| Lyrics Paroles Seulement [Partition] Hal Leonard
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over
1000 Songs from Broadway
to Rock. By Various.
Lyric Library. Softcover.
Size 8.5x11 inches. 373
pages. Published by Hal
Leonard.
(1)$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| On Music Carl Fischer
Choral SSA Choir, piano, flute SKU: CF.CM9583 Composed by Christopher Gab...(+)
Choral SSA Choir, piano,
flute SKU:
CF.CM9583 Composed by
Christopher Gabel. Sws.
Performance Score. 20
pages. Duration 4
minutes, 9 seconds. Carl
Fischer Music #CM9583.
Published by Carl Fischer
Music (CF.CM9583).
ISBN 9781491154052.
UPC: 680160912551. 6.875
x 10.5 inches. Key: Eb
major. English. Thomas
Moore
(1779-1852). Thomas
Moore (17791852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Filld with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when pleasures
dream is gone, Its memory
lives in Musics breath.
Music, oh, how faint, how
weak, Language fades
before thy spell! Why
should Feeling ever
speak, When thou canst
breathe her soul so well?
Friendships balmy words
may feign, Loves are even
more false than they; Oh!
tis only musics strain
Can sweetly soothe, and
not betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779a1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music a
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fillad with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasureas dream is gone,
Its memory lives in
Musicas breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendshipas balmy
words may feign, Loveas
are even more false than
they; Oh! atis only
musicas strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779-1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music -
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fill'd with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasure's dream is gone,
Its memory lives in
Music's breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendship's balmy
words may feign, Love's
are even more false than
they; Oh! 'tis only
music's strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779-1852) was an
Irish poet, singer,
songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song. We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life? On Music -
Thomas Moore When through
life unblest we rove,
Losing all that made life
dear, Should some notes
we used to love, In days
of boyhood, meet our ear,
Oh! how welcome breathes
the strain! Wakening
thoughts that long have
slept, Kindling former
smiles again In faded
eyes that long have wept.
Like the gale, that sighs
along Beds of oriental
flowers, Is the grateful
breath of song, That once
was heard in happier
hours. Fill'd with balm
the gale sighs on, Though
the flowers have sunk in
death; So, when
pleasure's dream is gone,
Its memory lives in
Music's breath. Music,
oh, how faint, how weak,
Language fades before thy
spell! Why should Feeling
ever speak, When thou
canst breathe her soul so
well? Friendship's balmy
words may feign, Love's
are even more false than
they; Oh! 'tis only
music's strain Can
sweetly soothe, and not
betray. Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. Thomas
Moore (1779–1852)
was an Irish poet,
singer, songwriter and
entertainer. In his poem,
On Music, Moore
emphasizes the power that
music has in our lives
and the ability it has to
evoke memories and
feelings from the past.
Music transcends that
which can be spoken or
felt. The beauty of
making music together is
to establish meaningful
connections with others
and to share a common
language through song.We
are reminded, however,
that relationships with
each other can be fluid
or unstable, but as the
words of the poem remind
us, music will not
betray. No matter the
experiences that we face,
the relationships that we
foster, or the memories
that we create, music
will always be there for
us in times of need and
in times of celebration.
What does music mean to
you? How does it enrich
your life?On Music
– Thomas MooreWhen
through life unblest we
rove,Losing all that made
life dear,Should some
notes we used to love,In
days of boyhood, meet our
ear,Oh! how welcome
breathes the
strain!Wakening thoughts
that long have
slept,Kindling former
smiles againIn faded eyes
that long have wept.Like
the gale, that sighs
alongBeds of oriental
flowers,Is the grateful
breath of song,That once
was heard in happier
hours.Fill’d with
balm the gale sighs
on,Though the flowers
have sunk in death;So,
when pleasure’s
dream is gone,Its memory
lives in Music’s
breath.Music, oh, how
faint, how weak,Language
fades before thy
spell!Why should Feeling
ever speak,When thou
canst breathe her soul so
well?Friendship’s
balmy words may
feign,Love’s are
even more false than
they;Oh! ’tis only
music’s strainCan
sweetly soothe, and not
betray.Note to the
performer: Liberty can be
taken with the tempo
markings and rubato
should be used throughout
in order to further
stress the beauty and
significance of the text.
