| Music from The Shape of Water Orchestre d'harmonie - Facile Hal Leonard
Concert Band (Score) - Grade 3 SKU: HL.4005556 Composed by Alexandre Desp...(+)
Concert Band (Score) -
Grade 3 SKU:
HL.4005556 Composed
by Alexandre Desplat.
Arranged by Robert
Longfield. Young Concert
Band. Movies. Softcover.
Published by Hal Leonard
(HL.4005556). UPC:
888680751777.
9.0x12.0x0.037
inches. Winner of
the Academy Award for
Best Film Score for the
movie The Shape of Water,
the music of Alexandre
Desplat is mesmorizing
and beautiful. Robert
Longfield has skillfully
adapted these distinctive
melodies in this delicate
and moving arrangement
for band. $5.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Shape of Water Piano seul Hal Leonard
Music from the Motion Picture Soundtrack. Composed by Alexandre Desplat (1961-...(+)
Music from the Motion
Picture
Soundtrack. Composed by
Alexandre Desplat
(1961-).
Piano Solo Songbook.
Movies.
Softcover. 48 pages.
Published by Hal Leonard
$16.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Prairie Light Theodore Presser Co.
Dan Welcher’s most enduringly and frequently played orchestral work, Prai...(+)
Dan Welcher’s most
enduringly and frequently
played orchestral work,
Prairie Light is a
fascinating musical
companion to three of
Georgia
O’Keeffe’s
most unusual paintings,
Light Coming on the
Plains, Canyon with
Crows, and Starlight
Night. This work is ideal
for performances using
visual projections of the
paintings, and is
frequently programmed for
subscription concerts as
well as those for
educational settings.
Duration: 14’
Parts available on
rental. This work for
full orchestra was
inspired by three
paintings of the noted
Americanartist Georgia
O’Keeffe. These
three watercolors were
done in 1917 while the
artist was living in
Canyon, Texas (near
Amarillo), and deal
primarily with color and
shape. Consequently, the
music is primarily
concerned with broad
lines and shapes rather
than rhythms, with subtle
washes of color rather
than constant harmonic
movement, and with
arching melody instead of
linear counterpoint.The
first movement, Light
Coming on the Plains, is
an elliptical-shaped
painting, deep blue to
indigo with a
“horizon†at
the bottom that seems
flat and unchanging. The
sun hasn’t risen
yet, although it does in
the course of this
movement, but it seems
instead to be providing
light from behind the
canvas. The music is
unmoving in terms of
rhythm or harmony
(although there is a
modulation midway
through), a color-infused
mantra of sound that is
almost Eastern.At the
height of the sun, we
proceed to the second
movement, entitled Canyon
with Crows. The canyon is
red-orange, with black
crows circling above
friendly unfolding hills.
The music is gentle but
lively and more rhythmic,
with the birds
represented by solo oboe,
clarinet, and sometimes
flute. Halfway through,
the brass have a chorale
version of the opening
motive, played very
slowly, over the unending
triplets of woodwinds and
strings. At the end of
the movement, the
birds return for a
duo-cadenza, accompanied
by the dying rays of the
sun in muted strings and
the ongoing triplets of
the solo quartet.The
stage is set for the
final movement, Starlight
Night. In
O’Keeffe’s
painting, the stars are
represented by
regularly-spaced
rectangles of bright pale
yellow on a blue-black
sky, with the same shape
to the field of vision
and the horizon that is
found in Light Coming on
the Plains. The stars
become audible: harp,
celesta, glockenspiel,
and string pizzicati all
lend a sparkle while a
solo flute introduces a
slowly unfolding theme.
After this theme has been
heard twice and the sky
has begun to really
brighten, there is a
sudden interruption: a
xylophone and a piano
begin another
“mantra†in
brittle staccato chords.
This is the same
mechanical eternity as
O’Keeffe’s
regularly-spaced square
stars, and it continues
on its own as the night
progresses. The music
builds and grows as the
moon rises and arcs, then
falls as the pre-dawn
light that opened the
work returns to bring it
to a close. Acycle of
light, changing with the
movements of sun, moon,
and stars, appearing
differently from various
points of view
$50.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Saga of the Mississippi [Conducteur] Theodore Presser Co.
