Organ - Grade 4 SKU: HL.14019461 The Planets. Composed by Bent Lor...(+)
Organ - Grade 4
SKU:
HL.14019461
The
Planets. Composed by
Bent Lorentzen. Music
Sales America. Classical.
Book [Softcover]. 18
pages. Edition Wilhelm
Hansen #WH30402.
Published by Edition
Wilhelm Hansen
(HL.14019461).
ISBN
9788759809204.
English.
The
Planets is cast as a
single unit, consisting
of seven movements,
varying greatly in
character, each of which
describes a planet or a
celestial body. The music
for Sol is built out of
the massive tutti-sound
of the organ. The feeling
is very much like the
feeling of the sun
shining down brightly
onto you on a warm
summer's day.
20 iconic pieces of British classical music specially arranged for intermediat...(+)
20 iconic pieces of
British
classical music specially
arranged for intermediate
piano solo, plus a
pull-out
print of the striking
cover
artwork. Graded Standard
Repertoire; Piano
Collection.
The Piano Player Series.
Classical; Masterwork
Arrangement; Traditional.
Book. Faber Music #12-
0571541690. Published by
Faber
Music
Music of the Spheres Orchestre d'harmonie [Conducteur] - Intermédiaire/avancé Anglo Music
Concert Band/Harmonie - Grade 6 SKU: BT.AMP-028-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.AMP-028-140
Composed by Philip
Sparke. Elite Series.
Concert Piece. Score
Only. Composed 2005. 68
pages. Anglo Music Press
#AMP 028-140. Published
by Anglo Music Press
(BT.AMP-028-140).
English-German-French-
Dutch.
The piece
reflects the composer's
fascination with the
origins of the universe
and deep space in
general. The title comes
from a theory, formulated
by Pythagoras, that the
cosmos was ruled by the
same laws he had
discovered that govern
the ratios of note
frequencies of the
musical scale.
(‘Harmonia’
in Ancient Greek, which
means scale or tuning
rather than harmony -
Greek music was
monophonic). He also
believed that these
ratios corresponded to
the distances of the six
known planets from the
sun and that the planets
each produced a musical
note which combined to
weave a continuous
heavenly melody (which,
unfortunately, we humans
cannot hear). In this
work, these six notesform
the basis of the sections
MUSIC OF THE SPHERES and
HARMONIA. The pieces
opens with a horn solo
called t = 0, a name
given by some scientists
to the moment of the Big
Bang when time and space
were created, and this is
followed by a depiction
of the BIG BANG itself,
as the entire universe
bursts out from a single
point. A slower section
follows called THE LONELY
PLANET which is a
meditation on the
incredible and unlikely
set of circumstances
which led to the creation
of the Earth as a planet
that can support life,
and the constant search
for other civilisations
elsewhere in the
universe. ASTEROIDS AND
SHOOTING STARS depicts
both the benign and
dangerous objects that
are flying through space
and which constantly
threaten our planet, and
the piece ends with THE
UNKNOWN, leaving in
question whether our
continually expanding
exploration of the
universe will eventually
lead to enlightenment or
destruction.
Dit
werk weerspiegelt de
fascinatie van de
componist voor het
heelal. Het begint met
een hoornsolo met de naam
t = 0, waarmee
sommige wetenschappers de
oerknal aanduiden. Dan
volgt een weergave van de
oerknal zelf. Het
volgendegedeelte, The
Lonely Planet, is een
meditatie over het
ongelooflijke samenspel
van omstandigheden dat
leidde tot het ontstaan
van de Aarde.
Asteroids and Shooting
Stars beschrijft
objecten in de ruimte.
Het werkeindigt met
The Unknown,
waarmee we in het
ongewisse blijven over de
gevolgen van onze verdere
verkenning van het
universum. In 2005 won
Philip Sparke met
Music of the
Spheres de National
Band Association/William
D.Revelli Memorial Band
Composition
Contest.
Dieses
Werk handelt vom Weltall
und unserem Platz im
Universum, auf dem
Weltbild von Pythagoras
basierend. Am einfachsten
lässt sich diese
außergewöhnliche
Komposition wohl als
Filmmusik ähnliches
Stück beschreiben ?
