| The Ultimate Fake Book - C Instruments (3rd Edition)
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pa...(+)
C Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 816 pages.
Published by Hal Leonard.
(31)$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Prophesies [Conducteur et Parties séparées] Theodore Presser Co.
Chamber Music Cello, Viola, Violin 1, Violin 2 SKU: PR.114419030 Score...(+)
Chamber Music Cello,
Viola, Violin 1, Violin 2
SKU: PR.114419030
Score and Parts.
Composed by Mohammed
Fairouz. Sws. Score and
parts. With Standard
notation. 68 pages.
Duration 25 minutes.
Theodore Presser Company
#114-41903. Published by
Theodore Presser Company
(PR.114419030). ISBN
9781491114124. UPC:
680160669851. 9 x 12
inches. A
fascination with
polycultural synergy
between diverse literary
textsdrives the
inspiration for much of
Mohammed Fairouz’s
prodigiouscreative
output, including
instrumental music as
well as vocal. Inhis
profound and extensive
essay preceding the
score, Fairouz shedslight
on how Edgar Allen
Poe’s “Israfel”
relates to the
prophetsand prophesies of
the Quran, Old Testament,
and New Testament.The
eight-movement quartet
may be heard as a
dramatic galleryof
portraits and of
story-telling,
flourishing in a
post-traditionallanguage
that is at once
vernacular and spiritual,
Middle Easternand
Western. The complete set
of score and parts is
included in
thispublication. (See
pages 2-3 of score for
clear distinction of
paragraphs,
etc.)Prophesies, by
Mohammed FairouzEdgar
Allen Poe’s rendition
of Israfel was the point
of departure for the
final movement of my
previous stringquartet
which is titled The Named
Angels. At the opening of
his poem, Poe evokes the
Quran:“And the angel
Israfel, whose
heartstrings are a lute,
and who has the sweetest
voice of all God’s
creatures.”This informs
the first lines of the
poem that, in turn, gave
me the title for the
final movement of The
Named
Angels,“Israfel’s
Spell”:In Heaven a
spirit doth dwell“Whose
heartstrings are a
lute”None sing so
wildly wellAs the angel
Israfel,And the giddy
stars (so legends
tell),Ceasing their
hymns, attend the spellOf
his voice, all mute.It is
the end of that poem,
however, that is the
starting point for the
current quartet,
Prophesies, which
concernsitself with
mortal prophets rather
than eternal Angelic
spirits.If I could
dwellWhere IsrafelHath
dwelt, and he where I,He
might not sing so wildly
wellA mortal melody,While
a bolder note than this
might swellFrom my lyre
within the sky.Islamic
thought has asked us to
look at the example of
the prophets. That’s
significant because of
the fact thatJoseph and
all the prophets were
human beings with the
flaws of human beings. No
prophet was perfect,
andIslamic tradition has
never asked its followers
to aspire to the example
of the Angels, the
perfected ones. Instead
weare given the gift of
our prophets. While The
Named Angels drew on the
motion and energy of
everlasting
spirits,Prophesies is a
depiction of the
movements within our own
mortal coil.This quartet
is a continuation of a
long tradition of Muslim
artists telling their
stories and singing their
songs.Many of these
renditions are, in fact,
figurative and (contrary
to popular belief) the
Quran contains no
“Islamicedict”
prohibiting figurative
renditions of the figures
described in the Old
Testament, New Testament,
or Quran.The majority of
artists, however, have
preferred eternal and
abstract forms such as
words and their
calligraphicrepresentatio
ns, poems (Yusuf and
Zuleikha or the
Conference of Birds come
immediately to mind),
architecture,and many
other non-figurative art
forms to the
representation of man.
These cold, ancient, and
everlasting shapesof
unending time flourished,
and the divine infinity
of representing geometric
forms gained favor over
the placementof the
explicit representation
of mankind and our own
likeness at the center of
the universes.Adding the
string quartet to these
forms which express the
recursive spheres of
heavens and earth
abstractly shouldexplain
why I have chosen to
render higher things
through the use of music
without the addition of
words or anyother
art-form. It is the
abstract art of pure
form, in which all is
form and all is content,
which compels me.