Orchestra 2 Bassoons, 2 Oboes, 3 Clarinets, 3 Flutes, 3 Trombones, 3 Trumpets, 4...(+)
Orchestra 2 Bassoons, 2
Oboes, 3 Clarinets, 3
Flutes, 3 Trombones, 3
Trumpets, 4 Horns, Bass
Drum, Contra-bassoon,
Cymbal, English Horn,
Percussion: Snare Drum,
Strings, Timpani, Tuba
SKU: PR.466411770
Composed by Harl
Mcdonald. This edition:
Study Score.
Contemporary. Full score.
With Standard notation.
84 pages. Duration 15
minutes. Theodore Presser
Company #466-41177.
Published by Theodore
Presser Company
(PR.466411770). UPC:
680160640850. 9 x 12
inches. Mississippi
I. Father of Waters: born
of the Highlands and the
Lakes; the Glaciers, the
Mountains, and the
Prairies. The picture of
your birth is clounded in
the ice and mists of
ancient ages but your
spirit remains our life
stream. II. The Red Man
knew your bountiful gifts
and gave thanks to the
Great Spirit on your
banks. -- The Spanish and
French Fathers brought
the glory of Christianity
to America on
Mississippi. But all men,
white and dark; --
Indian, Spaniard, and
Negro; Bourbon and
Yankee, combined to make
Mississippi the heart of
America. Saga of the
Mississippi Harl McDonald
Born near Boulder,
Colorado, July 27, 1899
Now living in
Philadelphia The original
suggestion for a
symphonic work on the
subject of the
Mississippi came
indirectly from the late
Booth Tarkington who saw
in it color and movement
and atmosphere
translatable into the
terms of music. In the
course of time, by the
mysterious processes of
composers' chemistry, it
took shape as a tone-poem
of two sections, one
representing the rise of
the great stream from its
primeval geologic
sources, the other the
human history of the
river. Mr. McDonald
devised the following
verbal outline of the
general scheme of his
diptych: I. Father of
Waters: born of the
Highlands and the Lakes;
the Glaciers, the
Mountains, and the
Prairies. The picture of
your birth is clounded in
the ice and mists of
ancient ages but your
spirit remains our life
stream. II. The Red Man
knew your bountiful gifts
and gave thanks to the
Great Spirit on your
banks. -- The Spanish and
French Fathers brought
the glory of Christianity
to America on
Mississippi. But all men,
white and dark; --
Indian, Spaniard, and
Negro; Bourbon and
Yankee, combined to make
Mississippi the heart of
America. The first of the
two movements, beginning
molto andante, is vaguel
modal to hint at
antiquity. It is built
upon the conventional two
themes, with an episode,
poco piu mosso,
misterioso, for
prehistoric murk and
muck. There are various
changes of pace and mood.
The second, Allegro ma
vigorosamente, prefigures
an Indian ceremony. A
theme presented by flute,
clarinet and bassoon is a
Canadian Indian fishing
call collected by the
late J.B. Beck. A later
passage of
quasi-Gregorian chant
identifies the French and
Spanish priests who made
the great river their
highway. The fishing-call
is altered in rhythm and
harmony to represent
Negro field hands and
roustabous. A turbulent
close brings all these
elemts together in the
muddy swirling currents
of the Mississippi. The
work was begun in the
summer of 1945, and was
revised and completed in
the summer of 1947. Harl
McDonald, who is the
manager of The
Philadelphia Orchestra,
has concerned himself
with music as an art, as
a science and as a
business in course of his
career. He was born on a
cattle ranch in the
Rockies, but since his
was a musical family, his
up-bringing combined
piano lessons with ranch
life. Years of study and
professional experience
followed in Los Angeles
and in Germany. In 1927
he was appointed lecuter
in composition at the
University of
Pennsylvania and he has
since then made is home
in Philadelphia. In 1933
under a grant of the
Rockefeller FOundation he
collaborated with
physicists in research
dealing with the
measurement of
instrumental and vocal
tone, new scale divisions
and the resultant
harmonies. In that same
year he was named head of
the University's music
faculty and conductor of
its choral organizations.