Musik zu einem
Science-Fiction-Film
eines Ripley Scott oder
Steven Spielberg oder
auch Musik, wie sie ein
John Williams oder Danny
Elfman schreiben
würde: absolut
stimmungsvoll, brillant
instrumentiert mit
Klangfarben, Strukturen,
Effekten und Timbres,
gemischt mit
fließenden
musikalischen Linien, die
die Substanz des Themas
auf den Punkt treffen.
Dieses atemberaubende
neue Stück hebt Ihr
Blasorchester auf ein
höheres Niveau, sowohl
im technischen als
auchmusikalischen Sinn.
Music of the
Spheres evidenza il
fascino che le origini
dell’universo
esercitano su Philip
Sparke. Il titolo
proviene da una teoria
del matematico greco
Pitagora, secondo la
quale il cosmo è retto
dalle stesse leggi che
governano i rapporti di
frequenza tra le note
della scala musicale.
Questa composizione
inizia con un assolo di
corno chiamato t = 0,
nozione che definisce il
momento del big-bang.
The Lonely Planet
(Il pianeta solitario)
è una meditazione
sulle circostanze che
hanno portato alla
creazione della terra.
Asteroids and Shooting
Stars (Asteroidi e
Stelle cadenti) descrive
i molteplici oggetti che
si muovono nello spazio e
che rappresentano
unrischio per il nostro
pianeta. Le battute
finali portano verso
l’ignoto (The
Unknown) sollevando
una domanda la cui
risposta resta in
sospeso: la nostra
continua avanzata
nell’esplorazione
dell’Universo
porter un giorno alla
scoperta o alla
distruzione?
Composed by Stan Pethel. Choral. Singable Solutions. Sacred Anthem, All Saints...(+)
Composed by Stan Pethel.
Choral. Singable
Solutions.
Sacred Anthem, All
Saints'
Day, General. Octavo.
Lorenz
Publishing Company
#10/5137L. Published by
Lorenz Publishing Company
Organ - Grade 4 SKU: HL.14019450 Composed by Bent Lorentzen. Music Sales ...(+)
Organ - Grade 4
SKU:
HL.14019450
Composed
by Bent Lorentzen. Music
Sales America. Classical.
Book [Softcover].
Composed 2002. 20 pages.
Edition Wilhelm Hansen
#WH30404. Published by
Edition Wilhelm Hansen
(HL.14019450).
ISBN
9788759867570.
English.
The
Planets is cast as a
single unit, consisting
of seven movements,
varying greatly in
character, each of which
describes a planet or a
celestial body. Mars
makes a war-like contrast
with aggressive rhythms
and contrasting
registers. This part is
poly-rhythmic and very
complex. Thus there is
extensive use of the
proportions 5:2, 5:3,
5:4, 5:7 and 5:9 which
are the point of
departure of all the
rhythm series.
Composed by Gustav Holst (1874-1934). Arranged by Colin Matthews and Imogen ...(+)
Composed by Gustav Holst
(1874-1934). Arranged by
Colin
Matthews and Imogen
Holst.
This edition: Limited.
Full
Orchestra (Full Score);
Orchestra Resources;
Resources. Classical;
Masterwork. Score. 272
pages.
Faber Music
#12-0571542735.
Published by Faber Music
Organ - Grade 4 SKU: HL.14019471 The Planets. Composed by Bent Lor...(+)
Organ - Grade 4
SKU:
HL.14019471
The
Planets. Composed by
Bent Lorentzen. Music
Sales America. Classical.
Book [Softcover].
Composed 2002. 8 pages.
Edition Wilhelm Hansen
#WH30407. Published by
Edition Wilhelm Hansen
(HL.14019471).
ISBN
9788759809303.
English.
The
Planets is cast as a
single unit, consisting
of seven movements,
varying greatly in
character, each of which
describes a planet or a
celestial body. Venus is
the most exquisite of the
planets, symbolizing
femininity and beauty. In
certain places the music
is reminiscent of
Parsifal.
Large orchestra (Score) SKU: HL.49015932 Suite. Composed by Gustav...(+)
Large orchestra (Score)
SKU: HL.49015932
Suite. Composed by
Gustav Holst. Edited by
Colin Matthews and Imogen
Holst. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Op. 32. 196 pages.
Duration 52'. Eulenburg
Edition #ETP 8007.
Published by Eulenburg
Edition (HL.49015932).
ISBN 9783795768775.
UPC: 841886001879.
7.5x10.5x0.477
inches.