With its vocal-like
descant, the flute should
be treated as an
additional voice rather
than mere accompaniment
to enhance the texture of
the piece. $3.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| There Is No Rose Chorale 3 parties SSA Carl Fischer
Choral SSA choir SKU: CF.CM9580 Composed by Richard Rasch. Arranged by Ri...(+)
Choral SSA choir SKU:
CF.CM9580 Composed by
Richard Rasch. Arranged
by Richard Rasch. Fold.
Performance Score. 4
pages. Duration 2
minutes, 42 seconds. Carl
Fischer Music #CM9580.
Published by Carl Fischer
Music (CF.CM9580).
ISBN 9781491154021.
UPC: 680160912520. 6.875
x 10.5 inches. Key: D
mixolydian. English,
Latin. 15th Century
Medieval Carol. The
text of this poem is from
the Trinity Carol Roll,
an English manuscript
housed at the Wren
Library of Trinity
College, Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherds response in
the gospel of Luke 2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassthe distance
between the highest and
lowest noteis at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherdas response
in the gospel of Luke
2:15,
Transeamus.
Latin phraseA translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compassathe distance
between the highest and
lowest noteais at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called
Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and
the shepherd's response
in the gospel of Luke
2:15,
Transeamus.
Latin phrase translation
source Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pari forma of
equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written. The Latin
phrases come from
different parts of the
Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd's response in
the gospel of Luke 2:15,
Transeamus. Latin phrase
translation source
Alleluia Alleluia
Laetabundus Res miranda A
thing to be wondered at
Laetabundus Pares forma
of equal form Laetabundus
Gaudeamus Let us rejoice!
Gaudeamus Transeamus Let
us go Luke 2:15 The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and beauty.
The music in this setting
mimics the petals of a
rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic twists.
Word painting is employed
in several places but
none are as important as
the dramatic climax in
the fourth verse where
the shepherds along with
all the angels in heaven
proclaim Gloria in
excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass--the distance
between the highest and
lowest note--is at its
widest. The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. The text of
this poem is from the
Trinity Carol Roll, an
English manuscript housed
at the Wren Library of
Trinity College,
Cambridge. It is
originally in the Norfolk
dialect of Middle English
but has been modernized
for use in this setting.
Also, it's macaronic,
meaning it combines words
from two languages, the
other being Latin which
was in use by the church
when this carol was
written.The Latin phrases
come from different parts
of the Advent/Christmas
liturgies; a sequence
called Laetabundus, the
title of an Introit
antiphon called
Gaudeamus, and the
shepherd’s
response in the gospel of
Luke 2:15,
Transeamus.Latin
phrase translation
sourceAlleluia Alleluia
LaetabundusRes miranda A
thing to be wondered at
LaetabundusPares forma of
equal form
LaetabundusGaudeamus Let
us rejoice!
GaudeamusTranseamus Let
us go Luke 2:15The poet
compares the Virgin Mary
to a rose. She has a
special place among all
women in being chosen as
the mother of Jesus, and
likewise the rose has a
special place among all
flowers surpassing them
in complexity and
beauty.The music in this
setting mimics the petals
of a rose as it blooms.
Imagine the petals
unfurling over time as
does the music which
starts in unison for each
verse and expands outward
into two and three vocal
lines with increasingly
complex harmonic
twists.Word painting is
employed in several
places but none are as
important as the dramatic
climax in the fourth
verse where the shepherds
along with all the angels
in heaven proclaim Gloria
in excelsis Deo (Glory to
God on high). What a
sound that must be! On
these words the music
reaches it loudest point
as the sopranos rise to
their highest note and
the compass—the
distance between the
highest and lowest
note—is at its
widest.The setting is
brought to a close as the
five Latin phrases that
finished each verse are
repeated as a coda and
musically summarize the
five verses of the
carol. $1.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Sun Is Love Voix haute, Piano - Intermédiaire Schirmer
By Gwyneth W. Walker. Text: Jelaluddin Rumi, translated by C. Barks. For High vo...(+)
By Gwyneth W. Walker.
Text: Jelaluddin Rumi,
translated by C. Barks.
For High voice and piano.
Vocal Music. Published by
E.C. Schirmer Publishing.
