| The Hymn Fake Book - C Edition
Ligne De Mélodie, Paroles et Accords [Fake Book] - Facile Hal Leonard
For voice and C instrument. Format: fakebook (spiral bound). With vocal melody, ...(+)
For voice and C
instrument. Format:
fakebook (spiral bound).
With vocal melody,
lyrics, piano
accompaniment, chord
names and leadsheet
notation. Hymn. Series:
Hal Leonard Fake Books.
494 pages. 9x12 inches.
Published by Hal Leonard.
(3)$39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Facile Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
(8)$49.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Krepp/oppermann Blockfloetenduos (spiel Mit M) - Débutant Schott
2 Soprano Recorders or other equal Wind-, String- or Plucked Instruments; Guitar...(+)
2 Soprano Recorders or
other equal Wind-,
String- or Plucked
Instruments; Guitar ad
libitum (SP) - very easy
to easy SKU:
HL.49023846 Mit
den schonsten Liedern aus
aller Welt.. Composed
by Kunterbund. Edited by
Frithjof Krepp and Rolf
Oppermann. This edition:
Saddle stitching. Sheet
music.
Kunter-bund-edition. 80
pages. Schott Music
#BUND71134. Published by
Schott Music
(HL.49023846). ISBN
9783795756727.
8.25x6.0x0.245
inches. Vom
Handel-Menuett uber Go
down Moses bis zu Nowhere
Man und Herzilein enthalt
das Heft eine Auswahl
beliebter Melodien.
Ausser mit zwei
Blockfloten sind die
Stucke auch spielbar mit
zwei anderen gleichen
Blas-, Streich- oder
Zupfinstrumenten und
enthalten ausserdem
Akkorde fur
Gitarren-Begleitung. $15.99 - Voir plus => Acheter | | |
| 4'33 (Cage Centennial Edition) Piano seul Peters
By John Cage (1912-1992). For for any instrument or combination of instruments. ...(+)
By John Cage (1912-1992).
For for any instrument or
combination of
instruments. Modern.
Sheet Music. Composed
1952. Duration 4 minutes
33 seconds. Published by
Edition Peters
$17.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Oxford Book Of Flexible Anthems
Chorale SATB [Vocal Score] Oxford University Press
A Clare Benediction Composed by John Rutter A Prayer Of St Richard Of Chicheste...(+)
A Clare Benediction
Composed by John Rutter
A Prayer Of St Richard Of
Chichester Composed by L.
J. White
Alleluia Composed by
William Boyce
Author Of Life Divine
Composed by Cecilia
Mcdowall
Be Still For The Presence
Of The Lord Composed by
David Evans; Arranged by
Richard Shephard
Bread Of The World
Composed by Scottish
Traditional; Arranged by
Alan Bullard
Brightest And Best
Composed by Malcolm
Archer
Christ Is The World's
True Light Composed by W.
K. Stanton
Christ The Lord Is Risen
Again Composed by Richard
Shephard
Christians Shout For Joy
And Gladness Composed by
Johann Sebastian Bach
Come Down, O Love Divine
Composed by Hilary
Tadman-robins
Plainsong: Creator Of The
Stars Arranged by John
Scott
Drop, Drop Slow Tears
Composed by Kerry Andrew
Evening Service In C
Composed by Frank Henry
Shera
Fairest Lord Jesus
Composed by Martin How
Gabriel To Mary Came
Composed by 14th Century
Irish; Arranged by Alan
Bullard
Give Thanks To God
Composed by Botswanan
Traditional; Arranged by
Alan Bullard
God Be In My Head
Composed by Armstrong
Gibbs
God In Mine Eternity
Composed by Alan Bullard
God So Loved The World
Composed by Alan Bullard
God That Madest Earth And
Heaven Composed by Welsh
Traditional; Arranged by
David Thorne
Hail, Virgin Mary (Ave
Maria) Composed by Franz
Liszt
Hark, The Glad Sound
Composed by David Thorne
Harvest Carol Composed by
Ian Ray
He Is Risen Composed by
Cecil Cope
Hide Not Thy Face
Composed by Richard
Farrant
see all...