Preface *
Faksimile * The Planets:
* 1. Mars, the bringer of
war * 2. Venus, the
bringer of peace * 3.
Mercury, the winged
messenger * 4. Jupiter,
the bringer of jollity *
5. Saturn, the bringer of
old age * 6. Uranus, the
magician * 7. Neptune,
the mystic.
Jupiter from The Planets Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire FJH
By Gustav Holst. Arranged by William Owens. Concert Band/Wind Ensemble. FJH Conc...(+)
By Gustav Holst. Arranged
by William Owens. Concert
Band/Wind Ensemble. FJH
Concert Band. Score for
this title: B1306S. Extra
part for this title:
B1306P. Concert Band.
Level: Grade 3. Score and
Set of Parts. Published
by The FJH Music Company
Inc.
Music of the Spheres Ensemble de cuivres [Conducteur] - Intermédiaire/avancé Anglo Music
Brass Band - Grade 6 SKU: BT.AMP-028-130 Composed by Philip Sparke. Elite...(+)
Brass Band - Grade 6
SKU:
BT.AMP-028-130
Composed by Philip
Sparke. Elite Series.
Concert Piece. Score
Only. Composed 2003.
Anglo Music Press #AMP
028-130. Published by
Anglo Music Press
(BT.AMP-028-130).
The piece
reflects the composer's
fascination with the
origins of the universe
and deep space in
general. The title comes
from a theory, formulated
by Pythagoras, that the
cosmos was ruled by the
same laws he had
discovered that govern
the ratios of note
frequencies of the
musical scale.
(‘Harmonia’
in Ancient Greek, which
means scale or tuning
rather than harmony -
Greek music was
monophonic). He also
believed that these
ratios corresponded to
the distances of the six
known planets from the
sun and that the planets
each produced a musical
note which combined to
weave a continuous
heavenly melody (which,
unfortunately, we humans
cannot hear). In this
work, these six notesform
the basis of the sections
MUSIC OF THE SPHERES and
HARMONIA. The pieces
opens with a horn solo
called t = 0, a name
given by some scientists
to the moment of the Big
Bang when time and space
were created, and this is
followed by a depiction
of the BIG BANG itself,
as the entire universe
bursts out from a single
point. A slower section
follows called THE LONELY
PLANET which is a
meditation on the
incredible and unlikely
set of circumstances
which led to the creation
of the Earth as a planet
that can support life,
and the constant search
for other civilisations
elsewhere in the
universe. ASTEROIDS AND
SHOOTING STARS depicts
both the benign and
dangerous objects that
are flying through space
and which constantly
threaten our planet, and
the piece ends with THE
UNKNOWN, leaving in
question whether our
continually expanding
exploration of the
universe will eventually
lead to enlightenment or
destruction.
Dit
werk weerspiegelt de
fascinatie van de
componist voor het
heelal. Het begint met
een hoornsolo met de naam
t = 0, waarmee
sommige wetenschappers de
oerknal aanduiden. Dan
volgt een weergave van de
oerknal zelf. Het
volgendegedeelte, The
Lonely Planet, is een
meditatie over het
ongelooflijke samenspel
van omstandigheden dat
leidde tot het ontstaan
van de Aarde.
Asteroids and Shooting
Stars beschrijft
objecten in de ruimte.
Het werkeindigt met
The Unknown,
waarmee we in het
ongewisse blijven over de
gevolgen van onze verdere
verkenning van het
universum. In 2005 won
Philip Sparke met
Music of the
Spheres de National
Band Association/William
D.Revelli Memorial Band
Composition
Contest.
Mit
diesem großartigen
Werk, das dem
Auftraggeber der
Yorkshire Building
Society Band am
Europäischen Brass
Band Wettbewerb 2004 in
Glasgow als
Selbstwahlstück zu
einem weiteren Titel
verhalf, beweist Philip
Sparke einmal mehr seine
außergewöhnlichen
kompositorischen
Fähigkeiten. Dieses
Werk über die
Ursprünge des
Universums führt uns
vom Urknall, vorbei an
einsamen Planeten,
Asteroiden und
Sternschnuppen
schließlich ins
Unbekannte - die
ungewisse Zukunft. Ein
Glanzstück und eine
echte Herausforderung
für jeden
Spitzen-Brass
Band!