$15.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Great Art Songs of Three Centuries - High Voice Voix haute, Piano [Partition] Schirmer
Compiled by Bernard Taylor. Collection for high voice solo and piano accompanime...(+)
Compiled by Bernard
Taylor. Collection for
high voice solo and piano
accompaniment. Text
language Italian, German,
French, English. 251
pages. Published by G.
Schirmer, Inc.
$26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Three Mysteries of Nagasaki Theodore Presser Co.
Chamber Music Anvil, Bass Drum, Crotales, Glockenspiel, Gong, Percussion, Suspen...(+)
Chamber Music Anvil, Bass
Drum, Crotales,
Glockenspiel, Gong,
Percussion, Suspended
Cymbal, Tam-tam,
Triangle, Tubular Bells,
Vibraphone, Violin
SKU: PR.114410790
Composed by Daniel Dorff.
Set of performance
scores. With Standard
notation. Composed 1993.
32+32 pages. Duration 13
minutes. Theodore Presser
Company #114-41079.
Published by Theodore
Presser Company
(PR.114410790). ISBN
9781491112687. UPC:
680160015580. 9 x 12
inches. THREE
MYSTERIES OF NAGASAKI was
inspired by the eerie
darkness and ambiguous
bells of the oldest
Western church in Japan.
Dorff’s program
note describes
impressions of his visit
to Nagasaki while
withholding any
explanation of the three
movements. The 13-minute
work is a duo for violin
and one percussionist,
with an array of pitched
and unpitched ringing
metallic instruments plus
bass drum. THREE
MYSTERIES OF NAGASAKI was
inspired by the ambiguous
bells of the oldest
Western church in
Japan.In an island nation
that used to thrive on
isolation from the rest
of the world, Nagasaki
has long been a
vulnerable exception.
From the 16th through
19th centuries, it was
Japan’s only
international port, open
to Portuguese and Dutch
traders. From this sole
crossroads, Christianity
(along with European
food, flowers, and
language) began flowing
into the otherwise
insular culture. The US
Navy’s presence in
the 1800s added to
Nagasaki being
Japan’s exposed
Achilles’ heel,
which may be why
Puccini’s Madama
Butterfly is set in this
city, with
Cho-Cho-San’s
vulnerability symbolizing
the risk of openness to
Western
influence.I’ve had
occasion to visit
Nagasaki, and have never
felt so haunted. Aside
from the unspeakable
atrocity of 1945 and the
lasting presence of that
horror, there also
remains a mysterious air
of not really being in
pure Japan, or in the
present day. Nowhere was
this more obvious than
within the ÅŒura
Basilica, the earliest
Christian church built in
Japan. Decades after
visiting the basilica, I
still recall its oddly
distorted and slowly
pealing bells, and
timeless incense floating
in relative darkness. The
mysterious bells have
stayed with me both for
their own sonority, and
as a subconscious
reminder of everything
Nagasaki is and
was.Composed for a
violinist-percussionist
couple who ended a
decades-long relationship
just as I completed the
work (and never
performing it), it was
originally called simply
THREE MYSTERIES; I
couldn’t make a
direct reference in the
title because it felt too
raw. Looking back years
later, the updated title
THREE MYSTERIES OF
NAGASAKI seems to ask
more questions than it
answers. $21.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Best of Gilbert and Sullivan Piano, Voix et Guitare [Partition] Hal Leonard
20 Sad, Happy and Humorous Songs from the World of the Victorian Operetta. By Gi...(+)
20 Sad, Happy and
Humorous Songs from the
World of the Victorian
Operetta. By Gilbert and
Sullivan. For piano,
voice and guitar. This
edition: performance
score. Vocal. Collection
(Soft-cover binding).
Language: English. 68
pages. Published by Hal
Leonard.
$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Song of Spring Outing Piano seul Theodore Presser Co.
Chamber Music Piano SKU: PR.110418480 Composed by Chen Yi. Performance Sc...(+)
Chamber Music Piano
SKU: PR.110418480
Composed by Chen Yi.
Performance Score.
Duration 6 minutes.
