Herchenroder,
Martin. “Tocc
ata and Lament†was
composed on commission in
2008 to inaugurate the
large new organ in the
Christ Church Cathedral,
Rochester, NY, USA. This
instrument is a detailed
reconstruction of a late
Baroque organ of 1776
from Vilnius in
Lithuania. The point of
departure – a
clash of contrasting eras
and musical cultures on
two continents –
already bodes excitement.
Martin Herchenröder, a
composer and professor of
music theory, has
incorporated these
contrasts in his roughly
eight-minute composition.
The result is a musical
idiom of rare
distinction, universal in
its musical resources and
alternating between tonal
triads and extremely
dissonant clusters. The
heart of the piece is a
dirge which, using the
Baroque doctrine of the
affections, relates to
Eastern European cultural
history in and around
Vilnius, a history marked
by the predations of
20th-Century
war.
$36.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Händel-Jahrbuch 2018, 64. Jahrgang Barenreiter
SKU: BA.BVK01458 Edited by Georg-Friedrich-Händel -Gesellschaft e. V. ...(+)
SKU: BA.BVK01458
Edited by
Georg-Friedrich-Händel
-Gesellschaft e. V.
Paperback. Book. 471
pages. Baerenreiter
Verlag #BVK01458_00.
Published by Baerenreiter
Verlag (BA.BVK01458).
ISBN 9783761814581. 21
x 15 cm inches. Preface:
Landgraf, Annette /
Hirschmann,
Wolfgang. Toccata
and Lamentwas composed on
commission in 2008 to
inaugurate the large new
organ in the Christ
Church Cathedral,
Rochester, NY, USA. This
instrument is a detailed
reconstruction of a late
Baroque organ of 1776
from Vilnius in
Lithuania. The point of
departure - a clash of
contrasting eras and
musical cultures on two
continents - already
bodes excitement. Martin
Herchenroder, a composer
and professor of music
theory, has incorporated
these contrasts in his
roughly eight-minute
composition. The result
is a musical idiom of
rare distinction,
universal in its musical
resources and alternating
between tonal triads and
extremely dissonant
clusters. The heart of
the piece is a dirge
which, using the Baroque
doctrine of the
affections, relates to
Eastern European cultural
history in and around
Vilnius, a history marked
by the predations of
20th-Century
war.
$117.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Himmelskonig, sei willkommen (King of heaven, be most welcome) Chorale SATB [Conducteur et Parties séparées] - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso...(+)
ATB vocal soli, SATB
choir, recorder, violin
solo, violin, 2 viola,
cello, basso continuo -
Level 3 SKU:
CA.3118219 Cantata
for Palm Sunday or for
the feast of the
Annunciation.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Himmelskonig, Sei
Willkommen A-Dur. Sacred
vocal music, Cantatas,
Lent and Passiontide,
Holy Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Set of
Orchestra Parts. Composed
1714. BWV 182. Duration
30 minutes. Carus Verlag
#CV 31.182/19. Published
by Carus Verlag
(CA.3118219). ISBN
9790007136949. Key: A
major. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo
Franck. Version in
A major (version in G
major: Carus 31.182/50)
The cantata Himmelskonig,
sei willkommen BWV 182
holds a special place in
Johann Sebastian Bach's
biography. He had been
employed as organist and
chamber musician at the
court of Weimar since
1708; on 2 March 1714, he
was appointed concert
master of the court, and
his inauguration music
for this occasion was
Himmelskonig, sei
willkommen. The cantata
was first performed on
Palm Sunday of that year,
25 March 1714. Bach
performed this cantata
several times - always
revising and amending it
- both in Weimar and in
Leipzig. Of the
altogether four versions,
the first Leipzig version
has been selected for the
present new edition.
Unlike the Weimar
versions, it can be
realized effectively
using modern performance
means. In his debut
composition of 1714, the
newly appointed concert
master demonstrated his
abilities: the eight
movements contain a
multitude of beautiful
and rewarding challenges
for choir and vocal
soloists alike, and in
addition there is the
unusual attraction of a
virtuoso solo part for
the recorder. Score and
parts available
separately - see item
CA.3118200. $84.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Himmelskonig, sei willkommen (King of heaven, be most welcome) Soli, choeur mixte et accompagnement - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso...(+)
ATB vocal soli, SATB
choir, recorder, violin
solo, violin, 2 viola,
cello, basso continuo -
Level 3 SKU:
CA.3118212 Cantata
for Palm Sunday or for
the feast of the
Annunciation.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Himmelskonig, Sei
Willkommen A-Dur. Sacred
vocal music, Cantatas,
Lent and Passiontide,
Holy Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Viola 1. Composed 1714.
