| Berko's Journey Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in...(+)
Orchestra Bass Clarinet,
Bass Trombone, Bassoon 1,
Bassoon 2, Cello,
Clarinet in Bb 1,
Clarinet in Bb 2,
Clarinet in Bb 3,
Contrabassoon, Double
Bass, English Horn, Flute
1, Flute 2, Flute 3,
Harp, Horn 1, Horn 3,
Horn 4, Oboe 1, Oboe 2,
Percussion 1 and more.
SKU: PR.11642143L
Composed by Stacy Garrop.
Spiral. Large Score. 68
pages. Duration 20
minutes. Theodore Presser
Company #116-42143L.
Published by Theodore
Presser Company
(PR.11642143L). UPC:
680160693320. 11 x 17
inches. For most of
my life, I never knew
where my father’s
family came from, beyond
a few broad strokes: they
had emigrated in the
early 1900s from Eastern
Europe and altered the
family name along the
way. This radically
changed in the summer of
2021 when my mother and
sister came across a
folder in our family
filing cabinet and made
an astounding discovery
of documents that
revealed when, where, and
how my great-grandfather
came to America. The
information I had been
seeking was at home all
along, waiting over forty
years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craft Berko’s
Journey, I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1, Leaving
Ekaterinoslav, we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2, In
Transit, we follow Berko
as he boards a train and
then a steamship, sails
across the Atlantic
Ocean, arrives at Ellis
Island and anxiously
waits in line for
immigration, jubilantly
steps foot into New York
City, and finally boards
a train that will take
him to Chicago. While
he’s on the steamship,
we hear a group of fellow
steerage musicians play a
klezmer tune
(“Freylachs in d
minor”). In movement
3, At Home in Omaha, we
hear Berko court and
marry Anna. Their
courtship is represented
by “Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and
Anna. For most of my
life, I never knew where
my father’s family came
from, beyond a few broad
strokes: they had
emigrated in the early
1900s from Eastern Europe
and altered the family
name along the way. This
radically changed in the
summer of 2021 when my
mother and sister came
across a folder in our
family filing cabinet and
made an astounding
discovery of documents
that revealed when,
where, and how my
great-grandfather came to
America. The information
I had been seeking was at
home all along, waiting
over forty years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craftxa0Berko’s
Journey,xa0I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1,xa0Leaving
Ekaterinoslav,xa0we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2,xa0In
Transit,xa0we follow
Berko as he boards a
train and then a
steamship, sails across
the Atlantic Ocean,
arrives at Ellis Island
and anxiously waits in
line for immigration,
jubilantly steps foot
into New York City, and
finally boards a train
that will take him to
Chicago. While he’s on
the steamship, we hear a
group of fellow steerage
musicians play a klezmer
tune (“Freylachs in d
minor”). In movement
3,xa0At Home in
Omaha,xa0we hear Berko
court and marry Anna.
Their courtship is
represented by
“Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and Anna. $71.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Berko's Journey [Conducteur] Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in...(+)
Orchestra Bass Clarinet,
Bass Trombone, Bassoon 1,
Bassoon 2, Cello,
Clarinet in Bb 1,
Clarinet in Bb 2,
Clarinet in Bb 3,
Contrabassoon, Double
Bass, English Horn, Flute
1, Flute 2, Flute 3,
Harp, Horn 1, Horn 3,
Horn 4, Oboe 1, Oboe 2,
Percussion 1 and more.
SKU: PR.11642143S
Composed by Stacy Garrop.
Sws. Score. 68 pages.
Duration 20 minutes.
Theodore Presser Company
#116-42143S. Published by
Theodore Presser Company
(PR.11642143S). UPC:
680160693313. 11 x 17
inches. For most of
my life, I never knew
where my father’s
family came from, beyond
a few broad strokes: they
had emigrated in the
early 1900s from Eastern
Europe and altered the
family name along the
way. This radically
changed in the summer of
2021 when my mother and
sister came across a
folder in our family
filing cabinet and made
an astounding discovery
of documents that
revealed when, where, and
how my great-grandfather
came to America. The
information I had been
seeking was at home all
along, waiting over forty
years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craft Berko’s
Journey, I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1, Leaving
Ekaterinoslav, we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2, In
Transit, we follow Berko
as he boards a train and
then a steamship, sails
across the Atlantic
Ocean, arrives at Ellis
Island and anxiously
waits in line for
immigration, jubilantly
steps foot into New York
City, and finally boards
a train that will take
him to Chicago. While
he’s on the steamship,
we hear a group of fellow
steerage musicians play a
klezmer tune
(“Freylachs in d
minor”). In movement
3, At Home in Omaha, we
hear Berko court and
marry Anna. Their
courtship is represented
by “Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and
Anna. For most of my
life, I never knew where
my father’s family came
from, beyond a few broad
strokes: they had
emigrated in the early
1900s from Eastern Europe
and altered the family
name along the way. This
radically changed in the
summer of 2021 when my
mother and sister came
across a folder in our
family filing cabinet and
made an astounding
discovery of documents
that revealed when,
where, and how my
great-grandfather came to
America. The information
I had been seeking was at
home all along, waiting
over forty years to be
discovered.Berko
Gorobzoff, my
great-grandfather, left
Ekaterinoslav in 1904. At
that time, this city was
in the southern Russian
area of modern-day
Ukraine; as his family
was Jewish, he and his
siblings were attempting
to escape the ongoing
religious persecution and
pogroms instigated by
Tzar Nicholas II to root
out Jewish people from
Russia. Berko’s older
brother Jakob had already
emigrated to Illinois,
and Berko was traveling
with Chaje, Jakob’s
wife, to join him. Their
timing was fortuitous, as
the following year saw a
series of massive, brutal
pogroms in the region.