Theodore Presser Company
#110-41848. Published by
Theodore Presser Company
(PR.110418480). ISBN
9781491136294. UPC:
680160688784. Chen
Yi’s beautiful and
highly-textured tone poem
was inspired by ancient
Chinese poetry; its
melodic ideas were
developed from musical
phrases characteristic of
Chinese opera. Wang
Ya’s original verse as
translated by Chen Yi
reads:“SONG OF SPRING
OUTING”Ten thousand
apricot trees by the
riverside,Spring flowers
bloom after the wind at
night.Covered over the
garden, colors dark and
light,Mirrored in the
green water
ripples. SONG OF
SPRING OUTING was
commissioned by the
Center for East Asian
Studies and the Asian
Classical Music
Initiative at the
University of Kansas in
2022 for Dr. Yi-Yang Chen
to premiere in 2023.The
work was inspired by an
ancient Chinese poem with
the same title:Song of
Spring Outingby Wang Ya
(Tang Dynasty)English
translation by Chen YiTen
thousand apricot trees by
the riverside,Spring
flowers bloom after the
wind at night.Covered
over the garden, colors
dark and light,Mirrored
in the green water
ripples.This inspiring
image is like taking a
walk through a beautiful
garden with layers of
colorful trees and
flowers, mirrored in the
green water.The opening
phrase of the music
introduces the signature
intervals, the leap of a
seventh found in Beijing
Opera fiddle’s
language, followed by
melodic material with a
major 2nd and perfect 4th
in pentatonic style as
the thematic materials.
[C-Bb-G in bars 1-2,
followed by the top
pitches A-B and Ab-E( in
bars 2-3]. This statement
is brought back
(Rehearsal F) in a
retrograded form of the
introduction at the
climatic end of the
piece.The musical form is
a combination of
variations on thematic
materials, and a rondo.
After the introductory
section, Rehearsal A
introduces an
improvisation-like
mountain song melody
(developed from the
pentatonic material in
the
introduction).Rehearsal B
brings in a lively
texture in short
groupings with staccato
in both hands (using the
seventh leap interval
introduced in the opening
of the piece).Rehearsals
C and D develop the
introduction’s
pentatonic melody and the
mountain tune (introduced
in Rehearsal A) with more
layers in the
texture.Rehearsal E
develops the material
presented in Rehearsal B,
with an extended range in
both ends of the
keyboard, increasing the
freshness and
excitement. $16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Singer's Library of Musical Theatre, Volume 2 Voix Soprano [Partition + CD] Alfred Publishing
(Soprano Voice). Edited by Lisa DeSpain. For Voice (Soprano voice). Vocal Collec...(+)
(Soprano Voice). Edited
by Lisa DeSpain. For
Voice (Soprano voice).
Vocal Collection.
Singer's Library of
Musical Theatre.
Broadway. Book and CD.
196 pages
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Learn From A Pro -Trombone/Euphonium Trombone [Partition + CD] - Débutant Santorella Publications
Santorella Publications' proudly boasts our connection to some of the best studi...(+)
Santorella Publications'
proudly boasts our
connection to some of the
best studio players in
the Los Angeles studio
circuit. Each one of
these great musicians,
when they are not in a
session or performing on
a new movie soundtrack,
is giving lessons to horn
players of all ages.
Santorella Publications
is setting a new trend in
the industry by making it
possible for you to study
with these talented
professionals in a
virtual world with Learn
From A Pro. Nick Lane
will walk you through all
23 lessons as if you're
sitting in a studio by
his side. If you went to
Los Angeles and took 23
lessons, it would cost
over $1,000.00. Now you
can Learn "Trombone" From
A Pro for only $12.95 and
in the privacy of your
own home. Whether you are
an early beginner or an
adult, here is your
chance to fulfill that
dream. Do something for
yourself and learn to
play today with
Santorella's Learn From A
Pro series. About your
private instructor, Nick
Lane Nick Lane has been
active in the Los Angeles
music scene for over
twenty five years. He
joined Maynard Ferguson's
Band after graduating
from Bostones Berklee
College of Music and
remained on the road for
three years before moving
to Los Angeles. He
continued touring while
based in L. A. with Rod
Stewart, The Who and Tom
Petty and The Heart
Breakers. Nick Lane
continues to perform with
Etta James, Chicago,
Shakira, Alejandro Sans
and has even performed
with Jennifer Lopez. Nick
has also been featured in
a special PBS broadcast
about "the blues" with
T-Bone Burnett. Nick
remains active in the
commercial recording
fields for movies,
television, commercials
and has recorded with
such Pop artists as; Macy
Gray, Tim Mc Graw, Baby
Face, Destiny's Child,
The Offspring, The
Wallflowers, Fast Ball,
Green Day, No Doubt,
Natalie Merchant,
Everclear, Barbara
Streisand and Joe Cocker.