BWV 182. 8 pages.
Duration 30 minutes.
Carus Verlag #CV
31.182/12. Published by
Carus Verlag
(CA.3118212). ISBN
9790007050290. Key: A
major. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo
Franck. Version in
A major (version in G
major: Carus 31.182/50)
The cantata Himmelskonig,
sei willkommen BWV 182
holds a special place in
Johann Sebastian Bach's
biography. He had been
employed as organist and
chamber musician at the
court of Weimar since
1708; on 2 March 1714, he
was appointed concert
master of the court, and
his inauguration music
for this occasion was
Himmelskonig, sei
willkommen. The cantata
was first performed on
Palm Sunday of that year,
25 March 1714. Bach
performed this cantata
several times - always
revising and amending it
- both in Weimar and in
Leipzig. Of the
altogether four versions,
the first Leipzig version
has been selected for the
present new edition.
Unlike the Weimar
versions, it can be
realized effectively
using modern performance
means. In his debut
composition of 1714, the
newly appointed concert
master demonstrated his
abilities: the eight
movements contain a
multitude of beautiful
and rewarding challenges
for choir and vocal
soloists alike, and in
addition there is the
unusual attraction of a
virtuoso solo part for
the recorder. Score and
part available separately
- see item
CA.3118200. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Himmelskonig, sei willkommen (King of heaven, be most welcome) Chorale SATB - Intermédiaire Carus Verlag
Soli ATB, SATB Choir, Blfl f1, 2 Vl, 2 Va, Vc, Bc - Level 3 SKU: CA.3118249(+)
Soli ATB, SATB Choir,
Blfl f1, 2 Vl, 2 Va, Vc,
Bc - Level 3 SKU:
CA.3118249 Cantata
for Palm Sunday or for
the feast of the
Annunciation.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. Organ.
Sacred vocal music,
Cantatas, Lent and
Passiontide, Holy Week,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Single Part, Organ.
Composed 1714. BWV 182.
28 pages. Duration 30
minutes. Carus Verlag #CV
31.182/49. Published by
Carus Verlag
(CA.3118249). Key: A
major. Language:
German/English. Text:
Franck,
Salomo. Version in
A major (version in G
major: Carus 31.182/50)
The cantata Himmelskonig,
sei willkommen BWV 182
holds a special place in
Johann Sebastian Bach's
biography. He had been
employed as organist and
chamber musician at the
court of Weimar since
1708; on 2 March 1714, he
was appointed concert
master of the court, and
his inauguration music
for this occasion was
Himmelskonig, sei
willkommen. The cantata
was first performed on
Palm Sunday of that year,
25 March 1714. Bach
performed this cantata
several times - always
revising and amending it
- both in Weimar and in
Leipzig. Of the
altogether four versions,
the first Leipzig version
has been selected for the
present new edition.
Unlike the Weimar
versions, it can be
realized effectively
using modern performance
means. In his debut
composition of 1714, the
newly appointed concert
master demonstrated his
abilities: the eight
movements contain a
multitude of beautiful
and rewarding challenges
for choir and vocal
soloists alike, and in
addition there is the
unusual attraction of a
virtuoso solo part for
the recorder. Score and
part available separately
- see item
CA.3118200. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| King of heaven, be most welcome (Himmelskonig, sei willkommen) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, bass flute f1,violin, 2 viola, cello, basso continuo...(+)
ATB vocal soli, SATB
choir, bass flute
f1,violin, 2 viola,
cello, basso continuo
SKU: CA.3118257
First Leipzig version.
Cantata for Palm Sunday
and the feast of the
Annunciation Cantata for
Palm Sunday and the feast
of the Annunciation.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Himmelskonig,
Sei Willkommen G-Dur.
Sacred vocal music,
Cantatas, Lent and
Passiontide. Study score.
BWV 182. 60 pages.
Duration 30 minutes.
Carus Verlag #CV
31.182/57. Published by
Carus Verlag
(CA.3118257). ISBN
9790007142872. Key: G
major. Text language:
German/English. Ver
sion in G major (A major
= Carus 31.182/00) The
cantata Himmelskonig, sei
willkommen BWV 182 holds
a special place in Johann
Sebastian Bach's
biography. He had been
employed as organist and
chamber musician at the
court of Weimar since
1708; on 2 March 1714, he
was appointed concert
master of the court, and
his inauguration music
for this occasion was
Himmelskonig, sei
willkommen. The cantata
was first performed on
Palm Sunday of that year,
25 March 1714. Bach
performed this cantata
several times - always
revising and amending it
- both in Weimar and in
Leipzig. Of the
altogether four versions,
the first Leipzig version
has been selected for the
present new edition.