In 1939, having been a
member of the Board of
Directors for five years,
he was appointed manager
of The Philadelphia
Orchestra. He continus to
write, but otherwise his
entire attention is now
devoted to managerial
duties. Chief items in
the catalogue of his
compositions are four
symphonies, three
orchestra suites, a
half-dozen tone-poems,
three concertos and
considerable quantity of
choral music. $58.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Eden: Out of Time and Out of Space Theodore Presser Co.
Chamber Music Clarinet, Flute, Guitar, Horn, Viola, Violin, Violoncello SKU: ...(+)
Chamber Music Clarinet,
Flute, Guitar, Horn,
Viola, Violin,
Violoncello SKU:
PR.114420410
Chamber Concerto for
Guitar and Ensemble.
Composed by George
Rochberg. Set of Score
and Parts.
30+10+8+10+12+10+10+10
pages. Duration 20
minutes. Theodore Presser
Company #114-42041.
Published by Theodore
Presser Company
(PR.114420410). UPC:
680160687015. In
one of the dedicatory
poems to his verse play
The Shadowy Waters
(1906), William Butler
Yeats asks: Is Eden far
away...? Do our woods and
winds and verponds cover
more quiet woods, More
shining winds, more
star-glimmering ponds? Is
Eden out of time and out
of space? How do you
answer such questions? We
have only the vague
elusive promptings of our
own mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
- what is most painful to
admit - that it is closed
to us in the form in
which we live and
breathe, even if at times
we do have
intimations..., Yeats is
telling us that this
paradise, this Eden we
yearn for is here -
present even if
invisible, palpable even
if intangible. In his
Second Symphony, Mahler
meets an angel who tells
him he can't get into
heaven, he's locked out.
The news is shattering.
What follows is an
inconsolable sorrowing,
the same sorrowing that
comes when we wake to the
realization that we too
are locked out of Eden.
Eden is the heaven of our
longing and desire for
release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes -because it is not
a place. It is a state of
soul which answers none
of the illusory,
hampering conditions that
shape and bind us to the
real world of our bodies,
our appetites, our
passions, and our
beliefs. I have turned
Yeats' question Is Eden
out of time and out of
space? into its own
answering. However near
we may sense its presence
at times, Eden remains
unreachable, ungraspable,
unknowable, unthinkable.
It forever eludes us. I
wrote this music the way
I did to shut out -with
quietness and
otherworldliness - the
clamor and clang of the
raucous Garish Day, to
turn away its tumult and
noise, to negate its
stridency and chaos.
Perhaps in the cleansing
stillness and blessing of
this emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. In one of the
dedicatory poems to his
verse play “The
Shadowy Watersâ€
(1906), William Butler
Yeats asks:“Is Eden
far away…?Do our
woods and windsand
verponds cover morequiet
woods,More shining
winds,more
star-glimmeringponds?Is
Eden out of timeand out
of space?â€How do
you answer such
questions? We have only
the vague elusive
promptings of our own
mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
– what is most
painful to admit –
that it is closed to us
in the form in which we
live and breathe, even if
at times we do have
intimations…, Yeats
is telling us that this
paradise, this Eden we
yearn for is here
– present even if
invisible, palpable even
if intangible.In his
Second Symphony, Mahler
meets an angel who tells
him he can’t get
into heaven, he’s
locked out. The news is
shattering. What follows
is an inconsolable
sorrowing, the same
sorrowing that comes when
we wake to the
realization that we too
are locked out of
Eden.Eden is the heaven
of our longing and desire
for release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes –because it
is not a place. It is a
state of soul which
answers none of the
illusory, hampering
conditions that shape and
bind us to the real world
of our bodies, our
appetites, our passions,
and our beliefs.I have
turned Yeats’
question “Is Eden
out of time and out of
space?†into its
own answering. However
near we may sense its
presence at times, Eden
remains unreachable,
ungraspable, unknowable,
unthinkable. It forever
eludes us.I wrote this
music the way I did to
shut out –with
quietness and
otherworldliness –
the clamor and clang of
the raucous “Garish
Day,†to turn away
its tumult and noise, to
negate its stridency and
chaos. Perhaps in the
cleansing stillness and
blessing of this
emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. $50.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Eden: Out of Time and Out of Space Theodore Presser Co.