Music of the
Spheres evidenza il
fascino che le origini
dell’universo
esercitano su Philip
Sparke. Il titolo
proviene da una teoria
del matematico greco
Pitagora, secondo la
quale il cosmo è retto
dalle stesse leggi che
governano i rapporti di
frequenza tra le note
della scala musicale.
Questa composizione
inizia con un assolo di
corno chiamato t = 0,
nozione che definisce il
momento del big-bang.
The Lonely Planet
(Il pianeta solitario)
è una meditazione
sulle circostanze che
hanno portato alla
creazione della terra.
Asteroids and Shooting
Stars (Asteroidi e
Stelle cadenti) descrive
i molteplici oggetti che
si muovono nello spazio e
che rappresentano
unrischio per il nostro
pianeta. Le battute
finali portano verso
l’ignoto (The
Unknown) sollevando
una domanda la cui
risposta resta in
sospeso: la nostra
continua avanzata
nell’esplorazione
dell’Universo
porter un giorno alla
scoperta o alla
distruzione?
The Mountain Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
As performed by Trans- Siberian Orchestra (Based upon "Mars, the Bringer of Wa...(+)
As performed by Trans-
Siberian Orchestra (Based
upon "Mars, the Bringer
of
War" from The Planets by
Gustav Holst and "In the
Hall of the Mountain
King"
by Edvard Grieg).
Composed
by Paul O'Neill and John
Olivia [Trans-Siberian
Orchestra]. Arranged by
Bob
Phillips. Part(s); Score;
String Orchestra. Pop
Concert String Orchestra.
Christmas; Holiday Pops;
Light Concert; Pop;
Secular;
Winter. 152 pages.
Published
by Alfred Music
Organ - Grade 4 SKU: HL.14019447 The Planets. Composed by Bent Lor...(+)
Organ - Grade 4
SKU:
HL.14019447
The
Planets. Composed by
Bent Lorentzen. Music
Sales America. Classical.
Book [Softcover]. Edition
Wilhelm Hansen #WH30403.
Published by Edition
Wilhelm Hansen
(HL.14019447).
ISBN
9788759868195. UPC:
888680967710.
English.
The
Planets is cast as a
single unit, consisting
of seven movements,
varying greatly in
character, each of which
describes a planet or a
celestial body.
Luna is a contrast
to the sun. The sun is
enormous, strong and warm
whereas the moon is weak,
thin, cold and mysterious
because it borrows its
light from the sun. While
'Luna' described the
mysterious moon with
cold, thin sound
colours.
Organ - Grade 4 SKU: HL.14019460 The Planets. Composed by Bent Lor...(+)
Organ - Grade 4
SKU:
HL.14019460
The
Planets. Composed by
Bent Lorentzen. Music
Sales America. Classical.
Book [Softcover].
Composed 2002. 10 pages.
Edition Wilhelm Hansen
#WH30408. Published by
Edition Wilhelm Hansen
(HL.14019460).
ISBN
9788759863930.
14.5x10.25x0.427 inches.
English.
The
Planets is cast as a
single unit, consisting
of seven movements,
varying greatly in
character, each of which
describes a planet or a
celestial body. Saturn,
the symbol of pleasure,
celebration and
Christmas. The joyful
celebrations of the
Romans and the
festivities of Christmas
are easy to distinguish
behind playful Latin
rhythms and jubilant
sounds.
Organ - Grade 4 SKU: HL.14019451 The Planets. Composed by Bent Lor...(+)
Organ - Grade 4
SKU:
HL.14019451
The
Planets. Composed by
Bent Lorentzen. Music
Sales America. Classical.
Book [Softcover]. 12
pages. Edition Wilhelm
Hansen #WH30405.
Published by Edition
Wilhelm Hansen
(HL.14019451).
ISBN
9788759809266.
English.
Written in
1995 as one part of
Lorentzen's 'Suite of
Seven Pieces for organ',
Mercurius is a symbol of
merchants, trade and
thiefs, traditionally
depicted with wings on
his heels, forever
restless, scurrying
about. The music is
divided into sequences of
four, resulting in a
sense of weightlessness
and hurried urgency. The
first complete
performance of 'The
Planets' took place in
1996 and was given by
Jens E. Christensen.
(Getting Started on the Piano). Arranged by Pam Wedgwood. For Piano. Book; Piano...(+)
(Getting Started on the
Piano). Arranged by Pam
Wedgwood. For Piano.