Thisquartet should be
seen as no more
programmatic than the
arches of the Great
Mosque at Cordoba.The
first movement, Yāqub
(Jacob), is slow, quiet
and prayerful. It evokes
the patient sorrow of a
slow choraledeveloping
over time as it coaxes
our pulse out of the
ticking of a clock-like
meter that defines our
day-to-day livesand into
a divine eternity.The
second, Saleh, imagines
the spirit of that
desert-prophet through
the use of a Liwa; the
dance-sequence that
hasbeen such a prevalent
form of expression in the
Arabian Peninsula for
much of our recorded
history.The third
movement is titled
Dawoōd, and it is
emblematic of the beloved
Prophet, King, and
Psalmist, David.Though it
has no lyrics, the
movement functions as a
dabkeh (an ancient dance
native to the Levant) and
also “sets”the
opening of Psalm 100
(Make a joyful noise unto
the Lord, all ye lands).
This line is never set to
music or sung inthe
quartet but is evoked
through the rhythmic
shape of the violin part
which imitates the
phonology and rhythmof my
speaking the opening line
in the Hebrew and
develops the contours of
that line incessantly
throughout
themovement.3The fourth
movement is an ode to
Yousef (Joseph) and
relates to the first
movement in tempo and
tone just as
Josephrelates to Jacob,
his father. Together, the
first and fourth
movements provide a sort
of Lamentation and
relief.Joseph had the
appearance of a noble
angel, but he was very
much a human being. And
the story of this
particularprophet had
tragic beginnings many
years before he found
himself in a position of
power in Egypt. Back in
his youth,still among the
Israelites, Joseph
experienced a series of
revelations through his
dreams that spoke of his
impendingcareer in
prophecy. He confided his
dreams to his father, the
Prophet Jacob, who told
his son of the greatness
thatawaited him in his
future only to have his
brothers throw him into a
well and leave him for
dead. Joseph
eventuallyfound his way
from Israel to Egypt and
rose out of slavery into
a position of power.
Meanwhile, famine engulfs
Israel.Forty years pass,
and back in the land of
Jacob and Rachel, of
Joseph’s brothers and
Abraham’s tribe, Israel
wasnot spared the effects
of the famine. They
sorely lacked Joseph’s
prophecy and his vision.
The Qur’an then tells
usthat Jacob, sensing
Joseph, sends the other
brothers to Egypt
instructing them to come
back with food and
grain.Arriving in Egypt,
they unwittingly appear
before Joseph. They
don’t recognize their
little brother who has
risen toa position of
might, dressed in his
Egyptian regalia. They
ask for the food and the
grain.After some
conversation, Joseph is
no longer able to contain
his emotion. Overcome, he
reveals himself to his
nowterrified brothers. He
embraces them. He asks
them eagerly, “How is
our father?” Joseph
gives them the gift of
thefood and the grain
that they came in search
of. He relieves them from
hunger and alleviates
their fear. He sendsthem
back with proof that he
is alive, and it is this
joyful proof from the
miraculous hands of a
prophet that bringsback
the ancient Jacob’s
vision after 40 years of
blindness.In this story,
I am struck by the fact
that Joseph may not have
made the decision to
forgive his brothers on
thespot, but that
something inside the
prophet’s soul found
forgiveness and peace for
the brothers who had so
gravelywronged him at
some point along his
journey. I would suspect
this point to have been
present at Joseph’s
inception,even before he
had ever been
wronged.This is proof, if
we needed it, that
Joseph’s angel-like
beauty was not only
physical and external,
but also internalas well:
Joseph possessed a
profound loveliness of
spirit that bound his
appearance and his soul.
In Joseph, formand soul
are one.Time is to
musicians what light is
to a painter. In this
way, the story of Joseph
also shows us that time
can affectour perception
of even the most tragic
wounds. In fact, the most
common Arabic word for
“human being” is
insaan,which shares its
roots with the word
insaa, “to forget.”
While our ability to
remember is essential to
how we learnabout
ourselves, our capacity
to “forgive and
forget” may also be one
of our great gifts as
human beings.The fifth
movement follows my ode
to Joseph with a
structural memory of
Mūsa (Moses). The
movement consistsentirely
of descending motifs
which I constructed as an
indication of Moses’
descending movement as he
emergedto his people from
the heights of Mt. Sinai.