After arriving in
Illinois, Berko went on
to Omaha, Nebraska, where
he married my
great-grandmother Anna
about eighteen months
later. They remained in
Omaha for the rest of
their lives.There is one
more intriguing part to
this historical account:
I have a great-aunt in
Texas who, as it turns
out, is the youngest
daughter of Berko and
Anna. Through a series of
phone calls, my
great-aunt and I
discussed what she could
remember: her parents
spoke Yiddish at home,
her mother didn’t learn
to read or write in
English so my great-aunt
was tasked with writing
letters to family
members, Berko ran a
grocery store followed by
a small hotel, and her
parents enjoyed playing
poker with friends. Above
all else, neither of her
parents ever spoke a word
about their past or how
they got to America. This
was a common trait among
Eastern European Jewish
immigrants whose goal was
to “blend in” within
their new communities and
country.To
craftxa0Berko’s
Journey,xa0I melded the
facts I uncovered about
Berko with my own
research into methods of
transportation in the
early 1900s. Also, to
represent his heritage, I
wove two Yiddish songs
and one Klezmer tune into
the work. In movement
1,xa0Leaving
Ekaterinoslav,xa0we hear
Berko packing his
belongings, saying his
goodbyes to family and
friends, and walking to
the train station.
Included in this movement
is a snippet of the
Yiddish song “The
Miller’s Tears” which
references how the Jews
were driven out of their
villages by the Russian
army. In movement 2,xa0In
Transit,xa0we follow
Berko as he boards a
train and then a
steamship, sails across
the Atlantic Ocean,
arrives at Ellis Island
and anxiously waits in
line for immigration,
jubilantly steps foot
into New York City, and
finally boards a train
that will take him to
Chicago. While he’s on
the steamship, we hear a
group of fellow steerage
musicians play a klezmer
tune (“Freylachs in d
minor”). In movement
3,xa0At Home in
Omaha,xa0we hear Berko
court and marry Anna.
Their courtship is
represented by
“Tumbalalaika,” a
Yiddish puzzle folksong
in which a man asks a
woman a series of riddles
in order to get better
acquainted with each
other and to test her
intellect.On a final
note, I crafted a musical
motive to represent Berko
throughout the piece.
This motive is heard at
the beginning of the
first movement; its first
pitches are B and E,
which represent the first
two letters of Berko’s
name. I scatter this
theme throughout the
piece as Berko travels
towards a new world and
life. As the piece
concludes, we hear
Berko’s theme
repeatedly and in close
succession, representing
the descendants of the
Garrop line that came
from Berko and Anna. $40.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Singer's Library of Musical Theatre, Volume 2 Voix Tenor [Partition + CD] Alfred Publishing
(Tenor Voice). Edited by Lisa DeSpain. For Voice (Tenor voice). Vocal Collection...(+)
(Tenor Voice). Edited by
Lisa DeSpain. For Voice
(Tenor voice). Vocal
Collection. Singer's
Library of Musical
Theatre. Broadway. Book
and CD. 224 pages
$29.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Fake Book - C Instruments (3rd Edition)
Fake Book [Fake Book] Hal Leonard
C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pa...(+)
C Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 816 pages.
Published by Hal Leonard.
(31)$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Ultimate Fake Book - Third Edition (Bb version)
Instruments en Sib [Fake Book] Hal Leonard
Bb Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 p...(+)
Bb Edition. Fake Book
(Includes melody line and
chords). Size 9x12
inches. 816 pages.
Published by Hal Leonard.
(8)$49.95 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Singer's Library of Musical Theatre, Vol. 2 Voix Tenor [Partition] Alfred Publishing
For Voice. (Tenor Voice). Vocal Collection. Broadway. Book. 224 pages. Publishe...(+)
For Voice. (Tenor
Voice). Vocal Collection.
Broadway. Book. 224
pages. Published by
Alfred Publishing.
(1)$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Up Singing
Paroles et Accords [Partition] Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...(+)
The Group Singing
Songbook. By Various.
Vocal. Size 9.5x12
inches. 281 pages.
Published by Hal Leonard.
(1)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Slapshot Santa Scores Again Themes & Variations
SKU: TV.104 A huge hit with our students and parents!. Book/CD. Published...(+)
SKU: TV.104 A huge
hit with our students and
parents!. Book/CD.
Published by Themes &
Variations (TV.104).
ISBN
9781894096188. Sant
a dreams that he's scored
a goal in the NHL and
decides that he's going
to practice hockey until
he can play with his
favorite hockey star.
Production on the
Christmas toys falls
further and further
behind while Santa is out
practicing his slapshot.
The elves make some hasty
phone calls and Santa's
favorite hockey team
flies to the North pole
to have an exhibition
game. This 30 minute
musical has 10 songs
varying in style from
Strauss to 50's Rock &
Roll. The Teachers
Handbook includes piano
accompaniments,
reproducible student
pages, easy to understand
choreography, costume
suggestions and staging
ideas. $35.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Stephen Flaherty: Lucky Stiff - A Musical Comedy Piano, Voix [Partition] Alfred Publishing
Lyrics by Lynn Ahrens, music by Stephen Flaherty. Songbook for voice and piano. ...(+)
Lyrics by Lynn Ahrens,
music by Stephen
Flaherty. Songbook for
voice and piano. From the
Broadway musical Lucky
Stiff. 82 pages.
Published by Alfred
Publishing.
(2)$24.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Rise Up Singing Paroles et Accords [Partition] Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...(+)
Arranged by Peter Blood,
Annie Patterson. Vocal.
Size 7.5x10.5 inches. 283
pages. Published by Hal
Leonard.
(1)$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| DT 700 Pro X Studio Headphones for Recording and Monitoring (Closed-Back, 48 Ohm) Aucune valeur Hal Leonard
SKU: HL.3712067 Beyer-Dynamic. Monitors and Headphones. Hal Leonard #7377...(+)
SKU: HL.3712067
Beyer-Dynamic. Monitors
and Headphones. Hal
Leonard #737704.