Chamber Music Clarinet, Flute, Guitar, Horn, Viola, Violin, Violoncello SKU: ...(+)
Chamber Music Clarinet,
Flute, Guitar, Horn,
Viola, Violin,
Violoncello SKU:
PR.11442041L
Chamber Concerto for
Guitar and Ensemble.
Composed by George
Rochberg. Large Score. 30
pages. Duration 20
minutes. Theodore Presser
Company #114-42041L.
Published by Theodore
Presser Company
(PR.11442041L). UPC:
680160687039. In
one of the dedicatory
poems to his verse play
The Shadowy Waters
(1906), William Butler
Yeats asks: Is Eden far
away...? Do our woods and
winds and verponds cover
more quiet woods, More
shining winds, more
star-glimmering ponds? Is
Eden out of time and out
of space? How do you
answer such questions? We
have only the vague
elusive promptings of our
own mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
- what is most painful to
admit - that it is closed
to us in the form in
which we live and
breathe, even if at times
we do have
intimations..., Yeats is
telling us that this
paradise, this Eden we
yearn for is here -
present even if
invisible, palpable even
if intangible. In his
Second Symphony, Mahler
meets an angel who tells
him he can't get into
heaven, he's locked out.
The news is shattering.
What follows is an
inconsolable sorrowing,
the same sorrowing that
comes when we wake to the
realization that we too
are locked out of Eden.
Eden is the heaven of our
longing and desire for
release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes -because it is not
a place. It is a state of
soul which answers none
of the illusory,
hampering conditions that
shape and bind us to the
real world of our bodies,
our appetites, our
passions, and our
beliefs. I have turned
Yeats' question Is Eden
out of time and out of
space? into its own
answering. However near
we may sense its presence
at times, Eden remains
unreachable, ungraspable,
unknowable, unthinkable.
It forever eludes us. I
wrote this music the way
I did to shut out -with
quietness and
otherworldliness - the
clamor and clang of the
raucous Garish Day, to
turn away its tumult and
noise, to negate its
stridency and chaos.
Perhaps in the cleansing
stillness and blessing of
this emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. In one of the
dedicatory poems to his
verse play “The
Shadowy Watersâ€
(1906), William Butler
Yeats asks:“Is Eden
far away…?Do our
woods and windsand
verponds cover morequiet
woods,More shining
winds,more
star-glimmeringponds?Is
Eden out of timeand out
of space?â€How do
you answer such
questions? We have only
the vague elusive
promptings of our own
mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
– what is most
painful to admit –
that it is closed to us
in the form in which we
live and breathe, even if
at times we do have
intimations…, Yeats
is telling us that this
paradise, this Eden we
yearn for is here
– present even if
invisible, palpable even
if intangible.In his
Second Symphony, Mahler
meets an angel who tells
him he can’t get
into heaven, he’s
locked out. The news is
shattering. What follows
is an inconsolable
sorrowing, the same
sorrowing that comes when
we wake to the
realization that we too
are locked out of
Eden.Eden is the heaven
of our longing and desire
for release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes –because it
is not a place. It is a
state of soul which
answers none of the
illusory, hampering
conditions that shape and
bind us to the real world
of our bodies, our
appetites, our passions,
and our beliefs.I have
turned Yeats’
question “Is Eden
out of time and out of
space?†into its
own answering. However
near we may sense its
presence at times, Eden
remains unreachable,
ungraspable, unknowable,
unthinkable. It forever
eludes us.I wrote this
music the way I did to
shut out –with
quietness and
otherworldliness –
the clamor and clang of
the raucous “Garish
Day,†to turn away
its tumult and noise, to
negate its stridency and
chaos. Perhaps in the
cleansing stillness and
blessing of this
emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. $44.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Eden: Out of Time and Out of Space [Conducteur] Theodore Presser Co.
Chamber Music Clarinet, Flute, Guitar, Horn, Viola, Violin, Violoncello SKU: ...(+)
Chamber Music Clarinet,
Flute, Guitar, Horn,
Viola, Violin,
Violoncello SKU:
PR.11442041S
Chamber Concerto for
Guitar and Ensemble.