Nick has recorded with
such Jazz artists as;
Rick Braun, Jeff Golub,
David Benoit, Dave Koz,
Kombo, Greg Karukus and
Warren Hill. Nick's
popular "lounge jazz" CD
performed with baritone
saxophonist Greg Smith
and an organ trio is
recorded on the Oakland
Stroke Label.
$12.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Studio Ghibli 77 Selections [Japanese/English/Chinese] Piano seul - Facile Yamaha
Piano - Easy to Intermediate Levels SKU: YM.GTP01101652 The Ultimate S...(+)
Piano - Easy to
Intermediate Levels
SKU:
YM.GTP01101652 The
Ultimate Studio Ghibli
Piano Solo
Collection. Composed
by Joe Hisaishi. Studio
Ghibli. Anime Song;
J-Pop. Book. Yamaha Music
Media #GTP01101652.
Published by Yamaha Music
Media (YM.GTP01101652).
ISBN 9784636113334.
8.75 x 12
inches. Here is the
ultimate, official,
complete edition of
Studio Ghibli Piano Solo
Collection, featuring 77
of Studio Ghibli's
essential musical
masterpieces, fully
supported in three
languages: Japanese,
English and Simplified
Chinese! From 20 of
Studio Ghibli's most
beloved films, including
My Neighbor Totoro,
Princess Mononoke,
Spirited Away, and more,
comes a piano solo
collection featuring 77
iconic songs. In addition
to timeless favorites,
songs from popular
soundtracks such as
Kiki's Delivery Service
and Porco Rosso are
included. Featuring
Studio Ghibli's musical
masterpieces in solo
piano arrangements, this
collection includes the
film's theme songs as
well as fan-favorite
instrumental music. The
difficulty levels range
from easy to
intermediate, making them
accessible to a wide
range of players, and the
simpler arrangements can
be fully enjoyed by
players who can feel the
essence and atmosphere.
The book cover features
official Studio Ghibli
artwork. The book is
supported in Japanese,
English and Chinese. This
single volume offers a
comprehensive, special
collector's edition for
enjoying the music of
Studio Ghibli. Studio
Ghibli 77 Selections is
sure to take you on a
musical journey through
20 Studio Ghibli
films! $26.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Peggy Seeger Songbook: Forty Years Of Songmaking Paroles et Accords [Partition] Oak Publications
By Peggy Seeger. For Melody Line, Lyrics and Chord symbols. Folk. Sheet Music. 3...(+)
By Peggy Seeger. For
Melody Line, Lyrics and
Chord symbols. Folk.
Sheet Music. 364 pages.
Published by Oak
Publications.
$29.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Edvard Grieg: Samtliche Lieder - Band I, Op. 2-49 (Complete Songs - Vol. 1) Piano, Voix [Partition] Peters
Composed by Edvard Grieg (1843-1907), edited by Dan Fog, Nils Grinde. Collection...(+)
Composed by Edvard Grieg
(1843-1907), edited by
Dan Fog, Nils Grinde.
Collection for voice solo
and piano accompaniment.
Urtext Edition. Text
language English, German
and Norwiegan. 304 pages.
Published by C.F. Peters.
$56.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Singer's Library of Musical Theatre, Vol. 2 Voix Soprano [Partition] Alfred Publishing
For Voice. (Soprano Voice). Vocal Collection. Broadway. Book. 196 pages. Publis...(+)
For Voice. (Soprano
Voice). Vocal Collection.
Broadway. Book. 196
pages. Published by
Alfred Publishing.
(2)$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Nutcracker Suite (EP) Piano seul Santorella Publications
Nutcracker Suite Highlights * Easy Piano Series composed by Peter Ilyich Tchaiko...(+)
Nutcracker Suite
Highlights * Easy Piano
Series composed by Peter
Ilyich Tchaikovsky
(1840-1893). Arranged by
Alexander Cole. For easy
piano. This edition:
Paperback. Collection.
Easy Piano Series.
