(Discovery Level 2). By Paul Simon. By Paul Simon. Arranged by Roger Emerson. For Choral (2-Part). Discovery Choral. 12 pages. Published by Hal Leonard

Composed by John La Montaine (1920-). Keyboards - Piano. Fredonia Press #FRD08. Published by Fredonia Press

(25 Songs That Defined the Times). Arranged by Tom Gerou. For Piano. Book; Piano - Five Finger Collection; Piano Supplemental. Generations. Five Finger. 92 pages. Published by Alfred Music Publishing

Generations -- Baby Boomers (1964?1974), Book 2 (25 Songs That Defined the Times). Arranged by Melody Bober. For Piano. Book; Piano - Easy Piano Collection; Piano Supplemental. Generations. Easy Piano. 104 pages. Published by Alfred Music Publishing

Guitar

SKU: M7.DUX-825

Solo Arrangements Noten + TAB + Leadsheet. Edited by Beat Scherler. Sheet music. Performance book. 68 pages. Edition Dux Verlag #DUX 825. Published by Edition Dux Verlag (M7.DUX-825).

ISBN 9783868493184.

Die neue Serie ist die leichte Vorstufe zur Erfolgsreihe »Best of Pop & Rock for Classical Guitar«. Alle acht Songs sind für Gitarre solo in Notenschrift und Tabulatur arrangiert. Zusätzlich gibt es zu jedem Stück ein Leadsheet mit Strumming- und Picking-Vorschlägen.

(25 Songs That Defined the Times). Arranged by Victor Labenske. For Piano. Book; Piano Collection; Piano Supplemental. Generations. Advanced. 112 pages. Published by Alfred Music Publishing

(25 Songs That Defined the Times). Arranged by Carol Matz. For Piano. Book; Piano - Big Note Collection; Piano Supplemental. Generations. Big Note. 88 pages. Published by Alfred Music Publishing

(Discovery Level 2). By Paul Simon. By Paul Simon. Arranged by Roger Emerson. For Choral (VoiceTrax CD). Discovery Choral. CD only. Published by Hal Leonard

(Discovery Level 2). By Paul Simon. By Paul Simon. Arranged by Roger Emerson. For Choral (3-Part Mixed). Discovery Choral. 16 pages. Published by Hal Leonard

By Simon And Garfunkel. Arranged by Larry Kerchner. For Marching Band (Score & Parts). Arrangers' Publ Marching Band. Grade 2.5. Arrangers' Publishing Company #M657. Published by Arrangers' Publishing Company

Piano - Grade 5

SKU: FA.MFCD017B

By Nicolas Horvath. By Claude Debussy and Robert Orledge. Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017B. Published by Musik Fabrik (FA.MFCD017B).

8.27 x 11.69 inches.

Contains Le Roi Lear: Prelude,Premiere Fanfare, and La Mort de Cordelia,Toomai des elephants, Rodrigue et Chimene: Prelude a l'acte 1p. Le Martyre de Saint Sebastien: La Passion , and No-ja-li ou Le Palais du Silence

From Robert Orledge's notes:

My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelleas et Melisande in 1893-1902 and the ballet Jeux for Diaghilev's Ballets Russes in 1912-13). Of the rest, many were never started musically (like Siddartha and Orphee-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902-03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908-17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912-13; or Le Martyre de Saint Sebastien and La Boite a joujoux by his 'angel of corrections' ['l'ange des Corrections'] Andre Caplet in 1911 and 1919 respectively).

For it has to be admitted that what some scholars call Debussy's 'compulsive achievement' could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure's 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.

It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to 'write a ballet for him that he would sign' on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andre Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.

So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy's lost potential masterpieces from his existing sketches and drafts--then orchestrating them in Debussy's style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.

The Definitive Paul Simon Songbook by Paul Simon. For Melody Line, Lyrics and Chords. Music Sales America. Folk Rock. Softcover. 560 pages. Paul Simon Music #PS11594. Published by Paul Simon Music

34 Selections from the 500 Greatest Songs of All Time. Arranged by Dan Coates. For Piano. Piano - Easy Piano Collection. Rolling Stone! Easy Piano Sheet Music Classics. Pop/Rock. Level: Easy Piano. Book. 148 pages. Published by Alfred Publishing.

By Various. Easy Instrumental Duets. Pop. Softcover. Published by Hal Leonard

By Various. Easy Instrumental Duets. Pop. Softcover. Published by Hal Leonard

10 Popular Songs for Two. By Mr. and Mrs. Cello. Cello Duet. Pop. Softcover Audio Online. 64 pages. Published by Hal Leonard

By Nicolas Horvath. By Robert Orledge and Claude Debussy (1862-1918). Rediscoverd Debussy. Christmas. Score. Musik Fabrik #MFCD017A. Published by Musik Fabrik

Blue and Rhythmic Duets. By Gerald Schwertberger. Guitar. For 2 guitar. Level: 2. 20 pages. Published by Doblinger (Austrian import).

By John Cage (1912-1992). For for any instrument or combination of instruments. Modern. Sheet Music. Composed 1952. Duration 4 minutes 33 seconds. Published by Edition Peters

By Paul Simon. Arranged by Rich Sigler. For Jazz Ensemble. Jazz Ensemble. Young Jazz Ensemble. Jazz; Swing. Level: 2 (Medium Easy) (grade 2). Conductor Score and Parts. 92 pages. Published by Alfred Publishing.