Published by Hal Leonard
(HL.3712067). UPC:
196288220572. 8.5x9.0x4.5
inches. With the
closed DT 700 PRO X,
beyerdynamic presents a
pair of circumaural
studio headphones that a
resuitable for
professional recording
and monitoring in the
studio as well as on the
road. This is enabled by
theSTELLAR.45 driver,
developed in Heilbronn,
which reproduces the best
studio-quality sound
loudly and powerfully on
all playback devices.
Whether on an interface,
laptop, tablet or mobile
phone, there are no
limits to creativity. The
detachable mini-XLR cable
can be replaced by cables
of different lengths and
connection options. The
rugged spring steel
headband construction
gives the over-ear
headphones a secure fit
and ensures durability.
The supple velour ear
pads are soft to touch,
as you would expect, and
ensure comfortable air
circulation. Thanks to
soft memory foam, the
headband adapts
ergonomically to the
shape of the head and,
like the ear pads, it can
be replaced when
necessary. Robust and
high-quality materials
complete these
headphones, which are
handmade in Germany. $269.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Book of Urizen - Symphony No. 1 (CD incl.) Orchestre d'harmonie [Conducteur et Parties séparées + CD] - Intermédiaire De Haske Publications
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
En 1794,
l’écrivain,
peintre, graveur,
enlumineur, visionnaire
et philosophe mystique
anglais William Blake
(1757-1827) dénonce
dans The Book of Urizen
(Le Livre
d’Urizen), la loi
de fer du monde moderne.
Dans The Book
ofUrizen - la
première symphonie de
Jacob de Haan pour
Orchestre
d’Harmonie,
Soprano et un récitant
- des collages sonores
sont utilisés. The
Vision, la
première partie et
The Creation, la
deuxième partie de
TheBook of Urizen
sont disponibles sous le
numéro
d'éditionsuivant: DHP
1043551. The Web,
la troisième partie de
The Book of Urizen
est disponible sous le
numéro d'édition
suivant: DHP 1125252.
Télécharger
lesextraits audio ici:
track 1, track 2, track
3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
$533.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| DT 900 Pro X Studio Headphones for Critical Listening, Mixing and Mastering (Open-Back, 48 Ohms) Aucune valeur Hal Leonard
SKU: HL.3712056 Beyer-Dynamic. Monitors and Headphones. Hal Leonard #7299...(+)
SKU: HL.3712056
Beyer-Dynamic. Monitors
and Headphones. Hal
Leonard #729906.
Published by Hal Leonard
(HL.3712056). UPC:
196288220565. 8.5x9.0x4.5
inches. With the
open DT 900 PRO X,
beyerdynamic presents a
pair of circumaural
studio headphones that
are suitable for
professional monitoring,
mixing and mastering in
the studio as well as on
the road. This is enabled
by the STELLAR.45 driver,
developed in Heilbronn -
Germany, which reproduces
the best studio-quality
sound loudly and
powerfully on all
playback devices. Whether
on an interface, laptop,
tablet or mobile phone,
there are no limits to
creativity. The
detachable mini-XLR cable
can be replaced by cables
of different lengths and
connection options. The
rugged spring steel
headband construction
gives the over-ear
headphones a secure fit
and ensures durability.
The supple velour ear
pads are soft to touch,
as you would expect, and
ensure comfortable air.
Thanks to soft memory
foam, the headband adapts
ergonomically to the
shape of the head and,
like the ear pads, it can
be replaced when
necessary. Robust and
high-quality materials
complete these
headphones, which are
handmade in Germany. $269.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Happy Phone Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Molenaar Edition
Concert Band; Flex Band - Grade 2 SKU: ML.013776070 Composed by Henri Ger...(+)
Concert Band; Flex Band -
Grade 2 SKU:
ML.013776070 Composed
by Henri Gerrits. Full
set. Molenaar Edition
#013776070. Published by
Molenaar Edition
(ML.013776070).
In this
sparkling work, the
conductor is interrupted
in the middle of a
musical adventure by a
spontaneous phone call
from a member of the
orchestra. This
unexpected moment adds an
extra layer of liveliness
and humour to the
performance, creating a
unique experience every
time. This piece is
perfect for training
orchestras looking for a
challenging and inspiring
addition to their
epertoire. A masterpiece
that breaks the
boundaries of traditional
orchestral music and
leaves unforgettable
impression at every
performance.
In
dit sprankelende werk
wordt de dirigent midden
in een muzikaal avontuur
onderbroken door een
spontaan telefoontje van
een orkestlid. Dit
onverwachte moment voegt
een extra laag van
levendigheid en humor toe
aan de uitvoering,
waardoor elke keer weer
een unieke ervaring
ontstaat. Dit stuk is
perfect voor
opleidingsorkesten die op
zoek zijn naar een
uitdagende en
inspirerende toevoeging
aan hun repertoire. Een
meesterwerk dat de
grenzen van traditionele
orkestmuziek doorbreekt
en een onvergetelijke
indruk achterlaat bij
elke
uitvoering.
Dans
cette Åuvre
pétillante, le chef
d'orchestre est
interrompu en pleine
aventure musicale par un
appel téléphonique
spontané d'un membre
de l'orchestre. Ce moment
inattendu ajoute une
couche supplémentaire
de vivacité et
d'humour à la
performance, créant
ainsi une expérience
unique à chaque fois.
Cette pièce est
parfaite pour les
orchestres de formation
qui cherchent Ã
ajouter à leur
répertoire une
Åuvre stimulante et
inspirante. Un
chef-d'Åuvre qui
dépasse les
frontières de la
musique orchestrale
traditionnelle et laisse
une impression
inoubliable à chaque
représentation.
In diesem spritzigen
Werk wird der Dirigent
mitten in einem
musikalischen Abenteuer
durch einen spontanen
Anruf eines
Orchestermitglieds
unterbrochen. Dieser
unerwartete Moment
verleiht der
Aufführung eine
zusätzliche Ebene der
Lebendigkeit und des
Humors und macht sie
jedes Mal zu einem
einzigartigen Erlebnis.
