By Lee Gwozdz. Organ. Level: 2-staff. Sacred Organ. Published by Unity Music Press.

By Mark Barnard. Organ. Level: 2-staff. Sacred organ. Published by Unity Music Press.

By Barbara Boertje. Piano. Level: Medium. Sacred piano. Published by Unity Music Press.

By Jonathan Shippey. (SATB). Contemporary Choral. Size 6.75x10.5 inches. 12 pages. Published by Hal Leonard.

By Jonathan Shippey. (Showtrax CD). Contemporary Choral. CD only. Size 5.5x5.5 inches. 1 pages. Published by Hal Leonard.

Chamber Music trombone

SKU: CF.W2687

For Trombone. Composed by Jean-Baptiste Arban. Edited by Alan Raph. SWS. Collection - Performance. With Standard notation. 32 pages. Carl Fischer Music #W2687. Published by Carl Fischer Music (CF.W2687).

ISBN 9781491150955. UPC: 680160908455. 9x12 inches.

This new edition of Jean Baptiste Arban's Fourteen Characteristic Studies for Trombone, edited by Alan Raph, was specifically written to provide the student with suitable material with which to test his powers of endurance, according to Arban himself.
The following fourteen studies have been specifically written to provide the student withsuitable material with which to test his powers of endurance. In taking up these studies, he willdoubtless be fatigued, especially at the outset, by those numbers requiring an unusual length ofbreath. However, through careful study and experience he will learn to overcome the difficultiesand will acquire the resources which will enable him to master this particular phase of playingwith ease. As a means to this end, attention is drawn to cantabile passages in particular, whichshould be played with the utmost expression, yet at the same time with as much modified toneas possible. On the cornet, as with the voice, clear tones may be obtained by widening thelips and veiled tones by contracting them. This happy circumstance allows the performer anopportunity to rest while still continuing to play, and at the same time enables him to introduceeffective contrasts into the execution. It should be noted that by little artifices of this kind, andby skillfully conserving his resources, the player will reach the end of the longest and mostfatiguing pieces, not only without difficulty, but even with a reserve of strength and power,which, when brought to bear on the final measures of a performance, never fails to impress anaudience.At this point my task as professor (using the written instead of the spoken word) willend. There are things which appear clear enough when stated verbally but which when writtendown on paper cause confusion, seem obscure, and even sometimes appear trivial.There are other things of such an elevated and subtle nature that neither speech norword can clearly explain them. They are felt, they are conceived, but they are not to be explained;and yet these things constitute the elevated style, the grand ecole, which it is my ambition toestablish for the cornet, just as they already exist for singing and for the various kinds of otherinstruments.Those of my readers who are ambitious and who want to attain this high level ofperfection, should above all things, always try to hear good music well interpreted. Theymust seek out, among singers and instrumentalists, the most illustrious models, and by doingthis purify their taste, develop their sentiments, and bring themselves as near as possible tothat which is beautiful. Perhaps then the innate spark which may someday be destined todemonstrate their own talent, will reveal itself and render them worthy of being, in their turn,cited and imitated in the future.

Chamber Music Trumpet

SKU: CF.W2686

For Trumpet in B-flat. Composed by Jean-Baptiste Arban. Edited by Thomas Hooten Jennifer Marotta. SWS. Collection - Performance. With Standard notation. 32 pages. Carl Fischer Music #W2686. Published by Carl Fischer Music (CF.W2686).

ISBN 9781491150948. UPC: 680160908448. 9x12 inches.

This new edition of Jean Baptiste Arban's Fourteen Characteristic Studies for Trumpet in Bb, edited by Thomas Hooten and Jennifer Marotta, was specifically written to provide the student with suitable material with which to test his powers of endurance, according to Arban himself.
The following fourteen studies have been specifically written to provide the student withsuitable material with which to test his powers of endurance. In taking up these studies, he willdoubtless be fatigued, especially at the outset, by those numbers requiring an unusual length ofbreath. However, through careful study and experience he will learn to overcome the difficultiesand will acquire the resources which will enable him to master this particular phase of playingwith ease. As a means to this end, attention is drawn to cantabile passages in particular, whichshould be played with the utmost expression, yet at the same time with as much modified toneas possible. On the cornet, as with the voice, clear tones may be obtained by widening thelips and veiled tones by contracting them. This happy circumstance allows the performer anopportunity to rest while still continuing to play, and at the same time enables him to introduceeffective contrasts into the execution. It should be noted that by little artifices of this kind, andby skillfully conserving his resources, the player will reach the end of the longest and mostfatiguing pieces, not only without difficulty, but even with a reserve of strength and power,which, when brought to bear on the final measures of a performance, never fails to impress anaudience.At this point my task as professor (using the written instead of the spoken word) will end.There are things which appear clear enough when stated verbally but which when written downon paper cause confusion, seem obscure, and even sometimes appear trivial.There are other things of such an elevated and subtle nature that neither speech nor wordcan clearly explain them. They are felt, they are conceived, but they are not to be explained;and yet these things constitute the elevated style, the grand ecole, which it is my ambition toestablish for the cornet, just as they already exist for singing and for the various kinds of otherinstruments.Those of my readers who are ambitious and who want to attain this high level of perfection,should above all things, always try to hear good music well interpreted. They must seek out,among singers and instrumentalists, the most illustrious models, and by doing this purifytheir taste, develop their sentiments, and bring themselves as near as possible to that which isbeautiful. Perhaps then the innate spark which may someday be destined to demonstrate theirown talent, will reveal itself and render them worthy of being, in their turn, cited and imitatedin the future.

