By Martin Luther; Rowland H. Prichard; Wolfgang Amadeus Mozart; Anonymous; Antonin Dvorak; Charles F. Gounod; Franz Schubert; Hans Leo Hassler; Johann Pachelbel; Johann Sebastian Bach. Edited by Steven L Rosenhaus; William Arms Fisher. Arranged by Johann Sebastian Bach; Steven L Rosenhaus. For Flute Solo, Piano. Classical. Solo part with piano reduction. Composed 1999. 32 pages. Published by Theodore Presser Company.

(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.

Edited by Jean Anne Shafferman. Flute. Sacred. Book & CD. 72 pages. Published by Alfred Publishing.

Arranged by Andrew F. Poor. For 4 Flutes. Mixed Instruments - Flexible Instrumentation; Part(s); Quartet; Score. Eighth Note Publications. Hymn. 8 pages. Published by Eighth Note Publications

By Stan Pethel. For Flute. (SATB). Love, Peace, Contemporary and Sacred. Print Music Single (SATB w/opt. Flute). 12 pages. Published by Hope Publishing Company.

Composed by Various. Arranged by Kenneth D. Friedrich. For flute solo. Level 2 to 4. Published by Kenneth D. Friedrich

Composed by Dale Peterson. Shawnee Sacred. Christmas, Sacred. Octavo. 12 pages. Published by Shawnee Press

Composed by Judy Nishimura. Woodwinds - Flute. Alry Publications #F36. Published by Alry Publications

Inspirational Hymns for Flute with CD composed by Various. Arranged by Tony Santorella and Jonathon Robbins. For flute. This edition: Paperback. Collection. Sacred. Book and CD. Text Language: English. 32 pages. Published by Santorella Publications

By Douglas Smith. Flute. Sacred. Sacred instrumental. Published by Lorenz Publishing Company.

10 Solos Arranged for Flute and Keyboard. Edited by Jean Anne Shafferman. This edition: Book (Reproducible Flute Solos). Church Reproducible; Woodwind - Flute Method or Collection; Worship Resources. Sacred. Book. 72 pages. Jubilate Music Group #00-19844. Published by Jubilate Music Group

Flute - Intermediate

SKU: CZ.9798879331721

Composed by Various. Arranged by Larry Newman. Book. Children's Music Workshop #9798879331721. Published by Children's Music Workshop (CZ.9798879331721).

ISBN 9798879331721.

Disc over Jazz Hymns – where cherished hymns meet the vibrant world of jazz! Immerse yourself in the timeless essence of twenty beloved hymns, now adorned with sophisticated jazz harmonies, designed to be easily performed by music enthusiasts of all levels.
This unique collection features classics like 'Amazing Grace,' 'How Great Thou Art,' and 'What a Friend We Have in Jesus,' each thoughtfully arranged to blend tradition with the allure of contemporary jazz. Featuring beautiful arrangements, online audio mp3s and included lyrics, this book is a comprehensive resource for both musicians and congregations alike.
Ideal for church services, personal devotion, or musical gatherings, these hymns resonate with a newfound energy while honoring their sacred roots. Elevate the ambiance of your gatherings and infuse them with the rich melodies and fresh harmonies found within Jazz Hymns.
Embrace the beauty of tradition reimagined and experience the joy of playing these timeless hymns, perfectly suited for musicians seeking a harmonious blend of classic and modern influences
Jazz Hymns is available is editions for flute, oboe, clarinet, saxophone, trumpet, trombone, violin, viola, cello, guitar and solo piano.

By Dana F. Everson. For Flute. Solo for Flute. Meter: 4/4, 3/4, 6/8. Collections. Level: 3.5-4. Duration 3'30". Published by David E. Smith Publications.

By Douglas Smith. Flute. Level: Medium. Sacred instrumental. Published by Lorenz Publishing Company.

Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Difficulty: medium to medium-difficult. Fakebook. Melody line, chord names and lyrics (on some songs). 413 pages. Published by Hal Leonard

Jesu, Joy Of Man's Desiring for Flute and Piano composed by Johann Sebastian Bach (1685-1750). Arranged by Jonathon Robbins. For flute solo and piano accompaniment. Solo with Accompaniment. Classical. Score and solo part. Text Language: English. 8 pages. Published by Santorella Publications

Concert Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabassoon, English Horn, Euphonium, Flute 1, Flute 2, Flute 3, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1, Percussion 2, Percussion 3 and more.

SKU: PR.16500092L

For Concert Band. Composed by Dan Welcher. Spiral. Contemporary. Large Full Score. With Standard notation. Composed 1994. 76 pages. Duration 10 minutes. Theodore Presser Company #165-00092L. Published by Theodore Presser Company (PR.16500092L).

UPC: 680160039531. 11 x 17 inches.

Zion is the third and final installment of a series of works for Wind Ensemble inspired by national parks in the western United States, collectively called Three Places in the West. As in the other two works (The Yellowstone Fires and Arches), it is my intention to convey more an impression of the feelings I've had in Zion National Park in Utah than an attempt at pictorial description. Zion is a place with unrivalled natural grandeur, being a sort of huge box canyon in which the traveler is constantly overwhelmed by towering rock walls on every side of him -- but it is also a place with a human history, having been inhabited by several tribes of native Americans before the arrival of the Mormon settlers in the mid-19th century. By the time the Mormons reached Utah, they had been driven all the way from New York State through Ohio and, with tragic losses, through Missouri. They saw Utah in general as a place nobody wanted, but they were nonetheless determined to keep it to themselves. Although Zion Canyon was never a Mormon Stronghold, the people who reached it and claimed it (and gave it its present name) had been through extreme trials. It is the religious fervor of these persecuted people that I was able to draw upon in creating Zion as a piece of music. There are two quoted hymns in the work: Zion's Walls (which Aaron Copland adapted to his own purposes in both is Old American Songs and the opera The Tender Land) and Zion's Security, which I found in the same volume in which Copland found Zion's Walls -- that inexhaustible storehouse of 19th-century hymnody called The Sacred Harp. My work opens with a three-verse setting of Zion's Security, a stern tune in F-sharp minor which is full of resolve. (The words of this hymn are resolute and strong, rallying the faithful to be firm, and describing the city of our God they hope to establish). This melody alternates with a fanfare tune, whose origins will be revealed in later music, until the second half of the piece begins: a driving rhythmic ostinato based on a 3/4-4/4 alternating meter scheme. This pauses at its height to restate Zion's Security one more time, in a rather obscure setting surrounded by freely shifting patterns in the flutes, clarinets, and percussion -- until the sun warms the ground sufficiently for the second hymn to appear. Zion's Walls is set in 7/8, unlike Copland's 9/8-6/8 meters (the original is quite strange, and doesn't really fit any constant meter), and is introduced by a warm horn solo. The two hymns vie for attention from here to the end of the piece, with the glowingly optimistic Zion's Walls finally achieving prominence. The work ends with a sense of triumph and unbreakable spirit. Zion was commissioned in 1994 by the wind ensembles of the University of Texas at Arlington, the University of Texas at Austin, and the University of Oklahoma. It is dedicated to the memory of Aaron Copland.

Choral, Flute, Violin (SAB choirW/ FLUTE)

SKU: HL.35032178

Composed by Ed Rush. Arranged by James Michael Stevens. Shawnee Sacred. Communion, Sacred. Octavo. 12 pages. Published by Shawnee Press (HL.35032178).

UPC: 888680739669. 6.75x10.5 inches.

The familiar nature of this reverent anthem is perfect for inviting the faithful to the table of the Lord's Supper. A stylish piano part supports an expressive melody and timeless message. Careful part-writing eliminates any stumbling blocks to learning and the worshipful atmosphere of the music keeps the focus on the sacredness of this important moment of remembrance. On point!