Unlike the Weimar
versions, it can be
realized effectively
using modern performance
means. In his debut
composition of 1714, the
newly appointed concert
master demonstrated his
abilities: the eight
movements contain a
multitude of beautiful
and rewarding challenges
for choir and vocal
soloists alike, and in
addition there is the
unusual attraction of a
virtuoso solo part for
the recorder. Score
available separately -
see item CA.3118200. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Himmelskonig, sei willkommen (King of heaven, be most welcome) Chorale SATB - Intermédiaire Carus Verlag
Orchestra Soli ATB, SATB Choir, Recorder, Violin solo, Violin, 2 Viola, Cello, B...(+)
Orchestra Soli ATB, SATB
Choir, Recorder, Violin
solo, Violin, 2 Viola,
Cello, Basso Continuo -
Level 3 SKU:
CA.3118207 Cantata
for Palm Sunday or for
the feast of the
Annunciation.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. This
edition: paperbound. BWV
182. Sacred vocal music,
Cantatas, Lent and
Passiontide, Holy Week,
Feasts of the Blessed
Virgin Mary, Hymns in
praise of the Virgin
Mary. Study score.
Composed 1714. BWV 182.
Duration 30 minutes.
Carus Verlag #CV
31.182/07. Published by
Carus Verlag
(CA.3118207). ISBN
9790007050276. Key: A
major. Language:
German/English. Text:
Franck,
Salomo. Version in
A major (version in G
major: Carus 31.182/50)
The cantata Himmelskonig,
sei willkommen BWV 182
holds a special place in
Johann Sebastian Bach's
biography. He had been
employed as organist and
chamber musician at the
court of Weimar since
1708; on 2 March 1714, he
was appointed concert
master of the court, and
his inauguration music
for this occasion was
Himmelskonig, sei
willkommen. The cantata
was first performed on
Palm Sunday of that year,
25 March 1714. Bach
performed this cantata
several times - always
revising and amending it
- both in Weimar and in
Leipzig. Of the
altogether four versions,
the first Leipzig version
has been selected for the
present new edition.
Unlike the Weimar
versions, it can be
realized effectively
using modern performance
means. In his debut
composition of 1714, the
newly appointed concert
master demonstrated his
abilities: the eight
movements contain a
multitude of beautiful
and rewarding challenges
for choir and vocal
soloists alike, and in
addition there is the
unusual attraction of a
virtuoso solo part for
the recorder. Score
available separately -
see item CA.3118200. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Himmelskonig, sei willkommen (King of heaven, be most welcome) Chorale SATB - Intermédiaire Carus Verlag
ATB vocal soli, SATB choir, recorder, violin solo, violin, 2 viola, cello, basso...(+)
ATB vocal soli, SATB
choir, recorder, violin
solo, violin, 2 viola,
cello, basso continuo -
Level 3 SKU:
CA.3118213 Cantata
for Palm Sunday or for
the feast of the
Annunciation.
Composed by Johann
Sebastian Bach. Edited by
Reinhold Kubik. Arranged
by Paul Horn. German
title: Himmelskonig, Sei
Willkommen A-Dur. Sacred
vocal music, Cantatas,
Lent and Passiontide,
Holy Week, Feasts of the
Blessed Virgin Mary,
Hymns in praise of the
Virgin Mary. Single Part,
Viola 2. Composed 1714.
BWV 182. 8 pages.
Duration 30 minutes.
Carus Verlag #CV
31.182/13. Published by
Carus Verlag
(CA.3118213). ISBN
9790007050306. Key: A
major. Language:
German/English. Text:
Franck, Salomo. Text:
Salomo
Franck. Version in
A major (version in G
major: Carus 31.182/50)
The cantata Himmelskonig,
sei willkommen BWV 182
holds a special place in
Johann Sebastian Bach's
biography. He had been
employed as organist and
chamber musician at the
court of Weimar since
1708; on 2 March 1714, he
was appointed concert
master of the court, and
his inauguration music
for this occasion was
Himmelskonig, sei
willkommen. The cantata
was first performed on
Palm Sunday of that year,
25 March 1714. Bach
performed this cantata
several times - always
revising and amending it
- both in Weimar and in
Leipzig. Of the
altogether four versions,
the first Leipzig version
has been selected for the
present new edition.