Dieses Stück eignet
sich perfekt für
Ausbildungsorchester, die
auf der Suche nach einer
anspruchsvollen und
inspirierenden
Ergänzung ihres
Repertoires sind. Ein
Meisterwerk, das die
Grenzen der
traditionellen
Orchestermusik sprengt
und bei jeder
Aufführung einen
unvergesslichen Eindruck
hinterlässt. $146.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Happy Phone Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Molenaar Edition
Concert Band; Flex Band - Grade 2 SKU: ML.023776070 Composed by Henri Ger...(+)
Concert Band; Flex Band -
Grade 2 SKU:
ML.023776070 Composed
by Henri Gerrits. Full
set. Molenaar Edition
#023776070. Published by
Molenaar Edition
(ML.023776070).
In this
sparkling work, the
conductor is interrupted
in the middle of a
musical adventure by a
spontaneous phone call
from a member of the
orchestra. This
unexpected moment adds an
extra layer of liveliness
and humour to the
performance, creating a
unique experience every
time. This piece is
perfect for training
orchestras looking for a
challenging and inspiring
addition to their
epertoire. A masterpiece
that breaks the
boundaries of traditional
orchestral music and
leaves unforgettable
impression at every
performance.
In
dit sprankelende werk
wordt de dirigent midden
in een muzikaal avontuur
onderbroken door een
spontaan telefoontje van
een orkestlid. Dit
onverwachte moment voegt
een extra laag van
levendigheid en humor toe
aan de uitvoering,
waardoor elke keer weer
een unieke ervaring
ontstaat. Dit stuk is
perfect voor
opleidingsorkesten die op
zoek zijn naar een
uitdagende en
inspirerende toevoeging
aan hun repertoire. Een
meesterwerk dat de
grenzen van traditionele
orkestmuziek doorbreekt
en een onvergetelijke
indruk achterlaat bij
elke
uitvoering.
Dans
cette Ã
Âuvre
pétillante, le
chef d'orchestre est
interrompu en pleine
aventure musicale par un
appel
téléphoniqu
e spontané d'un
membre de l'orchestre. Ce
moment inattendu ajoute
une couche
supplémentaire de
vivacité et
d'humour ÃÂ la
performance,
créant ainsi une
expérience unique
ÃÂ chaque fois.
Cette pièce est
parfaite pour les
orchestres de formation
qui cherchent ÃÂ
ajouter ÃÂ leur
répertoire une
Ã
Âuvre stimulante
et inspirante. Un
chef-d'Ã
Âuvre qui
dépasse les
frontières de la
musique orchestrale
traditionnelle et laisse
une impression
inoubliable ÃÂ
chaque
représentation.
In diesem spritzigen
Werk wird der Dirigent
mitten in einem
musikalischen Abenteuer
durch einen spontanen
Anruf eines
Orchestermitglieds
unterbrochen. Dieser
unerwartete Moment
verleiht der
Aufführung eine
zusätzliche Ebene
der Lebendigkeit und des
Humors und macht sie
jedes Mal zu einem
einzigartigen Erlebnis.
Dieses Stück
eignet sich perfekt
für
Ausbildungsorchester, die
auf der Suche nach einer
anspruchsvollen und
inspirierenden
Ergänzung ihres
Repertoires sind. Ein
Meisterwerk, das die
Grenzen der
traditionellen
Orchestermusik sprengt
und bei jeder
Aufführung einen
unvergesslichen Eindruck
hinterlässt. $146.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| All About the Call - Choral Book Word Music
Easy SKU: WD.080689561177 Composed by Ali Carlson. Choral, cantatas. Book...(+)
Easy SKU:
WD.080689561177
Composed by Ali Carlson.
Choral, cantatas. Book.
Word Music #080689561177.
Published by Word Music
(WD.080689561177).
UPC:
080689561177. ALL ABOUT THE
CALL is the
newest non-seasonal
addition to the Simply
WordKidz Series, a
best-selling
performance-friendly,
easy-learn-easy-sing
series for
children’s choir
from Word Music &
Church
Resources!
<
b>ALL ABOUT THE
CALL takes place
during the first summer
morning of Prayground (a
church day camp), and the
very old-fashioned Coach
Walker is about to be
schooled in cell phone
technology. But as his
kid-campers teach him
about apps and text codes
and selfies, he teaches
them about the most
important call of
all—the call of
God on our lives. With
humor, fun, and
unforgettable songs, this
little musical blends the
modern cell phone
obsession with Biblical
truth in an engaging w. y
that will have you
laughing, praying and
singing, all at the same
time!
In less
than 25 minutes,
ALL ABOUT THE
CALL brings to
light an important,
Bible-centric lesson not
only for your kids, but
for you and your
audience, reminding us
all to be present in
each other’s lives
and to focus on the Lord
and the people who make
up His body…not
on our cell phones. Our
call as sons and
daughters of Christ is so
much greater than apps,
text codes, selfies, or
even selfie-sticks! This
playful, easy-learn
Simply WordKidz musical
serves as a great
reminder of that Biblical
truth, and will have
everyone leaving the
performance hugging more
tightly to their families
and less tightly to their
mobile
devices!
A
LL ABOUT THE CALL
from the Simply
WordKidz
Series…the
perfect w. y to bring
your church and community
together to refocus on
the most important
“call†of
all!
$9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| March of the Robot Army Orchestre d'harmonie [Conducteur] - Facile Anglo Music
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-494-140 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 2.5 SKU:
BT.AMP-494-140
Composed by Philip
Sparke. Debut Series
(Anglo). Concert March.
Score Only. Composed
2021. 28 pages. Anglo
Music Press #AMP 494-140.
Published by Anglo Music
Press (BT.AMP-494-140).
English-German-French-
Dutch. March of
the Robot Army was
commissioned by Linda
Anzolin & Giordano-Bruno
Tedeschi for Campobanda
2019, with funds made
available by JUST ITALIA.