Holy, Holy, Holy, Holy Is
The Lord Composed by
Franz Schubert; Arranged
by Alan Bullard
Holy, Holy, Holy! Lord
God Almighty Composed by
Alan Smith
Hosanna To The Son Of
David Composed by Georg
Philipp Telemann
Irish Blessing Composed
by Bob Chilcott
Jesu, Lamb Of God,
Redeemer (Ave Verum
Corpus) Composed by
Edward Elgar
Jesus Christ The Apple
Tree Composed by English
Traditional; Arranged by
Alan Bullard
Jubilate (Let Us Praise
You) Composed by Wolfgang
Amadeus Mozart
Lamb Of God (Agnus Dei)
Composed by Samuel Webbe
Let All Mortal Flesh Keep
Silence Composed by
Stephen Cleobury
Like The Murmur Of The
Dove's Song Composed by
Alan Smith
Lord, In Thy Mercy
Composed by Felix
Bartholdy Mendelssohn
Magnificat And Nunc
Dimittis In C Composed by
F. H. Shera
Never Weather-beaten Sail
Composed by Thomas
Campion; Arranged by Alan
Bullard
Now The Green Blade
Riseth Composed by French
Traditional; Arranged by
Alan Bullard
O Breath Of Life Composed
by English Traditional;
Arranged by Alan Bullard
O For A Closer Walk With
God Composed by Charles
Villiers Stanford
O God Of Mercy Composed
by Simon Lole
O God, Your Goodness
Composed by Ludwig Van
Beethoven
O Praise God In His
Holiness Composed by John
Weldon
Panis Angelicus Composed
by Cesar Auguste Franck
Peace Between Nations
Composed by Christopher
Wiggins
Pie Jesu Composed by
Gabriel Faure
Praise To The Trinity
Composed by Hildegard Of
Bingen
Psalm 150 Composed by Bob
Chilcott
Rejoice In The Lord
Always Composed by
Christopher Wiggins
Shout For Joy Composed by
African Traditional;
Arranged by Alan Bullard
Star Of Wonder Composed
by Alan Bullard
The Eternal Gifts Of
Christ The King Composed
by Guidetti/henry G. Ley
The Heavens Sing Praises
To God Composed by Ludwig
Van Beethoven
The Lord Ascendeth
Composed by Michael
Praetorius
The Lord Bless You And
Keep You Composed by John
Rutter
The Lord's My Shepherd
Composed by Bob Chilcott
The Peace Of God Composed
by Alan Bullard
The True And Living Bread
Composed by David
Blackwell
There Is No Rose Composed
by Andrew Smith
Thou Visitest The Earth
Composed by Maurice
Greene
To Be A Pilgrim Composed
by Nick Burt
Were You There? Composed
by American Spiritual;
Arranged by Peter Hunt
Where All Charity And
Love Are (Ubi Caritas)
Arranged by Alan Bullard
Wondrous Cross Composed
by Philip Wilby
The Oxford Book of
Flexible Anthems by Alan
Bullard (1947-). For
flexible instrumentation.
Mixed Voices. Sacred.
Paperback. 296 pages.
Published by Oxford
University Press
(2)$28.50 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Renaissance Fair Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Manhattan Beach Music
By Bob Margolis (After Claude Gervaise). Concert band. Suitable for high school,...(+)
By Bob Margolis (After
Claude Gervaise). Concert
band. Suitable for high
school, community, and
college bands. Level:
Grade 4. Conductor score
and set of parts.
Duration 4:30. Published
by Manhattan Beach Music.
$135.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Do-It-Yourself Harmonica Harmonica [Partition + Accès audio] Hal Leonard
Book/Online Audio and Video Harmonica SKU: HL.369558 The Best Step-by-...(+)
Book/Online Audio and
Video Harmonica SKU:
HL.369558 The Best
Step-by-Step Guide to
Start Playing. Do It
Yourself. Instruction,
Method. Softcover Media
Online. 128 pages.
Published by Hal Leonard
(HL.369558). ISBN
9781705143759. UPC:
840126992120. 9.0x12.0
inches. Learn the
fundamentals of harmonica
with Konstantin Reinfeld,
one of the world's most
sought-after harmonica
virtuosos and pioneer of
academic study of the
instrument.
Do-It-Yourself Harmonica
offers step-by-step
instructions on what you
need to know to get
started and sounding like
a pro in no time.