Book; Piano Collection;
Piano Supplemental; Solo.
Faber Edition: Classic
FM. Masterwork
Arrangement; Radio. Early
Elementary; Elementary;
Late Elementary.
Published by Faber Music
The Planets Part 5. Composed by Gustav Holst (1874-1934). Arranged by Gee...(+)
The Planets Part
5. Composed by Gustav
Holst (1874-1934).
Arranged by Geert
Schrijvers. Arrangements
of Classical
Compositions/Planets/Scie
nce Fiction/Space Travel.
Classic Arrangement.
Recorded on The Planets
Live (ML.311082720). Full
set. Duration 5 minutes,
46 seconds. Published by
Molenaar Edition
(ML.012836060).
Ensemble SKU: HL.14015267 Composed by Gustav Holst. Edited by Nicholas Ha...(+)
Ensemble
SKU:
HL.14015267
Composed
by Gustav Holst. Edited
by Nicholas Hare. Music
Sales America. Concert.
Sheet Music, Instrumental
Work. With Text language:
English. 16 pages.
Chester Music #CH55730.
Published by Chester
Music (HL.14015267).
UPC: 884088808525.
8.5x11.0x0.334
inches.
Edited by
Nicholas Hare.
Kaleidoscope will save
you time! Do you spend
hours arranging music for
odd assortments of
instruments? Kaleidoscope
is specially arranged to
suit almost any
instrumental combination
and these varied
ensembles are easy and
enjoyable too. So much
scope for virtually any
combination of
instruments! The series
is successful with
recorders, guitars,
percussion and keyboard
as well as with
orchestral groupings.
Whether there are five or
fifty players, every
Kaleidoscope title will
work! Just make sure that
melody and keyboard parts
are included - all other
parts are optional.
Kaleidoscope is superb
value for money - each
set contains a score plus
around 50 parts, each one
carefully written to suit
the needs of each
instrument. For example,
easy string parts are in
first position only
whilst easy clarinet
parts take care to avoid
the break. There are more
demanding parts too, for
experienced players. To
help you choose the right
pieces for your players
we have given the key of
each Kaleidoscope in
brackets. The complete
performance option! These
super-flexible
arrangements of
well-known titles are a
must for every school.
Why not choose a theme
for your concert and
perform a selection of
Kaleidoscope show titles
and film themes or have
an evening of classical
favourites. And don't
forget we have
Kaleidoscope bumper carol
packs and seasonal gems
for your Christmas
Concert too!
Flute, Cello & Piano SKU: ST.C320 Composed by Mark Tanner. Chamber music....(+)
Flute, Cello & Piano
SKU: ST.C320
Composed by Mark Tanner.
Chamber music. Clifton
Edition #C320. Published
by Clifton Edition
(ST.C320).
ISBN
9790570813209.
Composer’s
Note:
I composed
The Planets to
be performed during my
tenure as Composer in
Residence at Chetham’s
International Piano
Summer School,
Manchester, in August
2018. Drawing inspiration
from Holst’s Suite of
the same name – a work
of unstoppable importance
– my composition
nevertheless contrasts
conspicuously, both in
its overall scheme (nine
movements instead of
seven) and orientation
(my work takes the Sun as
its point of orientation,
whereas Holst places the
Earth at the centre point
and hence leaves it out
of the musical scheme).
There is, as a
consequence, a sense of
increasing serenity to my
music following the
effervescence of Jupiter,
though there are
reverberations of earlier
themes and moods in the
concluding movement,
Pluto, which nevertheless
ends enigmatically as
befits its distant,
‘cold’ designation.
Pluto was left out of
Holst’s work for good
reason – it had yet to
be discovered – though
Colin Matthews redressed
the situation admirably
in 2000. Whether one
chooses to go along with
Pluto’s unresolved
status, or indeed to
promote it to the
position of ‘full’
planet (amusingly, Pluto
became demoted to dwarf-
planet in 1992) is
perhaps less important
than its potential to
evince a musical spirit
entirely to
itself.
Performanc
e Note:
Movements
may be performed
separately as desired,
though the connections
between musical
characters will of course
be lost in doing so. In
Neptune and Pluto (which
are best performed
attacca) I include
infrequent use of a bell,
pitched at B4. This
denotes the intangibility
of time; it adds a
welcome new colour, as
well as an additional
element for the audience
to ponder on. A standard
hotel receptionist’s
bell was used in the
inaugural performance –
surprisingly resonant,
even in a sizeable
auditorium – though if
this is unavailable the
cellist can play the same
note (or harmonic, if
preferred).