Campobanda is an Italian
summer music camp for 8-
to 18-year-olds (held
inCamposilvano in 2019)
which has a different
theme every year. The
theme for 2019 was
‘science
fiction’, so
composer Philip Sparke
chose to write a robot
march. After a quirky
introduction featuring
trumpet calls and
chromaticfigures, the
main theme appears in a
minor mode on clarinet
and tenor sax and is then
taken up by the full
band. A change of key
heralds a new theme, led
by the trumpet and again
repeated by the full
ensemble. A further
change ofkey introduces a
legato
‘trio’
melody over a rather
robotic accompaniment:
instruments are added bit
by bit until a climax is
reached. Small motifs
from the introduction
then lead back to a full
recapitulation,
revisiting thefirst two
themes in new guises
before finishing the
march with a
flourish.
March
of the Robot Army
werd geschreven in
opdracht van Linda
Anzolin & Giordano-Bruno
Tedeschi voor Campobanda
2019: de financiering
werd mogelijk gemaakt
door JUST ITALIA.
Campobanda is een
Italiaans zomermuziekkamp
vooracht- tot
achttienjarigen (dat in
2019 werd gehouden in
Camposilvano) met elk
jaar een ander thema. Het
thema voor 2019 was
sciencefiction, dus
besloot componist Philip
Sparke een robotmars te
schrijven. Na een
grilligeinleiding met
trompetsignalen en
chromatische motieven
verschijnt het hoofdthema
in mineur op klarinet en
tenorsax, waarna het door
het hele orkest wordt
overgenomen. Een
verandering van toonsoort
kondigt een nieuw thema
aan, weeringeleid door de
trompet en herhaald door
het volledige ensemble.
Een verdere
toonsoortverandering
introduceert een legato
‘triomelodieâ€
boven een nogal
robotachtige begeleiding:
er worden stapsgewijs
instrumenten toegevoegd
totde muziek uitmondt in
een hoogtepunt. Korte
figuren uit de inleiding
nemen ons dan mee naar
een volledige herneming,
met een terugkeer naar de
eerste twee
thema’s in een
nieuwe gedaante, waarna
de mars in stijl wordt
afgesloten.
Der
March of the Robot
Army wurde von Linda
Anzolin und
Giordano-Bruno Tedeschi
für Campobanda
2019“ in Auftrag
gegeben und finanziell
von JUST ITALIA
unterstützt. Das
italienische
Sommermusikcamp
Campobanda für 8-
bis18-Jährige fand
2019 in Camposilvano
statt und hat jedes Jahr
ein anderes Motto. 2019
lautete das Thema Science
Fiction“, daher
entschied sich der
Komponist Philip Sparke
dazu, einen Robotermarsch
zu schreiben. Nach
einerskurrilen Einleitung
mit Trompetenrufen und
chromatischen Figuren
erklingt in Klarinetten
und Tenorsaxophonen das
Hauptthema in Moll, das
dann vom gesamten
Orchester aufgegriffen
werd. Ein Tonartwechsel
kündigt ein neues
Thema an,das von der
Trompete vorgestellt und
anschließend vom
gesamten Ensemble
wiederholt wird. Ein
weiterer Tonartwechsel
führt zu einem
melodischen, legato
gespielten Trio-Abschnitt
über einer
roboterhaften Begleitung.
Nach und nachkommen
weitere Instrumente
hinzu, bis der
Höhepunkt erreicht
ist. Kleine Motive aus
der Einleitung führen
dann zu einer Reprise,
wobei die ersten beiden
Themen in neuer Gestalt
wieder aufgegriffen
werden, bevor der Marsch
zum Endehin noch einmal
musikalisch
aufblüht.
Ma
rch of the Robot Army
est une commande de Linda
Anzolin et Giordano-Bruno
Tedeschi pour Campobanda
2019, gr ce des fonds mis
disposition par JUST
ITALIA. Destinée aux
jeunes de 8 18 ans,
Campobanda est une
école demusique
d’été dont
le thème change chaque
année. Celui de
l’édition 2019
étant «
sciencefiction »,
Philip Sparke décida
d’écrire une
marche pour robots.
Après une introduction
insolite rassemblant
appels de trompette et
figureschromatiques, le
premier thème
apparaît dans un mode
mineur la clarinette et
au saxophone ténor
avant d’être
repris par
l’orchestre
entier. Un changement de
tonalité annonce un
nouveau thème, mené
par la trompette et
repris,encore une fois,
par l’orchestre
entier. Un autre
changement de tonalité
introduit une mélodie
legato « en trio »
sur un accompagnement
quelque peu robotique :
divers instruments
s’y ajoutent
progressivement pour
aboutir unclimax. Des
petits motifs tirés de
l’introduction
mènent une
récapitulation
complète qui reprend
les deux premiers
thèmes sous des formes
différentes, avant de
conclure la marche avec
un bouquet final. $27.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| March of the Robot Army Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Anglo Music
Concert Band/Harmonie - Grade 2.5 SKU: BT.AMP-494-010 Composed by Philip ...(+)
Concert Band/Harmonie -
Grade 2.5 SKU:
BT.AMP-494-010
Composed by Philip
Sparke. Debut Series
(Anglo). Concert March.
Set (Score & Parts).
Composed 2021. Anglo
Music Press #AMP 494-010.
Published by Anglo Music
Press (BT.AMP-494-010).
English-German-French-
Dutch. March of
the Robot Army was
commissioned by Linda
Anzolin & Giordano-Bruno
Tedeschi for Campobanda
2019, with funds made
available by JUST ITALIA.