Choral (SATB)

SKU: HL.1432569

Composed by D. Shawn Berry. Gentry Publications. Octavo. Gentry Publications #JG2712. Published by Gentry Publications (HL.1432569).

UPC: 196288203209.

Looki ng for a great piece for your choir that revolves around the theme of spreading light, hope, and peace to those in need and emphasizing the power of unity and love in making a positive impact on the world which is needed more anymore every day? Great. This is the piece for you. There are many options for the solo sections although originally written to feature a young child as soloist. It could also feature a children's choir singing the solo sections or even a small ensemble within the choir. The message of the piece is that collectively, people can make a significant difference in the world by offering support and love to those in need.

Chamber Music Clarinet, Piano, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.114405580

Composed by Shulamit Ran. Set of Score and Parts. With Standard notation. 45+12+10+11+10+10 pages. Duration 17 minutes. Theodore Presser Company #114-40558. Published by Theodore Presser Company (PR.114405580).

UPC: 680160008964.

Conce rto da Camera II is a work for six instruments which may be further grouped into three separate entities - clarinet, string quartet, piano. In this combination, chosen by the work's commissioning organizations (the Chamber Music Society of Lincoln Center in conjunction with Mount Holyoke College), lies the work's first challenge. While pairings of any two of these three sound types abound in the concert literature, the three together form a far less common soundscape. The main difficulty appears in the necessity to reconcile the potential of both the clarinet and the piano of acting in a soloistic capacity when pitted against the string quartet. Indeed, the three movements of the Concerto deal with this problem in various ways, with the balance of power between the six instruments' potential for unity and contrast, solo and ensemble playing, continually shifting and changing.   Yet another, more delicate, balance of power is at play here, namely, the relationship between the external, foreground level of the piece and a subtler background level. What, at first, appear like small, gentle melodic strands, mere echoes or residues of the main events, gradually assume an inner life of their own. Never actually taking over yet always there, a salient, if quiet, factor within the work's compositional fabric and evolving organism.   Though each movement includes numerous tempo fluctuations, the overall thrust of the work clearly suggests a fast-slow-fast framework, with the last movement being a loosely structured, occasionally tempestuous Rondo.

Chamber Music Clarinet, Piano, Viola, Violin 1, Violin 2, Violoncello

SKU: PR.11440558S

Composed by Shulamit Ran. Score. With Standard notation. 45 pages. Duration 17 minutes. Theodore Presser Company #114-40558S. Published by Theodore Presser Company (PR.11440558S).

UPC: 680160008971.

Conce rto da Camera II is a work for six instruments which may be further grouped into three separate entities - clarinet, string quartet, piano. In this combination, chosen by the work's commissioning organizations (the Chamber Music Society of Lincoln Center in conjunction with Mount Holyoke College), lies the work's first challenge. While pairings of any two of these three sound types abound in the concert literature, the three together form a far less common soundscape. The main difficulty appears in the necessity to reconcile the potential of both the clarinet and the piano of acting in a soloistic capacity when pitted against the string quartet. Indeed, the three movements of the Concerto deal with this problem in various ways, with the balance of power between the six instruments' potential for unity and contrast, solo and ensemble playing, continually shifting and changing.   Yet another, more delicate, balance of power is at play here, namely, the relationship between the external, foreground level of the piece and a subtler background level. What, at first, appear like small, gentle melodic strands, mere echoes or residues of the main events, gradually assume an inner life of their own. Never actually taking over yet always there, a salient, if quiet, factor within the work's compositional fabric and evolving organism.   Though each movement includes numerous tempo fluctuations, the overall thrust of the work clearly suggests a fast-slow-fast framework, with the last movement being a loosely structured, occasionally tempestuous Rondo.