World
Premiere given at Stoller
Hall, Chetham’s School
of Music, Manchester,
August 2018: Gillian
Poznansky (flute),
Sebastian Poznansky
(cello) and Mark Tanner
(piano).
The Mountain Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Alfred Publishing
As performed by Trans- Siberian Orchestra (Based upon "Mars, the Bringer...(+)
As performed by Trans-
Siberian Orchestra (Based
upon "Mars, the
Bringer of
War" from The
Planets by
Gustav Holst / "In
the Hall
of the Mountain
King" by
Edvard Grieg). Composed
by
Paul O'Neill and
John Oliva
[Trans-Siberian
Orchestra].
Arranged by Bob Phillips,
orch. Bob Phillips and
George Megaw. Concert
Band;
Part(s); Score. Pop
Concert
Band. Christmas; Holiday
Pops; Light Concert; Pop;
Secular; Winter. 276
pages.
Published by Alfred Music
Composed by Travis
Weller. Folio. Cps. Set
of Score and Parts.
8+8+4+8+8+8+4+4+8+4+4+8+8
+8+8+6+6+6+4+8+6+2+4+4+6+
32 pages. Duration 3
minutes, 10 seconds. Carl
Fischer Music #CPS234.
Published by Carl Fischer
Music (CF.CPS234).
ISBN 9781491156346.
UPC: 680160914883. 9 x 12
inches.
Mercury -
the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst's major orchestral
suite The Planets that
Mercury utilizes such
light and swift themes.
There is some duality to
the title of the work.
Part of it involves my
impression of what a
playful chase of the
winged messenger sounds
like. The other part is
the opening motif chasing
two themes of Holst
around the rest of the
work. It was only after
developing the first few
ideas that I recognized
some of the commonalities
with some of those same
themes from Holst's
orchestral work. There
are several quotations
from that famous piece by
Holst (notably as both
are stated successively
at mm. 13-20). The idea
of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work. One of
my core beliefs about
music is that it can be
imbued with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling experience.
Rehearsal Notes and
Suggestions As stated
earlier, the opening
motif (a range of a
seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury!. Mercury
– the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst’s major
orchestral suite The
Planets that Mercury
utilizes such light and
swift themes.There is
some duality to the title
of the work. Part of it
involves my impression of
what a playful chase of
the winged messenger
sounds like. The other
part is the opening motif
chasing two themes of
Holst around the rest of
the work. It was only
after developing the
first few ideas that I
recognized some of the
commonalities with some
of those same themes from
Holst’s orchestral
work. There are several
quotations from that
famous piece by Holst
(notably as both are
stated successively at
mm. 13–20). The
idea of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work.One of my
core beliefs about music
is that it can be imbued
with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling
experience.Rehearsal
Notes and SuggestionsAs
stated earlier, the
opening motif (a range of
a seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury!
Composed by Travis
Weller. Sws. Cps. Full
score. 32 pages. Duration
3 minutes, 10 seconds.
Carl Fischer Music
#CPS234F. Published by
Carl Fischer Music
(CF.CPS234F).
ISBN
9781491156353. UPC:
680160914890. 9 x 12
inches.
Mercury -
the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst's major orchestral
suite The Planets that
Mercury utilizes such
light and swift themes.
There is some duality to
the title of the work.
Part of it involves my
impression of what a
playful chase of the
winged messenger sounds
like. The other part is
the opening motif chasing
two themes of Holst
around the rest of the
work. It was only after
developing the first few
ideas that I recognized
some of the commonalities
with some of those same
themes from Holst's
orchestral work. There
are several quotations
from that famous piece by
Holst (notably as both
are stated successively
at mm. 13-20). The idea
of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work. One of
my core beliefs about
music is that it can be
imbued with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling experience.