The music is constructed
in five phrases which
function as a
formalreference to the
five books of Moses, the
Pentateuch. The movement
is placed as the fifth of
the quartet for the
samereason.While Joseph
is always evoked as
supremely beautiful in
the Books of Judaism,
Christianity, and Islam,
Suleiman(Solomon) is
described as surpassing
in his quicksilver
intelligence. This
movement is composed of a
seven-partriddle which
passes by in an instant
but can be caught by the
attentive listener. From
Solomon, we work our
wayback to Yishak (Isaac)
in a seventh movement
that evokes Isaac’s
literal meaning in Arabic
and Hebrew: laughter.The
eighth and final movement
of this quartet is named
for the Patriarch of the
entire Book: Ibrahim
(Abraham). Itrelates to
Isaac just as Joseph
relates to Jacob; they
are father and son. The
lines are prayerful and
contemplative;the form of
the music evolves from a
fugue joining together
many different forms of
prayer into a single
tapestry ofcounterpoint,
to the cyclical form of
this entire quartet which
is rendered through the
motion of pilgrims
circling theKaaba (cube)
in Mecca — a structure
which was built by
Abraham for Hagaar and
their son Ismail.These
are just some of the
figures that are
cherished by all three of
the Middle Eastern
monotheisms
(Judaism,Christianity,
and Islam) that the
Qur’an refers to
collectively as Ahl
Al-Kitab. This Arabic
phrase is most
commonlytranslated as
“The People of the
Book,” but here the
most common translation
is a flawed one: the
Arabic word“ahl”
means “family” and
not just “people.” A
better translation would
be “Family of the
Book.” Each of the
eightmovements of
Prophesies grows from a
single musical cell.This
quartet is a family
album.—Mohammed Fairouz
(2018. $45.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Buskers Fake Book All Time Hit Piano seul Music Sales
| | |
| The Ultimate Fake Book - Third Edition (Bb version)
Instruments en Sib [Fake Book] Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 p...(+)
Bb Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 816 pages.
Published by Hal Leonard.
(8)$49.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| The Trumpets at Jericho [Conducteur] Theodore Presser Co.
Chamber Music Piano, Trumpet 1, Trumpet 2 SKU: PR.114418370 Composed by S...(+)
Chamber Music Piano,
Trumpet 1, Trumpet 2
SKU: PR.114418370
Composed by Stacy Garrop.
Full score. With Standard
notation. 12+4+4 pages.
Duration 5:30. Theodore
Presser Company
#114-41837. Published by
Theodore Presser Company
(PR.114418370). ISBN
9781491111987. UPC:
680160641895. Drama
tic and declaratory, THE
TRUMPETS AT JERICHO is a
5½-minute fantasy
inspired by the famous
biblical story, including
captions in the music as
the drama unfolds. The
Israelites cross the
Jordan River in pursuit
of the conquest of
Canaan, with Jericho as
the first city in their
path. They circled the
city’s walls once
a day for six days, led
by blaring trumpets. THE
TRUMPETS AT JERICHO
traces the
Israelites’
activities on the seventh
day, in which they circle
the walls seven times,
triumphantly bringing
down the walls amidst
trumpet blasts. The work
ends with the trumpets
paying tribute to
Jericho’s
dead. When the Chicago
Chamber Musicians
commissioned me to write
a new work for trumpeters
Barbara Butler and
Charlie Geyer, Barbara
and Charlie told me about
several historical and
fictional stories that
involved trumpets. One
that vividly captured my
imagination was the
battle of Jericho. In
this biblical story, the
Israelites cross the
Jordan River in their
pursuit of the conquest
of Canaan; Jericho was
the first city in their
path. As instructed by
God, the Israelites
circled the city’s
walls once a day for six
days, led by blaring
trumpets. The Trumpets at
Jericho traces the
Israelites’
activities on the seventh
day, in which they circle
the walls seven times and
triumphantly bring down
the walls amidst trumpet
blasts. The piece ends
with the trumpets paying
tribute to
Jericho’s
dead. $21.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Ultimate Rock Pop Fake Book Instruments en Do [Fake Book] Hal Leonard
By Various. For C Instruments. Fake Book. Softcover. 560 pages. Published by Hal...(+)
By Various. For C
Instruments. Fake Book.
Softcover. 560 pages.