Craig Hella Johnson Choral Series. Composed by Tom Trenney. Craig Hella Johnson Series. Concert, Festival. Octavo. 12 pages. Published by Hal Leonard

Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For piano. Format: piano solo book. With piano reduction, introductory text, instructional text, lyrics and performance notes. Baroque. 184 pages. 9x12 inches. Published by Schirmer

Choir; flute

SKU: HP.C6187C

Arranged by Joseph M. Martin. Piano with Optional Flute (Included). Communion, General Worship, Sacred. Choral Performance/Accompaniment CDs. Hope Publishing Company #C6187C. Published by Hope Publishing Company (HP.C6187C).

UPC: 763628961879.

Origi nal anthem This engaging communion anthem draws on the unity of all believers who are gathered to break bread. It features a powerful melody that supports the text, Come to the feast and be restored, we are one at the table of Christ, the Lord! The tune KINSGFOLD appears in the middle and perfectly complements the hymn text, In Christ there is no east or west, making this an ideal selection for World Communion Sunday.

Composed by Joseph M. Martin. Shawnee Sacred. General Worship, Sacred. Octavo. 12 pages. Published by Shawnee Press

Grade 2

SKU: CL.011-5052-00

March. Composed by J. J. Richards. Arranged by Glover. Young Concert Band. Score and set of parts. C.L. Barnhouse #011-5052-00. Published by C.L. Barnhouse (CL.011-5052-00).

J. J. Richards’ great Emblem of Unity March has been a band favorite for generations, and this impressive Command series arrangement makes it accessible for middle school and younger high school bands! After a bold introduction, the famous trio melody - played by horns! (with a little help from others) – moves to an powerful breakstrain giving the lower instruments a chance to shine. The final rousing strain makes Emblem of Unity a perfect choice for any performance situation. March on!

Grade 2

SKU: CL.011-5052-01

March. Composed by J. J. Richards. Arranged by Glover. Young Concert Band. Extra full score. C.L. Barnhouse #011-5052-01. Published by C.L. Barnhouse (CL.011-5052-01).

J. J. Richards’ great Emblem of Unity March has been a band favorite for generations, and this impressive Command series arrangement makes it accessible for middle school and younger high school bands! After a bold introduction, the famous trio melody - played by horns! (with a little help from others) – moves to an powerful breakstrain giving the lower instruments a chance to shine. The final rousing strain makes Emblem of Unity a perfect choice for any performance situation. March on!

SKU: GI.G-008300

Composed by Gary Daigle and Rory Cooney. Sacred. GIA Publications #008300. Published by GIA Publications (GI.G-008300).

English.

A powerful collection of songs that challenge us to re-imagine who God-in-Christ is. These new compositions focus on the Eucharist, our stories of Jesus and the God of Israel, and the tradition of a faith that calls us to solidarity with one another and with those who are ignored, exploited, or devalued by the rich and powerful. Reflective and prayerful, Rory‚ words and music will have a welcome home at liturgies and prayer services, and will enrich personal prayer time. Includes Mass of St. Aidan, the 2006 UCMVA Unity Awards Sacramental Song of the Year!

2006 Unity Award Winner Rock Album of the Year (co-winner with The Best of Tom Booth). By Matt Maher. For voice and piano. (with chords). A musical testament to God's overflowing blessings, these 14 songs speak powerfully of what it means to be Christian in the third millennium. Contemporary, Youth. Songbook. Published by OCP.

Choral (SATB divisi)

SKU: HL.1423734

Composed by Evelyn Simpson-Curenton. Gentry Publications. Octavo. Gentry Publications #JG2706. Published by Gentry Publications (HL.1423734).

UPC: 196288200222.

â??B uild Ye The Walls,â? composed by Evelyn Simpson-Curenton, is a profound concert piece for piano and choir. This stirring composition was commissioned by the Whitman College Chorale, under the direction of Miles Canaday, and the Thomas Circle Singers, led by Miles Canaday as Artistic Director. Evelyn's inspiring message in the lyrics urges us to pray daily for the strength to erect the walls of understanding, human dignity, hope, peace, justice, and integrity. This powerful work is a testament to the transformative power of music in conveying a message of unity and aspiration for a better world. Enjoy the writing of this amazing composer and icon.

Composed by Carol Doran. Arranged by John Ferguson. For SATB choir with Unison Voices, opt. Congregation with Organ, Brass Quartet, Handbells (2 or 3 Octaves; Handbells used: 8 or 12). Church Anniversary, Community/Fellowship, Unity, Easter. Moderately Easy. Octavo. Published by MorningStar Music Publishers

SKU: GI.G-008301

Composed by Rory Cooney. Sacred. Collection. GIA Publications #008301. Published by GIA Publications (GI.G-008301).

UPC: 641151083018.