Includes audio
demonstration tracks,
plus detailed video
instruction by Konstantin
Reinfeld himself. Topics
covered include: •
Harmonica fundamentals
• Reading music and
tablature • Rhythmic
playing and chugging •
Single-note playing •
Tongue techniques •
Position playing •
Using scales • Blues
playing • Bending and
overbending • Vibrato,
tremolo and cupping. $29.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Symphony No. 6 - At the End of the Day Orchestre - Intermédiaire Wilhelm Hansen
Orchestra (Full Score) - Grade 4 SKU: HL.14032192 Full Score. Comp...(+)
Orchestra (Full Score) -
Grade 4 SKU:
HL.14032192 Full
Score. Composed by
Per Norgard. Music Sales
America. 20Th Century,
Classical. Softcover. 188
pages. Edition Wilhelm
Hansen #KP00865.
Published by Edition
Wilhelm Hansen
(HL.14032192). ISBN
9788759858394.
12.0x16.5x0.78 inches.
International (more than
one
language). Symphony
No. 6 for orchestra,
1997-99. Preface /
Program Note:... with the
Lord a day is like a
thousand years, and a
thousand years is like a
day(New Testament, 2
Peter 3:8)My SYMPHONY NO.
6 was commissioned by the
Danish National Radio
Symphony Orchestra, the
Gteborg Symphony
Orchestra and the Oslo
Philharmonic Orchestra,
to be premiered at the
millenium 2000.The
subtitle AT THE END OF
THE DAY can be understood
literally or it can mean
when all is added up.
However, in my opinion,
nothing ever quite adds
up, there is always
something missing, any
ending will be
provisional ...This
symphony appears to end
only a few minutes into
the first movement, the
first passage, as the
music fades away to
almost-silence, after a
start of flying colours.
But then there is still
something, a small motive
(first heard in the
initial sound-waves)
which reappears,
hesitant, but persistent,
and this embryo is what
leads on the musical
progression. An agitated
section of many
instrumental voices comes
next, until all the
voices become obsessed
with the same phrase, a
see-saw motive based on
thirds. This section
evolves into almost
martial ferocity, when
broken off by a tutti
descent into an extreme
bass-world (a bass-world
which actually permeates
the whole symphony,
emplyoing instruments
that I have never used
before: double-bass tuba,
double-bass trombone,
double-bass clarinet, and
bass flute).The second
movement, the second
passage, apparently takes
off where the first
passage ended, but now
the events are more
ambiguous, and the same
music may be perceived as
fast-moving one moment
and slow-moving the next.
This section is a kind of
passacaglia, the
characteristic baroque
bass-variation.Without a
break follows the third
and last passage, in a
contrasting high
register. The music is
rhythmically knotty as
well as freely flowing.
As in the beginning of
the symphony, a
never-ending descent or
fall breaks off the
events, and at the very
end a delta of new
beginnings, of other
worlds, is revealed
....The symphony is
dedicated to Helle, my
wife. - Per Norgard. $125.50 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ombra (Performing Score) [Conducteur] Peters
Voice; Viola (Soprano) SKU: PE.EP73727 Composed by Emily Howard. Mixed In...(+)
Voice; Viola (Soprano)
SKU: PE.EP73727
Composed by Emily Howard.
Mixed Instruments -
Soprano and Viola; Solo
Small Ensembles; Vocal.
Edition Peters.
Contemporary. Score. 28
pages. Edition Peters
#98-EP73727. Published by
Edition Peters
(PE.EP73727). ISBN
9790577024004. Ombr
a (2022) is a 40'
dramatic vocalise for
mezzo-soprano and viola
in three parts, first
performed as part of The
Wernicke's Area, a mixed
media installation led by
ANU Productions at the
Irish Museum of Modern
Art. The work can be
performed in its acoustic
version or accompanied by
sound design, created by
Bofan Ma, based on the
original immersive sound
design from The
Wernicke's Area.
The work responds
to the story and medical
condition of Debbie Boss,
wife of ANU's co-artistic
director and visual
artist Owen Boss. In 2014
Debbie was admitted to
hospital for surgery to
remove a previously
undiagnosed meningioma
tumour from a part of the
brain known as the
Wernicke's Area. Since
the surgery her everyday
life has been affected by
epilepsy. When Debbie
suffers a seizure the
symptoms manifest as
audio hallucinations and
aphasia: a loss of
comprehension of both
heard and spoken
words.