Published by Hal Leonard
$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Lyrics Paroles Seulement [Partition] Hal Leonard
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
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| The Israelites in the Wilderness (Die Israeliten in der Wuste) Alto seul Carus Verlag
Viola SKU: CA.3323813 Oratorio. Composed by Carl Philipp Emanuel B...(+)
Viola SKU:
CA.3323813
Oratorio. Composed
by Carl Philipp Emanuel
Bach. Edited by Reginald
L. Sanders. Viola. Sacred
vocal music, Oratorios.
Individual part. Composed
1769. BR-CPEB D 1 (Wq
238). 20 pages. Duration
75 minutes. Carus Verlag
#CV 33.238/13. Published
by Carus Verlag
(CA.3323813). ISBN
9790007212223. Text
language: German. Text:
Schiebeler, Daniel. Text
by Daniel
Schiebeler. Vol.
IV, 1 of the C.P.E. Bach
Complete Edition, edited
by the Packard Humanities
Institute According to
C.P.E. Bach, the oratorio
Die Israeliten in der
Wuste [The Israelites in
the Wilderness] can be
performed ... at all
times, inside and outside
the church, simply to the
praise of God. The
composition depicts the
Israelites' journey, full
of privations, through
the wilderness, their
despair and their
pleading. This
harmonically bold work
was first published in
1775 and received
numerous performances
during the composer's
lifetime in
German-speaking
countries. Score and part
available separately -
see item CA.3323800. $15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Israelites in the Wilderness (Die Israeliten in der Wuste) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
SSTB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 3 trumpets, ti...(+)
SSTB vocal soli, SATB
choir, 2 flutes, 2 oboes,
bassoon, 2 horns, 3
trumpets, timpani, 2
violins, viola, basso
continuo SKU:
CA.3323819
Oratorio. Composed
by Carl Philipp Emanuel
Bach. Edited by Reginald
L. Sanders. Complete
orchestral parts. Sacred
vocal music, Oratorios.
Set of Orchestra Parts.
Composed 1769. BR-CPEB D
1 (Wq 238). Duration 75
minutes. Carus Verlag #CV
33.238/19. Published by
Carus Verlag
(CA.3323819). ISBN
9790007142360. Text
language: German. Text:
Schiebeler, Daniel. Text
by Daniel
Schiebeler. Vol.
IV, 1 of the C.P.E. Bach
Complete Edition, edited
by the Packard Humanities
Institute According to
C.P.E. Bach, the oratorio
Die Israeliten in der
Wuste [The Israelites in
the Wilderness] can be
performed ... at all
times, inside and outside
the church, simply to the
praise of God. The
composition depicts the
Israelites' journey, full
of privations, through
the wilderness, their
despair and their
pleading. This
harmonically bold work
was first published in
1775 and received
numerous performances
during the composer's
lifetime in
German-speaking
countries. Score and
parts available
separately - see item
CA.3323800. $306.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Israelites in the Wilderness (Die Israeliten in der Wuste) Carus Verlag
Violine 2 SKU: CA.3323812 Oratorio. Composed by Carl Philipp Emanu...(+)
Violine 2 SKU:
CA.3323812
Oratorio. Composed
by Carl Philipp Emanuel
Bach. Edited by Reginald
L. Sanders. Violin 2.
Sacred vocal music,
Oratorios. Individual
part. Composed 1769.
BR-CPEB D 1 (Wq 238). 28
pages. Duration 75
minutes. Carus Verlag #CV
33.238/12. Published by
Carus Verlag
(CA.3323812). ISBN
9790007212216. Text
language: German. Text:
Schiebeler, Daniel. Text
by Daniel
Schiebeler. Vol.
IV, 1 of the C.P.E. Bach
Complete Edition, edited
by the Packard Humanities
Institute According to
C.P.E. Bach, the oratorio
Die Israeliten in der
Wuste [The Israelites in
the Wilderness] can be
performed ... at all
times, inside and outside
the church, simply to the
praise of God. The
composition depicts the
Israelites' journey, full
of privations, through
the wilderness, their
despair and their
pleading. This
harmonically bold work
was first published in
1775 and received
numerous performances
during the composer's
lifetime in
German-speaking
countries. Score and part
available separately -
see item CA.3323800. $15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Israelites in the Wilderness (Die Israeliten in der Wuste) Soli, choeur mixte et accompagnement Carus Verlag
Oratorio. Composed by Carl Philipp Emanuel Bach (1714- 1788). Edited by Reginal...(+)
Oratorio. Composed by
Carl
Philipp Emanuel Bach
(1714-
1788). Edited by Reginald
L.