Composed by George
Rochberg. Full score. 30
pages. Duration 20
minutes. Theodore Presser
Company #114-42041S.
Published by Theodore
Presser Company
(PR.11442041S). UPC:
680160687022. In
one of the dedicatory
poems to his verse play
The Shadowy Waters
(1906), William Butler
Yeats asks: Is Eden far
away...? Do our woods and
winds and verponds cover
more quiet woods, More
shining winds, more
star-glimmering ponds? Is
Eden out of time and out
of space? How do you
answer such questions? We
have only the vague
elusive promptings of our
own mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
- what is most painful to
admit - that it is closed
to us in the form in
which we live and
breathe, even if at times
we do have
intimations..., Yeats is
telling us that this
paradise, this Eden we
yearn for is here -
present even if
invisible, palpable even
if intangible. In his
Second Symphony, Mahler
meets an angel who tells
him he can't get into
heaven, he's locked out.
The news is shattering.
What follows is an
inconsolable sorrowing,
the same sorrowing that
comes when we wake to the
realization that we too
are locked out of Eden.
Eden is the heaven of our
longing and desire for
release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes -because it is not
a place. It is a state of
soul which answers none
of the illusory,
hampering conditions that
shape and bind us to the
real world of our bodies,
our appetites, our
passions, and our
beliefs. I have turned
Yeats' question Is Eden
out of time and out of
space? into its own
answering. However near
we may sense its presence
at times, Eden remains
unreachable, ungraspable,
unknowable, unthinkable.
It forever eludes us. I
wrote this music the way
I did to shut out -with
quietness and
otherworldliness - the
clamor and clang of the
raucous Garish Day, to
turn away its tumult and
noise, to negate its
stridency and chaos.
Perhaps in the cleansing
stillness and blessing of
this emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. In one of the
dedicatory poems to his
verse play “The
Shadowy Watersâ€
(1906), William Butler
Yeats asks:“Is Eden
far away…?Do our
woods and windsand
verponds cover morequiet
woods,More shining
winds,more
star-glimmeringponds?Is
Eden out of timeand out
of space?â€How do
you answer such
questions? We have only
the vague elusive
promptings of our own
mysterious, troubled
hearts to tell us that
the Eden we long for is
there, somewhere beyond
the physical world which
frames our existence, in
another realm of
different dimensions. And
– what is most
painful to admit –
that it is closed to us
in the form in which we
live and breathe, even if
at times we do have
intimations…, Yeats
is telling us that this
paradise, this Eden we
yearn for is here
– present even if
invisible, palpable even
if intangible.In his
Second Symphony, Mahler
meets an angel who tells
him he can’t get
into heaven, he’s
locked out. The news is
shattering. What follows
is an inconsolable
sorrowing, the same
sorrowing that comes when
we wake to the
realization that we too
are locked out of
Eden.Eden is the heaven
of our longing and desire
for release from pain and
suffering. Eden is the
image in our restive
minds that reflects the
reconciled, resolved,
quiescent state of soul
we hunger for. But Eden
eludes –because it
is not a place. It is a
state of soul which
answers none of the
illusory, hampering
conditions that shape and
bind us to the real world
of our bodies, our
appetites, our passions,
and our beliefs.I have
turned Yeats’
question “Is Eden
out of time and out of
space?†into its
own answering. However
near we may sense its
presence at times, Eden
remains unreachable,
ungraspable, unknowable,
unthinkable. It forever
eludes us.I wrote this
music the way I did to
shut out –with
quietness and
otherworldliness –
the clamor and clang of
the raucous “Garish
Day,†to turn away
its tumult and noise, to
negate its stridency and
chaos. Perhaps in the
cleansing stillness and
blessing of this
emptied-out state of
soul, Eden, through still
hidden, may not be so far
way; though still
unreachable, may be close
enough almost to
touch. $29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Music from The Shape of Water Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Composed by Alexandre Desplat (1961-). Arranged by Robert Longfield. Young C...(+)
Composed by Alexandre
Desplat
(1961-). Arranged by
Robert
Longfield. Young Concert
Band. Movies. Softcover.