Rehearsal Notes and
Suggestions As stated
earlier, the opening
motif (a range of a
seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury!. Mercury
– the Roman god of
financial gain, commerce,
travelers, boundaries,
luck, trickery,
merchants, and thieves. A
popular deity in Roman
culture, he was instantly
recognized by his unique
winged shoes (talaria)
and hat (petasos). With
its close proximity to
the sun and faster orbit
than all other planets,
the Romans named this
small celestial body
after the swift-winged
messenger of their
culture. It is not
surprising that in
Holst’s major
orchestral suite The
Planets that Mercury
utilizes such light and
swift themes.There is
some duality to the title
of the work. Part of it
involves my impression of
what a playful chase of
the winged messenger
sounds like. The other
part is the opening motif
chasing two themes of
Holst around the rest of
the work. It was only
after developing the
first few ideas that I
recognized some of the
commonalities with some
of those same themes from
Holst’s orchestral
work. There are several
quotations from that
famous piece by Holst
(notably as both are
stated successively at
mm. 13–20). The
idea of someone having to
chase the Winged
Messenger struck me as a
unique title around which
to craft a work.One of my
core beliefs about music
is that it can be imbued
with meaning by a
composer, and as the
sonic story unfolds an
ensemble, director, and
audience members can draw
out their own meaning
from the experience. Who
exactly is chasing
Mercury? I leave that up
to the wonderfully
creative minds of the
young ladies and
gentlemen who have the
opportunity to bring this
work to life. The
opportunity to compose
music and allow student
musicians to give this
piece new life and draw
out different meanings is
a humbling
experience.Rehearsal
Notes and SuggestionsAs
stated earlier, the
opening motif (a range of
a seventh) comes back
frequently in the work in
a variety of settings and
textures. Throughout the
work, it is important for
students to recognize the
two themes from Holst
when they are present in
the sound canvas. If the
solos (clarinet and alto
saxophone) are utilized,
the supporting parts
around and underneath
those lines must be
sensitive and play in
such a way to properly
balance those parts.
There are number of muted
sections for the trumpet
section, and I would
advocate for all trumpets
acquiring the same mute
to contribute to unity in
timbre. The bold fanfare
sections (the first
occurs at m. 37) must be
presented with a unified
articulation style. As
the texture intensifies
prior to m. 169, it is
crucial for the ensemble
to play within themselves
and exercise musical
courtesy to allow all
voices to be heard as
they arrive at m. 181. My
thanks in advance for
your support of this
music, and I wish you
well as you and your
ensemble begin Chasing
Mercury!
Flute and piano - Intermediate-Advanced SKU: YM.GTW01097944 Composed by V...(+)
Flute and piano -
Intermediate-Advanced
SKU:
YM.GTW01097944
Composed by Various.
Combination. Score and
Part. Yamaha Music Media
#GTW01097944. Published
by Yamaha Music Media
(YM.GTW01097944).
ISBN
9784636979442.
Flut
e scores for famous songs
from J-Pop to classical
music. This selection is
perfect for concert
programs, recitals,
encores, and more. The
impressive and beautiful
sound of these
arrangements will
captivate the
audience.
Be the Church Piano seul - Intermédiaire/avancé Alfred Publishing
18 Arrangements Inspired by Universal Statements of Faith. Arranged by Albert ...(+)
18 Arrangements Inspired
by
Universal Statements of
Faith. Arranged by Albert
Mendoza. Other Church;
Piano
Collection; Piano
Supplemental; Worship
Resources. Sacred
Performer
Collections. Form:
Prelude.
Communion;
Peace/Brotherhood;
Sacred;
Stewardship. Book. 60
pages.
Alfred Music #00-47784.
Published by Alfred Music
Jupiter Cove Eveil Musical [Partition + CD] Alfred Publishing
By Ann Bryant. Classroom/Pre-School; General Music and Classroom Publications; O...(+)
By Ann Bryant.
Classroom/Pre-School;
General Music and
Classroom Publications;
Other Classroom. Book and
CD. Published by Alfred
Music . Sheet music
CD.
SKU: SU.00220181 Composed by Maurice Ravel. Harp, Harp with other Instrum...(+)
SKU: SU.00220181
Composed by Maurice
Ravel. Harp, Harp with
other Instruments,
Keyboard,
Piano/Harpsichord,
Keyboard, Organ. CD (PDF
Scores). CD Sheet Music
#00220181. Published by
CD Sheet Music
(SU.00220181).
Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.
Ple
ase note, customers using
Macintosh computers
running macOS Catalina
(version 10.5) have
reported hardware
compatibility issues with
this product. If you
encounter these issues,
we recommend copying the
entire contents of the
disk to a contained
folder on a thumb drive
or other storage device
for use on your
Mac.