Sanders. This edition:
paperback. Sacred vocal
music, Oratorios. Vocal
score. Composed 1769.
BR-CPEB
D 1 (Wq 238). Duration 75
minutes. Carus Verlag #CV
33.238/03. Published by
Carus
Verlag
$37.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Israelites in the Wilderness (Die Israeliten in der Wuste) Carus Verlag
Violine 1 SKU: CA.3323811 Oratorio. Composed by Carl Philipp Emanu...(+)
Violine 1 SKU:
CA.3323811
Oratorio. Composed
by Carl Philipp Emanuel
Bach. Edited by Reginald
L. Sanders. Violin 1.
Sacred vocal music,
Oratorios. Individual
part. Composed 1769.
BR-CPEB D 1 (Wq 238). 28
pages. Duration 75
minutes. Carus Verlag #CV
33.238/11. Published by
Carus Verlag
(CA.3323811). ISBN
9790007212209. Text
language: German. Text:
Schiebeler, Daniel. Text
by Daniel
Schiebeler. Vol.
IV, 1 of the C.P.E. Bach
Complete Edition, edited
by the Packard Humanities
Institute According to
C.P.E. Bach, the oratorio
Die Israeliten in der
Wuste [The Israelites in
the Wilderness] can be
performed ... at all
times, inside and outside
the church, simply to the
praise of God. The
composition depicts the
Israelites' journey, full
of privations, through
the wilderness, their
despair and their
pleading. This
harmonically bold work
was first published in
1775 and received
numerous performances
during the composer's
lifetime in
German-speaking
countries. Score and part
available separately -
see item CA.3323800. $15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Israelites in the Wilderness (Die Israeliten in der Wuste) Chorale SATB [Conducteur et Parties séparées] Carus Verlag
SSTB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 3 trumpets, ti...(+)
SSTB vocal soli, SATB
choir, 2 flutes, 2 oboes,
bassoon, 2 horns, 3
trumpets, timpani, 2
violins, viola, basso
continuo SKU:
CA.3323809
Oratorio. Composed
by Carl Philipp Emanuel
Bach. Edited by Reginald
L. Sanders. 1x 33.238/21
flute 1, 1x 33.238/22
flute 2, 1x 33.238/23
oboe 1, 1x 33.238/24 oboe
2, 1x 33.238/25 bassoon,
1x 33.238/31 horn 1, 1x
33.238/32 horn 2, 1x
33.238/33 trumpet 1, 1x
33.238/34 trumpet 2, 1x
33.238/35 trumpet 3, 1x
33.238/41 timpani.
Harmony parts. Sacred
vocal music, Oratorios.
Set of Orchestra Parts.
Composed 1769. BR-CPEB D
1 (Wq 238). Duration 75
minutes. Carus Verlag #CV
33.238/09. Published by
Carus Verlag
(CA.3323809). ISBN
9790007212193. Text
language: German. Text:
Schiebeler, Daniel. Text
by Daniel
Schiebeler. Vol.
IV, 1 of the C.P.E. Bach
Complete Edition, edited
by the Packard Humanities
Institute According to
C.P.E. Bach, the oratorio
Die Israeliten in der
Wuste [The Israelites in
the Wilderness] can be
performed ... at all
times, inside and outside
the church, simply to the
praise of God. The
composition depicts the
Israelites' journey, full
of privations, through
the wilderness, their
despair and their
pleading. This
harmonically bold work
was first published in
1775 and received
numerous performances
during the composer's
lifetime in
German-speaking
countries. Score and
parts available
separately - see item
CA.3323800. $53.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Israelites in the Wilderness (Die Israeliten in der Wuste) Soli, choeur mixte et accompagnement Carus Verlag
SSTB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 3 trumpets, ti...(+)
SSTB vocal soli, SATB
choir, 2 flutes, 2 oboes,
bassoon, 2 horns, 3
trumpets, timpani, 2
violins, viola, basso
continuo SKU:
CA.3323805
Oratorio. Composed
by Carl Philipp Emanuel
Bach. Edited by Reginald
L. Sanders. Sacred vocal
music, Oratorios. Choral
Score. Composed 1769.