Published by Hal Leonard
$65.00 $61.75 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Contemporary Piano Masters Piano seul Hal Leonard
40 Pieces from 20 of the World's Leading Piano Composers. By Various. Piano S...(+)
40 Pieces from 20 of the
World's Leading Piano
Composers. By Various.
Piano
Solo Songbook. Classical,
Contemporary, New Age.
Softcover. 168 pages.
Published by Hal Leonard
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Contemporary Piano Masters Piano seul Hal Leonard
40 Pieces from 20 of the World's Leading Piano Composers. By Various. Easy Pi...(+)
40 Pieces from 20 of the
World's Leading Piano
Composers. By Various.
Easy
Piano Songbook.
Classical,
Contemporary, Movies, New
Age. Softcover. 160
pages.
Published by Hal Leonard
$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Shape of Water Orchestre à Cordes [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
Composed by Alexandre Desplat (1961-). Arranged by Larry Moore. Pop Specials...(+)
Composed by Alexandre
Desplat
(1961-). Arranged by
Larry
Moore. Pop Specials for
Strings. Movies.
Softcover.
Published by Hal Leonard
$55.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Movie Themes Piano seul Hal Leonard
Budget Books. Composed by Various. Piano Solo Songbook. Movies. Softcover. 352...(+)
Budget Books. Composed by
Various. Piano Solo
Songbook.
Movies. Softcover. 352
pages.
Published by Hal Leonard
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| I Want to Be the Sun Carl Fischer
Choral SA choir, piano SKU: CF.CM9795 Composed by Mark Burrows. Duration ...(+)
Choral SA choir, piano
SKU: CF.CM9795
Composed by Mark Burrows.
Duration 3:45. Carl
Fischer Music #CM9795.
Published by Carl Fischer
Music (CF.CM9795).
ISBN 9781491164662.
UPC: 680160923571. Key: A
major. English. Coty
Raven Morris.
Original. The text
for When I Grow Up first
came to me while I was
teaching in Houston,
Texas. I noticed that my
students were becoming
more and more concerned
about what steps they had
to take as students to
secure a future for
themselves decades ahead.
Young people are finding
themselves having to make
lifelong decisions at a
time where they are still
in a season of
exploration and
wonderment. I then asked
myself, What happened to
discovery through play
and imagination?With the
help of one of my former
and forever choir
students, Monica Juarez,
we took my original text
and created illustrations
of a young Coty in New
Orleans, Louisiana
imagining, in real time,
all of the things that
she could be! It was
important to me that the
images were of real
things that I had seen
growing up every day.That
we are limitless and that
it's only in the
pressures of growing up
that we can lose our
creativity, I hope this
text allows both singers
and conductor to let
their imagination take
the lead and shape the
journey ahead!Sing with
JOY!—Coty
Occasionally, when I get
to visit with young
people, I’ll ask,
Has anyone ever asked you
want to be when you grow
up? All the hands go up.
Children say yes, and
then proceed to tell me
what they want to be when
they grow up. So, then I
ask a follow-up question,
Why on earth do you have
to wait until
you’re a grown-up
to be somebody?!When I
first read through
Coty’s text, I was
so moved by how clear and
beautiful that message of
empowerment shines
through:I want to live,
and that begins now. I
want to be happy. And I
refuse to wait until I
grow up.I also was struck
by her imaginative use of
the four classical
elements—air,
water, fire, and
earth—to bring us
on a journey of discovery
and wonder.I’ve
tried my best to, not so
much set Coty’s
words to a tune, as to go
along with her on the
journey and see what
music would emerge. And
I’m so happy
you’ve joined us
on the journey,
too.Welcome!—Mark.
$2.55 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| I Want to Be the Sun Carl Fischer
Choral SAB Choir, Piano SKU: CF.CM9794 Composed by Mark Burrows. Duration...(+)
Choral SAB Choir, Piano
SKU: CF.CM9794
Composed by Mark Burrows.
Duration 3:45. Carl
Fischer Music #CM9794.
Published by Carl Fischer
Music (CF.CM9794).
ISBN 9781491164655.
UPC: 680160923564. Key: A
major. English. Coty
Raven Morris.