Christmas. Book. Text
Language: English. 12
pages. Published by
Santorella Publications
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Easy Songs For Little Mandolin Pickers Mandoline - Débutant Santorella Publications
Easy Songs for Little Mandolin Pickers composed by Larry McCabe. For mandolin. T...(+)
Easy Songs for Little
Mandolin Pickers composed
by Larry McCabe. For
mandolin. This edition:
Paperback. Collection.
Little Picker series.
Childrens. Book. Text
Language: English;
Standard notation,
tablature and chords. 32
pages. Published by
Santorella Publications
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Nutcracker Suite Piano seul Santorella Publications
Nutcracker Suite * Masterpiece Edition composed by Peter Ilyich Tchaikovsky (184...(+)
Nutcracker Suite *
Masterpiece Edition
composed by Peter Ilyich
Tchaikovsky (1840-1893).
Arranged by Alexander
Cole. For piano solo.
This edition: Paperback.
Solo. Masterpiece Edition
series. Classical.
Intermediate. Sheet
Music. Text Language:
English. 16 pages.
Published by Santorella
Publications
$7.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Roselil og hendes moder [Conducteur] Carus Verlag
SATBarB SKU: CA.923900 Composed by John Hoybye. Arranged by John Hoybye. ...(+)
SATBarB SKU:
CA.923900 Composed by
John Hoybye. Arranged by
John Hoybye. Contemporary
Choir Music. Secular
choral music. Full score.
12 pages. Duration 4
minutes. Carus Verlag #CV
09.239/00. Published by
Carus Verlag (CA.923900).
ISBN 9790007241827.
Language: Danish. Text:
Molbech, Christian Knud
Fredrik. We are in
an old-fashioned
aristocratic castle.
Roselil and her mother
are chatting and giggling
(about men?). Sir Peder,
a smart young man -
probably a musician - is
listening behind the
door. He catches the
essence of her undertones
and makes a plan: He
cannot create 'flowers of
gold,' but his music can
be converted to gold in
the ears of Roselil - and
so he wins her heart! At
the beginning of my
arrangement, Roselil is
singing in a pretty
folk-song manner, but
later on she joins Sir
Peder in a driving and
brilliant jazz style.
(John Hoybye) This piece
has been composed for the
international renowned
Calmus Ensemble and it is
suitable for ensembles
and ambitious amateur
choirs. You can find the
song Roselil og hendes
moder on the CD recording
Folk Songs (Carus
83.034). $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Call of the Flowers Chorale 2 parties SA, Piano [Octavo] - Intermédiaire Santa Barbara Music Publishing
By Leo Delibes. Arranged by Ronald A. Nelson. For SA. Choral music. Level: Mediu...(+)
By Leo Delibes. Arranged
by Ronald A. Nelson. For
SA. Choral music. Level:
Medium. Published by
Santa Barbara Music
Publishing. (SBMP 464)
$2.20 $2.09 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Games Children Sing - Japan Voix d'Enfants [Listening CD|Collection / Songbook|Classroom Materials] - Débutant Alfred Publishing
(21 Children's Songs and Rhymes) Written by Gloria J. Kiester, Mika Kimula. Voca...(+)
(21 Children's Songs and
Rhymes) Written by Gloria
J. Kiester, Mika Kimula.
Vocal songbook,
performance CD and
children's vocal songbook
for voice. With vocal
melody, lyrics,
introductory text,
instructional text and
illustrations. Text
language English and
Japanese. Published by
Alfred Publishing.
(1)$29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Paparuda (Das Paparuda) Chorale TTBB [Conducteur] Carus Verlag
SSAATTBB Choir SKU: CA.975100 Composed by George Balint. Choral music of ...(+)
SSAATTBB Choir SKU:
CA.975100 Composed by
George Balint. Choral
music of Eastern Europe;
Contemporary choral
music. Full score. 24
pages. Duration 4
minutes. Carus Verlag #CV
09.751/00. Published by
Carus Verlag (CA.975100).
ISBN 9790007186340.
Language:
Romanian/German/English.<
/p> Paparuda is based
on a Romanian folk poem,
a pagan rain dance song.
During a period of heat
and drought the rain
goddess is implored to
finally let it rain, to
refresh people and to
water the earth, so that
it can bring forth fruit
and flowers abundantly.
The composer George
Balint (b. 1961) has set
this ritual to music for
mixed choir, in an
impressive piece with
thrilling rhythm. As well
as the Romanian text, a
singable German and
English version is
included. $9.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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