BR-CPEB D 1 (Wq 238).
Duration 75 minutes.
Carus Verlag #CV
33.238/05. Published by
Carus Verlag
(CA.3323805). ISBN
9790007212186. Text
language: German. Text:
Schiebeler, Daniel. Text
by Daniel
Schiebeler. Vol.
IV, 1 of the C.P.E. Bach
Complete Edition, edited
by the Packard Humanities
Institute According to
C.P.E. Bach, the oratorio
Die Israeliten in der
Wuste [The Israelites in
the Wilderness] can be
performed ... at all
times, inside and outside
the church, simply to the
praise of God. The
composition depicts the
Israelites' journey, full
of privations, through
the wilderness, their
despair and their
pleading. This
harmonically bold work
was first published in
1775 and received
numerous performances
during the composer's
lifetime in
German-speaking
countries. Score
available separately -
see item CA.3323800. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Israelites in the Wilderness (Die Israeliten in der Wuste) Chorale SATB Carus Verlag
SSTB vocal soli, SATB choir, 2 flutes, 2 oboes, bassoon, 2 horns, 3 trumpets, ti...(+)
SSTB vocal soli, SATB
choir, 2 flutes, 2 oboes,
bassoon, 2 horns, 3
trumpets, timpani, 2
violins, viola, basso
continuo SKU:
CA.3323849
Oratorio. Composed
by Carl Philipp Emanuel
Bach. Edited by Reginald
L. Sanders. Organ. Sacred
vocal music, Oratorios.
Single Part, Organ.
Composed 1769. BR-CPEB D
1 (Wq 238). 48 pages.
Duration 75 minutes.
Carus Verlag #CV
33.238/49. Published by
Carus Verlag
(CA.3323849). ISBN
9790007212247. Text
language: German. Text:
Schiebeler, Daniel. Text
by Daniel
Schiebeler. Vol.
IV, 1 of the C.P.E. Bach
Complete Edition, edited
by the Packard Humanities
Institute According to
C.P.E. Bach, the oratorio
Die Israeliten in der
Wuste [The Israelites in
the Wilderness] can be
performed ... at all
times, inside and outside
the church, simply to the
praise of God. The
composition depicts the
Israelites' journey, full
of privations, through
the wilderness, their
despair and their
pleading. This
harmonically bold work
was first published in
1775 and received
numerous performances
during the composer's
lifetime in
German-speaking
countries. Score and part
available separately -
see item CA.3323800. $45.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Israelites in the Wilderness (Die Israeliten in der Wuste) Carus Verlag
Generalbass SKU: CA.3323814 Oratorio. Composed by Carl Philipp Ema...(+)
Generalbass SKU:
CA.3323814
Oratorio. Composed
by Carl Philipp Emanuel
Bach. Edited by Reginald
L. Sanders. Basso
continuo. Sacred vocal
music, Oratorios.
Individual part. Composed
1769. BR-CPEB D 1 (Wq
238). 32 pages. Duration
75 minutes. Carus Verlag
#CV 33.238/14. Published
by Carus Verlag
(CA.3323814). ISBN
9790007212230. Text
language: German. Text:
Schiebeler, Daniel. Text
by Daniel
Schiebeler. Vol.
IV, 1 of the C.P.E. Bach
Complete Edition, edited
by the Packard Humanities
Institute According to
C.P.E. Bach, the oratorio
Die Israeliten in der
Wuste [The Israelites in
the Wilderness] can be
performed ... at all
times, inside and outside
the church, simply to the
praise of God. The
composition depicts the
Israelites' journey, full
of privations, through
the wilderness, their
despair and their
pleading. This
harmonically bold work
was first published in
1775 and received
numerous performances
during the composer's
lifetime in
German-speaking
countries. Score and part
available separately -
see item CA.3323800. $15.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Remember - Where The Past Ends And Forever Begins Chorale SATB PraiseGathering
Choral (SATB) SKU: HL.2050301 Praise Gathering Choral. Easter. Softcover....(+)
Choral (SATB) SKU:
HL.2050301 Praise
Gathering Choral. Easter.
Softcover. 96 pages.
Duration 2280 seconds.
PraiseGathering #A08452.
Published by
PraiseGathering
(HL.2050301). UPC:
797242269899.