Campobanda is an Italian
summer music camp for 8-
to 18-year-olds (held
inCamposilvano in 2019)
which has a different
theme every year. The
theme for 2019 was
‘science
fiction’, so
composer Philip Sparke
chose to write a robot
march. After a quirky
introduction featuring
trumpet calls and
chromaticfigures, the
main theme appears in a
minor mode on clarinet
and tenor sax and is then
taken up by the full
band. A change of key
heralds a new theme, led
by the trumpet and again
repeated by the full
ensemble. A further
change ofkey introduces a
legato
‘trio’
melody over a rather
robotic accompaniment:
instruments are added bit
by bit until a climax is
reached. Small motifs
from the introduction
then lead back to a full
recapitulation,
revisiting thefirst two
themes in new guises
before finishing the
march with a
flourish.
March
of the Robot Army
werd geschreven in
opdracht van Linda
Anzolin & Giordano-Bruno
Tedeschi voor Campobanda
2019: de financiering
werd mogelijk gemaakt
door JUST ITALIA.
Campobanda is een
Italiaans zomermuziekkamp
vooracht- tot
achttienjarigen (dat in
2019 werd gehouden in
Camposilvano) met elk
jaar een ander thema. Het
thema voor 2019 was
sciencefiction, dus
besloot componist Philip
Sparke een robotmars te
schrijven. Na een
grilligeinleiding met
trompetsignalen en
chromatische motieven
verschijnt het hoofdthema
in mineur op klarinet en
tenorsax, waarna het door
het hele orkest wordt
overgenomen. Een
verandering van toonsoort
kondigt een nieuw thema
aan, weeringeleid door de
trompet en herhaald door
het volledige ensemble.
Een verdere
toonsoortverandering
introduceert een legato
‘triomelodieâ€
boven een nogal
robotachtige begeleiding:
er worden stapsgewijs
instrumenten toegevoegd
totde muziek uitmondt in
een hoogtepunt. Korte
figuren uit de inleiding
nemen ons dan mee naar
een volledige herneming,
met een terugkeer naar de
eerste twee
thema’s in een
nieuwe gedaante, waarna
de mars in stijl wordt
afgesloten.
Der
March of the Robot
Army wurde von Linda
Anzolin und
Giordano-Bruno Tedeschi
für Campobanda
2019“ in Auftrag
gegeben und finanziell
von JUST ITALIA
unterstützt. Das
italienische
Sommermusikcamp
Campobanda für 8-
bis18-Jährige fand
2019 in Camposilvano
statt und hat jedes Jahr
ein anderes Motto. 2019
lautete das Thema Science
Fiction“, daher
entschied sich der
Komponist Philip Sparke
dazu, einen Robotermarsch
zu schreiben. Nach
einerskurrilen Einleitung
mit Trompetenrufen und
chromatischen Figuren
erklingt in Klarinetten
und Tenorsaxophonen das
Hauptthema in Moll, das
dann vom gesamten
Orchester aufgegriffen
werd. Ein Tonartwechsel
kündigt ein neues
Thema an,das von der
Trompete vorgestellt und
anschließend vom
gesamten Ensemble
wiederholt wird. Ein
weiterer Tonartwechsel
führt zu einem
melodischen, legato
gespielten Trio-Abschnitt
über einer
roboterhaften Begleitung.
Nach und nachkommen
weitere Instrumente
hinzu, bis der
Höhepunkt erreicht
ist. Kleine Motive aus
der Einleitung führen
dann zu einer Reprise,
wobei die ersten beiden
Themen in neuer Gestalt
wieder aufgegriffen
werden, bevor der Marsch
zum Endehin noch einmal
musikalisch
aufblüht.
Ma
rch of the Robot Army
est une commande de Linda
Anzolin et Giordano-Bruno
Tedeschi pour Campobanda
2019, gr ce des fonds mis
disposition par JUST
ITALIA. Destinée aux
jeunes de 8 18 ans,
Campobanda est une
école demusique
d’été dont
le thème change chaque
année. Celui de
l’édition 2019
étant «
sciencefiction »,
Philip Sparke décida
d’écrire une
marche pour robots.
Après une introduction
insolite rassemblant
appels de trompette et
figureschromatiques, le
premier thème
apparaît dans un mode
mineur la clarinette et
au saxophone ténor
avant d’être
repris par
l’orchestre
entier. Un changement de
tonalité annonce un
nouveau thème, mené
par la trompette et
repris,encore une fois,
par l’orchestre
entier. Un autre
changement de tonalité
introduit une mélodie
legato « en trio »
sur un accompagnement
quelque peu robotique :
divers instruments
s’y ajoutent
progressivement pour
aboutir unclimax. Des
petits motifs tirés de
l’introduction
mènent une
récapitulation
complète qui reprend
les deux premiers
thèmes sous des formes
différentes, avant de
conclure la marche avec
un bouquet final. $130.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Real Blues Book (C Instruments) Instruments en Do [Fake Book] Hal Leonard
| | |
| They are Coming Fanfare [Conducteur] - Facile Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000529-120 Composed by John Emerson Bl...(+)
Fanfare Band - Grade 2
SKU:
BT.GOB-000529-120
Composed by John Emerson
Blackstone. Score Only.
10 pages. Gobelin Music
Publications #GOB
000529-120. Published by
Gobelin Music
Publications
(BT.GOB-000529-120).
There are
people who are capable of
planning well. They live
their lives in a
well-structured manner
and know exactly what
they have to do. On the
other hand, there are
also people who are the
exact opposite: they want
to do too many things at
once and are often
somewhat absent-minded,
which occasionally
results in frantic
situations. The outcome
of one such situation is
‘They are
coming’. John
Emerson Blackstone had
been working on a new
composition for some time
when he received a
telephone call from his
editor, who told him that
the deadline was
approaching rapidly, even
worse, that it would
expire at the end of that
same day and that he
would drop by in person
to fetch thecomposition!
Blackstone set to
work in a frenzy and
completed the last
details. When his editor
arrived, the piece was
finished ..... and got
its definitive title:
‘They are coming’.
Er zijn mensen
die goed kunnen plannen.