Original. The text
for When I Grow Up first
came to me while I was
teaching in Houston,
Texas. I noticed that my
students were becoming
more and more concerned
about what steps they had
to take as students to
secure a future for
themselves decades ahead.
Young people are finding
themselves having to make
lifelong decisions at a
time where they are still
in a season of
exploration and
wonderment. I then asked
myself, What happened to
discovery through play
and imagination?With the
help of one of my former
and forever choir
students, Monica Juarez,
we took my original text
and created illustrations
of a young Coty in New
Orleans, Louisiana
imagining, in real time,
all of the things that
she could be! It was
important to me that the
images were of real
things that I had seen
growing up every day.That
we are limitless and that
it's only in the
pressures of growing up
that we can lose our
creativity, I hope this
text allows both singers
and conductor to let
their imagination take
the lead and shape the
journey ahead!Sing with
JOY!—CotyOccasiona
lly, when I get to visit
with young people,
I’ll ask, Has
anyone ever asked you
want to be when you grow
up? All the hands go up.
Children say yes, and
then proceed to tell me
what they want to be when
they grow up. So, then I
ask a follow-up question,
Why on earth do you have
to wait until
you’re a grown-up
to be somebody?!When I
first read through
Coty’s text, I was
so moved by how clear and
beautiful that message of
empowerment shines
through:I want to live,
and that begins now. I
want to be happy. And I
refuse to wait until I
grow up. I also was
struck by her imaginative
use of the four classical
elements—air,
water, fire, and
earth—to bring us
on a journey of discovery
and wonder.I’ve
tried my best to, not so
much set Coty’s
words to a tune, as to go
along with her on the
journey and see what
music would emerge. And
I’m so happy
you’ve joined us
on the journey,
too.Welcome!—Mark.
$2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Shape of Water Quatuor à cordes: 2 violons, alto, violoncelle - Intermédiaire Hal Leonard
Composed by Alexandre Desplat (1961-). Arranged by Larry Moore. Pops For Strin...(+)
Composed by Alexandre
Desplat (1961-). Arranged
by
Larry Moore. Pops For
String
Quartet. Movies.
Softcover.
Published by Hal Leonard
$14.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 100 Most Beautiful Movie Songs Piano seul Hal Leonard
Composed by Various. Piano/Vocal/Guitar Songbook. Movies. Softcover. Published...(+)
Composed by Various.
Piano/Vocal/Guitar
Songbook.
Movies. Softcover.
Published
by Hal Leonard
$37.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Great Keyboard Chord Songbook 1 Piano seul Music Sales
| | |
| 100 Most Gorgeous Songs Ever Piano, Voix et Guitare Hal Leonard
Composed by Various. Piano/Vocal/Guitar Songbook. Softcover. 430 pages. Pu...(+)
Composed by Various.
Piano/Vocal/Guitar
Songbook.
Softcover. 430 pages.
Published by Hal Leonard
$34.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Little Black Songbook: Hit Songs Music Sales
| | |
| Bass Tab White Pages
Basse electrique [Partition] - Intermédiaire Hal Leonard
For bass guitar and voice. Format: bass tablature songbook. With bass tablature,...(+)
For bass guitar and
voice. Format: bass
tablature songbook. With
bass tablature, standard
notation, vocal melody,
lyrics, chord names and
bass notation legend.
Rock and pop rock.
Series: Hal Leonard Bass
Recorded Versions. 1023
pages. 8.5x11 inches.
Published by Hal Leonard.
(26)$44.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Chart Hits of 2016-2017 Piano, Voix et Guitare Hal Leonard
By Various. Piano/Vocal/Guitar Songbook. Softcover. 128 pages. Published by H...(+)
By Various.
Piano/Vocal/Guitar
Songbook.
Softcover. 128 pages.
Published by Hal Leonard
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Chart Hits of 2016-2017 Piano grosses notes - Débutant Hal Leonard
| | |
| Chart Hits of 2016-2017 Piano Facile - Facile Hal Leonard
By Various. Easy Piano Songbook. Softcover. 112 pages. Published by Hal Leona...(+)
By Various. Easy Piano
Songbook. Softcover. 112
pages. Published by Hal
Leonard
$17.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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