Unlike the Weimar
versions, it can be
realized effectively
using modern performance
means. In his debut
composition of 1714, the
newly appointed concert
master demonstrated his
abilities: the eight
movements contain a
multitude of beautiful
and rewarding challenges
for choir and vocal
soloists alike, and in
addition there is the
unusual attraction of a
virtuoso solo part for
the recorder. Score and
part available separately
- see item
CA.3118200. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| King of heaven, be most welcome (Himmelskonig, sei willkommen) Chorale SATB Carus Verlag
ATB vocal soli, SATB choir, bass flute f1,violin, 2 viola, cello, basso continuo...(+)
ATB vocal soli, SATB
choir, bass flute
f1,violin, 2 viola,
cello, basso continuo
SKU: CA.3118255
First Leipzig version.
Cantata for Palm Sunday
and the feast of the
Annunciation Cantata for
Palm Sunday and the feast
of the Annunciation.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Himmelskonig,
Sei Willkommen G-Dur.
Sacred vocal music,
Cantatas, Lent and
Passiontide. Choral
Score. BWV 182. 12 pages.
Duration 30 minutes.
Carus Verlag #CV
31.182/55. Published by
Carus Verlag
(CA.3118255). ISBN
9790007209865. Key: G
major. Text language:
German/English. Ver
sion in G major (A major
= Carus 31.182/00) The
cantata Himmelskonig, sei
willkommen BWV 182 holds
a special place in Johann
Sebastian Bach's
biography. He had been
employed as organist and
chamber musician at the
court of Weimar since
1708; on 2 March 1714, he
was appointed concert
master of the court, and
his inauguration music
for this occasion was
Himmelskonig, sei
willkommen. The cantata
was first performed on
Palm Sunday of that year,
25 March 1714. Bach
performed this cantata
several times - always
revising and amending it
- both in Weimar and in
Leipzig. Of the
altogether four versions,
the first Leipzig version
has been selected for the
present new edition.
Unlike the Weimar
versions, it can be
realized effectively
using modern performance
means. In his debut
composition of 1714, the
newly appointed concert
master demonstrated his
abilities: the eight
movements contain a
multitude of beautiful
and rewarding challenges
for choir and vocal
soloists alike, and in
addition there is the
unusual attraction of a
virtuoso solo part for
the recorder. Score
available separately -
see item CA.3118200. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Laudate Regem Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135493-010 Composed by Matth...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1135493-010
Composed by Matthias van
Nispen tot Pannerden.
Concert and Contest
Collection CBHA. Opening
Pieces. Set (Score &
Parts). Composed 2013. De
Haske Publications #DHP
1135493-010. Published by
De Haske Publications
(BT.DHP-1135493-010).
9x12 inches.
English-Dutch. L
audate Regem - or
Praise the King! After a
reign of 33 years,
Beatrix, Queen of the
Netherlands, stepped down
from the throne to make
way for her eldest son
Willem-Alexander. For
this special occasion,
Matthias van Nispen tot
Pannerden haswritten a
majestic work for the
Royal Netherlands Air
Force Orchestra, which
sounded at precisely the
moment the new king left
the Nieuwe Kerk after his
inauguration. A festive
work for a memorable
occasion!
Lauda
te Regem, Lof aan de
koning! Deze muziek werd
gespeeld op het moment
dat de koninklijke
familie de Nieuwe Kerk in
Amsterdam verliet, en het
werd door de Kapel van de
Koninklijke Luchtmacht
tevens gespeeld tijdens
de
NationaleHerdenkingsplech
tigheid op 4 mei. Na een
korte beginfanfare volgt
een prachtige, gedragen
melodie waarin even
muzikaal verwezen wordt
naar het Wilhelmus. Naar
het eind toe volgt een
overweldigend slot. Met
dit werk is het altijd
even opnieuw 30
april2013...
La
udate Regem, oder:
Preiset den König!
Nach einer Regierungszeit
von 33 Jahren hat
Beatrix, Königin der
Niederlande, am 30. April
2013 den Thron für
ihren ältesten Sohn
Willem-Alexander frei
gemacht. Für diesen
besonderen Anlassschrieb
Matthias van Nispen tot
Pannerden ein
majestätisches Werk
für das Orchester
der Königlich
Niederländischen
Luftwaffe, die genau in
dem Moment erklang, als
der neue König die
Nieuwe Kerk nach seiner
Amtseinführung in
Amsterdamverließ.
Festliche Musik
Laudate
Regem ou plutôt
Louange au Roi ! Après
33 années de règne,
Beatrix, reine des
Pays-Bas, céda le
trône son fils
aîné
Willem-Alexander, le 30
avril 2013. Matthias van
Nispen tot Pannerden a
écrit, cette occasion,
une oeuvremajestueuse qui
fut donnée en
création mondiale par
le Royal Netherlands Air
Force Orchestra, le jour
même de
l’investiture.