6.75x10.5x0.221
inches. The
haunting words reach to
us from antiquity.“The
Lord Jesus, on the night
He was betrayed, took
bread, and when He had
given thanks, He broke it
and said, 'This is My
body, which is for you;
do this in remembrance of
Me.' In the same way,
after supper He took the
cup, saying, 'This cup is
the new covenant in My
blood; do this, whenever
you drink it, in
remembrance of Me.' For
whenever you eat this
bread and drink this cup,
you proclaim the Lord's
death until He comes.”
- I Corinthians
11:23-26Remember.
Remember. As commanded,
the Israelites have
retold the story of the
faithfulness of their God
for centuries. They have
recounted how the blood
of the lamb protected
them from the angel of
death. The world is on
the brink of eternal
change now, because it is
Jesus, the Christ who is
saying remember. Remember
the things I taught you,
remember the trials and
the triumphs, remember
the promises and the
prayers, remember the
bread and the wine. God
will reclaim His people
and it will be forever
inscribed on their
hearts, sealed by the
Master, in His own blood.
Remember. Once you
encounter the Master, how
could you ever
forget? $10.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Child Is Born - Full Orchestral Score and Parts Orchestre [Conducteur et Parties séparées] Monarch Music
(A Christmas Worship Experience of the Christ-Light). By Mary Mcdonald. Arranged...(+)
(A Christmas Worship
Experience of the
Christ-Light). By Mary
Mcdonald. Arranged by
Laura Kathryn Rosser. For
full orchestra. Cantatas.
Christmas. Orchestral
score and parts.
Published by Monarch
Music
$349.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Israelites + 13 More Reggae Hits Music Sales
| | |
| The Best Of 1000 No.1 Hits: Chord Songbook Music Sales
| | |
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| | |
| The Israelites Music Sales
Piano Accompaniment SKU: HL.14033293 Music Sales America. 6 pages. Music ...(+)
Piano Accompaniment
SKU: HL.14033293
Music Sales America. 6
pages. Music Sales
#AM936518. Published by
Music Sales
(HL.14033293). UPC:
884088431730.
9.0x12.0x0.015
inches. $3.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Magnificat and Nunc Dimittis On Plainsong Theme Chorale SATB SATB, Orgue Paraclete Press
SATB choir, organ - Medium Difficult/Difficult SKU: PL.9010 Composed by G...(+)
SATB choir, organ -
Medium
Difficult/Difficult
SKU: PL.9010
Composed by Gerald Near.
Choral, Chant, Evensong,
Festival. Octavo.
Paraclete Press #9010.
Published by Paraclete
Press (PL.9010).
Gerald Near
bases this setting of the
Evening Canticles on the
chant intonation 'Tonus
Peregrinus' (the pilgrim)
, so named because of its
traditional association
with Psalm 113--When the
Israelites came out of
Egypt ... Mr. Near's
sensitive text
declamation is heard
immediately in the
opening soprano passage
of the Magnificat while
the balance and unity
between the choir and
organ reflects his sense
of musical completeness.
The Nunc Dimittis may be
effectively used
separately as an anthem
for the Feast of the
Presentation of Christ in
the Temple. $3.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jericho Score Only Orchestre d'harmonie [Conducteur] - Facile Hal Leonard
Grade 3 - Score Only. Composed by William Himes. Curnow Music Concert Band. 24 p...(+)
Grade 3 - Score Only.
Composed by William
Himes. Curnow Music
Concert Band. 24 pages.
Curnow Music #1795140.
Published by Curnow Music
$10.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Jericho Score And Parts Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Hal Leonard
Jericho. (Grade 3 - Score and Parts). By William Himes. Curnow Music Concert Ban...(+)
Jericho. (Grade 3 - Score
and Parts). By William
Himes. Curnow Music
Concert Band. Grade 3.
Curnow Music #001795.
Published by Curnow
$54.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Big Guitar Chord Songbook: More Sixties Hits Music Sales
| | |
| The Reggae Songbook Piano, Voix et Guitare [Partition] Hal Leonard
By Various. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Songbook. Softcover. 224 ...(+)
By Various. For
Piano/Vocal/Guitar.
Piano/Vocal/Guitar
Songbook. Softcover. 224
pages. Published by Hal
Leonard
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Little Black Songbook: Great Songs Hal Leonard
| | |
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