This powerful collection that challenges us to re-imagine who God-in-Christ is. The compositions focus on the Eucharist, our stories of Jesus and the God of Israel, and the tradition of a faith that calls us to solidarity with one another and with those who are ignored, exploited, or devalued by the rich and powerful. Reflective and prayerful, Rory‚ words and music will have a welcome home at liturgies and prayer services. Includes Mass of St. Aidan, the 2006 UCMVA Unity Awards Sacramental Song of the Year!

SATB choir

SKU: WD.080689548239

Composed by David Wise. Choral. Sacred Anthem. Octavo. Word Music #080689548239. Published by Word Music (WD.080689548239).

UPC: 080689548239.

Standing together, we are the children of God! An upbeat rendition of Phil Wickham’s song, Children of God is the perfect addition to any church service. This bold anthem is a declaration of our faith, uniting us all as believers, and giving us confidence in our identity as children of the one true God. Your choir and church will feel the unity while singing this powerful new anthem, Children of God!

Choral (SATB)

SKU: HL.1311456

Composed by Mark Sirett. Hinshaw Music. Christian, General Worship, Sacred. Octavo. Hinshaw Music #HMC2711. Published by Hinshaw Music (HL.1311456).

UPC: 196288177326. 6.75x10.5x0.029 inches.

Written for a festival featuring the award-winning Bach Children's Choir of Toronto (directed by Linda Beaupré) and the Amabile Young Men's Choir of London, Ontario (directed by Carol Beynon), the opening verse of this evocative text from the Philippines marvels at the beauty of the universe: the stars, the deep blue ocean, and the green forest. The reflective middle section highlights the profound connection humans share with all living creatures. The joyful conclusion reminds us of the gift of freedom - a blessing that emanates from within each one of us, and made more powerful in unity with our brothers and sisters. Suitable for high school, collegiate, and community choirs.

Upper voices, SATB, & piano (SATB) - easy

SKU: OU.9780193532083

Composed by Bob Chilcott. Sacred choral - mixed voices. Vocal score. 12 pages. Duration 4'. Oxford University Press #9780193532083. Published by Oxford University Press (OU.9780193532083).

ISBN 9780193532083. 10 x 7 inches.

For upper voices, SATB, and piano In this expressive setting, Chilcott adapts the Prayer of St Francis, with its focus on peace and unity. A semi-chorus, which may be taken from within the choir or by an upper-voice or children's choir, weaves Beethoven's 'Ode to Joy' melody into the texture, creating a powerful presentation of the unifying power of song.

Choral (Studiotrax CD)

SKU: HL.35032224

Composed by Joseph M. Martin. Shawnee Sacred. General Worship, Patriotic. CD. Duration 180 seconds. Published by Shawnee Press (HL.35032224).

UPC: 888680740962. 5.0x5.0x0.15 inches. Pamela Stewart/Joseph M. Martin. Isaiah 50:4-9, John 18:37-38, Joshua 24:1-25, Nehemiah 8:1-10.

Festive and powerful, this anthem incorporates a time-honored hymn text, making this vibrant paean of liberty well-suited for national observances or times of spiritual revival. We sing of faith and freedom, lifting our voices in unity, singing as one mighty voice to our God. A full orchestration sends the music to lofty heights! Score and Parts (fl 1-2/picc, ob, cl 1-2, bn, hn 1-2, tpt 1-3, tbn 1-2, btbn/tba, timp, perc 1-2, hp, pno, vn 1-2, va, vc, db) available as a digital download.

SKU: GI.G-7808CD

Revised Order of Mass 2010. Composed by Norah Duncan. Mass. Sacred. CD. GIA Publications #7808CD. Published by GIA Publications (GI.G-7808CD).

English. Text Source: Revised Order of Mass 2010, Lectionary for Mass

Musical genres abound in this eclectic Mass setting from Norah Duncan, IV. From the calypso feel of the Gloria to the early American character of the Gospel Acclamation to the gentle lyricism of the Lamb of God, this variety of styles comes together beautifully into an inspiring setting that has the power to unite the most diverse assembly.

Choral (SATB)

SKU: HL.466842

The David C. Dickau Choral Series. Composed by Michael D. Atwood. Pavane Choral. Concert, General Worship, Latin, Sacred. Octavo. Pavane Publishing #P1708. Published by Pavane Publishing (HL.466842).

UPC: 196288070702. 6.75x10.5x0.036 inches.

We believe the “Ubi Caritas” chant came from the 8th century, and it has been further enhanced by many of the best composers over the ages. This setting brings many fresh colors into view, but most notable is the narrative section, which requires singers to complete the sentence, “If only the world could...” and share it at a point in the music. It is a powerful and unique addition to this song of unity and love. For high school and college choirs.