C Edition. Fake Book (Includes melody line and chords). Size 9x12 inches. 816 pages. Published by Hal Leonard.

(Words, Music and Guitar Chords). By Various. For Melody/Lyrics/Chords. Waltons Irish Music Books. Book only. 64 pages. Hal Leonard #WM1319. Published by Hal Leonard

By Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Softcover. Size 9x12 inches. 112 pages. Published by Hal Leonard.

C Instruments. Composed by Various. Fake Book. Softcover. Published by Hal Leonard

Bb Instruments. Composed by Various. Fake Book. Jazz. Softcover. 488 pages. Published by Hal Leonard (HL.223637).

How To Play Fiddle with CD by Larry McCabe. For fiddle. This edition: Paperback. Instructional. Method. Book and CD. Text Language: English. 48 pages. Published by Santorella Publications

Guitar - Intermediate

SKU: MB.30906M

Country, Saddle-stitched. Folk. Book and online audio. Mel Bay Publications, Inc #30906M. Published by Mel Bay Publications, Inc (MB.30906M).

ISBN 9781513476643. 8.75X11.75 inches.

This solo collection presents 19 iconic melodies from the American traditional song book plus 6 modern original compositions by William Bay, president of Mel Bay Publications; all selections have been arranged in tablature for the 5-string banjo in gDGBD tuning by Catalonian multi-instrumentalist and bluegrass specialist, Llu?s G?mez.Any collection of American ballads would be incomplete without settings of the beautiful melodies penned by Stephen Foster, several of which appear here including Beautiful Dreamer, Darling Nellie Gray, I Dream of Jeanie with the Light Brown Hair, and Hard Times, Come Again No More. Some of these tunes are arranged in uncommon banjo keys, all without retuning the banjo or using a capo. These keys may be challenging at first but will teach you a lot about the banjo fretboard.The authorÃ?s generous preface offers tips on practice, performance and interpretation rarely found in tablature collections such as these, but this book has it all, including online recordings of each arrangement.

Book (not sheet music). Book only. Size 6x9 inches. 144 pages. Published by Centerstream Publications.

Harp

SKU: UT.MAG-221

Composed by Martin-Pierre Dalvimare. Edited by Anna Pasetti. Saddle stitching. Magadis. Classical. Ut Orpheus #MAG 221. Published by Ut Orpheus (UT.MAG-221).

ISBN 9790215318625. 9 x 12 inches.

Martin-Pier re Dalvimare, born in 1770, in Dreux (Eure-et-Loir), from a distinguished family, learnt music as an entertainment art, and was obliged to make it a resource for his existence, after the troubles of the Revolution in 1789. He had acquired a remarkable talent for the harp; when he arrived in Paris he made a very good impression. Then, man of the world, knowledgeable in many fields, which is rare for a musician, he was welcome everywhere, and very soon came in friendly terms with some of the most renowned artists and men of letters of his times. The marriage certificate of the poet Legouve (15 pluviose of the year XI, or February 1803, 12th municipality of Paris), shows that Dalvimare was one of his best men and that at the time he was thirty-two years old. He became harpist of the Opera in the year VIII (1800), and was definitively confirmed in the month of fructidor of the year IX. At the time of the institution of the emperor Napoleon's private music, M. Dalvimare was appointed as his harpist. In September 1807 he obtained the title of harp master of the empress Josephine. A lucky change of his fortune allowed this artist to renounce to practise his talent for living, he resigned from all of his positions on March, 12th, 1812, and he retired in Dreux, where he still was living in 1837. For a peculiar weakness, he does not like to speak about his artist career, which had been entirely honourable, and he would like to forget his success too. His first composition was a symphonie concertant for harp and horn, which he composed with Frederic Duvernoy, and published in the year VII (1798); notwithstanding, he counted as his first opus a collection of romances with accompaniment of piano or harp, which he later published with Pleyel.

In 1809 Dalvimare composed, for the theatre Feydeau, a one-act opera-comique called The Marriage for Imprudence. The music was weak; the work did not succeed, and people used to say that the greatest imprudence had been the one of the authors who had it performed. Nevertheless, the score of this opera was published in Paris by erard. (Francois-Joseph Fetis).

SKU: GI.G-8161

The Patriot's Life in Images and Words. Composed by Loras John Schissel. Music Education. Book. GIA Publications #8161. Published by GIA Publications (GI.G-8161).

ISBN 9781579998837. English.

Just who was John Philip Sousa? This intimate portrait brings Sousa to Life—who he was, why he was driven to succeed, his love of country—and explores his life and times through hundreds of photos, cartoons, short stories, news clippings, quotes, sheet music covers, and magazine ads collected in family scrapbooks, the Sousa Archive in the Library of Congress, and the U.S. Marines archives. This book reveals a quintessentially American story: It is the story of being born to poor immigrant parents and through immeasurable hard work, talent, and self-motivated drive succeeding beyond dreams. But it is also a very personal story of a man with a vision: a man who saw great music ultimately as being from the heart and who sought to bring this music—not just his own—to the world. This book also includes a bonus compact disc recording featuring The March King's most beloved works performed by his successors with The President's Own U.S. Marine Band as well as a rare archival track of Sousa's own voice introducing his band and playing his beloved The Stars and Stripes Forever. John Philip Sousa IV is the only living direct namesake of John Philip Sousa. I would like to think that in some small way I have continued my Great Grandfather's love of and service to our country. He served in the Air Force for four years and currently serves as Honorary Chairman and board member of The Enduring Freedom, Killed in Action Fund. He is also a painter and sculptor whose work is in numerous private collections in the U.S and South America. Sousa has worked for years as an investment and insurance consultant to banks, and has helped businesses with sales, distribution, and planning. One of his greatest joys and privileges is narrating Sousa or patriotic concerts for community bands, university bands, orchestras, and ensembles throughout the U.S. Loras John Schissel is the senior musicologist at the Library of Congress. As a composer and conductor, he has traveled throughout North America, Europe, and Asia conducting orchestras, bands, and choral ensembles in a broad range of musical styles and programs. As a composer and arranger, Schissel's catalog of works number more than 500. Long a favorite conductor with the world-class Cleveland Orchestra, Schissel was honored to conduct this group in a special September 11th memorial concert in 2011. He is a leading scholar on the life and work of John Philip Sousa.