Lorsque le nouveau roi
quitta la Nouvelle
Église pour traverser
Le Dam (place principale
du centre ville
historiqued’Amster
dam), les premières
notes de cette musique
hautement festive
marquèrent un
évènement
mémorable
La
udate Regem o
piuttosto Lodate il Re!
Dopo 33 anni di regno, il
30 aprile 2013, Beatrice,
regina dei Paesi Bassi,
ha abdicato in favore di
suo _x001E_figlio
Willem-Alexander.
Matthias van Nispen tot
Pannerden ha scritto per
questa
occasioneun’opera
maestosa, eseguita per la
prima volta dalla Royal
Netherlands Air Force
Orchestra, il giorno
dell’investitura.
Le prime note di questa
musica festiva hanno
accompagnato il nuovo Re
all’uscita della
Nuova Chiesa di Amsterdam
e poi mentre siaccingeva
a raccogliere il saluto
dei sudditi nel Dam, la
piazza principale della
citt olandese. $98.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Laudate Regem Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1135493-140 Composed by Matth...(+)
Concert Band/Harmonie -
Grade 3 SKU:
BT.DHP-1135493-140
Composed by Matthias van
Nispen tot Pannerden.
Concert and Contest
Collection CBHA. Opening
Pieces. Score Only.
Composed 2013. 16 pages.
De Haske Publications
#DHP 1135493-140.
Published by De Haske
Publications
(BT.DHP-1135493-140).
9x12 inches.
English-Dutch. L
audate Regem - or
Praise the King! After a
reign of 33 years,
Beatrix, Queen of the
Netherlands, stepped down
from the throne to make
way for her eldest son
Willem-Alexander. For
this special occasion,
Matthias van Nispen tot
Pannerden haswritten a
majestic work for the
Royal Netherlands Air
Force Orchestra, which
sounded at precisely the
moment the new king left
the Nieuwe Kerk after his
inauguration. A festive
work for a memorable
occasion!
Lauda
te Regem, Lof aan de
koning! Deze muziek werd
gespeeld op het moment
dat de koninklijke
familie de Nieuwe Kerk in
Amsterdam verliet, en het
werd door de Kapel van de
Koninklijke Luchtmacht
tevens gespeeld tijdens
de
NationaleHerdenkingsplech
tigheid op 4 mei. Na een
korte beginfanfare volgt
een prachtige, gedragen
melodie waarin even
muzikaal verwezen wordt
naar het Wilhelmus. Naar
het eind toe volgt een
overweldigend slot. Met
dit werk is het altijd
even opnieuw 30
april2013...
Laudate
Regem, oder: Preiset
den König! Nach einer
Regierungszeit von 33
Jahren hat Beatrix,
Königin der
Niederlande, am 30. April
2013 den Thron für
ihren ältesten Sohn
Willem-Alexander frei
gemacht. Für diesen
besonderen Anlassschrieb
Matthias van Nispen tot
Pannerden ein
majestätisches Werk
für das Orchester
der Königlich
Niederländischen
Luftwaffe, die genau in
dem Moment erklang, als
der neue König die
Nieuwe Kerk nach seiner
Amtseinführung in
Amsterdamverließ.
Festliche Musik
Laudate
Regem ou plutôt
Louange au Roi ! Après
33 années de règne,
Beatrix, reine des
Pays-Bas, céda le
trône son fils
aîné
Willem-Alexander, le 30
avril 2013. Matthias van
Nispen tot Pannerden a
écrit, cette occasion,
une oeuvremajestueuse qui
fut donnée en
création mondiale par
le Royal Netherlands Air
Force Orchestra, le jour
même de
l’investiture.
Lorsque le nouveau roi
quitta la Nouvelle
Église pour traverser
Le Dam (place principale
du centre ville
historiqued’Amster
dam), les premières
notes de cette musique
hautement festive
marquèrent un
évènement
mémorable.
L
audate Regem o
piuttosto Lodate il Re!
Dopo 33 anni di regno, il
30 aprile 2013, Beatrice,
regina dei Paesi Bassi,
ha abdicato in favore di
suo _x001E_figlio
Willem-Alexander.
Matthias van Nispen tot
Pannerden ha scritto per
questa
occasioneun’opera
maestosa, eseguita per la
prima volta dalla Royal
Netherlands Air Force
Orchestra, il giorno
dell’investitura.
Le prime note di questa
musica festiva hanno
accompagnato il nuovo Re
all’uscita della
Nuova Chiesa di Amsterdam
e poi mentre siaccingeva
a raccogliere il saluto
dei sudditi nel Dam, la
piazza principale della
citt olandese. $25.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
1 |