By Brant Adams. For flute, performance/accompaniment CD. Sacred instrumental. Published by Exaltation Publications.

With Suggested Chordal Accompaniment. Composed by William Bay. Flute, Fife and Oboe,Guitar: Gospel and Sacred,Style,Duets and Ensembles,Solos,Duets and Ensemble,Solos,Holiday: Christmas. 100 Hymns. Book. 124 pages. Published by Mel Bay Publications, Inc

Orchestra Bassoon 1, Bassoon 2, Bassoon 3, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 3, Horn 4, Oboe 1, Oboe 2, Oboe 3, Percussion 1, Percussion 2, Percussion 3, Percussion 4, Piano, Timpani, Trombone 1 and more.

SKU: PR.466000470

Composed by Dan Welcher. Spiral. Large Score. With Standard notation. Duration 10 minutes. Theodore Presser Company #466-00047. Published by Theodore Presser Company (PR.466000470).

UPC: 680160099405. 11 x 17 inches.

This is the second incarnation of a work I first composed in 1994 for symphonic wind ensemble. The earlier version was intended to be the summation of three-part suite, each part being named for a different national park in the Western United States. This orchestral version, commissioned in 1999 by the Utah Symphony and dedicated to the memory of Aaron Copland, is more than a re-scoring of the earlier piece; it is a re-thinking of all its elements. Zion is a place with unrivaled natural grandeur, being a sort of huge box canyon in which the traveler is constantly overwhelmed by towering rock walls on every side of him -- but it is also a place with a human history, having been inhabited by several tribes of native Americans before the arrival of the Mormon settlers in the mid-19th century. By the time the Mormons reached Utah, they had been driven all the way from New York State through Ohio and, with tragic losses, through Missouri. They saw Utah in general as a place nobody wanted, but they were nonetheless determined to keep it to themselves. Although Zion Canyon was never a Mormon Stronghold, the people who reached it and claimed it (and gave it its present name) had been through extreme trials. It is the religious fervor of these persecuted people that I was able to draw upon in creating Zion as a piece of music. There are two quoted hymns in the work: Zion's Walls (which Aaron Copland adapted to his own purposes in both his Old American Songs and the opera The Tender Land) and Zion's Security, which I found in the same volume in which Copland found Zion's Walls -- that inexhaustible storehouse of 19th-century hymnody called The Sacred Harp. My work opens with a three-verse setting of Zion's Security, a stern tune in F-sharp minor which is full of resolve. (The words of this hymn are resolute and strong, rallying the faithful to be firm, and describing the city of our God they hope to establish). This melody alternates with a fanfare tune, whose origins will be revealed in later music, until the second half of the piece begins: a driving rhythmic ostinato based on a 3/4-4/4 alternating meter scheme. This pauses at its height to restate Zion's Security one more time, in a rather obscure setting surrounded by freely shifting patterns in the flutes, clarinets, and percussion -- until the sun warms the ground sufficiently for the second hymn to appear. Zion's Walls is set in 7/8, unlike Copland's 9/8-6/8 meters (the original is quite strange, and doesn't really fit any constant meter), and is introduced by a warm horn solo. The two hymns vie for attention from here to the end of the piece, with the glowingly optimistic Zion's Walls finally achieving prominence. The work ends with a sense of triumph.

Instrumental Play-Along. Composed by Various. Instrumental Play-Along. Christian, General Worship, Hymns, Sacred. Softcover Audio Online. 24 pages. Published by Hal Leonard

By Stan Pethel (Arranger). Gospel, Sacred, Religious, Play Along. Sheet Music and Audio CD. 27 pages. Published by Shawnee Press.

By David Lantz. For Choral, Flute, Handbells (SATB, FLUTE and HANDBELLS). Shawnee Press. Sacred, Epiphany, Christmas concert. 16 pages. Shawnee Press #A8844. Published by Shawnee Press . Sacred, Epiphany, Christmas concert.