Ze leven zeer
gestructureerd en weten
precies wat ze moeten
doen. Er zijn er ook die
dat niet kunnen. Ze doen
vaak vijf dingen
tegelijkertijd, zijn niet
zelden enigszins
verstrooid met als
gevolgdat er af en toe
gespannen situaties
ontstaan. Het resultaat
van zo’n situatie is
‘They are
coming’. John
Emerson Blackstone was al
een poosje bezig met een
nieuwe compositie toen de
hij zijn uitgever aan de
telefoon kreeg.De
deadline kwam met rasse
schreden in zicht,
sterker nog, het einde
van die bewuste dag was
de deadline en zou de
uitgever het materiaal
bij de componist ophalen.
Blackstone is als een
razende Roeland aan het
werk gegaanen heeft de
laatste puntjes op de i
gezet. Toen de
uitgever arriveerde was
het stuk klaar... en
kreeg haar definitieve
titel: ‘They are
coming’. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| They are Coming Orchestre d'harmonie [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000554-010 Composed by John E...(+)
Concert Band/Harmonie -
Grade 2 SKU:
BT.GOB-000554-010
Composed by John Emerson
Blackstone. Set (Score &
Parts). 60 pages. Gobelin
Music Publications #GOB
000554-010. Published by
Gobelin Music
Publications
(BT.GOB-000554-010).
There are
people who are capable of
planning well. They live
their lives in a
well-structured manner
and know exactly what
they have to do. On the
other hand, there are
also people who are the
exact opposite: they want
to do too many things at
once and are often
somewhat absent-minded,
which occasionally
results in frantic
situations. The outcome
of one such situation is
‘They are
coming’. John
Emerson Blackstone had
been working on a new
composition for some time
when he received a
telephone call from his
editor, who told him that
the deadline was
approaching rapidly, even
worse, that it would
expire at the end of that
same day and that he
would drop by in person
to fetch thecomposition!
Blackstone set to
work in a frenzy and
completed the last
details. When his editor
arrived, the piece was
finished ..... and got
its definitive title:
‘They are coming’.
Er zijn mensen
die goed kunnen plannen.
Ze leven zeer
gestructureerd en weten
precies wat ze moeten
doen. Er zijn er ook die
dat niet kunnen. Ze doen
vaak vijf dingen
tegelijkertijd, zijn niet
zelden enigszins
verstrooid met als
gevolgdat er af en toe
gespannen situaties
ontstaan. Het resultaat
van zo’n situatie is
‘They are
coming’. John
Emerson Blackstone was al
een poosje bezig met een
nieuwe compositie toen de
hij zijn uitgever aan de
telefoon kreeg.De
deadline kwam met rasse
schreden in zicht,
sterker nog, het einde
van die bewuste dag was
de deadline en zou de
uitgever het materiaal
bij de componist ophalen.
Blackstone is als een
razende Roeland aan het
werk gegaanen heeft de
laatste puntjes op de i
gezet. Toen de
uitgever arriveerde was
het stuk klaar... en
kreeg haar definitieve
titel: ‘They are
coming’. $78.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| They are Coming Orchestre d'harmonie [Conducteur] - Facile Gobelin Music Publications
Concert Band/Harmonie - Grade 2 SKU: BT.GOB-000554-140 Composed by John E...(+)
Concert Band/Harmonie -
Grade 2 SKU:
BT.GOB-000554-140
Composed by John Emerson
Blackstone. Score Only.
Gobelin Music
Publications #GOB
000554-140. Published by
Gobelin Music
Publications
(BT.GOB-000554-140).
There are
people who are capable of
planning well. They live
their lives in a
well-structured manner
and know exactly what
they have to do. On the
other hand, there are
also people who are the
exact opposite: they want
to do too many things at
once and are often
somewhat absent-minded,
which occasionally
results in frantic
situations. The outcome
of one such situation is
‘They are
coming’. John
Emerson Blackstone had
been working on a new
composition for some time
when he received a
telephone call from his
editor, who told him that
the deadline was
approaching rapidly, even
worse, that it would
expire at the end of that
same day and that he
would drop by in person
to fetch thecomposition!
Blackstone set to
work in a frenzy and
completed the last
details. When his editor
arrived, the piece was
finished ..... and got
its definitive title:
‘They are coming’.
Er zijn mensen
die goed kunnen plannen.
Ze leven zeer
gestructureerd en weten
precies wat ze moeten
doen. Er zijn er ook die
dat niet kunnen. Ze doen
vaak vijf dingen
tegelijkertijd, zijn niet
zelden enigszins
verstrooid met als
gevolgdat er af en toe
gespannen situaties
ontstaan. Het resultaat
van zo’n situatie is
‘They are
coming’. John
Emerson Blackstone was al
een poosje bezig met een
nieuwe compositie toen de
hij zijn uitgever aan de
telefoon kreeg.De
deadline kwam met rasse
schreden in zicht,
sterker nog, het einde
van die bewuste dag was
de deadline en zou de
uitgever het materiaal
bij de componist ophalen.
Blackstone is als een
razende Roeland aan het
werk gegaanen heeft de
laatste puntjes op de i
gezet. Toen de
uitgever arriveerde was
het stuk klaar... en
kreeg haar definitieve
titel: ‘They are
coming’. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| They are Coming Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000817-030 Composed by John Emerson Blac...(+)
Brass Band - Grade 2
SKU:
BT.GOB-000817-030
Composed by John Emerson
Blackstone. Set (Score &
Parts). 5 pages. Gobelin
Music Publications #GOB
000817-030. Published by
Gobelin Music
Publications
(BT.GOB-000817-030).
There are
people who are capable of
planning well. They live
their lives in a
well-structured manner
and know exactly what
they have to do. On the
other hand, there are
also people who are the
exact opposite: they want
to do too many things at
once and are often
somewhat absent-minded,
which occasionally
results in frantic
situations. The outcome
of one such situation is
‘They are
coming’. John
Emerson Blackstone had
been working on a new
composition for some time
when he received a
telephone call from his
editor, who told him that
the deadline was
approaching rapidly, even
worse, that it would
expire at the end of that
same day and that he
would drop by in person
to fetch thecomposition!