Ombra takes
inspiration from a series
of diaries kept by
Debbie, a trained soprano
who can no longer
remember the lyrics to
even the simplest of
songs. Responding to
George F. Handel's 'Ombra
mai fu', which was
Debbie's favourite aria
to perform, as well as to
the mirage-like sounds of
an AI-inflected Dublin
cityscape, Ombra is a
mental theatre, embodying
an inward, ever circling
wonder about meaning and
comprehension.
In
Ombra I, mezzo-soprano
and viola unite in an
intense unison
exploration of a brief
melodic fragment from
'Ombra mai fu'. A set of
8 short dramatic
vignettes form Ombra II.
In Ombra III, Handel's
original melody is
foregrounded with an
instruction in the score
'Repeat ad infinitum'. As
mezzo-soprano alternates
between singing, humming
and silence, viola is
instructed to play at
times with gradual or
sudden transitions
between p e dolce sempre
and sounding 'like
concete being grated', a
final reference to the
diaries.
Ombra is
dedicated to
Debbie.
Commission
ed by ANU Productions as
part of The Wernicke's
Area, funded by the Arts
Council. $26.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| First Symphony [Conducteur] Theodore Presser Co.
Orchestra 3 Bassoons, 3 Clarinets in A (3rd also clarinet piccolo in Eb), 3 Oboe...(+)
Orchestra 3 Bassoons, 3
Clarinets in A (3rd also
clarinet piccolo in Eb),
3 Oboes (3rd also English
horn, 3 Trom, 3 Trumpets
in C, 4 Flutes (3rd and
4th also 2nd and 1st
piccolos, 6 Horns in F,
Bass Clarinet in Bb,
Contrabassoon, Trumpet
Piccolo in D,
respectively) SKU:
PR.466000010 Composed
by Easley Blackwood. This
edition: Small Score.
Contemporary. Full score.
With Standard notation.
Opus 3. 124 pages.
Duration 29 minutes.
Theodore Presser Company
#466-00001. Published by
Theodore Presser Company
(PR.466000010). UPC:
680160637164. 9x12
inches. If the 2nd
flute has no low
B-natural, C-natural be
played instead. (3rd
movement measure 235 page
91) The part for the bass
clarinet is written
entirely in the treble
clef a major ninth above
the actual pitch. Horn
parts written in the bass
clef sound a fourth
higher, never a fifth
lower. If the special
percussion instruments
are not availalbe, the
following substitutions
may be made: The
E-natural for the antique
cymbals may be played on
a glockenspiel (not the
celesta); and The Bb for
the small timpano on a
side drum with snares
silenced, struck with a
soft felt stick. Several
contrabasses must be
provided with means for
producing the extra low
tones. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Symphony No. 1 Theodore Presser Co.
Orchestra 3 Bassoons, 3 Clarinets in A (3rd also clarinet piccolo in Eb), 3 Oboe...(+)
Orchestra 3 Bassoons, 3
Clarinets in A (3rd also
clarinet piccolo in Eb),
3 Oboes (3rd also English
horn, 3 Trom, 3 Trumpets
in C, 4 Flutes (3rd and
4th also 2nd and 1st
piccolos, 6 Horns in F,
Bass Clarinet in Bb,
Contrabassoon, Trumpet
Piccolo in D,
respectively) SKU:
PR.46600001L Composed
by Easley Blackwood. This
edition: Large Score.
Contemporary. Large
Score. With Standard
notation. Opus 3.
Duration 29 minutes.
Theodore Presser Company
#466-00001L. Published by
Theodore Presser Company
(PR.46600001L). UPC:
680160637171. 11x17
inches. If the 2nd
flute has no low
B-natural, C-natural be
played instead. (3rd
movement measure 235 page
91) The part for the bass
clarinet is written
entirely in the treble
clef a major ninth above
the actual pitch. Horn
parts written in the bass
clef sound a fourth
higher, never a fifth
lower. If the special
percussion instruments
are not availalbe, the
following substitutions
may be made: The
E-natural for the antique
cymbals may be played on
a glockenspiel (not the
celesta); and The Bb for
the small timpano on a
side drum with snares
silenced, struck with a
soft felt stick. Several
contrabasses must be
provided with means for
producing the extra low
tones. $170.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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