Blackstone set to
work in a frenzy and
completed the last
details. When his editor
arrived, the piece was
finished ..... and got
its definitive title:
‘They are coming’.
Er zijn mensen
die goed kunnen plannen.
Ze leven zeer
gestructureerd en weten
precies wat ze moeten
doen. Er zijn er ook die
dat niet kunnen. Ze doen
vaak vijf dingen
tegelijkertijd, zijn niet
zelden enigszins
verstrooid met als
gevolgdat er af en toe
gespannen situaties
ontstaan. Het resultaat
van zo’n situatie is
‘They are
coming’. John
Emerson Blackstone was al
een poosje bezig met een
nieuwe compositie toen de
hij zijn uitgever aan de
telefoon kreeg.De
deadline kwam met rasse
schreden in zicht,
sterker nog, het einde
van die bewuste dag was
de deadline en zou de
uitgever het materiaal
bij de componist ophalen.
Blackstone is als een
razende Roeland aan het
werk gegaanen heeft de
laatste puntjes op de i
gezet. Toen de
uitgever arriveerde was
het stuk klaar... en
kreeg haar definitieve
titel: ‘They are
coming’. $73.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| They are Coming Fanfare [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Fanfare Band - Grade 2 SKU: BT.GOB-000529-020 Composed by John Emerson Bl...(+)
Fanfare Band - Grade 2
SKU:
BT.GOB-000529-020
Composed by John Emerson
Blackstone. Set (Score &
Parts). 51 pages. Gobelin
Music Publications #GOB
000529-020. Published by
Gobelin Music
Publications
(BT.GOB-000529-020).
There are
people who are capable of
planning well. They live
their lives in a
well-structured manner
and know exactly what
they have to do. On the
other hand, there are
also people who are the
exact opposite: they want
to do too many things at
once and are often
somewhat absent-minded,
which occasionally
results in frantic
situations. The outcome
of one such situation is
‘They are
coming’. John
Emerson Blackstone had
been working on a new
composition for some time
when he received a
telephone call from his
editor, who told him that
the deadline was
approaching rapidly, even
worse, that it would
expire at the end of that
same day and that he
would drop by in person
to fetch thecomposition!
Blackstone set to
work in a frenzy and
completed the last
details. When his editor
arrived, the piece was
finished ..... and got
its definitive title:
‘They are coming’.
Er zijn mensen
die goed kunnen plannen.
Ze leven zeer
gestructureerd en weten
precies wat ze moeten
doen. Er zijn er ook die
dat niet kunnen. Ze doen
vaak vijf dingen
tegelijkertijd, zijn niet
zelden enigszins
verstrooid met als
gevolgdat er af en toe
gespannen situaties
ontstaan. Het resultaat
van zo’n situatie is
‘They are
coming’. John
Emerson Blackstone was al
een poosje bezig met een
nieuwe compositie toen de
hij zijn uitgever aan de
telefoon kreeg.De
deadline kwam met rasse
schreden in zicht,
sterker nog, het einde
van die bewuste dag was
de deadline en zou de
uitgever het materiaal
bij de componist ophalen.
Blackstone is als een
razende Roeland aan het
werk gegaanen heeft de
laatste puntjes op de i
gezet. Toen de
uitgever arriveerde was
het stuk klaar... en
kreeg haar definitieve
titel: ‘They are
coming’. $78.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| They are Coming Ensemble de cuivres [Conducteur] - Facile Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000817-130 Composed by John Emerson Blac...(+)
Brass Band - Grade 2
SKU:
BT.GOB-000817-130
Composed by John Emerson
Blackstone. Score Only.
10 pages. Gobelin Music
Publications #GOB
000817-130. Published by
Gobelin Music
Publications
(BT.GOB-000817-130).
There are
people who are capable of
planning well. They live
their lives in a
well-structured manner
and know exactly what
they have to do. On the
other hand, there are
also people who are the
exact opposite: they want
to do too many things at
once and are often
somewhat absent-minded,
which occasionally
results in frantic
situations. The outcome
of one such situation is
‘They are
coming’. John
Emerson Blackstone had
been working on a new
composition for some time
when he received a
telephone call from his
editor, who told him that
the deadline was
approaching rapidly, even
worse, that it would
expire at the end of that
same day and that he
would drop by in person
to fetch thecomposition!
Blackstone set to
work in a frenzy and
completed the last
details. When his editor
arrived, the piece was
finished ..... and got
its definitive title:
‘They are coming’.
Er zijn mensen
die goed kunnen plannen.
Ze leven zeer
gestructureerd en weten
precies wat ze moeten
doen. Er zijn er ook die
dat niet kunnen. Ze doen
vaak vijf dingen
tegelijkertijd, zijn niet
zelden enigszins
verstrooid met als
gevolgdat er af en toe
gespannen situaties
ontstaan. Het resultaat
van zo’n situatie is
‘They are
coming’. John
Emerson Blackstone was al
een poosje bezig met een
nieuwe compositie toen de
hij zijn uitgever aan de
telefoon kreeg.De
deadline kwam met rasse
schreden in zicht,
sterker nog, het einde
van die bewuste dag was
de deadline en zou de
uitgever het materiaal
bij de componist ophalen.
Blackstone is als een
razende Roeland aan het
werk gegaanen heeft de
laatste puntjes op de i
gezet. Toen de
uitgever arriveerde was
het stuk klaar... en
kreeg haar definitieve
titel: ‘They are
coming’. $15.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| The Best Rock Pop Fake Book Instruments en Do [Fake Book] Hal Leonard
(For C Instruments). By Various. For C Instruments. Fake Book. Softcover. 576 pa...(+)
(For C Instruments). By
Various. For C
Instruments. Fake Book.
Softcover. 576 pages.
Published by Hal Leonard
$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Blues Guitar Tab White Pages Guitare notes et tablatures [Partition] Hal Leonard
| | |
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